Magical Art For Sale

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Elizabeth Ansel - I love what I do so I must do what I love. As a published author and professional artist I have the ability to do what I believe in and that is important to me. Creating beautiful things that make other people happy is my aim. Always giving the subject a pleasing grace and celebrating life is important for all of us...

Aleksandr Dubrovskyy - 1949 Alexandr born in Ukraine, Orynen 1956-1965 Studies at the studio of fine arts in Enakievo Ukraine 1969 Graduates from Kharkov State Art School professor Tanpeter, Ukraine 1972-1984 Participated in numerous prestigious personal and collective exhibitions of the Soviet Union and abroad 1973-1975 Exhibitions of contemporary Soviet art Tokyo, Kyushu, Japan 1973-1984 Creative trips to the art center of SEDNIV Ukraine. Worked together with and learnt at the same time from outstanding painters such as Konstantyn Lomykin, Fedor Zakharov, Nikolay Glushchenko, Viktor Shatalin, and Tatyana Yablonskaya. 1984-2019 Participated in personal and collective exhibition all around Ukraine and abroad 1985-1993 International exhibitions of contemporary art Algeria 1987 Member of National Union of Artists of Ukraine 1992 An exhibition of artists of the St. Petersburg School of Painting ARCOLE Gallery, Paris, France 1995-2004 Designed Created florentine mosaic panels at the Cathedral of Saint Mina Alexandria, Egypt 2003-2005 Designed Created florentine mosaics in St.Georges Cathedral of Vydubitsky Monastery Kiev, Ukraine 2007-2020 Exhibitions of Plein Air painting All around Ukraine and abroad Works are represented in art museums of Ukraine, as well as private and foreign collections....

Tatjana Sjekloca - Tatjana Sjekloca. Born and still based in Belgrade, Serbia. Usually uses acrylic paints accompanied by different techniques, especially when creating collages. She finds inspiration in rejected materials. Her art seeks to attain a deeper understanding of the ways by which we create our own realities. ...

Paul Dettwiler - Influenced by various human movements in space and buildings in urban contexts and by application of ancient glazing technique in painting, my paintings have formed a niche of its own. Multiple transparent layers with oil paintings on a grisaille foundation of tempera or putrido are in principle similar with the painting technique in continental Europe during the Renaissance and Baroque era however my pigments are modern and light proof. ...

Diana Corcan - Poetry and the poetry of objects. As in the poetry I write, the tendency to express myself artistically implies a dual nature. An inner primitive kind -- who yearns for the simplicity of former emotions, and a nature containing a perverted, sophisticated side, in which the influence on the aesthetic is done through an emotion compromised by the mundane. The desire of permanent return to our unperverted state, to a zero point, expressed in my poetry, manifests also in the textile objects I make, through the option for natural materials. The run between light and darkness, between color and non-color comes from the desire of an equilibrium point. It comes from the attempt to support my own feelings on a skateboard, activated in permanence by the power of feelings in motion. The acrobacy of emotion is what draws the object, builds it, animates it and settles its destination. ...