Marine Art For Sale

Artists Describing Their Art:

Ronald Lunn - As an artist, the art I create is something that doesnaEURtmt have a simple definition. My artwork is about personal growth, I constantly strive to evolve and improve my techniques. I enjoy creating each painting or drawing to visually speak to me and the viewer, tell a story, bring up a memory, or have a pleasing memorable image that feeds the vieweraEURtms heart and soul. I wish for that my artwork may continue leaving a lasting impression, to hopefully uplift and inspire everyone to experience those same emotions, pursue their own dreams and bring refreshment into their life, to see the beauty that exists around all of us. I cherish the feeling that art can be fun, it makes me smile and I still get such a sense of satisfaction from people whether negative or positive. I love what I do and am extremely passionate about the arts. ...

Ronald Lunn - Ronald Lunn - Ronald Lunn - Richard Harpum - I find painting to be one of my most satisfying pastimes. Although I drew and painted as a youngster, a career in the British Army followed by many years as a senior executive in business, meant that I did not start pursuing my passion again until I was in my 50s. I am so glad that I did. Although I love the Impressionists, the engineer in me means that I have a great deal of difficulty being "loose" in my own work. Having tried and failed, I decided to take the route of being a realist artist, and recently coined "High Definition Art" as my slogan. However, I am not interested in achieving photorealism. I want people to see that my pictures are paintings, and would hate the thought that someone had to take a close look to discover that one of my paintings was not a photograph. My time-consuming technique pretty much prohibits painting en plein air, so I use photographs for reference in my studio. Consequently, I take a camera everywhere, although this drives my wife nuts! However, I deliberately avoid painting a direct copy of any of my photos. Indeed, with each new painting, I seem ...

Richard Harpum - Hilary Pollock - When contemplating creativity, I admit to being impressed by the draftsmanship of Gustav Klimt,the audacity and creativity of Picasso and the fortitude of Artemisia Gentileschi and many other female artists. The "Lady and the Unicorn" tapestries in Paris move me greatly for their colour and their detail in particular. I have my own style and language which has developed over the years from experimentation with a variety of mediums and different approaches to my subject matter. Some things become favourites, contributing to a personal language and the sheer pleasure of creating. The process is the important thing. Creativity for the visual artist is all about struggle,excitement and energy....

Setyo Mardiyantoro - Setyo Mardiyatoro was born in Java, Indonesia the 13/04/64 and got a degree in Agricultural technology at the National University of Jember, Indonesia in 1990. In'91 he came to Italy to follow his real vocation which is artistic. At present he lives in Naples where he works as a painter. In his work there is all the history of his experience which has matured in two completely different worlds similar only for their richness and variety of traditional cultures and the production of works of art. The remembrance and the nostalgia for an exuberant nature can be seen in the Italian landscapes which admiration covers with a golden light and which are enriched with stylized birds, the symbol of sentiments and thoughts which they have recalled up. Images of oriental fairy tales, mythological scenes and animals confront one another with the enigmatic faces of western women in thoughtful attitudes. In his first works he is inspired by the technique of Indonesian Batik, where the "tik" is the drop of wax used to leave a point uncolored. In his contact with traditional western art he has found that pointillism is particularly near in it's results to this ...

Vasily Zolottsev - There is only one law in art which carries objective character and comes from the very nature, conditional character and illusiveness of art! It is an indispensable condition of creation of an artistic image! It is necessary to judge an artwork by intensity and importance of the image and force of its emotional influence! Style, manner and technique don't have any importance and they are equivalent! The good picture of a primitive artist can be much more valuable in the art sense than a 'competent' picture of a realist and on the contrary! If there is an image, there is a work of art, if there isn't, it's no use crying for the moon! And it is not important which art means it has been reached by! Everyone to his 'own' taste! ...

David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....

Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...