Mask Art For Sale

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Browse 59 Mask artworks for sale. Contemporary artists: Jerry Di Falco, Luise Andersen, Rickie Dickerson, Lou Posner, Philip Hallawell, Michael Puya, Louise Parenteau, Suzanne Noll, Minh Hang, Melissa Lockhart, William Bernard Brooks, Kanika Marshall offering Mask artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Mask art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'the artist as abe', 2018 Etching, Mask. THE PRICE OF THIS MATTED ETCHING INCLUDES A FRAME THAT MEASURES 16 INCHES HIGH BY 11 INCHES WIDE.  THE PAINTED BLACK, WOOD AND GLASS FRAME INCLUDES AN ACID FREE, WHITE MAT.  MOREOVER, THE ARTWORK ARRIVES WIRED AND READY TO HANG ON YOUR WALL.  This etching is based on a 1962, ...
Mask - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'Three Women and a Boy in Pompeii', 2010 Etching, Mask. This intaglio etching used silver, oil base etching ink on Stonehenge black paper. It is from a series of etchings that deal with the ancient city of Pompeii. This specific visual is taken from a mosaic that survives today. Visual elements of my etchings include play of shadow and light, ...
Mask - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Luise Andersen: 'FOREVER NIGHT  PROFILE ORIG MASK', 2008 Other, Mask.
Mask - Other
9 x 13 inches (22.9 x 33.0 cm)
Luise Andersen: 'PROFILE I   Mask ', 2008 Other, Mask.  CROPPED VEIL- CHANGED HUES- PROFILE UNTOUCHED FROM ORIGNINAL, WHICH IS FOREVER NIGHT. . INTENSIFIED DEEPNESS. . AND LIKED VERY MUCH RESULTS. DID TWO- ALIKE INN HUES, BUT DEPTH OTHER AMONGST SEVERAL 'CHANGES' IN CONTRASTING CUTS, ETC.  ...
Mask - Other
9 x 13 inches (22.9 x 33.0 cm)
Luise Andersen: 'FOREVER NIGHT  Indoor Pic', 2008 Other, Mask.  FIRST UPLOAD TAKEN IN BRIGHT LIGHT OUTSIDE- TOOK THIS PIC INSIDE AND HUES OF COPPER LEAF , AS WELL AS DARK IN CREASES OF VEIL ETC. SO MUCH DEEPER, AND AS SUCH MORE DRAMATIC IN STATEMENT. THE PAPIER MACHE IS NOT HEAVY- VERY LIGHT. . STILL HAVE THE ORIGINAL PLASTER BASE, THIS...
Mask - Other
9 x 13 inches (22.9 x 33.0 cm)
Luise Andersen: 'FOREVER NIGHT  ', 2008 Other, Mask.  Photo of this' mask' was taken in bright sunlight. Did this mask several years ago. . my first ever try with image in papier mache. Did a large krokodil with Pauline before that, which was major hit with people in city Fontana. Special kids. looked so real, some little ones started...
Mask - Other
9 x 13 inches (22.9 x 33.0 cm)
Rickie Dickerson: 'Mask2', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
Rickie Dickerson: 'First Mask', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Rickie Dickerson: 'The Wizard', 2006 Handbuilt Ceramics, Mask.  I had to re- take his picture the one that is here already was very badly done. . . ...
, 2006
Mask - Ceramics
4 x 10 inches (10.2 x 25.4 cm)
Lou Posner: 'Brasil', 2006 Oil Painting, Mask. My vision of an allegorical Brazil.  Feathers have always been a part of Brazilian indigenous culture.  I was also inspired by the colors and design of the Brazilian flag and the sensuality of Carnaval parades.  Eu creo que talvez eu estou em parte Brasileiro, Carioca, Amerioca...
, 2006
Mask - Painting
32 x 42 inches (81.3 x 106.7 cm)
Philip Hallawell: 'Animus et  Anima 2', 1982 Mixed Media, Mask. This painting/ drawing done in ink, pen and ink and collage investigates the dual nature of the personality ( animus/ anima, right/ left brain, ying/ yang, alchemy, etc. ) . Also part of the masks series. ...
Mask - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Michael Puya: 'African Mask Repulsing Malice and Disease', 2002 Acrylic Painting, Mask. Subtitle: Afrikanische Maske. 40x50 cm. Linen, stretched on a wooden frame....
Mask - Painting
16 x 20 inches (40.6 x 50.8 cm)
Louise Parenteau: 'KEBEK', 2014 Ceramic Sculpture, Mask.  Ceramic ( raku) , qood, leather, found objects.    ...
, 2014
Mask - Sculpture
28 x 16 cm (11.0 x 6.3 inches)
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Louise Parenteau: 'HOCHELAGA', 2013 Mixed Media Sculpture, Mask.  Wood, leather, found objects.    ...
, 2013
Mask - Sculpture
28 x 61 cm (11.0 x 24.0 inches)
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Louise Parenteau: 'AYA', 2014 Ceramic Sculpture, Mask.   Ceramic, wood, leather, found objects.  ...
, 2014
Mask - Sculpture
18 x 26 inches (45.7 x 66.0 cm)
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Louise Parenteau: 'OKO', 2014 Ceramic Sculpture, Mask.  Ceramic, wood, leather, found objects. ...
, 2014
Mask - Sculpture
20 x 30 inches (50.8 x 76.2 cm)
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Louise Parenteau: 'Chandu', 2014 Ceramic Sculpture, Mask.  Mixed media: Ceramic, wood, leather.                     mask, african, art, sculpture, ethnic, raku, ceramic, wall sculpture,   ...
, 2014
Mask - Sculpture
35 x 36 cm (13.8 x 14.2 inches)
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Suzanne Noll: 'Lil Smokie Brown Bear Face Mask', 2009 Other Ceramics, Mask.
Mask - Ceramics
15 x 15 inches (38.1 x 38.1 cm)
Suzanne Noll: 'Foxy Terror', 2006 Mosaic, Mask.    Foxy Terror is a Fox Terrier dog mask made of high fire clay and various glazes. Foxy is inlaid in handmade tiles and white marble inside of a black wooden frame. The whiskers are of white wire and handmade polymer clay balls at the tips.As with all my creations...
Mask - Mosaic
15 x 15 inches (38.1 x 38.1 cm)
Minh Hang: 'Mask', 2009 Pencil Drawing, Mask.  This is a pencil drawing, it also available for limited edtion print sign by artist, for sale at $100 each. size 16X20 inches.    ...
, 2009
Mask - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Melissa Lockhart: 'the sea', 2009 Handbuilt Ceramics, Mask.
, 2009
Mask - Ceramics
6 x 12 inches (15.2 x 30.5 cm)
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Melissa Lockhart: 'forest', 2009 Handbuilt Ceramics, Mask.  A small and gentle sprite to keep your home free of the bad. Created from clay, papermache and acrylic paint. Curred for indoor and outdoor use ...
, 2009
Mask - Ceramics
7 x 7 inches (17.8 x 17.8 cm)
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Melissa Lockhart: 'kiss me', 2009 Paper, Mask.  Pucker up and she will bring some luck and love in your home. Paper mache and acrilic, curred for indoor and out door display. ...
, 2009
Mask - Paper
8 x 9 inches (20.3 x 22.9 cm)
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Melissa Lockhart: 'Man', 2009 Paper, Mask.  The strong and silent type. Created from papermache and spray paint. Curred for indoor and out door display ...
, 2009
Mask - Paper
10 x 12 inches (25.4 x 30.5 cm)
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Melissa Lockhart: 'Little Backus', 2009 Paper, Mask.  Looking more like the morning after a good night drinking, Backus is still happy and ready to join you again. Created from papermache and spray paint to create depth and character. Curred for indoor and outdoor. ...
Mask - Paper
7 x 12 inches (17.8 x 30.5 cm)
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Melissa Lockhart: 'Depth', 2009 Paper, Mask.  A deep and compeling peice created to to give a peice of serentity. Created from papermache and curred to be placed indoor or out. ...
, 2009
Mask - Paper
22 x 16 inches (55.9 x 40.6 cm)
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Melissa Lockhart: 'Bird', 2009 Paper, Mask.  A colourful and wimsical addition to ones collection. Papermache and acrilic. Curred to be put indoors or out.  ...
, 2009
Mask - Paper
12 x 12 inches (30.5 x 30.5 cm)
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William Bernard Brooks: 'when the rain comes', 2007 Other Photography, Mask.  kacina mask celebrating the coming of rain ...
Mask - Photograph
13 x 19 inches (33.0 x 48.3 cm)
Kanika Marshall: 'Modigliani Returns Africa', 2000 Handbuilt Ceramics, Mask.  Italian painter, Modigliani, used the elongated forms from African tribes as inspiration to his paintings.  This mask utilizes the same type of elongation that Modigliani appropriated and returns it to an African- oriented mask form.  Clay, shells, metal. ...
Mask - Ceramics
8 x 22 inches (20.3 x 55.9 cm)
Mohamed Banawy: 'Carnival of Venice 4', 2007 Oil Pastel, Mask.
Mask - Oil Pastel
600 x 800 mm ( x )
(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Louise Parenteau - Minh Hang - Through life struggle I was able to understand the profound meaning of my surrounding. Each experienced take me to a different level of awareness and a vision with wiser perspective. Art was a mean for me to coped with all the hardship and struggle in my life, each time i pickup a paint brush i went in to a trend that take me deep down to the cord of my spirituality until i feel my hand was guided by a super being, at this stage i found my sense of security. The process of creating is like a journey to discover a new self and a new world. I like to provoked the deep sense of my emotion where i can create mood that give me the excitement and energy in the process. to me, I found that black and white visually give me a pure sense of reality and raw emotion like a documentary told the story the way it is. with just a simple medium such as black charcoal, ink and acrylic to convey an idea on to a canvas through light and shadow, form and composition to form a visually excitement finish piece of art work. ...

Melissa Lockhart - To create a unique and different look and admiration for the medium of Paper mache and clay work. To fill peoples homes with somthing diferent and to teach people to express themselfs no matter what they think there skill level is....

William Bernard Brooks - The photographer William Bernard Brooks creates images of shamanic interludes. Meditations in the forests and near hidden lakes in the Rocky Mountains in Montana provide an opportunity to align with energies that are still communicating with us. In those moments, when form and intent, desire and surrender, knowledge and manifestation coalesce into joyful bliss, we find that gratitude is the noblest of expressions. The artist creates a variety of motives in a series of eight signed and numbered carbon pigment prints. Printed on famed Hahnemuehle Fine Art Paper: German Etching 310 gsm approx . 13 x 19 inches Price: 1,200.00 US dollars per print The book "SOUL CALLER" with images and instructions for meditations will was published in 2007. William Bernard Brooks is an artist whose work is shown in Europe and the United States in various galleries and publications. He lives in Montana and dedicates his attention to the harmonious interaction of indigenous cultures, nature and the resulting applications in modern life. ...

Kanika Marshall - Kanika Marshall has created a distinctive collection of mixed-media art sculptures, which includes hand-painted tile mosaics and other two-dimensional wall pieces, three-dimensional sculptures, masks, garden art, wearable art, figurines, goddesses, breast cancer survivor art, and tribal-design pottery. She sculpts some pieces by hand from clay, paints them with a color glaze to form the varying hues of skin tones and other colors, and then low fires them in a kiln to ceramic perfection. Many of the pieces are draped with fabulously textured fabrics from Africa, and/or adorned with beadwork, glass, leather, recycled metal, stones, shells, or other finishing touches. Kanika believes her African ancestors work joyously through her hands to create each one-of-a-kind sculpture. Kanika studied with renowned potter/sculptor Ruth Rippon in 1980-81 and with figurative sculptor, Yoshio Taylor, in the early 1990s. Kanika's sculptures have been sold for years in the Crocker Art Museum, numerous art galleries and stores throughout Northern California, at juried art shows, on the World Wide Web, and to art aficionados all over the world. The City of Elk Grove purchased Kanika's "Leather Locks & Five Ancestors" and "Sea Jellies and River Rock." ...