Mountains Art For Sale

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Browse 44 Mountains artworks for sale. Contemporary artists: David Larkins, Tiziana Fejzullaj, Lora Vannoord, Luise Andersen, William Christopherson, Pamela Van Laanen, Randy Sprout, Fritz Engelhardt, Durlabh Singh, Ruth Therese, Joseph Caputo, Joseph Porus, Maria Elena Grianta, Vasily Zolottsev, Sumant Barooah, Sarah Katz Mount, Lira Kay, Roman Gumanyuk, Russell Hansen, Maria Teresa Fernandes, Rachel J Ando, Glen Sweeney offering Mountains artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Mountains art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
David Larkins: 'the dolomites sappada italy', 2018 Acrylic Painting, Mountains. Hiking in the Dolomites last August with friends, I was overwhelmed with their immense majestic beautyWe came upon a lone burro hiking back down the trail, who knows what she was doing up there, but I had to paint her ...
Mountains - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Tiziana Fejzullaj: 'Mountain River', 2016 Oil Painting, Mountains.  Mountain River ...
Mountains - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Lora Vannoord: 'Mountain', 2011 Oil Painting, Mountains.  An original oil painting of a mountain in the Adirondacks. It can be seen from the NY freeway on the way to Plattsburg in upstate New York. wood frame included. ...
, 2011
Mountains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Luise Andersen: 'MORNING ALWAYS COMES', 2009 Oil Painting, Mountains.  PHOTOGRAPH OF THIS PAINTING IN PROGRESS WAS TAKEN EARLY MORNING ON NOV FOUR, 2009. IS AMAZING ME STILL AFTER SO MANY YEARS. . HOW VARIATIONS OF LIGHT INFLUENCE EYES VIEW OF COLORS. . AND TOTALLY CHANGES MOOD OF ART WORK. . AWARE. . MORE WITH UNCONSCIOUS THAN CONSCIENCE. . OR BOTH MAYBE. .QUESTION STILL FOR...
Mountains - Painting
0 x 0 inches (0.0 x 0.0 cm)
Luise Andersen: 'DEM MORGEN ENTGEGEN', 2008 Color Photograph, Mountains.
Mountains - Photograph
0 x 0 inches (0.0 x 0.0 cm)
William Christopherson: 'Adirondack High Peaks', 2001 Giclee, Mountains.   A large 23 x 30 limited edition giclee of spectacular award winning Adirondack high peaks watercolor  Avalanche Pass by New York artist William Christopherson. This scene is from the artist's chilly, damp, ascent of Mt. Colden, through Avalanche Lake on a cold September day. Printed as a true Iris...
Mountains - Giclee
30 x 23 inches (76.2 x 58.4 cm)
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Pamela Van Laanen: 'mountain landscape', 2018 Acrylic Painting, Mountains. Original acrylic on canvas autumn  mountain landscape with old barn...
Mountains - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Pamela Van Laanen: 'autumn landscape', 2018 Acrylic Painting, Mountains. Original acrylic on canvas landscape featuring mountains and a tranquil lake. Painting is mounted in a rustic frame that increases  the size of the entire piece to 28 X 24 ...
Mountains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Randy Sprout: 'High Lake', 2015 Acrylic Painting, Mountains.  9X12 Acrylic Sketch on # 140 Strathmore ...
, 2015
Mountains - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Fritz Engelhardt: 'Finishing Post', 2013 Oil Painting, Mountains.  finishing post, Zugspitze, Wettersteingebirge, Germany, oil paintings, fine art, mountainscape, artist, Fritz Engelhardt,                          ...
Mountains - Painting
160 x 120 cm (63.0 x 47.2 inches)
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Fritz Engelhardt: 'Top of Europe', 2013 Oil Painting, Mountains.  oil paintings, fine art, mountains scape, mountain view, landscape, artist, Fritz Engelhardt, Jungfrau, Berner Alps                     ...
Mountains - Painting
160 x 120 cm (63.0 x 47.2 inches)
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Durlabh Singh: 'Mountain Scape', 2013 Oil Painting, Mountains.   Contemporary  painting, innovative, figurative, expressive, landscape, spiritual.   ...
Mountains - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Ruth Therese: 'Aiguille du Midi', 2011 Watercolor, Mountains. The striking mountain Aiguille du Midi, with Mont Blanc seen behind. Mountain landscape, geometrical, semi- cubisme, colorful, winter, blue shades. ...
Mountains - Watercolor
42 x 30 cm (16.5 x 11.8 inches)
Ruth Therese: 'Aiguille du Midi en l hiver', 2011 Watercolor, Mountains.  The mountain Aguille du Midi, seen from Chamonix en France. In the background the mountain Mont Blanc. Mountain landscape, geometrical, semi- cubism. Landscape, mountain, winter, snow, glacier, alpes, view, light, pale yellow, light blue. ...
Mountains - Watercolor
42 x 30 cm (16.5 x 11.8 inches)
Fritz Engelhardt: 'Sellajoch Dolomiten', 2006 Watercolor, Mountains. Watercolor Paintings, Mountain, Landscape                  ...
Mountains - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
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Joseph Caputo: 'autumn in the mountains', 2009 Acrylic Painting, Mountains.   the road to the lake in the mountains ...
Mountains - Painting
16 x 12 inches (40.6 x 30.5 cm)
Joseph Porus: 'Coast Highway Headlands', 1998 Oil Painting, Mountains.   Oil on  stretched fine canvas.        ...
Mountains - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Maria Elena Grianta: 'Mountainous landscape', 2009 Woodworking Art, Mountains.  Finding a chapel inside a mountain context ...
Mountains - Woodworking Art
50 x 30 cm (19.7 x 11.8 inches)
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Vasily Zolottsev: 'The canyon', 2009 Oil Painting, Mountains.  Caucasus. Lago- Naki. The nature of the south Russia. ...
, 2009
Mountains - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Vasily Zolottsev: 'Autumn in Caucasus  The river Skakuha', 2008 Oil Painting, Mountains.  Caucasus at Tuapse in Russia. ...
Mountains - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Vasily Zolottsev: 'Caucasus LagoNaki', 2008 Oil Painting, Mountains.  Caucasus in Russia. ...
Mountains - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Sumant Barooah: 'Mt Kunchanjunga', 2008 Color Photograph, Mountains.  Mountain of Eastern Himalaya. On the horizon of Darjeeling and Sikkim ...
Mountains - Photograph
0 x 0 inches (0.0 x 0.0 cm)
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Sarah Katz Mount: 'From Baldy', 2008 Oil Painting, Mountains.
, 2008
Mountains - Painting
161 x 13 cm (63.4 x 5.1 inches)
Lira Kay: 'Sun, Road', 2007 Oil Painting, Mountains.  Landscape, oil on canvasboard, unframed ...
, 2007
Mountains - Painting
75 x 60 cm (29.5 x 23.6 inches)
Roman Gumanyuk: 'Mountains of Pamir', 2005 Oil Painting, Mountains.  asia, mountains, pamir ...
Mountains - Painting
110 x 75 cm (43.3 x 29.5 inches)
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Russell Hansen: 'Longs Peak In Winter', 2006 Black and White Photograph, Mountains.  Longs Peak, Rocky Mountain National ParkColorado  Poster can have the name of the artist on the bottom . . . or not ...
Mountains - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Maria Teresa Fernandes: 'plans at sea', 1970 Watercolor, Mountains. plans to rest the eyes...
Mountains - Watercolor
19 x 13 inches (48.3 x 33.0 cm)
Rachel J  Ando: 'Fuji San ', 2013 Oil Painting, Mountains.
, 2013
Mountains - Painting
15 x 10 cm (5.9 x 3.9 inches)
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Glen Sweeney: 'dragons claw', 2019 Black and White Photograph, Mountains. The power of a dragon s claw leaving its mark on the mountain landscape. A  mountain scene taken near Schladming, Austria. Mountains, Schladming, Austria. ...
Mountains - Photograph
80 x 53 cm (31.5 x 20.9 inches)
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Glen Sweeney: 'giants bw', 2013 Black and White Photograph, Mountains. Stone giants, waiting, watching, eroded only by time. A rock face in Spain, look carefully and you will see the giants hiding in plain sight. ...
, 2013
Mountains - Photograph
80 x 53 cm (31.5 x 20.9 inches)
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(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Palm Harbor Art Club, the Creative Artists Guild, Artists of the Adirondacks, Strand Center for the Arts and the NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

William Christopherson - Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...

Fritz Engelhardt - My gallery shows oil, pastel and watercolor paintings. I discover my motifs during hiking. First I,m painting pleinair. Back in the studio landscape paintings in oil, pastel and watercolors evolve based on sketches, photos, and memory. While a photographic rendering always emphasizes the moment, a situation or records an event, a painting is still within a tradition of art history that immediately transcends every motif and therefore makes it seem timeless and universally valid. It has more reality than a photo because a painting has more of the character of an object, because it's tangibly produced with materials. My landscapes always show only one excerpt from nature as it in fact corresponds to visible reality but not to the truth of our present time. The truth is different. By selecting the motif and therefore precisely what the artistic resolution of the details do not show, all landscapes are intuitive models of a lost truth and reality. The desire of human beings for a healthy and ecologically intact environment leads me also to the strangely ambivalent position of a late Romanticist who wants to paint something beautiful with impressionistic tools and being committed to modern humanity at the same ...

Durlabh Singh - Sice R.Mutt's urinal, visual art in the western world has suffered a shock & a decline.It has become mere conceptual & has gone back to literary traditions of making statements.Abstraction has become a puritan's attitude of non-depiction of human body in a dignified form.My art is a sort of revolt against this kind of pseudo-intellectualism. My art takes account of both biological & metaphysical aspect of human body.It is a breakthrough to new levels of reality creating significant forms necessary for development of human spirit. I welcome any suggestions or comments regarding my work. If anyone is interested in buying please contact me.Main aim of my art has never been financial gains. I have exhibited all over the world including India, Kenya, Helsinki, Paris, London & New york etc.My work is in private & public collections incliding Ministry Of DefenceLondon & Horniman Museum London....

Ruth Therese - For me it is difficult to explain the creative process. It is like trying to explain why I breathe. It is just something I need to do, something I urge to do. When I was younger, I was very shy. To paint, and the making of graphic works, became a way of expressing my self, my opinions and my feelings. Now, I am not that shy, but I still need to express myself by painting. Every single painting is consequently, in colors and forms, a part of me. And if you "feel" or understand the painting, it just became a part of you as well....

Vasily Zolottsev - There is only one law in art which carries objective character and comes from the very nature, conditional character and illusiveness of art! It is an indispensable condition of creation of an artistic image! It is necessary to judge an artwork by intensity and importance of the image and force of its emotional influence! Style, manner and technique don't have any importance and they are equivalent! The good picture of a primitive artist can be much more valuable in the art sense than a 'competent' picture of a realist and on the contrary! If there is an image, there is a work of art, if there isn't, it's no use crying for the moon! And it is not important which art means it has been reached by! Everyone to his 'own' taste! ...

Sumant Barooah - I like to do a lot of work on architecture and landscapes,especially buildings reflecting culture and landscapes playing magic with light. I am one of the opinion that photographs are work of art as no photograph can be reproduced;time and light move on as the year goes by. I like to do people in moods and sometimes the same people in different moods,varying with external or internal joys,excitement,aggravation or sorrow. Sometime even a child can have a blissful look. The photo-stories must be written with the view what the coming generations might not have the opportunity to see;not just history,environment and faith....

Sarah Katz Mount - Living in this volatile time my pieces signify the freedom of nature and imagination. Works throughout history always have historical, economical, cultural, philosophical value in societies throughout the world. In today's technologically advanced age the role of the artist is wrongly compromised. Symbolism, historical references, experience, and my own photography influences my paintings and are inspired by the magic realism stylization which rooted from the late 1800's and became popular in the 1920's. I manipulate perspective and space communicating movement giving my pieces a literary feel, and I hope everyone finds something inspiring like I find in powerful artists before me....

Lira Kay - Lira Kay's paintings are rooted in deep reflectiveness, and it is of significance that her educational background includes the study of Psychology. She also uses meditative techniques to evoke the deep energies which underpin her work, particularly her graphics. The viewer will be struck by the boldness and freedom of her canvases. Influenced by Kandinski, her paintings show a vibrant appreciation of the power of colour to communicate energy. Her work is largely abstract or semi-abstract, and often centres on archetypal images, sometimes with a Shamanic influence, sometimes acting like mandalas or Russian icons, providing a meditative focus for the viewer. As well as abstract paintings there are representational works inspired by travelling in Russia, France, Italy and Scotland. Her abstract paintings are like snapshots of life, reflections on key experiences and feelings everyone goes through. They start you thinking and feeling. They bring in the most intimate feelings to do with the spiritual, moral and physical aspects of our lives. ...

Russell Hansen - Master Photographer Russell Lee Hansen has been a professional photographer since 1986. When he was still in grade school Russell developed his art skills using oils and watercolor. He has been Nebraska photographer of the year, In the PPofA Loan collection several times and honored with many Judges awards from print competition. Russell developed his skills in digital imageing and found it to be the perfect marriage between his photography and his art skills. His photography has been displayed at Epcot, PPofA's traveling loan collection, and general collection. "I want people who see my work to relate to it somehow. Hopefully my images can evoke a feeling rather it be calmness, sadness, power, or a rememberence of times gone by." Russell Lee Hansen...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...