Movies Art For Sale

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Browse 129 Movies artworks for sale. Contemporary artists: Mos Riera, Elena Zhogina, Brian Zammarrelli, Patrick Hromas, Mary Zeman, Koroleva-prisyazhnaya Anastasia, Jerry Di Falco, Stephen Mead offering Movies artworks. Links to more artworks by these contemporary artists and 5 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Movies art simply click on the image to go to a more detailed page about this work of art.


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Mos Riera: 'Un ojo en el corazon de un poeta', 2011 Watercolor, Movies.                    n. 19                  ...
Movies - Watercolor
40 x 30 cm (15.7 x 11.8 inches)
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Mos Riera: 'Un ojo en el corazon de un poeta', 2011 Watercolor, Movies.             n. 12           ...
Movies - Watercolor
40 x 30 cm (15.7 x 11.8 inches)
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Mos Riera: 'Un ojo en el corazon de un poeta', 2011 Watercolor, Movies.            n. 11          ...
Movies - Watercolor
40 x 30 cm (15.7 x 11.8 inches)
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Mos Riera: 'Un ojo en el corazon de un poeta', 2011 Watercolor, Movies.           n. 10         ...
Movies - Watercolor
40 x 30 cm (15.7 x 11.8 inches)
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Mos Riera: 'Un ojo en el corazon de un poeta', 2011 Watercolor, Movies.         n. 8       ...
Movies - Watercolor
40 x 30 cm (15.7 x 11.8 inches)
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Elena Zhogina: 'Tapeur', 2010 Charcoal Drawing, Movies. This drawing was made in the memory of a famous Soviet actress Faina Ranevskaya. In my opinion she was one of the greatest actresses of all times. However due to her straight forward nature and soviet regime constraints she played only in episodes of movies and not enough in the ...
, 2010
Movies - Drawing
42 x 59 cm (16.5 x 23.2 inches)
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Brian Zammarrelli: 'clown', 2009 Pencil Drawing, Movies.
, 2009
Movies - Drawing
15 x 10 inches (38.1 x 25.4 cm)
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Brian Zammarrelli: 'taxi driver', 2009 Pencil Drawing, Movies.  robert deniro from taxi driver ...
Movies - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Patrick Hromas: 'Jack Sparrow', 2007 Pastel, Movies.  The drawing is from the
Movies - Pastel
16.5 x 22.3 inches (41.9 x 56.6 cm)
Mary Zeman: 'Favorite Movie 1 Lovely and Amazing', 2007 Acrylic Painting, Movies.  Acrylic and ink on wood ...
Movies - Painting
36 x 13 inches (91.4 x 33.0 cm)
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Koroleva-prisyazhnaya Anastasia: 'Karabas Barabas', 2001 Ink Painting, Movies.  iur favourite heroes of the childhood ...
Movies - Painting
21 x 31 feet (6.40 x 9.45 m)
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Jerry  Di Falco: 'shadow of caligari', 2018 Etching, Movies. This work includes an 11 inch high by 14 inch wide black, wood frame and white acid free mat.  TECHNICAL INFORMATION ABOUT THIS WORK.  The studio techniques employed included Intaglio and Chine colle.  The French paper used was RivesBFK white, and the inks employed were oil base, Charbonnel brand, from ...
Movies - Etching
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'caligari violet', 2018 Intaglio, Movies. This work includes an 11 inch high by 14 inch wide black, wood frame and white acid free mat.  TECHNICAL INFORMATION ABOUT THIS WORK.  The studio techniques employed included Intaglio and Chine colle.  The French paper used was RivesBFK white, and the inks employed were oil base, Charbonnel brand, from ...
Movies - Intaglio
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'dance', 2018 Etching, Movies. Please note that this particular etching is sold without a mat or frame, due to its unusual size.  This SIX PLATE etching takes its inspiration from the Ingmar Bergman film, THE SEVENTH SEAL.  The techniques used include intaglio, drypoint, and aquatint.  The work is executed in a rich black oil ...
, 2018
Movies - Etching
17 x 10 inches (43.2 x 25.4 cm)
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Jerry  Di Falco: 'metropolis robot', 2017 Etching, Movies. This intaglio and drypoint etching is the first of four editions. The DiFalco original, hand- pulled print was executed in black, oil based etching ink on RivesBFK white paper, all from France. The work was the second in a series that was inspired by the German film entitled METROPOLIS. This ...
Movies - Etching
12 x 10 inches (30.5 x 25.4 cm)
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Jerry  Di Falco: 'quartet metropolis', 2017 Etching, Movies. THIS IS HOW ALL FOUR EDITIONS OF THE METROPOLIS SERIES LOOK HUNG TWO ABOVE TWO. Please note that these etchings are shipped to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, ...
Movies - Etching
16 x 21 inches (40.6 x 53.3 cm)
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Jerry  Di Falco: 'emerald metropola', 2017 Etching, Movies. This etching was created with the techniques of intaglio and drypoint. It was executed in three colors of French, oil based ink and 24 karat gold pigments on STONEHENGE fawn colored paper. The image was inspired by a still from the 1927 silent German film METROPOLIS. The colors were selected ...
Movies - Etching
10 x 12 inches (25.4 x 30.5 cm)
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Jerry  Di Falco: 'metropolic in black light', 2017 Etching, Movies. This intaglio and drypoint etching, executed in a blend of four colored oil based inks on Stonehenge cream colored paper, was inspired by the silent German film METROPOLIS. I etched the work on two separate zinc plates that each measured four inches high by five inches wide, or 10. 160 ...
Movies - Etching
10 x 12 inches (25.4 x 30.5 cm)
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Jerry  Di Falco: 'metro two', 2017 Etching, Movies. This intaglio and drypoint etching, executed in metallic oil based ink on Stonehenge black paper, was inspired by the silent German film METROPOLIS. This etching was created with the techniques of intaglio and drypoint. The image was inspired by a still from the 1927 silent German film METROPOLIS. I etched ...
, 2017
Movies - Etching
10 x 12 inches (25.4 x 30.5 cm)
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Jerry  Di Falco: 'Dance of Death from the Seventh Seal', 2013 Etching, Movies. This SIX PLATE etching takes its inspiration from the Ingmar Bergman film, THE SEVENTH SEAL.  The techniques used include intaglio, drypoint, and aquatint.  The work is executed in a rich violet mix of oil based inkson Rives BFK cream paper, both manufactured in France.  The image is etched on six ...
Movies - Etching
18 x 9 inches (45.7 x 22.9 cm)
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Jerry  Di Falco: 'NOSFERATU UNDER NIGHT SKY', 2013 Intaglio, Movies. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two ...
Movies - Intaglio
18 x 15 inches (45.7 x 38.1 cm)
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Jerry  Di Falco: 'PRAYER TO SAINT JEAN COCTEAU', 2014 Intaglio, Movies. I used the intaglio technique combined with drypoint and hand printed this work on Stonehenge black paper. Five acid baths were required to obtain my desired result, and the etching was printed with a blend of oil based French etching inks with powdered silver added. The image size is 8 ...
Movies - Intaglio
12 x 10 inches (30.5 x 25.4 cm)
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Jerry  Di Falco: 'Seventh Seal Dance Black Edition', 2013 Etching, Movies. This etching employs six individual zinc plates aligned on the printing press in a horizontal design.  It takes its inspiration from the 1957 Ingmar Bergmans film, THE SEVENTH SEAL, Det sjunde inseglet.  This classic film follows the story of a Swedish medieval knight during the time of The Black Death ...
Movies - Etching
18 x 9 inches (45.7 x 22.9 cm)
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Jerry  Di Falco: 'NOSFERATU', 2013 Etching, Movies. Full title is, NOSFERATU, A Visit to the Blood Factory. This print, from my CINEMA series, is inspired by the classic German silent movie, this one being Nosferatu, whose original title was . . . Nosferatu, eine Symphonie des Grauens . . . shot in 1921 with a European release in 1922. This Expressionist masterpiece that ...
, 2013
Movies - Etching
18 x 15 inches (45.7 x 38.1 cm)
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Jerry  Di Falco: 'Cocteau Number One', 2013 Intaglio, Movies. I employed the etching technique of intaglio, dry- point, and aquatint for this work and used oil based, Charbonnel metallic ink on STONEHENGE black paper.  The image is based on two original drawings I did of a press still taken to promote the 1960 Cocteau film entitled, Le testament dOrphe.  ...
Movies - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Stephen Mead: 'Mercy Mercy Mercy Excerpt 10', 2010 Mixed Media, Movies.  Mercy Mercy Mercy( Excerpt) is a photomerge
Movies - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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Stephen Mead: 'Our Collage Life Excerpt', 2011 Mixed Media, Movies.  Our Collage Life( Ghosts of Childhood Excerpt) is a photomerge
Movies - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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Stephen Mead: 'Sparrow Littlest Excerpt 8 for Piaf', 2009 Mixed Media, Movies.  Sparrow Littlest( Excerpt) is a photomerge
Movies - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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Stephen Mead: 'Streetcars Excerpt', 2010 Mixed Media, Movies.  Streetcars( Excerpt) is a photomerge
Movies - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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Stephen Mead: 'Underwater Trilogy Excerpt', 2010 Mixed Media, Movies.  Underwater Trilogy( Excerpt) is a photomerge
Movies - Mixed Media
8 x 10 inches (20.3 x 25.4 cm)
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(Page 2 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Mos Riera - In 1960 a collective of musicians leadered by Ornette Coleman who added to their music the intrinsic freedom in the jazz.He broke harmonic molds that there was establishing that the improvisation was establishing on the chords and destroyed the concept of the melody using sonorities that up to that one moment, only they were deserving the contemptuous epithet of cacophonies he altered the rhythmic metrics, canonical base of the jazz without losing the swing which up to this moment was looking like an absurdity and he was leaving freedom in order that his musicians were advancing for his norm that the attention to a luck of emotional community, this aspect that would come to the paroxysm on their disc Free Jazz recorded for Atlantic. Now, when all things must pass by computer screenas Nam June Paik predicted.When virtuality is a part of human real things, when histories in the press are not trustthe document more new today and the oldest the day after. Music, Art, Literature and Cinema industries are changing. Words like download, chat, e-mail, hard disc and windows are accepted throughout the world. Now when deep blue wins chess game to humans, when mobile phones ...

Elena Zhogina - I am a self taught artist in love with what I do. I love research into form, color, texture, styles and fantasies. I am a self-made artist. In contrast to classical school of painting I use intuition and feelings to express myself. For me the world of painting allows to find my own way of self-expression and reveal my true personality. Some paintings start from one idea but with time discover to me new things. They bring harmony and happiness into my life. I am focused on drawing/painting portraits/people and various types/styles of motion. There are several symbolism works in my portofolio describing certain period of my life and my reflections thereon. Its a pleasure to share it with you ...

Mary Zeman - in 1997, I began to paint after I had brain surgery to remove a benign brain tumor from the right side of my brain. I was recovering from surgery, and out of the blue, I called my mom and asked her to take me to buy some paint and brushes. This was the first time I ever painted in my life. While I was growing up, I was never exposed to art and just didnt know anything about it, though I had always wanted to learn more. I began painting on wood, paper, newspaper, anything I could find, then I started to paint on canvas. When I went back to my job in television, people looked at my art on the walls of my cubicle, and some people encouraged me to go further with it. I would work all day, then come home and paint at night, and looked forward to the time I would be painting. In October of 2000, I decided to leave my job and make a go of being a full-time artist. Everyday, I learn something new about art, and I love making art. The biggest compliment I can get is when adults look at ...

Koroleva-Prisyazhnaya Anastasia - We are all creators of our own soul. The basic style of my creativity i consider a "romantic" style. In this style those works are made, which are devoted to The Man and The Woman, to their relations : Their Love, Their Passion, Their Pain, Their Hatred ("She broke ", "When Love Goes ", "A Flower of Love" ). However, it is interesting for me to work with texture graphics- the main value of which is the complex, worked in details decor of a picture.("Fish", "A Forest Woman", "The Charming Courtesan"). The great respect i give to a principle of stylization, the idea should work especially creatively its frameworks ("Karabas-Barabas", "Duremar"). I began to learn the Art of Graphics being trained in architecture (1995-1998) and since then from a subject taught within the frameworks of the program of studing, it has turned to a subject of my passion which i cultivated from hobby to a business of my Life. Nevertheless, except graphics, i`m a professional make-up artist, it is my second profession. Working as a make-up artist i like to invent and to create too. Ussually, creative photoshootings and art-sessions are the result of this. By photoshootings ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...