Music Art For Sale

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Jerry Di Falco - Iva Kalikow - My first love was interior design which I studied at the School of Visual Arts in NYC. I went on to study drawing and color at the Art Center College of Design in Pasadena, CA. At first, I thought I wanted to design furniture, but while living in L.A. I took a class in stained glass and I was hooked. My approach is one of the overall interior design of the room as well as the architectural aspects. My stained glass art panels are created in the traditional lead technique seen for centuries in churches and cathedrals. Using a wide array of both handmade and manufactured glass in every conceivable color and texture, I am constantly visualizing how natural light will illuminate the work. In selecting my palette of glass, do I use a rough wavy glass or a smooth texture, do I want it translucent or opaque I then meticulously hand cut each individual piece of glass, grind the edges and wrap it in malleable lead came strips, then solder and cement to create my original custom designed interpretations. My most recent collection is inspired by the Masters of Impressionism, Post-Impressionism, Fauvism, and Cubist periods of Art - ...

Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Kyle Foster - For a more complete look at Kyle Foster's work: