Music Art For Sale

Artists Describing Their Art:

Carmen Gonzalez - One of the roots of my inspiration can perhaps be found in a quote from Aristotle - The aim of art is to not represent the outward appearance of things, but their inward significance. I am attracted to painting simple everyday objects. My attraction is not only for the beautiful shape, color, and texture of an object but also its essence. Simple objects have the ability to triggers strong memories or emotions transporting the mind of a viewer into the past. My compositions are happy, playful, and nostalgic with the use of color and patterns. I love incorporating patterns into my paintings. Patterned backgrounds take the eyes of my viewer on a journey to all corners of the canvas. Different patterns stir up different feelings or emotions which adds to the character of each painting. I strive to create paintings that make everyone joyously smile. ...

Iva Kalikow - My first love was interior design, which I studied at the School of Visual Arts in New York City. I went on to study drawing and color at the Art Center College of Design in Pasadena, California. There are many design elements that come into play when creating an interior environment. Glass and light are my tools for enhancing the beauty of a structure as well as the ambience of a room. I create one-of-a-kind custom designed leaded stained glass art panels that can be incorporated in interior structures such as doors and windows or displayed hanging as framed works of art. For my latest collection, Ive combined my love of color and glass with my appreciation of master artists and found inspiration from the master works of Picasso, Van Gogh, Modigliani, OKeeffe, Cezanne and Matisse. My glass art panels grace homes in New York City, Miami Beach, West Palm Beach, Los Angeles, Palm Springs, Knoxville, Scottsdale and The Berkshires in Massachusetts. ...

Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

Roderick Brown - Roderick (Rod) Brown was born in Western Australia. Rod spent his first 30 years in an arid and remote gold mining town. As a youngster he remembers the great freedom he enjoyed surrounded by the stark but vivid images of the mines and surrounding bush, which he regularly explored. Rod as a child watched his father paint in oils and sketch, in charcoal and ink, portraits of local identities. The early seeds to later pursue art were sown at this time. Rod has enjoyed living with his family in Australia, Europe and the USA. During this time he has visited over 40 countries around the world enriching his life and building on the foundations acquired in his hometown, which was a very multicultural society. Rod decided to explore his artistic leanings taking up oil painting while living in Sydney. At that time Rod was a member of the Castle Hill Art Society and The Hornsby Art Society. Rod took up watercolour painting in the early 1980's, which has been his preferred medium since. Rod has exhibited at many public shows particularly while living in Sydney and has over the years painted commissioned portraits. Rod has paintings in corporate and ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,