Artists Describing Their Art:
Lora Vannoord - I am an artist originally from a small town in Michigan, where I started painting oil paintings while preparing for my retirement. I took online classes, found a wonderful art group in Grand Rapids, Michigan, exhibited my original paintings and sold my first oil painting. After retirement I moved to Florida. I started painting right away. The birds and trees that were all new to me. It was wonderful. I soon found more art classes and 3 art groups to join. Soon I had my original oil paintings in almost every gallery and local small businesses I could find that would show art for me and my groups Now I have moved to Frederick MD. A wonderful area of friendly people and lots of art happenings I am setting up my newest little studio to paint more and enjoy the joy of painting I try to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine...
Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...
Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...
Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...
Roderick Brown - Roderick Rod Brown was born in Kalgoorlie, Western Australia. Rod spent his first 30 years in this arid and remote gold mining town. As a youngster he remembers the great freedom he enjoyed surrounded by the stark but vivid images of the mines and surrounding bush, which he regularly explored. Rod as a child watched his father paint in oils and sketch, in charcoal and ink, portraits of local identities. The early seeds to later pursue art were sown at this time. Rod went on to live with his family in Australia, Europe, and the USA. During this time, he has visited over 44 countries around the world enriching his life and building on the foundations acquired in Kalgoorlie, which was a very multicultural society. Rod decided to explore his artistic leanings taking up oil painting while living in Sydney. At that time Rod was a member of the Castle Hill Art Society and The Hornsby Art Society. Rod took up watercolour painting at this time, while this has been his preferred medium he has continued painting in oils and is now painting with acrylics as well. Rod has exhibited at many public shows particularly while living in Sydney and ...
Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,