Mythology Art For Sale

Page 1 of 15
Browse 409 Mythology artworks for sale. Contemporary artists: Jerry Di Falco, Angel Piangelo Papangelou, Dave Martsolf, Harry Weisburd, John Sims, Ulrich Osterloh, Austen Pinkerton, Tamara Sorkin, Martin Glick, Claudia Nierman, Stephen Mead offering Mythology artworks. Links to more artworks by these contemporary artists and 15 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Mythology art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Jerry  Di Falco: 'spider in red', 2019 Etching, Mythology. The price for the artwork includesThe etching, matted in archival materials and a woodframe.All handling costs.Shipment Carton.Packing materials.A Certificate of Authenticity signed by the artist.  The framed and matted artwork arrives already wired and ready to hang.  The framing includes a brown craft paper backing.  Moreover, ...
Mythology - Etching
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Angel Piangelo Papangelou: 'ARTEMIS and THE BEAST', 2018 Acrylic Painting, Mythology. Drawing - mixed Techniqueblack drawing pens, color pencils and acrylics - Very Difficult Technique, as black Permanent Pens were used that cannot be corrected or erased - Inspired from the Ancient Greek MythologyArtemis daughter of Zeus and Goddess of Hunt sent the wild Boar beast to kill Adonis as a punishment, because he ...
Mythology - Painting
42 x 59 cm (16.5 x 23.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
Angel Piangelo Papangelou: 'WRATH OF HERCULES', 2018 Acrylic Painting, Mythology. WRATH OF HERCULES - Painting Drawing - Heavy Aquarelle paper 250 g- UNIQUE Artwork, as a SPECIAL Technique was used to look like an Aquarelle Painting - mixed Technique with colored Pencils, black pens and acrylics - Extra Difficult Technique as black Permanent Pens were used for the Drawing part of the Painting impossible ...
Mythology - Painting
35 x 50 cm (13.8 x 19.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jerry  Di Falco: 'assyrian lyre', 2018 Etching, Mythology. SOLD WITHOUT MAT OR FRAME.  This etching used two zinc plates placed on the Press table to form one image.  Each plate size is six inches high by four inches wide, 15. 240cm by 10. 160cm, and the overall printed image measures by twelve inches high by four inches wide, ...
Mythology - Etching
10 x 17 inches (25.4 x 43.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jerry  Di Falco: 'the painted lyre', 2018 Etching, Mythology. SOLD WITHOUT MAT OR FRAME.  This etching used two zinc plates placed on the Press table to form one image.  Each plate size is six inches high by four inches wide15. 240cm by 10. 160cm , and the overall printed image measures by twelve inches high by four inches wide 30. ...
Mythology - Etching
10 x 17 inches (25.4 x 43.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Dave Martsolf: 'the three fates', 2018 Oil Painting, Mythology. This piece was painted on gallery wrap stretchers, so it requires no frame.  The sides are painted a deeper green with some black added to subdue the brilliance of the edge. ...
Mythology - Painting
30 x 40 inches (76.2 x 101.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Harry Weisburd: 'myth leda and swan 2', 2014 Watercolor, Mythology. Myths  Leda and Swan...
Mythology - Watercolor
20 x 26 inches (50.8 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Harry Weisburd: 'myths leda and the swan 1', 2014 Acrylic Painting, Mythology. Myths :  Leda and the Swann ...
Mythology - Painting
20 x 26 inches (50.8 x 66.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'pasiphae and daedalus', 2009 Oil Pastel, Mythology. Another dream after reading the novel Pasiphae before falling asleep in Cyprus. Oil pastel on paper. ...
Mythology - Oil Pastel
33 x 36 cm (13.0 x 14.2 inches)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'metamorphosis of king theraus', 2012 Crayon Drawing, Mythology. As an illustrator I frequently used colour pencils and crayons, in 2012 13 I started to use them again to draw birds, dead and alive. These nature morte drawings were inspired by 17 century Spanish painters. Many of my drawings from this time are derived from Metamorphosis by Ovid. This ...
Mythology - Drawing
28 x 40 cm (11.0 x 15.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Jerry  Di Falco: 'miracle of the rose or', 2017 Mixed Media, Mythology. Mixed Media on primed heavy Dutch, cotton canvas attached to heavy duty wood stretchers.  The media include Liquitex acrylic paints, Liquitex painting gels, water- based gesso, graphite, methylcellulose, hand- dyed mulberry bark paper from Thailand, Windsor Newton watercolor paints, gold leaf, modeling paste for textured surface.  This painting has six ...
Mythology - Mixed Media
36 x 42 inches (91.4 x 106.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'Playing with Rubens ', 2015 Watercolor, Mythology.          Animalfantasyfigure  figurative, nude, girl, arthistory, mythology          ...
Mythology - Watercolor
56 x 45 cm (22.0 x 17.7 inches)
Like It   indepth artwork information   Add To Shopping Cart
Ulrich  Osterloh: 'Androcles', 2016 Digital Art, Mythology.
, 2016
Mythology - Digital Art
6 x 8 inches (15.2 x 20.3 cm)
Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology.      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Harry Weisburd: '5 Earth Goddesses Hills ', 1998 Watercolor, Mythology.     Office friends,  bar, bar flies, pick- up, love, romance, drinks, social, gathering , people                      5 Earth Goddesses hills, Yin/ Yang Chinese philosophy  Yin feminine forms in Nature. ( Can  you find the Earth Goddessses hidden in the hills ? )                                                  ...
Mythology - Watercolor
24 x 19 inches (61.0 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Harry Weisburd: 'Orpheus  Eurydice', 2013 Watercolor, Mythology.    Myths  Orpheus , Eurydice                                                                     ...
Mythology - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Sims: 'Pasiphae and her Lover', 2011 Oil Pastel, Mythology.  Animalfantasyfigure ...
Mythology - Oil Pastel
43 x 28 cm (16.9 x 11.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Tamara Sorkin: 'Golden heart flower', 2011 Other, Mythology.   Based on a well known story about a woman going to look for a flower to cure a child. This is a pulp painting. It was currenly exhibited at the botanical gardens in Jerusalem  ...
Mythology - Other
45 x 42 cm (17.7 x 16.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Dave Martsolf: 'The Fields of Artemis', 2010 Watercolor, Mythology. In Artemis fields all things can come to life, even the earths crust.  She surveys her domain on a cool summers day.  Men may catch a glimpse, but may never catch her.  But, they may.  Those men will never tell you they have reached that height.  To utter even the ...
Mythology - Watercolor
10.5 x 7 inches (26.7 x 17.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.       Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate      ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.    Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate   ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.   Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate  ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.  Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Dave Martsolf: 'Zeus Uncertain', 2009 Watercolor, Mythology.  This is a hand- colored watercolor of a pen and ink drawing laser- printed on watercolor paper.  It is an open edition with each copy individually hand- colored and signed by the artist.  The image here is the first in the series.  Subsequent hand- colored copies will use this design...
Mythology - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Claudia Nierman: 'David', 1997 Cibachrome Photograph, Mythology.   This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45.  ...
, 1997
Mythology - Photograph
25 x 30 inches (63.5 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Claudia Nierman: 'The tragic myth of Niobe', 1997 Cibachrome Photograph, Mythology.  This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
Mythology - Photograph
25 x 30 inches (63.5 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Claudia Nierman: 'Wooden Secret', 2000 Cibachrome Photograph, Mythology.  This image is also available printed on canvas 57 x 80. ...
Mythology - Photograph
32 x 45 inches (81.3 x 114.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Claudia Nierman: 'Eros', 1997 Other Photography, Mythology.  This image is from the series Enchanted Garden. It is printed on canvas and hand painted. This image is also abeilable as a Cibachrom print in the smaller format.  ...
, 1997
Mythology - Photograph
57 x 80 inches (144.8 x 203.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Stephen Mead: 'Epona', 2003 Mixed Media, Mythology.  Part of the mixed media series
, 2003
Mythology - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Stephen Mead: 'FebruaryRemembersFall', 1997 Mixed Media, Mythology.   Evocative merman exploration, incorporated into the series Blue Heart Diary, part of the DVD Captioned Closeness, Indieflix. com.  ...
Mythology - Mixed Media
24 x 28 inches (61.0 x 71.1 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 1 of 15) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Angel Piangelo Papangelou - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<> - UNIQUE in world ... ...

    Dave Martsolf - Dave Martsolf Dave Martsolf was born in 1949 in Kansas, moved to Western Pennsylvania in early childhood and at age 12 moved to New Hampshire where he resides today. MartsolfaEURtms father and grandfather were architects and his mother a professional photographer. Martsolf attended MIT and later UNH where he earned a degree in Fine Arts. His early work was influenced by the great masters and others such as the post-impressionists Miro, Matisse, Kandinsky, Klee, Picasso, and the surrealist Salvador Dali. Architectural instincts developed due to his close association with architecture in his youth. DaveaEURtms focus has been in visual arts his entire life. His style extends from realism to surrealistic to fantasy and abstraction. His work uses the mediums of oils, watercolors, inks and pencils, to the more technically-oriented media of computer-based art. Beginning in the late 80aEURtms Martsolf spent productive time with the tools of Bryce, Poser, KaiaEURtms Power Tools, and similar photo editing and photo manipulation products. He was creator, owner and artistic director of Damsel Software Group in the 1990aEUR2s as a producer and manufacturer of original content screen savers. Today, Dave has returned to handmade art. He continues ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Ulrich Osterloh - Born in Germany in 1969, I am an artist with a BA hons degree in Fine Art from the University of London, Goldsmiths College. I lived in London for many years 1988-2005, and am nowadays based in the Cologne Dusseldorf region of Germany. Originally a painter, for the last four years I have been focusing mainly on photography and digital experimentation. Ulrich Osterloh ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...