Mythology Art For Sale

Page 2 of 14
Browse 393 Mythology artworks for sale. Contemporary artists: Michael Pickett, Stephen Mead, Bessie Papazafiriou, Ron Ogle, Wendy Lippincott, Micha Nussinov, Philip Hallawell, Michael Puya, Shoshannah Brombacher, Andrew Wielawski, Terry Mollo, Hans-ruedi Kammermann, Nicholas Down, Rita Levinsohn, Richard Lazzara, Franziska Turek, Marina Venediktova offering Mythology artworks. Links to more artworks by these contemporary artists and 14 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Mythology art simply click on the image to go to a more detailed page about this work of art.


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Stephen Mead: 'Pandora Oceana', 2006 Mixed Media, Mythology. This mixed media piece incorporating glues, glitter and glazes is part of the series Our Book Of Common Faith, 1999- 2008....
Mythology - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
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Bessie Papazafiriou: 'Wood Nymphs', 2006 Oil Painting, Mythology. The Greeks believed that various divinities protected nature.  These divinities were known as nymphs.  This painting depicts young women of the forest known as wood nymphs who protected trees.  It was believed that anyone who caught a glimpse of a nymph was blessed with good fortune and those who abused ...
Mythology - Painting
28 x 24 inches (71.1 x 61.0 cm)
Bessie Papazafiriou: 'The Creation of Uranus', 2005 Mixed Media, Mythology. The ancient Greeks used mythology to explain the creation of the universe.  They believed that in the beginning there was a gaping chasm known as Chaos.  Earth ( Gaea) was created after Chaos.  Later, and in the presence of Eros, Earth created the starry sky known as Uranus.  This painting depicts ...
Mythology - Mixed Media
30 x 23 inches (76.2 x 58.4 cm)
Ron Ogle: 'Undine', 2005 Color Photograph, Mythology.  . . .  woman is in her whole existence an appeal to the kindness of man. - KARL BARTH...
, 2005
Mythology - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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Wendy Lippincott: 'Fate Handing Out the Gifts of the Arts', 2005 Oil Painting, Mythology. Fate is Handing out Precious Gifts...
Mythology - Painting
16 x 20 inches (40.6 x 50.8 cm)
Ron Ogle: 'detail from Emily painting', 2003 Oil Painting, Mythology. A very close up detail of the painting known as EMILY. Oil on panel....
Mythology - Painting
3 x 5 inches (7.6 x 12.7 cm)
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Ron Ogle: 'Venus de Miloscape', 1996 Oil Painting, Mythology. She appears, betwixt the trees. Based on the actual view from Diane' s driveway way up on the ridge overlooking the French Broad River which flows down there, a bit downstream from  Marshall, North Carolina, one sunlit afternoon in 1990. Most of the horizontal branches are poison ivy. ...
Mythology - Painting
15 x 18 inches (38.1 x 45.7 cm)
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Wendy Lippincott: 'Zodiac', 2000 Oil Painting, Mythology. Northern Hemisphere Zodiac Constellations...
, 2000
Mythology - Painting
32 x 32 inches (81.3 x 81.3 cm)
Wendy Lippincott: 'Miss Fortune', 2004 Oil Painting, Mythology. Allegorical painting where Miss Fortune presides over the fates of Disaster, Poverty, and Knowledge...
Mythology - Painting
32 x 40 inches (81.3 x 101.6 cm)
Wendy Lippincott: 'Pagan World', 2004 Oil Painting, Mythology. A collage with various pagan images...
Mythology - Painting
32 x 32 inches (81.3 x 81.3 cm)
Micha Nussinov: 'Untangling', 1997 Indoor Installation, Mythology. Five paintings, 50X50 cm each, depicting figures in various landscapes. Motives are linked through association of ideas. The stainless steel structure enable the containment of the pieces and reflect the painted canvas surfaces. ...
, 1997
Mythology - Installation
151 x 151 cm (59.4 x 59.4 inches)
Philip Hallawell: 'The Hand of Ares', 1986 Oil Painting, Mythology. Part of the Iliad series, this one of the drawings that focuses on the Gods of the ancient Greeks, namely Ares ( Mars) the God of war. The triangular composition represents the danger of war. Done in oil on canvas over wood....
Mythology - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Philip Hallawell: 'Zeus', 1988 Oil Painting, Mythology. This painting in oils on canvas over wood was initially a sketch for
, 1988
Mythology - Painting
39 x 49 cm (15.4 x 19.3 inches)
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Philip Hallawell: 'Aphrodite and the Apple of Discord', 1988 Pastel, Mythology. This drawing done in pastel pencils and is part of the Iliad series. It refers to the judgement of Paris and the vanity of the Gods. ...
Mythology - Pastel
35 x 50 cm (13.8 x 19.7 inches)
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Michael Puya: 'Palace Fragment Of Festos', 2002 Other Painting, Mythology.
Mythology - Painting
20 x 24 inches (50.8 x 61.0 cm)
Shoshannah Brombacher: 'angel 3', 2003 Pastel, Mythology. This is one of my many drawings of angels, malakhim, winged messengers between two worlds....
, 2003
Mythology - Pastel
18 x 24 inches (45.7 x 61.0 cm)
Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Bessie Papazafiriou: 'The Fall of Phaethon', 2003 Oil Painting, Mythology.      According to Greek mythology, Phaethon was the son of the sun god, Helios.  In order to prove this, he asked Helios to allow him to drive the sun' s chariot for one day.  He soon lost control of the chariot and came too near the earth.  In order to save...
Mythology - Painting
24 x 30 inches (61.0 x 76.2 cm)
Bessie Papazafiriou: 'Demeter and Poseidon', 2004 Oil Painting, Mythology.        Due to Demeter' s sorrow over Hades' abduction of her daughter Persephone, Demeter had no interest in Poseidon' s advances.  She transformed herself into a white mare and fled to Arcadia.  Poseidon found her and transformed himself into a black stallion.   ...
Mythology - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Andrew Wielawski: 'Ecce Omo', 2002 Mixed Media Sculpture, Mythology. Ecce Omo. . . Behold Man. The harlequin looks at you as you do at him. . . forming grand opinions on the basis of very little knowledge. He knows little about you, yet his expression is of the confidence born of ignorance. How quick will you be to invent his story to satisfy ...
, 2002
Mythology - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Terry Mollo: 'Zeus', 2000 Other Sculpture, Mythology. Zeus, King of the Greek gods, is the sky god who controls weather, especially the rain, thunder and lightning. In this piece Zeus, in a rage, looks to the heavens as he struggles to emerge from the trap of dark earth and roots. This piece is bonded bronze with a ...
, 2000
Mythology - Sculpture
16 x 14 inches (40.6 x 35.6 cm)
Hans-ruedi Kammermann: 'sine loco odyssey', 2002 Other Printmaking, Mythology. monotype ( printing and drawing on paper) ...
Mythology - Other Printmaking
48 x 56 cm (18.9 x 22.0 inches)
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Hans-ruedi Kammermann: 'cloud dance', 2002 Oil Painting, Mythology. Figura, sfondo, sfondo, figura: non vita silente, ma vita in movimento. E' l' uomo istintivo che precede l' uomo civile. ...
Mythology - Painting
80 x 170 cm (31.5 x 66.9 inches)
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Nicholas Down: 'The Alchemist', 2002 Oil Painting, Mythology. Oil on Belgian Linen...
Mythology - Painting
26 x 16 inches (66.0 x 40.6 cm)
Rita Levinsohn: 'And The Earth Warmed', 2002 Acrylic Painting, Mythology. AND THE EARTH WARMED, is one of a series of paintings that tells a story using hieroglphics.  The story is biblical in fashion appearing on a wall.  It discusses the creation of Earth, rise and decline of species, wars and the eventual destruction of this planet if we do not ...
Mythology - Painting
26 x 48 inches (66.0 x 121.9 cm)
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Richard Lazzara: 'hanuman on maha shivratri night', 2001 Acrylic Painting, Mythology.  A close up of Hanuman- ji on the holy new moon night of early spring, with a trident in one hand and a mace in the other hand, hanuman flys over the world. This from is the puja featuring S. S. Shankar as the Mahashivaratri pujari at the NEEMKAROLI  BABA...
Mythology - Painting
23 x 16 inches (58.4 x 40.6 cm)
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Michael Puya: 'Greek Signs', 2002 Other Painting, Mythology.
Mythology - Painting
24 x 32 inches (61.0 x 81.3 cm)
Franziska Turek: 'alchemie', 2002 Other Painting, Mythology.
, 2002
Mythology - Painting
70 x 90 cm (27.6 x 35.4 inches)
Marina Venediktova: 'four wishes', 2021 Oil Painting, Mythology. The artist s idea in the pictureaEUR| I devote all my creativity to the mysteries of the Universe, to its boundless riddles and to the labyrinths of its secrets. My work proceeds in two parallel ways: an Artist and an Astrologist- consultant. And thanks to the study of the planets ...
Mythology - Painting
80 x 80 cm (31.5 x 31.5 inches)
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John Tooma: 'spiritual awakening 2', 2018 Oil Painting, Mythology. This is part of a series I have been working on and this represents the historical and ancient people of the world. Its a personal and spiritual journey through life and its complexities. ...
Mythology - Painting
350 x 450 mm ( x )
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(Page 2 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Bessie Papazafiriou - Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Marina Venediktova - My name is Marina Venediktova. I was born in 1974 in the Russian city of Kazan. My father is a professional artist and designer. It is difficult for me to track the moment in the past when painting first captured my attention, apparently from the first days of my life . I always studied with my father, and then graduated from an art school in the city of Kazan, later in 2007 I moved to live in St. Petersburg and practiced for many years in private workshops with artists of the Art Academy of St. Petersburg. As a second education, there was a graduation from the Academy of Astrology, and a large practice of consulting clients. Since then, more than six years have passed, and it was astrology that gave me that unique accent in my paintings, inspired me to a new stage of my work. Now I do not just look at the world, at people, I see them with my own eyes, I see the uniqueness of each person, each soul, even if it is an inanimate object. But words are too stingy to describe it, so I chose my own language-the language of canvas and paint. I ...