Mythology Art For Sale

Page 5 of 12
Browse 333 Mythology artworks for sale. Contemporary artists: Kathi Day, Dana Zivanovits, Emmett Elvin, Paul Orzech, Jodi Castagnozzi, Richard Wynne, Eduardo Diaz, Luis Guillermo Ramírez Ezquerra, Ahmed Al Safi, Venelin Ivanov, Lou Lalli, Leonor Villagra, Kundo Kyon, Sonja Tellison, Mohamed Abdeldayem, Carol Tipping, Stephanie Hayden, Wendy Lippincott, John Sims, Bessie Papazafiriou, John Sharp offering Mythology artworks. Links to more artworks by these contemporary artists and 12 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Mythology art simply click on the image to go to a more detailed page about this work of art.


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Dana Zivanovits: 'ELYSIAN FIELDS', 2005 Pastel, Mythology.  Watercolor and conte chalk on all rag arches paper- a signed and dated Zivanovits original. The Elysian Fields lay on the western margin of the earth, by the encircling stream of Oceanus, and there the mortal relatives of the king of the gods were transported, without tasting death, to enjoy...
Mythology - Pastel
11 x 8 inches (27.9 x 20.3 cm)
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Dana Zivanovits: 'ISLE OF LEBOS', 1991 Watercolor, Mythology.  Watercolor on Arches all cotton, acid free paper- a signed and dated Zivanovit's original. ...
Mythology - Watercolor
11 x 7 inches (27.9 x 17.8 cm)
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Dana Zivanovits: 'PANDORAS BOX', 1992 Watercolor, Mythology.  Watercolor on all cotton, acid free , ARCHES paper- a signed and dated Zivanovit's original. ...
Mythology - Watercolor
3 x 10 inches (7.6 x 25.4 cm)
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Dana Zivanovits: 'DIDO AND AENEAS', 2006 Watercolor, Mythology.  When Dido sees Aeneas'fleet leaving she curses him and his Trojans and proclaims endless hate between Carthage and the descendants of Troy, foreshadowing the Punic Wars. Watercolor on acid free Fabriano watercolor paper. A signed and dated Zivanovit' s original. ...
Mythology - Watercolor
13 x 10 inches (33.0 x 25.4 cm)
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Dana Zivanovits: 'Aeneas in the Stygian Marsh', 2004 Oil Painting, Mythology.  From Virgil's Aeneid- Depicting Aeneas' journey in the Greek underworld. Oil on masonite- a signed Zivanovits original. ...
Mythology - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Dana Zivanovits: 'ATHENA', 2005 Ink Painting, Mythology.  India ink and watercolor on acid free Fabriano watecolor paper- a signed and dated Zivanovits original. ...
, 2005
Mythology - Painting
10 x 13 inches (25.4 x 33.0 cm)
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Emmett Elvin: 'Gryphon', 2006 Illustration, Mythology.  Original hand drawn and inked artwork from the Barnes Noble book The Ultimate Encyclopedia of Mythical Creatures. ...
, 2006
Mythology - Illustration
30 x 42 cm (11.8 x 16.5 inches)
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Paul Orzech: 'Prometheus', 2006 Bronze Sculpture, Mythology.  Prometheus, in Greek mythology, stole fire from the gods and gave it to the mortals.  This figure holds up that precious knowledge in his left hand, which also serves as a candle holder.  Prometheus if finished in a French Brown Patina and his base has a silver nitrite finish.  Please...
, 2006
Mythology - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Jodi Castagnozzi: 'Angel Sleeping', 2006 Watercolor, Mythology. Jodi Castagnozziwww. castagnozzi. net...
Mythology - Watercolor
1 x 1 feet (0.30 x 0.30 m)
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Richard Wynne: 'For Sher', 2006 Other Painting, Mythology. Khun Sher was a very nice lady whom I never met in person but conversed often on the net. She had a big heart and it made me sad to hear that she had died. This is a semi- nude that promises but doesn' t disclose. ...
, 2006
Mythology - Painting
31 x 61 cm (12.2 x 24.0 inches)
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Eduardo Diaz: 'nipple', 2006 Watercolor, Mythology. oil  mixablr water color on paper...
, 2006
Mythology - Watercolor
20 x 15 inches (50.8 x 38.1 cm)
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Luis Guillermo Ramírez Ezquerra: 'luis re circo borderline', 2005 Oil Painting, Mythology. instalation on nina menocal gallery for the indibidual exhibit. september- october 2004...
Mythology - Painting
4500 x 4500 mm ( x )
Ahmed Al Safi: 'The Dismissal ', 2004 Oil Painting, Mythology.
Mythology - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Venelin Ivanov: 'muse', 2004 Bronze Sculpture, Mythology.
, 2004
Mythology - Sculpture
15 x 43 cm (5.9 x 16.9 inches)
Lou Lalli: 'Maenads', 2004 Stone Sculpture, Mythology. Carrara Statuario marble...
, 2004
Mythology - Sculpture
8 x 10 inches (20.3 x 25.4 cm)
Lou Lalli: 'Geryon', 1985 Stone Sculpture, Mythology. Carrara Statuario marble...
, 1985
Mythology - Sculpture
15 x 18 inches (38.1 x 45.7 cm)
Lou Lalli: 'Heracles and the Nemean Lion', 2004 Stone Sculpture, Mythology. Bardiglio marble...
Mythology - Sculpture
12 x 14 inches (30.5 x 35.6 cm)
Leonor Villagra: 'Eos and Pegaso', 2003 Oil Painting, Mythology. Eos & Pegaso ( mythology)...
Mythology - Painting
97 x 130 cm (38.2 x 51.2 inches)
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Ahmed Al Safi: 'Dragon', 2002 Oil Painting, Mythology.
, 2002
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Kundo Kyon: 'willkommeninderwelt', 2001 Oil Painting, Mythology.
Mythology - Painting
70 x 120 cm (27.6 x 47.2 inches)
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Sonja Tellison: 'Not All Angels', 2003 Other Photography, Mythology.
Mythology - Photograph
16 x 20 inches (40.6 x 50.8 cm)
Mohamed Abdeldayem: 'Mother Land', 2002 Oil Painting, Mythology.
Mythology - Painting
100 x 130 cm (39.4 x 51.2 inches)
Carol Tipping: 'nympho 1', 2002 Computer Art, Mythology.
, 2002
Mythology - Computer Art
0 x 12 inches (0.0 x 30.5 cm)
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Stephanie Hayden: 'Marriage of Persephone', 1994 Pen Drawing, Mythology.
Mythology - Drawing
8 x 11 inches (20.3 x 27.9 cm)
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Wendy Lippincott: 'Zodiac', 2000 Oil Painting, Mythology. Northern Hemisphere Zodiac Constellations...
, 2000
Mythology - Painting
32 x 32 inches (81.3 x 81.3 cm)
John Sims: 'Elysian Field', 2011 Oil Pastel, Mythology.  Animalfantasyfigurefigurative, expressionist, mythology, gods, horses...
Mythology - Oil Pastel
30 x 30 cm (11.8 x 11.8 inches)
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Bessie Papazafiriou: 'Water Nymphs', 2002 Oil Painting, Mythology.      According to Greek mythology, water nymphs are divinities which have the gift of prophecy and could deliver oracles.  Here, they are portrayed in their lush and tranquil environment....
Mythology - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Bessie Papazafiriou: 'Hera and Zeus', 2003 Oil Painting, Mythology.      According to Greek mythology, the gods often disguised themselves to trick or seduce other gods or mortals.  Here Zeus becomes a cuckoo in order to gain Hera' s favor.  She unknowingly caresses Zeus who eventually becomes her husband....
Mythology - Painting
25 x 33 inches (63.5 x 83.8 cm)
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John Sharp: 'Pegasus Planet Moon', 2016 Charcoal Drawing, Mythology. surrealism, power, fame, celebrity, dictators, ...
Mythology - Drawing
66 x 93 cm (26.0 x 36.6 inches)
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Julia Bezshtanko: 'liza', 2020 Tempera Painting, Mythology. paper, tempera...
, 2020
Mythology - Painting
80 x 60 cm (31.5 x 23.6 inches)
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(Page 5 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Kathi Day - I'm currently a stay at home artist, with a lot of medical bills. Two cats currently own my husband and I, although one technically belongs to my sister. Their names are Chowski and Callie. They eat a lot of cruchies. Buy pictures!!...

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

    Emmett Elvin - Emmett Elvin is an artist, musician and writer. He works in both commercial and fine art fields, having illustrated numerous titles. He also plays in several active, recording bands. Further information can be found via the services of a search engine, or by emailing the artist directly....

    Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

    Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...

    Ahmed Al Safi - -Born in Diwanya / Iraq 1971 Bachelor sculpture College Of Fine Arts /Baghdad University One man show: - French Cultural Centre/ Baghdad 1999 Abbaye de La Pree /France 2006 Exhibition and movie-show about the daily life of the artist in the "espace culturel Acerma" 2006 Exhibition during live concert - Abbaye de La Pree July 2007 Exhibition in the Hospital of Issoudun from 17th of Nevember to 1st of December 2007 Co-exhibitions - exhibition of Fine Art College/ Baghdad 1994 - exhibition of Babylon Festival 1995 - exhibition of Mohr Al Dain for youth artists/ Athar Gallery 1998 - Most exhibitions held in Hewar gallery including:- 1- Miniatures exhibition 2002 2- The exhibition of the sculptors paint 2002 - Most exhibitions held in Al Mizzan gallery including: - The exhibition of the Iraqi graphic .2001 - The exhibition of the forgotten country Paris/ Paris Municipality 2000 - The 44th Annual international Awarded Exhibition.sanDiego.2000 - The exhibition of the wounded country Amman /Jordon 2000 - Biennial Al Sharja. U.A.E /2001 - Narrow Space Gallery, Clonmel Ireland ,June,18th ,2004 - The Annual Art Ireland International Art Fair, Dublin 19 to 21 November. 2004 Exhibition of "ancients residents of the Abbaye de La Pree" in the "L'association...

    Lou Lalli - The shaping and use of stone is a vital part of the human endeavor. The fashioning of tools and implements by stone age peoples, the votive Venus figures of the Neolithic period, cycladic sculpture of the eighth millennium BC, classical sculpture of Greece and Egypt and all the sculpture to the present indicates that stone sculpture is intrinsic to human expression. Sculpting in stone directly links me to the people of the past. The subject and ideas I choose are derived from the past thus strengthening that link. The resolutions of the technical problems are the same that sculptors in the past confronted and solved. Although modern tools and implements facilitate my work I am still doing what all sculptors and stone carvers have done in the past; chipping, abrading and polishing the stone to release the form contained therein. My ideas and subjects are borrowed from antiquity with each piece telling a story. Antiquity provides a wealth of resources for my work; warriors, the myths, Venus figures, beasts, demigods and shaman/priests are the subjects I appropriate. In executing an idea, the importance of light and shadow, through the use of negative space is a primary concern in the ...

    Lou Lalli - Sonja Tellison - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are its soul. They are whats left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, Myth must be kept alive. The people who can do this are artists . . . . The function of the artist is the mythologization of the environment and the world. At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious Here, take a new pill Are kids more violent Must be the video games The adage Theres nothing new under the sun. is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our own past and...

    Mohamed Abdeldayem - Mohamed Abdeldayem Ahmed. Born in Alexandria, Egypt in April 26.1980. Graduated from faculty of fine arts in Luxor, University of South Valley 2001. Now; works as an assistant prof. in the same faculty. WORKSHOPS; About 11 work shops with artists from Egypt, Lebanon, Sudia Arabia, England, USA, France,...etc,. PRIZES; Many prizes & certificates in group exhibitions & faculty. WORKS AT INDIVIDUALS; In Egypt, England & Germany....

    Carol Tipping - Carol Tipping - aka - Carol Ballard/ Carolyn Taylor. PT lecturer John Moore's University, Liverpool. Wirral Metropolitan College, U.K - at the same time as painting and showing work in mixed and one-man exhibitions in Liverpool. Changed direction and studied Astrology. 1989 Astrologer for Radio City Gold, Liverpool. Combining photography with painting has been what I was always looking for. I like the fact that I can create anything that I want and still look for innovative ways to work with this medium. Associateship of the Royal Photographic Society in March 2002 - work accepted in the London Salon of Photography 2000 (medal) 2001, 2002 (medal) 2003, 2008 and 2009, the Austrian Supercircuit and the Royal Photographic Society Print Exhibition 2002 /2003.. Exhibited in Deland, Florida, Oct.2002. Feb 2008 Awarded AFIAP by the The International Federation of Photographic Art. Awarded Fellowship of the Royal Photographic Society 2009 NOV 2009 Awarded FELLOWSHIP of the ROYAL PHOTOGRAPHIC SOCIETY Featured artist for Wacom Europe

    Stephanie Hayden - My work varies in style, i try to capture moments of my life on different canvases, from watercolours, acrylics, to montages, sculpture and my photography. Much of my work is dark & disturbing and i can attribute it to the fact that until recently i was registered blind, legally, having been born with dislocated lenses. The more vibrant & colourful works are from my later period after i had surgery to implant interocular lenses, thus i now see the world in a totally different way. This can be seen across my portfolio....

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....