Nudes Art For Sale

Page 3 of 37
Browse 1071 Nudes artworks for sale. Contemporary artists: Claudia Nierman, Ronald Weisberg, Tamara Sorkin, Manuela Facchin Varalda, Judith Fritchman, Ron Ogle, Lou Posner, Terry Mollo, Andrew Wielawski, Adam Adamou, Hans-ruedi Kammermann, Daniel Clarke, Hyacinthe Kuller-baron, Micha Nussinov, Stephen Mead, Donna Gallant offering Nudes artworks. Links to more artworks by these contemporary artists and 37 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Nudes art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Ronald Weisberg: 'open door', 2008 Pencil Drawing, nudes. soft, pencil drawing, erotic...
, 2008
nudes - Drawing
24 x 17 inches (61.0 x 43.2 cm)
Tamara Sorkin: 'nude and mirror 1', 2008 Watercolor, nudes.
nudes - Watercolor
25 x 35 cm (9.8 x 13.8 inches)
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Manuela Facchin Varalda: 'Spring s muse', 2008 Oil Painting, nudes.  original artwork unique piece oil on canvascm 50 x 70 ...
nudes - Painting
20 x 28 inches (50.8 x 71.1 cm)
Manuela Facchin Varalda: 'the stuff of dreams', 2008 Oil Painting, nudes.   original artwork - unique piece oil on canvas cm 100 x 80  ...
nudes - Painting
40 x 32 inches (101.6 x 81.3 cm)
Manuela Facchin Varalda: 'the orange voile', 2007 Oil Painting, nudes.  original artwork unique pieceoil on canvas cm 50 x 70 ...
nudes - Painting
20 x 28 inches (50.8 x 71.1 cm)
Judith Fritchman: 'Nude 1', 2005 Pencil Drawing, nudes.  Conte pencil on paper. ...
, 2005
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Judith Fritchman: 'Nude 2', 2004 Pencil Drawing, nudes.  Conte pencil on paper. ...
, 2004
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Judith Fritchman: 'Nude 3', 2004 Pencil Drawing, nudes.  Conte pencil on paper. ...
, 2004
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Judith Fritchman: 'Nude 6', 2003 Pencil Drawing, nudes.  Conte Pencil on Paper ...
, 2003
nudes - Drawing
19 x 25 inches (48.3 x 63.5 cm)
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Manuela Facchin Varalda: 'nude', 2005 Oil Painting, nudes.  original artwork - unique piece oil on canvas 100 x 70 cm ...
, 2005
nudes - Painting
39 x 27 inches (99.1 x 68.6 cm)
Ron Ogle: 'Aphrodite I ', 2006 Oil Painting, nudes. Oil on panel. [ based on a black and white photograph of a Roman { marble } copy of a Greek { marble] statue. The English scholar Kenneth Clark considered the original sculptor of this work to be' . . . an individual artist who  must be reckoned the creator of THE FEMALE NUDE. [ KENNETH CLARK, The ...
nudes - Painting
10 x 16 inches (25.4 x 40.6 cm)
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Lou Posner: 'Ladies in the Bath', 2005 Oil Painting, nudes. This painting was inspired by the painting, Gabrielle DEstrees and Her Sister 38. 4 x 50, Musee du Louvre painted by the master of the School of Fontainebleau about 1595.  There are images of this painting on the internet, or I can email you one.  Gabrielle DEstrees 15711573- 1599 was ...
nudes - Painting
48 x 34 inches (121.9 x 86.4 cm)
Lou Posner: 'Apples and Banana', 2004 Oil Painting, nudes. My very first oil painting at age 11 was on blank notebook paper and showed nothing but an apple and a banana, separated from each other and floating on the page.  Since I felt I had done it all, I stopped painting. ...
nudes - Painting
26 x 36 inches (66.0 x 91.4 cm)
Terry Mollo: 'Male Chest', 1998 Ceramic Sculpture, nudes. Male chest; a crucifixion- like pose. Stoneware piece on a marble base. Can be custom- reproduced in various materials....
, 1998
nudes - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
Terry Mollo: 'Cannot See The Forest', 2000 Ceramic Sculpture, nudes. A celebration of peopled trees, connected and rooted. Very difficult to depict two- dimensionally in one photograh, but other views ( photographs) are available; contact the artist. The piece is stoneware with a bronze patina but can be custom reproduced in various materials....
nudes - Sculpture
23 x 19 inches (58.4 x 48.3 cm)
Andrew Wielawski: 'View through a Window 2', 2001 Mixed Media Sculpture, nudes. What do you see when you put your face into the mask? Just her face, like the other sculpture on this theme. Voyeurism. The real voyeur is the one who doesn' t wear the mask....
nudes - Sculpture
2 x 2 feet (0.61 x 0.61 m)
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Adam Adamou: 'Spaced Emotion', 2004 Acrylic Painting, nudes.
nudes - Painting
0 x 0 mm ( x )
Adam Adamou: 'Faceless', 2004 Acrylic Painting, nudes.
, 2004
nudes - Painting
915 x 610 mm ( x )
Adam Adamou: 'NO 32', 2004 Acrylic Painting, nudes.
, 2004
nudes - Painting
0 x 0 mm ( x )
Adam Adamou: 'NO 30', 2004 Acrylic Painting, nudes.
, 2004
nudes - Painting
0 x 0 mm ( x )
Hans-ruedi Kammermann: 'Body  Gold Variation III', 2001 Oil Painting, nudes.
nudes - Painting
35 x 37 inches (88.9 x 94.0 cm)
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Hans-ruedi Kammermann: 'Azzurra', 1997 Oil Painting, nudes.
, 1997
nudes - Painting
47 x 55 inches (119.4 x 139.7 cm)
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Hans-ruedi Kammermann: 'Chrysalis', 1999 Oil Painting, nudes.
, 1999
nudes - Painting
43 x 61 inches (109.2 x 154.9 cm)
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Hans-ruedi Kammermann: 'Body  Gold Variation I', 2000 Oil Painting, nudes.
nudes - Painting
35 x 37 inches (88.9 x 94.0 cm)
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Daniel Clarke: 'The Bather', 2003 Acrylic Painting, nudes. The Bather is part of the Artist' s nude fantasy series....
, 2003
nudes - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Hyacinthe Kuller-baron: 'HOOKERS GREEN NUDE', 2003 Reproduction Artwork, nudes. 24
nudes - Reproduction Artwork
2 x 4 feet (0.61 x 1.22 m)
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Micha Nussinov: 'Body waves', 1995 Color Photograph, nudes. Photo montage, female body with tidal waves at sunset, Frazer Island Australia...
, 1995
nudes - Photograph
90 x 60 cm (35.4 x 23.6 inches)
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Stephen Mead: 'LoverThisIsTheWholePicture', 1999 Mixed Media, nudes. From the series, Body As Landscape, incorporated into the book Selected Works available through Amazon or Lulu.  com. ...
nudes - Mixed Media
20 x 34 inches (50.8 x 86.4 cm)
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Donna Gallant: 'Ribbon', 1999 Mixed Media, nudes. Another pieces using the background texture of a mono print and executed with soft pastel.  Very effective texture....
, 1999
nudes - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'Woman of the Sea', 1999 Mixed Media, nudes. This piece is part of series done with mixed media, soft pastel on a mono print image.  I use the background to create an interesting texture and gesture.  ...
nudes - Mixed Media
12 x 16 inches (30.5 x 40.6 cm)
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(Page 3 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Judith Fritchman - Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Andrew Wielawski - Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Daniel Clarke - Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....