Optical Art For Sale

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Browse 133 Optical artworks for sale. Contemporary artists: Youri Messen-jaschin, Jerry Di Falco, Lynda Lehmann, Jean Claude, Adam Richards, Jim Haldane, Kristen Temple, Maria Teresa Fernandes, Lee Wyatt, Dmitry Rakov, Lisa Perkins, Mary V. Williams, Eduardo Diaz, James Parker offering Optical artworks. Links to more artworks by these contemporary artists and 5 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Optical art simply click on the image to go to a more detailed page about this work of art.


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Youri Messen-jaschin: 'circular mention', 2019 Oil Painting, Optical. Op art Canvas LinenA(c) 2019 Youri Messen- JaschinA(r) 2019 Prolitteris A(c)Aa 8024 ZA1/4rich...
Optical - Painting
160 x 160 cm (63.0 x 63.0 inches)
Jerry  Di Falco: 'vampiric view french quarter', 2019 Etching, Optical. Jerry Mazur- DiFalco created this distinctive etching - - print number two of four, Edition III of V - - via the employment of four separate zinc plates, which were placed simultaneously on the printing press bedaEUR
Optical - Etching
18 x 24 inches (45.7 x 61.0 cm)
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Youri Messen-jaschin: 'anschauung', 2019 Serigraph, Optical. Op artScreenprinting on Paper15 print 1 15Paper 55 x 75 cmPrint 50 x 50 cmSomerset | Velvet | 100  Cotton | 280 g m2availableA(c) 2019 Youri Messen- JaschinA(r) 2019 Prolitteris 8024 ZA1/4rich...
, 2019
Optical - Serigraph
55 x 75 cm (21.7 x 29.5 inches)
Youri Messen-jaschin: 'San dhyana', 2019 Serigraph, Optical. Op artScreenprinting on Paper9 print 1 9Paper 55 x 75 cmPrint 31 x 31 cmSomerset | Velvet | 100Cotton | 280 g m2A(c) 2019 Youri Messen- JaschinA(r) 2019 Prolitteris 8024 ZA1/4rich...
, 2019
Optical - Serigraph
55 x 75 cm (21.7 x 29.5 inches)
Youri Messen-jaschin: 'serendipity', 2019 Serigraph, Optical. Op art15 print 1 15Paper 55 x 75 cmPrint 31 x 31 cmSomerset | Velvet | 100  Cotton | 280 g m2A(r) 2019 Prolitteris 8024 ZA1/4richA(c) 2019 Youri Messen- Jaschin...
Optical - Serigraph
55 x 75 cm (21.7 x 29.5 inches)
Jerry  Di Falco: 'POOR VENUCE IN DAFFODIL ILLUSION', 2016 Intaglio, Optical. This is print number 2 from the SECOND Edition of Four Editions, and each edition was limited to FIVE prints. The etching employed the studio techniques of aquatint, intaglio, drypoint, and Chine colle. The zinc plate measured nine inches high by six inches wide, or 22. 860cm x 15. 240cm. ...
Optical - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Vampire Bat Poem', 2013 Intaglio, Optical. This triple plate etching is based on a biological drawing I executed at university as part of a biology science lab in 1971. The edition is limited to only forty- five prints. I used an oil- based black ink from France and RivesBFK White paper, also from France. The print ...
Optical - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
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Jerry  Di Falco: 'PROJECTIONS FROM THE FIRST CINEMA', 2013 Etching, Optical. The work was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in mat selection and ...
Optical - Etching
12 x 18 inches (30.5 x 45.7 cm)
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Lynda Lehmann: 'Mantra Lights', 2011 Computer Art, Optical.  A bright, mantra- like, abstract digital fantasy with strong visual appeal. digital art, computer art, design, pattern, texture, color, background, illustration, abstract, fantasy, intense, mantra, meditative, contemporary, bright, optical, intriguing, multicolored, symmetry, curves, geometric, biomorphic, layered, illusory, mesmerizing, kaleidoscopic, evocative, mystery, lights, glow Please feel free to ask about available...
Optical - Computer Art
12 x 9 inches (30.5 x 22.9 cm)
Jean Claude: 'Jean Claude in New York Seen by DEUCE', 2012 Assemblage, Optical.
Optical - Assemblage
36 x 36 inches (91.4 x 91.4 cm)
Adam Richards: 'Bare Essentials', 2006 Marker Drawing, Optical.   A marker drawing of a human skeleton that is focused on contrast and the forms of shadows. This technique is used to see howcontrast and value effect composition. ...
Optical - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Jim Haldane: 'glasses', 2006 Etching, Optical.  A dark print of some broken spectacles, part of a series of Mr Grimm prints ...
, 2006
Optical - Etching
200 x 170 mm ( x )
Kristen Temple: 'Hypnosis', 2003 Oil Painting, Optical.  Close- up of eye ...
, 2003
Optical - Painting
36 x 24 inches (91.4 x 61.0 cm)
Maria Teresa Fernandes: 'Callas and blue', 1995 Oil Painting, Optical.  clear shades over a white surface are quite difficult to get mainly with glass refractions ...
Optical - Painting
20 x 24 inches (50.8 x 61.0 cm)
Lee Wyatt: 'Water Bows', 2006 Giclee, Optical.  Archival print: Hahnemuhle 100% rag paper: Vivera pigmented Inks museum board matting  ...
, 2006
Optical - Giclee
11 x 15 inches (27.9 x 38.1 cm)
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Dmitry Rakov: 'Rainbow ', 2002 Computer Art, Optical. IMP- ART ( Impossible Art) Stule ...
, 2002
Optical - Computer Art
17 x 13 inches (43.2 x 33.0 cm)
Dmitry Rakov: 'Helvetia', 2000 Other Drawing, Optical. The style - IMP ART ( Impossible ART)Indian ink + pencil + crayonPaper: stamping
, 2000
Optical - Drawing
28 x 20 inches (71.1 x 50.8 cm)
Dmitry Rakov: 'Door', 2003 Other Printmaking, Optical. DoorIMP ART Style ( Impossible ART) Graphic: Indian ink + pencil + crayonPaper: stamping i? 1/2Elephant skini? 1/2...
, 2003
Optical - Other Printmaking
12 x 16 inches (30.5 x 40.6 cm)
Dmitry Rakov: 'IMPossible  ART ', 2005 Graphic Design, Optical. IMPossible  ART The style IMP ART ( Impossible ART)Graphic: Indian ink + pencil + crayonPaper: stamping
Optical - Graphic Design
20 x 28 inches (50.8 x 71.1 cm)
Dmitry Rakov: 'The Concord', 2005 Graphic Design, Optical. The Concord: the walrus, the gnome, the piglet, the kid & the burglar. The mostmultiple- meaning Upside- Down images ( 6 figures ( objects) in 1) in the world. Paper: stamping FlaxDescription:
Optical - Graphic Design
16 x 12 inches (40.6 x 30.5 cm)
Maria Teresa Fernandes: 'Grades of glass', 1968 Oil Painting, Optical. usually artists do not place a bottle in front of another one because it is muchmore difficult to paint...
Optical - Painting
15 x 18 inches (38.1 x 45.7 cm)
Lisa Perkins: 'Who Has Seen the Wind', 2005 Illustration, Optical.
Optical - Illustration
8 x 8 inches (20.3 x 20.3 cm)
Mary V. Williams: 'Park Bench', 2004 Other Drawing, Optical. Bugs eye view of a park bench. Rendered in pen, ink and wash. ...
, 2004
Optical - Drawing
15 x 20 inches (38.1 x 50.8 cm)
Eduardo Diaz: 'sudio', 2004 Mixed Media, Optical.
, 2004
Optical - Mixed Media
27 x 17 inches (68.6 x 43.2 cm)
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Eduardo Diaz: 'mycity', 2004 Computer Art, Optical.
, 2004
Optical - Computer Art
1 x 1 mm ( x )
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James Parker: 'Amazing Crystals', 1990 Color Photograph, Optical. The scintillating beauty if this quartz crystal cluster is brought out nicely in this almost glowing photograph....
Optical - Photograph
9 x 7 inches (22.9 x 17.8 cm)
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James Parker: 'Crystal Calm', 1988 Color Photograph, Optical. A calming mood is exuded by the crystal in this soft colored portrait of a quartz point....
Optical - Photograph
9 x 6 inches (22.9 x 15.2 cm)
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James Parker: 'Twin Crystals Blue', 1990 Color Photograph, Optical. Anyone liking round and blue should be quite happy with with photograph. Two perfectly matched and perfectly clear crystal balls are what produced the magic....
Optical - Photograph
9 x 7 inches (22.9 x 17.8 cm)
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James Parker: 'Triple Crystal Pyramids', 1989 Color Photograph, Optical. Three glowing guartz pyramids enfolded in a surrealistic red backdrop. One can see how taking these photographs was in itself a pretty awe inspiring experience- - which it was....
Optical - Photograph
9 x 7 inches (22.9 x 17.8 cm)
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James Parker: 'Crystal Pastel', 1989 Color Photograph, Optical. The pleasing pastels found in the background of this photograph glow gently within this quite astonishing cut and polished quartz obelisk. The internal golden reflections are coming from what are called phamtoms....
Optical - Photograph
7 x 9 inches (17.8 x 22.9 cm)
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(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

Jean Claude - The French physicist, Joseph Nicephore Niepce, made the first negative on paper in 1816 and the first known photograph on metal that he called an heliograph in 1826. After 1826 there is no place for figurative art ! I am a french born self taught american artist with an eye open on the past (Nicolas de Stael) and the new South Western and South-American painters. For me painting is almost always ABSTRACT ! I create CHAOS and there after I organize the CHAOS ! Mixing the right colors in the right SPACE ! If I do something that looks figurative; it's caricature! Myself looking like Mussolini or the black Ava Gardner ! rests and inspires me... I have always been a ravenous reader in both French and English, and my bookshelves are filled with the works of Updike, Bellow, Henry Miller, Nabokov, Sade, Proust, Celine, Queneau, Boris Vian, among many others. Still a cinephile, I go to the films of Lang, Minnelli, Preminger, Delmer Daves, Godard, Truffaut time and time again. Music always fills my house, whether it be classical (Richard Strauss, Berg, Martinu, Janacek, Debussy), Jazz (Coltrane, Mingus, Miles Davis, The Art Ensemble of Chicago, Albert Ayler, Eric Dolphy), or ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Lee Wyatt - All are archival prints: Hahnemuhle 100% rag paper using Vivera pigmented inks. Prints can be sent in museum quality mounts/mats if requested. This latest process producing truly archival full colour prints of the highest quality. I have always tried to convey to the viewer my feeling and passion for image making utilising the latest techniques available in photography. Quality of finish and presentation justifies the time and dedication involved in this work. ...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Lisa Perkins - Artist Statement As a fine artist and an art educator, I find myself experimenting with multiple ways of making art in order to broaden my experience and understanding of different processes. I try everything from pottery to digital photography, but find myself concentrating on three major areas: oil painted illustrations, monoprinting, and photography. Having graduated with a concentration in illustration, I have built up a portfolio of illustrations and an understanding of the business. I've concentrated on creating paintings that illustrate political, social, or cultural themes. Illustration has become my most effective way of expressing my opinions and beliefs on current topics. Throughout my experience with illustration, I've come to notice a certain style I work into my paintings; flat, smooth color dominates, with fine line work in select areas to lend details or break up a large area of color. Recently I've continued this technique and widened my scope of illustrations to include portraiture. In select areas of the works, I've also incorporated use of printmaking, usually monoprinting in particular. Monoprinting has been a technique I've used in my personal works; each series I create involves a process of layering transparent and semi-opaque ...

Mary V. Williams - With a background in dance and graphic art, I want to capture and transform life with line, light, movement and expression. My favorite subjects are dancers, faces of all kinds, and figurative work. If "one picture is worth a thousand words" I want my paintings and drawings to illuminate, illustrate, and reflect the essence of the subject. I want to discover that nuance, that tiny highlight or line, that brings character and life into a face or form. ...

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

James Parker - Painting, drawing, and to a lesser degree, photography, have been the driving creative force in my life for the past two years. The changing circumstances of life have allowed this to happen, and for this I am quite grateful. Pin and ink, liquid watercolors, acrylics, and the mixing of mediums are used for these works. My art is somewhere between reality and fantasy, with perhaps a unique style (as all are) which is slowly maturing. Much of my work I try to make light, colorful and fun, and even somewhat premitive with a touch of fantasy. Rustic little cabin scenes, and most seascapes perhaps show this best. Landscapes--mountains, trees, ocean and beach scenes, these are my favorite subjects. I prefer to work quite small. Most paintings and drawings come with wooden 11"X14" frames and hand selected colored mattes. These smaller sized works I have found to be excellent for creating pictures that are both colorful enough and detailed enough to carry an "impact". A few fine art's photographs taken back in the late eighties, some of which were published by a national calendar company in 1989 and 90 are also offered here. Those hundreds of hours looking ...