Optical Art For Sale

Artists Describing Their Art:

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

Jean Claude - The French physicist, Joseph Nicephore Niepce, made the first negative on paper in 1816 and the first known photograph on metal that he called an heliograph in 1826. After 1826 there is no place for figurative art ! I am a french born self taught american artist with an eye open on the past (Nicolas de Stael) and the new South Western and South-American painters. For me painting is almost always ABSTRACT ! I create CHAOS and there after I organize the CHAOS ! Mixing the right colors in the right SPACE ! If I do something that looks figurative; it's caricature! Myself looking like Mussolini or the black Ava Gardner ! rests and inspires me... I have always been a ravenous reader in both French and English, and my bookshelves are filled with the works of Updike, Bellow, Henry Miller, Nabokov, Sade, Proust, Celine, Queneau, Boris Vian, among many others. Still a cinephile, I go to the films of Lang, Minnelli, Preminger, Delmer Daves, Godard, Truffaut time and time again. Music always fills my house, whether it be classical (Richard Strauss, Berg, Martinu, Janacek, Debussy), Jazz (Coltrane, Mingus, Miles Davis, The Art Ensemble of Chicago, Albert Ayler, Eric Dolphy), or ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Lee Wyatt - All are archival prints: Hahnemuhle 100% rag paper using Vivera pigmented inks. Prints can be sent in museum quality mounts/mats if requested. This latest process producing truly archival full colour prints of the highest quality. I have always tried to convey to the viewer my feeling and passion for image making utilising the latest techniques available in photography. Quality of finish and presentation justifies the time and dedication involved in this work. ...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Lisa Perkins - Artist Statement As a fine artist and an art educator, I find myself experimenting with multiple ways of making art in order to broaden my experience and understanding of different processes. I try everything from pottery to digital photography, but find myself concentrating on three major areas: oil painted illustrations, monoprinting, and photography. Having graduated with a concentration in illustration, I have built up a portfolio of illustrations and an understanding of the business. I've concentrated on creating paintings that illustrate political, social, or cultural themes. Illustration has become my most effective way of expressing my opinions and beliefs on current topics. Throughout my experience with illustration, I've come to notice a certain style I work into my paintings; flat, smooth color dominates, with fine line work in select areas to lend details or break up a large area of color. Recently I've continued this technique and widened my scope of illustrations to include portraiture. In select areas of the works, I've also incorporated use of printmaking, usually monoprinting in particular. Monoprinting has been a technique I've used in my personal works; each series I create involves a process of layering transparent and semi-opaque ...

Mary V. Williams - With a background in dance and graphic art, I want to capture and transform life with line, light, movement and expression. My favorite subjects are dancers, faces of all kinds, and figurative work. If "one picture is worth a thousand words" I want my paintings and drawings to illuminate, illustrate, and reflect the essence of the subject. I want to discover that nuance, that tiny highlight or line, that brings character and life into a face or form. ...

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

James Parker - Painting, drawing, and to a lesser degree, photography, have been the driving creative force in my life for the past two years. The changing circumstances of life have allowed this to happen, and for this I am quite grateful. Pin and ink, liquid watercolors, acrylics, and the mixing of mediums are used for these works. My art is somewhere between reality and fantasy, with perhaps a unique style (as all are) which is slowly maturing. Much of my work I try to make light, colorful and fun, and even somewhat premitive with a touch of fantasy. Rustic little cabin scenes, and most seascapes perhaps show this best. Landscapes--mountains, trees, ocean and beach scenes, these are my favorite subjects. I prefer to work quite small. Most paintings and drawings come with wooden 11"X14" frames and hand selected colored mattes. These smaller sized works I have found to be excellent for creating pictures that are both colorful enough and detailed enough to carry an "impact". A few fine art's photographs taken back in the late eighties, some of which were published by a national calendar company in 1989 and 90 are also offered here. Those hundreds of hours looking ...