Optical Art For Sale

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Browse 115 Optical artworks for sale. Contemporary artists: Youri Messen-jaschin, Jerry Di Falco, Nikolay Deliyanev offering Optical artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Optical art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'A DREAM DIVIDED AT FONTHILL ABBEY ', 2012 Etching, Optical. Full title is, A DREAM DIVIDED TOWER OF FONTHILL ABBEYThis amazing and hypnotic etching was hand printed and published by the artist at The Center for Works on Paper at 705 Christian Street in South Philadelphia, Pennsylvania, which is associated with The Philadelphia Museum of Art, 26th and the ...
Optical - Etching
16 x 22 inches (40.6 x 55.9 cm)
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Jerry  Di Falco: 'THE RABBIT HOLE APOCALYPSE', 2010 Intaglio, Optical. title is, RIDERS OF THE APOCALYPSE GO THROUGH THE RABBIT HOLE. One should study this hand pilled intaglio carefully to see the optical illusion within it. The revelations you find may make you wonder if the left and right sides of the brain are really separate hemispheres. This is a ...
Optical - Intaglio
15 x 22 inches (38.1 x 55.9 cm)
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Nikolay Deliyanev: 'landscape 003', 2015 Acrylic Painting, Optical.
Optical - Painting
40.2 x 40.2 cm (15.8 x 15.8 inches)
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Nikolay Deliyanev: 'sfera 004', 2005 Acrylic Painting, Optical.
, 2005
Optical - Painting
50.4 x 50.4 cm (19.8 x 19.8 inches)
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Nikolay Deliyanev: 'sfera 006', 2015 Acrylic Painting, Optical.
, 2015
Optical - Painting
50.4 x 60.4 cm (19.8 x 23.8 inches)
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Nikolay Deliyanev: 'vibrafusion 001', 2015 Acrylic Painting, Optical.
Optical - Painting
50.2 x 50.2 cm (19.8 x 19.8 inches)
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(Page 4 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...