Other Art For Sale

Page 8 of 99
Browse 2855 Other artworks for sale. Contemporary artists: Hisham Zreiq , Lynette Vought, Suzanne Gegna, Richard Wynne, Angel Alejandro, Mark Struzynski, Alessandro Beltrame, Audri Phillips, Shy Young, Claudia Nierman, Micha Nussinov, Austen Pinkerton, Luise Andersen offering Other artworks. Links to more artworks by these contemporary artists and 99 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Other art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Hisham Zreiq : 'No Titel', 1997 Computer Art, Other.
, 1997
Other - Computer Art
100 x 75 cm (39.4 x 29.5 inches)
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Lynette Vought: 'The Ruby Tree', 1999 Reproduction Artwork, Other. Trees growing out of a pair of shoes. This painting is a color laser print....
Other - Reproduction Artwork
10 x 13 inches (25.4 x 33.0 cm)
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Suzanne Gegna: 'THE POET AS AN OWL WITH HONEYSUCKLE', 2001 Pencil Drawing, Other. SIMILIAR TO AN OWL, THE POET INGESTS HER NOURISHMENT, THEN RETAINS THE ESSENCE AND EXPELS THE BONES. . . . . . . . . ....
Other - Drawing
12 x 9 inches (30.5 x 22.9 cm)
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Suzanne Gegna: 'CHAIR AND BLUE UMBRELLA', 1999 Acrylic Painting, Other. THIS CHAIR FLOATS THROUGH THE ATMOSPHERE, PROTECTED BY A BLUE UMBRELLA.  MAYBE THE UMBRELLA PROTECTS THE CHAIR FROM THE ELEMENTS, BUT MAYBE THE CHAIR IS JUST ENJOYING THE FLOAT....
Other - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Suzanne Gegna: 'CULTIVATING THE CHI', 1999 Acrylic Painting, Other. THIS WOMAN IS BLUE TO REPRESENT THE OCEAN OF THE SUBCONSCIOUS.  SHE IS SPIRTITUALLY NAKED, EXCEPT FOR THE GARLAND OF GREEN LEAVES AND RED RIBBONS RIGHT ABOVE HER SOLAR PLEXUS, HER PLACE OF POWER. . . . SHE WATERS THAT SPACE WITH A BRIGHT SUN COLORED WATERING CAN.   FLOWERS GROW OUT OF HER ...
Other - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Suzanne Gegna: 'Which Came First', 1998 Acrylic Painting, Other. This painting is about beginnings. . . . .An egg, symbol of something developing but not yet born, floats through the universe on a brightly painted chair which itself was once simply a thought.Chairs remind me of people since they exist to hold the human form.This painting also refers to the ...
Other - Painting
12 x 16 inches (30.5 x 40.6 cm)
Richard Wynne: 'Dance of the Flower Princess', 1999 Other Painting, Other. :  I have a vivid imagination; sometimes I see something within a picture, which inspires something very different from reality. This work combines the use of watercolors, pastels, acrylics, as well as ink. It was developed from a study I made of some flowers. But I saw a Ballet. ...
Other - Painting
57 x 77 cm (22.4 x 30.3 inches)
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Angel Alejandro: 'The Spiritual Dream', 2002 Indoor Installation, Other. Several figures made from reclycled vinyl material covered with reflective vinyl. This photo was taken with flash on....
Other - Installation
14 x 8 feet (4.27 x 2.44 m)
Hisham Zreiq : 'Drown', 1997 Computer Art, Other.
, 1997
Other - Computer Art
100 x 75 cm (39.4 x 29.5 inches)
Mark Struzynski: 'Giant Ant', 1995 Other Painting, Other. Giant Ant is based on a song by the Alt. Country Band The Handsome Family, about giant ants, asses as big as Omaha, etc. ...
, 1995
Other - Painting
48 x 48 inches (121.9 x 121.9 cm)
Alessandro Beltrame: 'Aurora Consurgens IV The Form of Fire', 1997 Oil Painting, Other.
Other - Painting
23 x 33 inches (58.4 x 83.8 cm)
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Alessandro Beltrame: 'Aurora Consurgens III The Form of Water', 1997 Oil Painting, Other.
Other - Painting
23 x 31 inches (58.4 x 78.7 cm)
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Alessandro Beltrame: 'Aurora Consurgens II The Form of Earth', 1997 Oil Painting, Other.
Other - Painting
23 x 31 inches (58.4 x 78.7 cm)
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Alessandro Beltrame: 'Aurora Consurgens I The Form of Air', 1997 Oil Painting, Other.
Other - Painting
23 x 31 inches (58.4 x 78.7 cm)
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Richard Wynne: 'Monks', 1996 Watercolor, Other.  I like long panoramic paintings: there is so much to see, so many stories to tell. I'm sure you recognize the Wat in the background It's one of the most famous in Bangkok. This work was done on paper....
, 1996
Other - Watercolor
90 x 45 cm (35.4 x 17.7 inches)
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Richard Wynne: 'Buggin  Out', 1983 Oil Painting, Other. In my past I like many others was a soldier. And as in life sometimes you have to run away to fight again tomorrow. During this time in my life I used mostly these color schemes in my pallet. This was painted on masonite....
, 1983
Other - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Audri Phillips: 'Spiked Memories', 1999 Oil Painting, Other. This is an inner lanscape based in part on childhood memories. I use transparent layers of glaze to create the painting. It is a mix of the abstract and the real....
Other - Painting
7 x 3 feet (2.13 x 0.91 m)
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Shy Young: 'Sunday', 2002 Computer Art, Other. digital bitmap image...
, 2002
Other - Computer Art
8 x 10 inches (20.3 x 25.4 cm)
Claudia Nierman: 'The Queen of Fire', 2000 Cibachrome Photograph, Other.  This image is also available printed on canvas 57 x 80. ...
Other - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Amanda', 1999 Cibachrome Photograph, Other.  This image is also available printed on canvas 57 x 80. ...
, 1999
Other - Photograph
45 x 32 inches (114.3 x 81.3 cm)
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Claudia Nierman: 'Netzuke 1', 2001 Cibachrome Photograph, Other.  This image is also available printed on canvas 57 x 80. ...
, 2001
Other - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Claudia Nierman: 'Berth of an Urban Angel', 2001 Cibachrome Photograph, Other.   This image is also available printed on canvas 57 x 80.  ...
Other - Photograph
45 x 32 inches (114.3 x 81.3 cm)
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Micha Nussinov: 'Light of Darkness 4', 2005 Acrylic Painting, Other. In darkness as light falls on landscape, as figures and living things emerge, as we imagine something that appears to be. . . ...
Other - Painting
1200 x 700 mm ( x )
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Micha Nussinov: 'Kobe the day after', 1995 Collage, Other. I came to Japan a month after Kobe's Earthquake. At the Gallery in Kyoto where I was having exhibition, a visitor was invited to have tea with me. He was introduced to me as an Artist who survived the Kobe disaster. He told me that his hands are still ...
Other - Collage
220 x 110 cm (86.6 x 43.3 inches)
Micha Nussinov: 'On board', 2002 Indoor Installation, Other. Constructed like a ship with four levels on which various functional  elements are installed. Sails, gong, crane, figures etc. It is kinetic as things can be turned pulled and released. ...
, 2002
Other - Installation
130 x 260 cm (51.2 x 102.4 inches)
Micha Nussinov: 'Frazer Island Dreaming', 1990 Color Photograph, Other. A real encounter with Dingo in Frazer Island has transformed itself to dreamtime setting.  ...
Other - Photograph
800 x 600 mm ( x )
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Micha Nussinov: 'Trapeze', 2002 Mixed Media Sculpture, Other. Piano hammers and other recycled materials are combined with screws, nuts, springs, wires, canvas and carved sandstone to form figurative sculpture. ...
, 2002
Other - Sculpture
450 x 450 mm ( x )
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Austen Pinkerton: 'The Conservatory', 2010 Other Drawing, Other.
Other - Drawing
180 x 270 mm ( x )
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Luise Andersen: 'Feel in Core II  BLACK ON WHITE June 11 2014', 2014 Charcoal Drawing, Other.          June 11, 2014- -   is for me the spontaneous . . compelled to express. . reach for black charcoal stick and white textured water color paper. . . . seems is the week for instant expression of feel. .video of these expressions/ detailed on Facebook:Luise H Andersen/ Facebook  You see it is my page, when google...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Luise Andersen: 'Feel in Core detail III  Black On White  June 11 2014', 2014 Charcoal Drawing, Other.           June 11, 2014- -   is for me the spontaneous . . compelled to express. . reach for black charcoal stick and white textured water color paper. . . . seems is the week for instant expression of feel. .video of these expressions/ detailed on Facebook:Luise H Andersen/ Facebook  You see it is my page, when google...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
(Page 8 of 99) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Hisham Zreiq - My art is a private perspective on life, private pains and disappointments, society, Death and a philosophical look at life. Death is the source for creation and the motor of life. Crucifixion a symbol for pain, pain caused by social, political and religious systems. I think that art is another way to communicate, to express my ideas , for me art should have a message of a sort. This is the way I saw art when I was a little boy trying to express his Ideas with simple drawings, and this is the way I see art when working on my digital art or writing poetry today. Some times I ask myself, if we can reach people through "reason"! but I think its better to get to people's hearts through emotions, through ART, and from there we might get to their reason. Or maybe use extremes in art - and that is what I usually try - in order to make people think and ponder after their emotions become tens. Then their analyses might bring with it reasoning. ...

    Lynette Vought - I heard a writer say once that how we experience life is an illusion and that the purpose of art is to uncover reality. Indeed, reality seems quite like a set of unturned cards, and I'm not sure we can define it until after our hand has been played. The best solution I have found is to fray the edges of the illusion a bit by bending the laws that everyone knows. In my work people can fly, plants and people merge, women wear snorkels while making love. For me, these images hint at reality, opening a back door to the underlying truth of what I see and experience. By rendering things in a magical light, the illusion starts to give way to the real in the same way that madness sometimes serves to define sanity. Formally, my work is much more practical. I make paintings, drawings and intaglio prints based on my drawings. The prints are a mixture of old and new processes; instead of etching the plates in acid, my prints are made with photosensitive plates. I enjoy the control this process gives me over the final image. Thank you for visiting my site! --Lynette Vought ...

    Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Angel Alejandro - Hola Soy Angel Alejandro, natural de la Bella Isla del Encanto, Puerto Rico. Mi trabajo es el producto de un constante viaje de descubrimiento interior. Mi espiritu se manifiesta atraves de temas de corte espiritual y de naturaleza. Mi medio preferido es el acrilico aunque me encanta tambien las instalaciones y la fotografia digital. Hasta hace poco tiempo mantenia mi trabajo para mi disfrute personal y el de mis amigos. Al presente mis obras han participado en varias exposiciones con muy buena aceptacion del publico. Espero que a ustedes les guste tambien. Hasta pronto amigos. ...

    Mark Struzynski - Mark Struzynski Certain Relationships develop in our minds, between quite dissimilar objects, ideas, smells, etc.. These relationships are abstract, often unconscious, and unclear. Mark Struzynski was born in Chicago, IL. in 1957. He became immersed in art while living in Copenhagen, being befriended by students, graduates and Professors at The Art Academy of Copenhagen. He attended lectures and read every art book in the Art Library, as his 'art education'. At the time, that he was living in, Copenhagen he was involved with the Photographic process, how photographs are thought of as being direct transfers of reality, but actually remove or miss a certain amount of detail and the effect of these 'mistakes'. These musings led him to working with Photo-emulsion canvass, developing photos of drawings, which were derived from both found and self-taken photographs onto the Photo-Canvass9see web-site www.markart.org for examples). Upon returning to his hometown Chicago, he returned to painting working with different layers both physically (textured paint and images on top of each other) and mentally, (the different layers of dreams). These paintings seem to develop into a series, which was named Untitled Box Series (see web-site www.markart.org). ...

    Alessandro Beltrame - Alessandro Beltrame e nato a Trento nel 1955. Ha studiato all'Accademia di Belle Arti di Venezia dal 1978 al 1981, prima con il Maestro Edmondo Bacci e poi con il Maestro Emilio Vedova, diplomandosi con il massimo punteggio. Dal 1980 ha indirizzato le sue ricerche su una linea di "metafisica sperimentale", per poi evolverla verso i temi archetipici dell'alchimia, elaborando nel frattempo una tecnica di rarefazioni e velature del colore, attraverso l'uso dei colori ad olio diluti con essenze di lavanda, rosmarino, arancio, dove il frottage e il dripping coesistono con il recupero della tradizione tecnica classica. Nel frattempo, la pratica della disciplina Zen l'indirizza alla scoperta della tensione del vuoto, che diviene uno degli assi portanti della sua ricerca, insieme con lo studio della luce atmosferica. Sue opere sono presenti in varie collezioni private italiane e statunitensi. The pictorial search of artist Alessandro Beltrame begins with a metaphysical investigation that evolves toward the archetypal theme of alchemy. At the same time, his practice of the Zen discipline addresses him to the discovery of the "tension of the void" which becomes one of the carrying axes of his exploration. The use of oils diluted with essences of ...

    Audri Phillips - The paintings are done slowly, thought and dreamed about until the images seem correct to me. I apply layers of thin glazes and pay attention to the way thin paint runs and drips. This combination of chance and control hopefully leads to a better painting than I alone am capable of painting....

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...