Political Art For Sale

Page 1 of 9
Browse 254 Political artworks for sale. Contemporary artists: Edem Elesh, Jerry Di Falco, Charles Cham, Michael Fornadley, Jose Freitascruz, Hope Brooks, Ron Anderson, Rickie Dickerson, Lou Posner, Bonie Bolen, Stephen Mead, Tom Lund-lack, Rita Levinsohn, Chad A. Carino offering Political artworks. Links to more artworks by these contemporary artists and 9 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Political art simply click on the image to go to a more detailed page about this work of art.


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Edem Elesh: 'asylum mmxxi', 2021 Mixed Media, Political. An examination of different Covid 19 strains that appeared within 2- 3 days. Calling into question the origin and purpose of this pandemic. A celebration of freedom vs shelter, or asylum. ...
Political - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Jerry  Di Falco: 'target practice', 2021 Mixed Media, Political. Actual Title is THE EPIPHANY: TARGET PRACTICE IN THE LAND OF ALICE.  Political Pop.  The King of Lies Has a Bad Hair Day While His Wife Need a Magnifying Glass To Shop for High Heels.  Price does not include a frame of mat. Watercolor, Gouache, Charcoal, Acrylic, Paper. ...
Political - Mixed Media
12 x 9 inches (30.5 x 22.9 cm)
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Jerry  Di Falco: 'philadelphia 1920', 2020 Etching, Political. This intaglio and aquatint etching was inspired by several of the artistaEURtms original drawings, all of which were based on an archived photograph from the Temple University Libraries, Special Collections Research Center in Philadelphia, Pennsylvania, USA.  Di Falco used French, oil base inkCharbonnel Brand, Parisand printed on Stonehenge brand ...
Political - Etching
16 x 13 inches (40.6 x 33.0 cm)
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Edem Elesh: 'strain', 2020 Mixed Media, Political. Old Globe, gauche, 220 push pins, gold toilet paper roll, wood stand. ...
, 2020
Political - Mixed Media
12 x 17 inches (30.5 x 43.2 cm)
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Charles Cham: '2720 US AND THEM', 2019 Oil Painting, Political. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Political - Painting
84 x 84 cm (33.1 x 33.1 inches)
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Michael Fornadley: 'exodus 2', 2020 Oil Painting, Political. Parables with unscripted conclusions, balancing illustrative with intellect- opposites through thoughts and emotions, figures in motion eccentric objectsman carrying gold nugget, party hats, birthday cakes, man with staffleading the eye through theatrical space, enticing viewer to ponder a logical conclusion, when there is none. ...
, 2020
Political - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Jerry  Di Falco: 'death of art atlantic city', 2020 Etching, Political. The First Edition etching is executed in a special created blend of French, oil- based colored inks and printed on STONEHENGE brand fawn colored paper.  Four editions are each limited to only five etchings.  I used a Charles Brand industrial floor press that was manufactured in New York City.  The ...
Political - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jose Freitascruz: 're li ga re', 2018 Acrylic Painting, Political. commission for the 44th celebration of the portuguese revolution - freedom of religion - with the charter of the UN in the background. . . ...
Political - Painting
50 x 50 cm (19.7 x 19.7 inches)
Charles Cham: '2531 DECISION TIME', 2018 Oil Painting, Political. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Political - Painting
51 x 61 cm (20.1 x 24.0 inches)
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Edem Elesh: 'feel free', 2018 Mixed Media, Political. RES IPSA LOQUITUR...
, 2018
Political - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
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Michael Fornadley: 'Waiting for John Brown', 1993 Oil Painting, Political. Repainted 2017...
Political - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'Cowboys on crazy horse', 2019 Oil Painting, Political. Literary illusions, 2 cowboys on crazy horse with rocker base, man holding a canvas or mirror, Fog coming in behind 2 distant riders.Compositional walls, leading the eye and confining the center figures. ...
Political - Painting
57 x 34 inches (144.8 x 86.4 cm)
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Hope Brooks: 'justice denied', 2017 Mixed Media, Political. This painting is a tribute to Millicent Forbes aEUR
Political - Mixed Media
71 x 45 inches (180.3 x 114.3 cm)
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Jerry  Di Falco: 'The Soviet Young Pioneers ', 2016 Intaglio, Political. 1937 Anno Domini and The Soviet Young Pioneers Trump Their Freedoms IS THE FULL TITLE FOR THIS WORK BY DIFALCO. I based this etching on a black and white print from 1937, now in the Public Domain, by Russian photographer Victor Bulla. Its title is THE PIONEERS DEFENSE. The scene ...
Political - Intaglio
18 x 15 inches (45.7 x 38.1 cm)
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Ron Anderson: 'The Second Coming', 2013 Oil Painting, Political. Original oil painting by Ohio artist Ron Anderson. Painting entitled The Second Coming. Depiction of President Barack Obama. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
Political - Painting
48.5 x 58.5 inches (123.2 x 148.6 cm)
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Ron Anderson: 'The New Age of Enlightenment', 2013 Oil Painting, Political.  Original oil painting by Ohio artist Ron Anderson. Painting entitled The New Age of Enlightenment. Depiction of President Barack Obama. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright...
Political - Painting
82 x 57 inches (208.3 x 144.8 cm)
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Ron Anderson: 'Formula 44', 2013 Oil Painting, Political.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Formula 44. Depiction of President Barack Obama and family. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
, 2013
Political - Painting
82 x 57 inches (208.3 x 144.8 cm)
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Rickie Dickerson: 'Enduring Freedom', 2002 Collage, Political.  I love my country AND we need to pull our heads from the sand. We are SO comfortably ignorant. ...
Political - Collage
18 x 12 inches (45.7 x 30.5 cm)
Lou Posner: 'The Dominatrix Entered His Office With Complete ', 2007 Oil Painting, Political.  This painting is unsigned.  It is incscribed, UNSIGNED OUT OF FEAR FOR MY LIFE.  The full title is The Dominatrix Entered His Office With Complete Confidence...
Political - Painting
36 x 36 inches (91.4 x 91.4 cm)
Bonie Bolen: 'Basta', 2003 Oil Painting, Political.  Painting is about World Trade protests of 1999 in Seattle. Original image by Associated Press. ...
, 2003
Political - Painting
68 x 46 inches (172.7 x 116.8 cm)
Lou Posner: 'How Little It Takes ', 2002 Oil Painting, Political. How little it takes to recognize a face.  How little it takes to destroy two World Trade Center skyscrapers. ...
Political - Painting
64 x 12 inches (162.6 x 30.5 cm)
Stephen Mead: 'PocketTwo', 1995 Watercolor, Political.  Evocative grief/ consolation, incorporated into the series
, 1995
Political - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Hope Brooks: 'Submarine and Sierra Leone', 2000 Mixed Media, Political.  This is a statement about the powerless who become victims of their political system.  Their fate remains a reproach to those who betrayed their trust.Transfer prints, stitching and paint on canvas ...
Political - Mixed Media
108 x 72 inches (274.3 x 182.9 cm)
Tom Lund-lack: 'The True Cost of War', 2008 Oil Painting, Political.  This is the first political work that I have completed and is intended to be a statement about the waste of life in what I and many others see as an illegal war in Iraq.  It arose out of an experiment with abstarcting an Apacahe helicopter which set me to...
Political - Painting
47 x 70 cm (18.5 x 27.6 inches)
Rita Levinsohn: 'Legacies Old and New Part 2', 2006 Giclee, Political.  Images of ancient Mayan Culture. ...
Political - Giclee
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Legacies Old and New 3', 2004 Acrylic Painting, Political.  Images of the ancient Mayan world ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Sacrifices Old and New', 2005 Acrylic Painting, Political.  Images of sacrifices in an ancient world juxtaposed with scrifices in our modern world. ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Legacies Old and New Part 2', 2004 Acrylic Painting, Political.  Images of ancient mayan culture ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Chad A. Carino: 'No Regrets for Cowards', 2008 Watercolor, Political.  Watercolor on sawn canvas in three parts mounted on painted wood. ...
Political - Watercolor
48 x 18 inches (121.9 x 45.7 cm)
Steve Doan: 'saturday yellow fever', 2019 Collage, Political. LIVING IN FRANCE WE LIVED WITH THEGILET JAUNEPROTEST FOR 6 MONTHS.  THIS IS A VEIW FROM OUR CORNER.  WE WERE GASED THREE TIMES DURING THESE PROTESTS. ...
Political - Collage
45 x 54 cm (17.7 x 21.3 inches)
(Page 1 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Jerry Di Falco - Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know buying here on absolutearts cuts out ...

Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....