Artists Describing Their Art:
Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...
Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
Shoshannah Brombacher -
Shoshannah Brombacher -
Sergey Lesnikov - Old things fascinate - wood, metal, stones, cobweb of craquelure on old varnish .. the way time worked on them. Perhaps as proof that Time is material, and has value in itself. Once, looking at the massive hundred-year-old board from the old house, I imagined all those works on the wood panels, from icons to painting, which we never saw, that left, disappeared, lost in time. How could they look like Then I came to idea to make such a thing, looking like a found artifact, with fragments of old painting on ancient piece of wood. So I have created it, and continue working now.. Additional technical education helps to find new and new technological solutions, and now every work is physically unique, because of the uniqueness of the key element - old wood, and because of the peculiarities of the process. Nowadays, when so many people are interested in medieval style, fantasy and pseudo-historical stories- from The Lord of the Rings to the Game of Thrones, such kind of works are interesting, arenaEURtmt they Such as they could be, if they existed in reality and reached our days.. Im always in search- of new approaches, new materials, sometimes ...
Steve Doan - A Precarious Balance For The Abstract Painter "Doan's abstract paintings a precarious balance of abrupt explosions of uncontainable gestural energy and soothing, stabilizing structure, which seem to transcend the painterly marks that constitute it. The best abstract painting manages the doubleness with deceptive ease: this simultaneous sense of equilibrium and disequilibrium--not just 'dynamic equilibrium', as Kandinsky called it, but a double vision in which the picture seems a sum of disequilibrated parts that do not add up to a whole and an organically equilibrated whole that is more than the sum of any of its details. Indeed, it rises above then like a mirage of higher unity. Doan's recent abstractions achieve this complex magic. Whether mimetic of abstract, it is the undercurrent of abstract, seemingly arbitrary vividness-willing intensity--that is Doan's basic subject matter." Andrew Dunning - Blue Sky Creative "Ne au Texas, il a grandi en Afrique et en Arizona. Son travail est tres impregne des lumieres et des couleurs vives de ces regions ensoleillees. Il vit depuis plusieurs annees e Bruxelles, apres avoir parcouru l'Europe. Ces differentes terres d'accueil ont influence des style de cr...
Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...