Representational Art For Sale

Page 2 of 25
Browse 711 Representational artworks for sale. Contemporary artists: Emilio Merlina, Jean Judd, Lynda Lehmann, Lorrie Williamson, Storm Hammond, Martin Glick, Lou Posner, Adam Adamou, Wayne Wilcox, Wayne Quilliam, Michael Ashcraft, Angel Cruz, John Tooma, Michael Jenkins, Lidia Kirov offering Representational artworks. Links to more artworks by these contemporary artists and 25 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Representational art simply click on the image to go to a more detailed page about this work of art.


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Jean Judd: 'Purple Angel', 2004 Textile Art, Representational.  Part of my ongoing series featuring hand cross stitched center medallions.  Hand quilted and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Mixed Sampler Quilt Guild Show, Siren Wisconsin, September 30- October 1, 2006.- - Juried into the Sacred Threads 2007 quilt show...
Representational - Textile Art
36 x 36 inches (91.4 x 91.4 cm)
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Jean Judd: 'Hummingbirds in Flowers', 2004 Textile Art, Representational.  Part of my ongoing series featuring hand cross stitched center medallions.  Hand quilted and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Juried into The Art of Craft competition at the b.  j.  spoke gallery in Huntington, New York.  It is one...
Representational - Textile Art
36 x 36 inches (91.4 x 91.4 cm)
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Jean Judd: 'Eagle Wings', 2007 Textile Art, Representational.  Part of my ongoing series featuring hand cross stitched center medallions.  Hand quilted and hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Mixed Sampler Quilt Guild Show, Siren, Wisconsin October  11  12, 2008.- -	Kentucky National 2011 National Exhibition of Contemporary Art, Clara...
Representational - Textile Art
36 x 36 inches (91.4 x 91.4 cm)
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Jean Judd: 'Butterflies in the Dark', 2008 Textile Art, Representational.  Part of my continuing series featuring hand cross stitched center medalions.  Hand quilted with ghost butterflies.  Hand bound.Artwork is accompanied by a Certificate of Authenticity signed by the artist.Exhibition History - - Juried into exhibit at the Amery Medical Center in Amery, Wisconsin from March 18, 2009 through June of...
Representational - Textile Art
36 x 36 inches (91.4 x 91.4 cm)
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Lynda Lehmann: 'Warm and Cool', 2008 Color Photograph, Representational.  Warm and cool colored pebbles glisten in the shallow water off a Long Island beach. Image c Lynda Lehmann.  My signature will appear on the mat, not on the print. ...
Representational - Photograph
11 x 8 inches (27.9 x 20.3 cm)
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Lorrie Williamson: 'Mixed Emotions', 2000 Oil Painting, Representational.  Emotional conflict and indecision.  I know them well. ...
Representational - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lorrie Williamson: 'Lily', 2002 Acrylic Painting, Representational.  Lillie, the true artist in every sense of the word.   ...
, 2002
Representational - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Lynda Lehmann: 'Sundrenched', 2007 Other Photography, Representational.  A rose if intense gold, as if it had absorbed all the sunlight in the world. Image c Lynda Lehmann. Archival print, unmatted, 12 x 15 inches on Canon pro photo paper. Please feel free to ask about other sizes. ...
Representational - Photograph
15 x 12 inches (38.1 x 30.5 cm)
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Storm Hammond: 'Fragile Transitions', 2005 Oil Painting, Representational.
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Martin Glick: 'Master of all He surveys', 2002 Other Ceramics, Representational. A man with a wonderful attitude aobut himself and his suroundings. This patinated stoneware sculputre is available in a limited edtion of 15 in bronze. ...
Representational - Ceramics
17 x 12 inches (43.2 x 30.5 cm)
Lou Posner: 'The Sub That Wouldnt Die II', 2003 Oil Painting, Representational. See The Sub That Wouldnt Die I for story behind the two paintings.  This is a revisited version of the 1979 painting.  Only available as a pair with The Sub That Wouldnt Die I.  Total price is 3,330 USD for the two paintings. ...
Representational - Painting
10 x 8 inches (25.4 x 20.3 cm)
Lou Posner: 'The Sub That Wouldnt Die', 1979 Oil Painting, Representational. My wife and I took submarine sandwiches into New York City on a trip to art galleries.  What we didnt eat we brought home to Waterbury, Connecticut.  After two weeks in the refrigerator, these remains were dubbed the sub that wouldnt die.  Only available as a pair with The Sub ...
Representational - Painting
10 x 8 inches (25.4 x 20.3 cm)
Adam Adamou: 'This Week', 2000 Acrylic Painting, Representational.
, 2000
Representational - Painting
762 x 508 mm ( x )
Wayne Wilcox: 'Studio Still Life', 1975 Oil Painting, Representational.
Representational - Painting
60 x 70 inches (152.4 x 177.8 cm)
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Martin Glick: 'Master of All He Surveys', 2002 Other Ceramics, Representational. A man with a wonderful attitude aobut himself and his suroundings.  This patinated stoneware sculputre is available in a limited edtion of 15 in bronze....
Representational - Ceramics
17 x 12 inches (43.2 x 30.5 cm)
Wayne Quilliam: 'Dog of a Day', 2002 Artistic Book, Representational.
Representational - Artistic Book
0 x 0 inches (0.0 x 0.0 cm)
Michael Ashcraft: 'summer', 2020 Pastel, Representational. landscape...
, 2020
Representational - Pastel
26 x 20 inches (66.0 x 50.8 cm)
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Michael Ashcraft: 'filters', 2019 Pastel Drawing, Representational.
, 2019
Representational - Drawing
30 x 20 inches (76.2 x 50.8 cm)
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Michael Ashcraft: 'mimosa cafe', 2019 Pastel Drawing, Representational.
Representational - Drawing
30 x 20 inches (76.2 x 50.8 cm)
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Michael Ashcraft: 'gateway fortress', 2019 Pastel Drawing, Representational.
Representational - Drawing
29 x 21 inches (73.7 x 53.3 cm)
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Angel Cruz: 'drum dance', 2014 Oil Painting, Representational. Puerto RicoA female dances to the beat of a conga drummer with a few observers in the background.  This is an oil painting on a wood panel.  ...
, 2014
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Angel Cruz: 'Blue Saree', 2012 Oil Painting, Representational. Puerto RicoThis painting is a small oil on wood panel study where I wanted to capture the facial features of a young middle eastern woman. ...
, 2012
Representational - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Angel Cruz: 'Young Zulu Woman', 2010 Oil Painting, Representational. An oil painting on wood panel of a young and attractive African Zulu woman.  The idea here was to use colors to represent the lovely African woman s skin tone. ...
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Angel Cruz: 'Still Life w Red Vase', 2017 Oil Painting, Representational. The vase and the tea cup both have an Asian design.  Oil painting on wood panel. ...
Representational - Painting
12 x 16 inches (30.5 x 40.6 cm)
John Tooma: 'Augusta 2', 2006 Oil Painting, Representational. This artwork is another of a series of study as this beautiful part of Western Australia ( WA) , I have been fascinated about, on the west coast of Australia.This is Augusta at the tip of WA few hours down the coast of Perth, WA.This piece is Framed, I don' ...
, 2006
Representational - Painting
508 x 406 mm ( x )
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John Tooma: 'Daisy', 2006 Oil Painting, Representational. This artwork is Not For Sale ( NFS) , but this will give you an idea of the cost.This is part of a series I have started several years ago. The series will be the same size and style or finish....
, 2006
Representational - Painting
762 x 762 mm ( x )
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John Tooma: 'Gittys Buddy', 2007 Oil Painting, Representational.
Representational - Painting
762 x 762 mm ( x )
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Michael Jenkins: 'vision', 2020 Pencil Drawing, Representational. Fast sketch of A vision of The Throne of Jesus...
, 2020
Representational - Drawing
18 x 18 inches (45.7 x 45.7 cm)
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Lidia Kirov: 'Summer Bliss', 2019 Oil Painting, Representational. Swimming in the clear blue waters...
Representational - Painting
54 x 32 inches (137.2 x 81.3 cm)
Steve Hunsicker: 'flowers in her hair', 2019 Acrylic Painting, Representational.
Representational - Painting
13 x 38 inches (33.0 x 96.5 cm)
(Page 2 of 25) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25 dollars. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know, buying here on absolutearts cuts ...

    Lou Posner - Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Michael Ashcraft - I am a graduate of the San Francisco Art Institute. My work reflects the symbolic metaphors in the world around me. I spend a lot of time finding the right physical objects or settings to build the statements I wish to express. I may spend months or even years with an idea before I ever touch a canvas or piece of paper. Once I begin I let the painting dictate its own style. Only the painting can tell me when it is finished. I will usually set them aside for a long time before I come back and decide if they are truly finished or need more work. I hope you enjoy them....

    John Tooma - This site is only a guide to my artworks, you will appreciate them alot more when they are seen in real life. As a Painter and Graphic DesignerIllustrator, art is everything to me. Its wonderful to have the ability to draw and paint what the eye can see. As an observer, I love to sketch in my pads and photograph most subjects transferring the visual information onto paper, canvas or the computer. I use both film and digital photographic equipment. I draw and paint virtually everything but my passion lies with the human body. I use most medium such as pencil, pastel, charcoal, ink, watercolor, gouache, acrylic and oil paints. I am for ever experimenting. I also work with traditional airbrushing methods, as well as using the computer airbrushing technique. You can order Prints from any of these Paintings or Drawings and this would be printed on either Paper or Canvas depending on your preference. It is an absolute pleasure to share my passion with you and to speak about it through art. I enjoy sketching people whilst sitting in cafes. I am forever mesmerised with the colours of birds, the pigments of flowers and the reflection of light onto ...

    John Tooma -