Satire Art For Sale
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Browse 46 Satire artworks for sale. Contemporary artists: Wendy Lippincott, Tom Lund-lack, Lou Posner, Chad A. Carino, Ross Hendrick, Voodoo Velvet, Festina Dileo Guzzo Amaturo, Jonathan Benitez, Ivan Kosta, Dana Zivanovits, Timothy King, Carol Griffith, Meghann Frickberg, Janet Allinger, Martha Palacios, Prodip Kumar Sengupta, Jayne Somogy, Carlos Madriz offering Satire artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Satire art simply click on the image to go to a more detailed page about this work of art.
Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...
Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...
Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....
Ross Hendrick - Ross Hendrick is an artist who has drawn comic strips for several of the UKs most famous publications such as The Beano and Viz. His work often has a satirical edge, usually with a dark sense of humour. He creates cartoon paintings which have a resemblance to the work of Beryl Cook, albeit a more gritty modern day version. He works with acrylic, marker pens, spray paint and digitally. ...
Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...
Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...
Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...
Janet Allinger - Curriculum Vitae: Janet Allinger was born in 1964 in Detroit MI and lives and works in Santa Cruz, CA. An artist from day one, she perfected her skills over the years in design by working along side top designers in the graphic design trade and constantly experimenting with her artistic abilities. Her medium of choice, is acrylics. Allinger has shown her works at many businesses and shows including the 2002-05 Open Studio exhibits held in Santa Cruz, CA, and the first Santa Cruz Digital Art Festival. She had displayed at the SFMOMA artist gallery at the Fort Mason center and has been published in newspapers and art used for promotional pieces other than her own. Mrs. Allinger has been chosen for Chicago's Woman Made Gallery "Her mark" date book, the Kellogg University art gallery, Carmel CA Winfield gallery, Siggraph animation conference in San Diego, CA, Biddle gallery in Wyandotte MI, Thacher gallery in San Francisco, Red Ink studios in San Jose, La Bussola in Reno NV, POD & Stage gallery in New York plus several online U.S. and U.K. galleries. In 2005, she was a recipient of Santa Cruzi?1/2s prestigious Gail Rich Award. To see more ...
Carlos Madriz - CARLOS MADRIZ b. 1972 CARACAS aEUR" VENEZUELA Born and brought up in Caracas, in the mid-80s Carlos started experimenting with drawing, etching, silk-screen printing, design, painting and Street Art. It was at this time that he developed the skills and techniques needed to handle the X-Acto blades that became his constant companion for creating stencils, a defining characteristic of his artwork. He began producing small and medium size prints, small, medium and large paintings, and then murals. In the early 90 s, Carlos began studying at Caracas Advanced School of Arts and at the same time became involved in a number of projects born out of the local punk rock scene, including the design and creation of fanzines and posters and band merchandising activities such as designing and printing tee-shirts. In the mid-90,s he moved to San Francisco, California, where he completed his studies in painting and printmaking and took part in various collective mural projects, taught workshops and exhibited his artwork in a number of group shows in spaces such as Balazo Mission Badlands Gallery, Mission Cultural Center for Latino Arts MCCLA, Atelier Golgotha, SoMa Gallery and City Arts SF. Then in 2000 he ...
(Page 1 of 2) - MORE ARTWORKS
Artists Describing Their Art:
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...
Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...
Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....
Ross Hendrick - Ross Hendrick is an artist who has drawn comic strips for several of the UKs most famous publications such as The Beano and Viz. His work often has a satirical edge, usually with a dark sense of humour. He creates cartoon paintings which have a resemblance to the work of Beryl Cook, albeit a more gritty modern day version. He works with acrylic, marker pens, spray paint and digitally. ...
Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...
Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...
Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...
Janet Allinger - Curriculum Vitae: Janet Allinger was born in 1964 in Detroit MI and lives and works in Santa Cruz, CA. An artist from day one, she perfected her skills over the years in design by working along side top designers in the graphic design trade and constantly experimenting with her artistic abilities. Her medium of choice, is acrylics. Allinger has shown her works at many businesses and shows including the 2002-05 Open Studio exhibits held in Santa Cruz, CA, and the first Santa Cruz Digital Art Festival. She had displayed at the SFMOMA artist gallery at the Fort Mason center and has been published in newspapers and art used for promotional pieces other than her own. Mrs. Allinger has been chosen for Chicago's Woman Made Gallery "Her mark" date book, the Kellogg University art gallery, Carmel CA Winfield gallery, Siggraph animation conference in San Diego, CA, Biddle gallery in Wyandotte MI, Thacher gallery in San Francisco, Red Ink studios in San Jose, La Bussola in Reno NV, POD & Stage gallery in New York plus several online U.S. and U.K. galleries. In 2005, she was a recipient of Santa Cruzi?1/2s prestigious Gail Rich Award. To see more ...
Carlos Madriz - CARLOS MADRIZ b. 1972 CARACAS aEUR" VENEZUELA Born and brought up in Caracas, in the mid-80s Carlos started experimenting with drawing, etching, silk-screen printing, design, painting and Street Art. It was at this time that he developed the skills and techniques needed to handle the X-Acto blades that became his constant companion for creating stencils, a defining characteristic of his artwork. He began producing small and medium size prints, small, medium and large paintings, and then murals. In the early 90 s, Carlos began studying at Caracas Advanced School of Arts and at the same time became involved in a number of projects born out of the local punk rock scene, including the design and creation of fanzines and posters and band merchandising activities such as designing and printing tee-shirts. In the mid-90,s he moved to San Francisco, California, where he completed his studies in painting and printmaking and took part in various collective mural projects, taught workshops and exhibited his artwork in a number of group shows in spaces such as Balazo Mission Badlands Gallery, Mission Cultural Center for Latino Arts MCCLA, Atelier Golgotha, SoMa Gallery and City Arts SF. Then in 2000 he ...