Sea Life Art For Sale

Artists Describing Their Art:

Kimmie Hamm - Everywhere you dream to go can become a part of you and everywhere you have been is a part of you. I am an explorer and optimist at heart, so when I set out to create something one word always comes to mind: Possibilities I feel that through art I can explore the visions in my mind, everything from a small flower or blade of grass to distant worlds filled with whimsy and thoughts of what ifaEUR|aEUR|. Culturally I have two aspects that influence me one being my Native American ancestry and the other my German immigrant ancestry. I am deeply rooted in the beauty and wonderment of nature. My wise grandmother told me if you have strong roots your sprit can fly anywhere and still return home. That saying has always stuck with me and in many ways sparked my imagination. The explorer in me must come from my immigrant ancestry. My great grandfatheraEURtms family traveled to America on a steam ship in 1874. I can imagine them traveling for what must have seemed like an eternity. I often contemplate what they must have been thinking, and try to express the excitement of the unknown and the anticipation ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...

Leif Fleissig Hammelsvang - Statement:in viewing my work, one must remember,that it reflects the cultural outlook of the age in which we live. It reveals my personal feelings as influenced by the existing social, religious, economic and political situations. My paintings have certainly been created to serve a special function....

Sandra Golbert - My work is in Fiber, mostly hand-made paper, wood, or hand-dyed silk with surface design. I began working in fibers more than 50 years ago as a child, when I designed and made dolls' clothes! Then I went on to design costumes and clothing for "real people", and my designs appeared in Vogue magazine. When I no longer lived in the US, I could not work as a "seamstress/designer" since I was considered an alien, so I began to put my fibers on the wall instead of the body, making intricately embroidered wall hangings and sculptures. Urged by my friends, I entered juried exhibits and to my surprise, was accepted in a great many of them. Since then, I have worked steadily on my art, "supporting my habit" by working as a free-lance costumer, jewelry maker, designer, office clerk, theatre producer, computer-er, puppet-dresser, photo stylist, baby-sitter and anything else available to me. Through the years, I have received many grants, two residencies and much help from my children so that I might continue my work. Two of my pieces were chosen to be in an exhibit called "9x9x3" at the American Craft Museum ...

Grace Liberator - Grace Liberator was born and raised in New England. After traveling and working in Europe she settled back on the East Coast. She continually develops her style and technique switching between the more direct to the abstract, at times studying at the Art Students League. She often uses personal photography to help capture the essence of the natural world. She also uses the emotional experience to capture the inner human spirit in her portraiture through both traditional and surreal imaging. All artworks

Mary-Ellen Campbell - Artist Statement I am very interested in the aspect of our aging society and its accompanying issues of loss of earlier strengths, health and death itself. I believe art can convey something special about this later period that has a beauty and a sadness not accessible in the youthful era of life. As a result, my latest artwork and Book Art investigates obsolescence and aging. I have started to write poetry and incorporate my poems in my books thus intertwining the visual and verbal arts. It is in this format that I bring my previous experiences together. I have continued to develop books that travel on both a physical and metaphysical journey. These themes are explored through personal history, aspects of aging, meanings across cultures and places, and concepts of nature. I make books with few and simple materials. I love to travel and produce portable art relating to my travel experiences and my observation of my themes in other places. ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Katalin Luczay - Painting to me is an expression, interpretation, and appreciation of the world around me. In my opinion any art should inspire and elevate the human spirit. These types of art works are immortal, such as the works of the old masters. In my paintings I strive to achieve these ideals. I would describe my works as related as representational realism. In my seascapes I bring many different colors together to illustrate the movement of water. In my landscapes and still life works I like to emphasize the play of light as it hits a focal point. I like to paint in oil because I can achieve this sense of light and motion by glazing over layers, as well as in oil I can achieve a richness that I find limiting in other mediums. Please see my website at

Agnieszka Praxmayer - My inspiration comes often from NATURE : - animals (coral reefs , cats , birds , flowers .. ) - landscapes ( Italy , USA , France , Poland .. ) I have a very big passion for drawing and the line in general. I do many ink drawings and portraits in ink for papers. ( writers , politicians , actors , .. ) My other speciality is oil portrait . I realize many of them : (children, adults and animals . Sometimes they are official, historical or stylized, ... ) My favourites media are : oil painting , oil pastel , collage and ink drawing. ...