Seascape Art For Sale

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Browse 922 Seascape artworks for sale. Contemporary artists: Edna Schonblum, Leo Evans, Larysa Uvarova, Teri Paquette, William Christopherson, David Larkins, Jerry Di Falco, Michal Ashkenasi, Marino Chanlatte, Harry Bayley, Tom Lund-lack, John Sims, Austen Pinkerton offering Seascape artworks. Links to more artworks by these contemporary artists and 32 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Seascape art simply click on the image to go to a more detailed page about this work of art.


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Edna Schonblum: 'high sea 38', 2021 Oil Painting, Seascape. an oil painting from a high sea hoping it will bring peace and joy as I had painting it. ...
Seascape - Painting
20 x 30 cm (7.9 x 11.8 inches)
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Leo Evans: 'rainbow for the ages', 2021 Mixed Media, Seascape. New Art by Leo Evans   9x14   Mixed Media on Find Artist Paper   Title:  Rainbow for the Ages
Seascape - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'a beautiful day for a sail', 2021 Mixed Media, Seascape. New Art by Leo Evans   9x14   Mixed Media on Fine Artist Paper   Title:  A beautiful Day for a Sail
Seascape - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'the fish and the mermaid', 2021 Mixed Media, Seascape. New Art by Leo Evans   Title: The Fish and the Mermaid   Medium: Acylic Pen, Permanent Markers, blk and color on Fine Artist Paper   9x14   Created: 2021...
Seascape - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Edna Schonblum: 'quarantine number 5', 2020 Oil Painting, Seascape. at home in covid s quarantine painting places I wanted to be...
Seascape - Painting
20 x 15 cm (7.9 x 5.9 inches)
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Edna Schonblum: 'hatch', 2020 Oil Painting, Seascape. simulation from a boat hatch in a round canvas...
, 2020
Seascape - Painting
19 x 19 cm (7.5 x 7.5 inches)
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Edna Schonblum: 'high sea number 18', 2020 Oil Painting, Seascape. oil painting from a high sea view. ...
Seascape - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Larysa Uvarova: 'tender deep vibes', 2021 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
90 x 90 cm (35.4 x 35.4 inches)
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Larysa Uvarova: 'deep inside', 2021 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
150 x 200 cm (59.1 x 78.7 inches)
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Teri Paquette: 'anchored for the night', 2021 Oil Painting, Seascape. ORIGINAL OIL PAINTING  INSPIRED BY FLEET OF ANCHORED BOATS SEEN WHILE ON VACATION. THE SUN WAS SETTING AND REFLECTED ON WATER. SCENE WS GOLDEN AND BREATHTAKING. ...
Seascape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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William Christopherson: 'Melissa Desgagnes 2020', 2020 Oil Painting, Seascape.  This artwork completed forthe Un Masked - Impressions of a Pandemicartist s exhibit at the River Muse Art Gallery Studio in Clayton NY.  This special event invited artist s creations inspired by and during the 2020 Covid- 19 pandemic period.  Here, the journey of the Melissa Desgagnes symbolicly represents the challenging...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
150 x 200 cm (59.1 x 78.7 inches)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape. DEEP INSIDENothing is deeper than yourself.  DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us.  I feel that life lives here.  Research and immersion into this depth of self- knowledge will lead us ultimately to our present.  This is a ...
Seascape - Painting
200 x 150 cm (78.7 x 59.1 inches)
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Teri Paquette: 'herons roosting', 2020 Oil Painting, Seascape. WHILE IN FLORIDA- THIS WAS A USUAL EVENING SCENE- HERONS READY FOR NIGHT TIME- PAINTED ON STRETCHED CANVAS...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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David Larkins: 'lake michigan cold front', 2020 Oil Painting, Seascape. Snow squalls pass and the brisk cold air advances from the northwest across thr big lake.Capturing the cold clean atmosphere was my goal when I painted this amazing scene in Elberta, Michigan. ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'golden mon sant michele', 2020 Etching, Seascape. This hand pulled etching is based on an antique photograph taken by Giovanni Di Falco, the paternal grandfather of the artist, in 1889 at Mont San Michele in France.  Jerry Di Falco executed two drawings in graphite of this photo before etching onto his zinc plate, which was then developed ...
Seascape - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Michal Ashkenasi: 'isles', 2019 Acrylic Painting, Seascape. A minimal artwork wherein I wanted to show the smallness of our beings in the  big universe. I took the example if the small isles in the big ocean . ...
, 2019
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Teri Paquette: 'the lighthouse', 2018 Oil Painting, Seascape. ORIGINAL OIL- FEATURES A LIGHTHOUSE- OCEAN- BOAT- SEAGULLS- WIDE FRAMED- SIGNED...
Seascape - Painting
29 x 22 inches (73.7 x 55.9 cm)
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Marino Chanlatte: 'ocean 77 ocean ice melting', 2018 Oil Painting, Seascape. With this new series of painting aEURoeOceansaEURtm ice meltingaEUR I am calling the attention to the climate change and the global warming effects that are happening. We need to do something, but not deny the evidence.Some of the thickest sea ice in the entire Arctic, with ridges of ice ...
Seascape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Harry Bayley: 'portree 2', 2018 Watercolor, Seascape. Watercolour of Portree, Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Michal Ashkenasi: 'sails', 2017 Acrylic Painting, Seascape. An abstract - minimalistic painting of the Sea and three small Sails  It is a kind of showing the smallness of Men in the Nature . ...
, 2017
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Harry Bayley: 'portree 1', 2018 Watercolor, Seascape. A watercolour scene form the beach at Portree in Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Marino Chanlatte: 'miami sunset expression', 2018 Oil Painting, Seascape. This work, inspired on the Miami Bay and Port, was executed in the Monet impressionist style, following his treatment of the seascape Impression, Sunrise at the port of Le Havre. This is not a realistic or photographic scene, but a spontaneous work. I had a lot of fun painting this ...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Tom Lund-lack: 'headland breaker', 2018 Oil Painting, Seascape. Expressionist seascape of a wave breaking against a cliff.  Rock and water back lit endeavours to find the heart of the image. ...
Seascape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Tom Lund-lack: 'the complaining sea', 2018 Oil Painting, Seascape. The full title of this piece is - The Sea Complains on a Thousand Shores, but that was too long for the title box algorithm.A sunny day along the shore line. I feel that the groynes are like fingers leading your gaze out into sea. Sometimes like the ones in ...
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Tom Lund-lack: 'Walk on a winter shore', 2018 Oil Painting, Seascape. A walk on a cold winter day along the shore in Suffolk. The paint has been applied thickly and bullied into place with pallet knives and brushes. The main colours apart from black and white are burnt umber, naples yellow, manganese blue, and a little prussian blue. ...
Seascape - Painting
75.2 x 51 cm (29.6 x 20.1 inches)
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John Sims: 'very hot day whitstable', 2016 Watercolor, Seascape. After walking on West Beach in Whitstable, Kent UK. A very hot day. Watercolour on Paper. ...
Seascape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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Marino Chanlatte: 'seascape 2', 2016 Oil Painting, Seascape. Seascape is an abstract, fresh, and colorful artwork.  The painting extends to the borders of the canvas, 1. 5 depth, ready to hang.  seascape, abstract, contemporary, decor, fine art, oil painting...
, 2016
Seascape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Austen Pinkerton: 'Quay at Gocek', 2016 Graphite Drawing, Seascape.         trees palms boats harbour quayside  ...
Seascape - Drawing
21 x 30 cm (8.3 x 11.8 inches)
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Asbjorn Lonvig: 'Portofino Harbor', 2016 Other Printmaking, Seascape.  Portofino Harbor signed...
Seascape - Other Printmaking
82 x 58 cm (32.3 x 22.8 inches)
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(Page 1 of 32) - MORE ARTWORKS
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  • Artists Describing Their Art:

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...