Still Life Art For Sale

Page 1 of 44
Browse 1272 Still Life artworks for sale. Contemporary artists: Guy Octaaf Moreaux, Manuela Facchin Varalda, Joyce Waddell Bailey, Kichung Lizee, Austen Pinkerton, Igor Shulman, Larysa Uvarova, Teri Paquette, Iva Kalikow, Sandra Bryant, David Larkins, Krisztina T.molnár, Jinsheng You, Rhoda Taylor, Judith Fritchman, Daniel Clarke, Yosef Reznikov, Candice Rongyu offering Still Life artworks. Links to more artworks by these contemporary artists and 44 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Still Life art simply click on the image to go to a more detailed page about this work of art.


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Guy Octaaf Moreaux: 'Vanitas', 2020 Oil Painting, Still Life. Acrylic and oil paint on stretched canvas.  Vanitas, an allegorical representation of the vacuity of human passions and activities the smart phone, money and forget- me- not flowers. ...
, 2020
Still Life - Painting
40 x 50 cm (15.7 x 19.7 inches)
Manuela Facchin Varalda: 'alchechengi', 2021 Oil Painting, Still Life. I m studying here the way light draws shadows on the white wall and how the colorful lanterns of physialis impose themselves emerging from the shadow...
Still Life - Painting
19.6 x 19.6 inches (49.8 x 49.8 cm)
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Joyce Waddell Bailey: 'pencil bunch', 2021 Digital Photograph, Still Life. Description coming...
Still Life - Photograph
27 x 36 inches (68.6 x 91.4 cm)
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Kichung Lizee: 'Vase 1', 2021 Mixed Media, Still Life. Collage assembly with papers...
, 2021
Still Life - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
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Austen Pinkerton: 'study in grey and blue', 2020 Acrylic Painting, Still Life. Stll life of resin casting of copy of antique sculpture. On table with mountainous landscape in background. ...
Still Life - Painting
40 x 50 cm (15.7 x 19.7 inches)
Austen Pinkerton: 'boots', 2020 Pencil Drawing, Still Life.  These boots were made for walking, that s what they re gonna do . . . . . . . . the  cobblers bench  display at Narberth Museum. 42 x 28 cm. Pencil and Blender. Narberth Art Group, Friday October 9th. ...
, 2020
Still Life - Drawing
42 x 28 cm (16.5 x 11.0 inches)
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Igor Shulman: 'bad news', 2020 Oil Painting, Still Life. News cannot be the same for everyone.For some, this is the most pleasant news in the world. For some, it s the opposite.For this fish, the news turned out to be the last resort.In a literal sense, the fish got into the news.I don t think ...
, 2020
Still Life - Painting
39.4 x 71 inches (100.1 x 180.3 cm)
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Joyce Waddell Bailey: 'Civilization and Culture', 2020 Digital Photograph, Still Life. Civilization and Culture was a pleasure to work on because I could combine botanical icons with a well- known communication tool.  This all started after a long night in a cave in Hunter MountainSedona, AZ.  see Power of the Pencil description.  The sleekness of the pencil contrasts with the more ...
Still Life - Photograph
36 x 27 inches (91.4 x 68.6 cm)
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Joyce Waddell Bailey: 'Civilization', 2020 Digital Photograph, Still Life. When I came back to the studio after spending the night ina cave in Hunter Mountain Sedona, AZ, the cats had scattered colored pencilsall over the work area.  Reflecting on my experience in the cave, I started to see the array pencil in a new light.  Rather than pickup the ...
Still Life - Photograph
60 x 60 inches (152.4 x 152.4 cm)
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Larysa Uvarova: 'tenderness', 2019 Oil Painting, Still Life. The series of artworks is about the internal silence that is on the deep each of us. This is the silence we listen to and plunge when our soul and body need a peace. We feel calmness and protection here. There is no time here, just we real. There is ...
, 2019
Still Life - Painting
120 x 140 cm (47.2 x 55.1 inches)
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Larysa Uvarova: 'lilac still life with plums', 2015 Oil Painting, Still Life. Original oil on canvas painting was done with high- quality paints and palette knife will be great for the modren interiors. Ready to hang. ...
Still Life - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Larysa Uvarova: 'yellow still life with pears', 2015 Oil Painting, Still Life. Original oil on canvas painting was done with high- quality paints and palette knife will be great for the modren interiors. Ready to hang. ...
Still Life - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Larysa Uvarova: 'striped still life', 2015 Oil Painting, Still Life. Original oil on canvas painting was done with high- quality paints and palette knife will be great for the modren interiors. Ready to hang. ...
Still Life - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Teri Paquette: 'the lonely chair', 2020 Oil Painting, Still Life. ACTUAL SETTING IN THE WEST- A THREE LEGGED CHAIR  MUST HAVE MANY STORIES TO TELL- IN OLD CABIN- IN WIDE FRAME...
Still Life - Painting
23 x 19 inches (58.4 x 48.3 cm)
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Iva Kalikow: 'Still Life with Watermelon', 2020 Stained Glass, Still Life. This leaded stained glass art panel inspired by Salvador Dali consists of 156 hand- cut pieces of 20 different colors and textures of glass.  This still life represents DalAaEURtms inventive response to the fragmentation and abstract planes of Cubism.  I was drawn to different textures of glass, rough and ...
Still Life - Glass
23 x 23 inches (58.4 x 58.4 cm)
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Sandra Bryant: 'breakfast of champions', 2020 Oil Painting, Still Life. A favorite way to start the day, coffee and danish. ...
Still Life - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Igor Shulman: 'a simbol', 2020 Oil Painting, Still Life. Whatever it is called, but this subject is known to most of the inhabitants of our world.This is exactly the same crown. The main crown of the British Empire. It is adorned with the largest diamonds, the most valuable precious stones. It is not only a symbol of strength, ...
, 2020
Still Life - Painting
39.4 x 39.4 inches (100.1 x 100.1 cm)
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David Larkins: 'gremlins and granite', 2020 Oil Painting, Still Life. After last years gourd harvest I placed some on our granite island and took severa  pictures not knowing if i d ever do something with them.Well, strange times makes strange still life s ...
Still Life - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Krisztina T.molnár: 'Serenity', 2020 Acrylic Painting, Still Life. In omnibus requiem quaesivi, et nusquam inveni nisi in angulo cum libro.  I was looking for peace in everything, but I only found it in a corner with a book in my hand.  The quote is from TamA! s Kempis, who was a Christian theologian and monk living in the ...
, 2020
Still Life - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Iva Kalikow: 'Still Life Pitcher Fruit Bowl', 2020 Stained Glass, Still Life. This leaded stained glass art panel is inspired by Picasso and consists of 300 hand- cut pieces of 16 different colors and textures of glass.  I chose very bold colors of glass to emphasize the cubist drama.  It is framed in a 2 inch wide oak frame stained black and ...
Still Life - Glass
29 x 23 inches (73.7 x 58.4 cm)
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Jinsheng You: 'plum blossom 604', 2019 Oil Painting, Still Life. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping....
Still Life - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jinsheng You: 'waterlily 599', 2019 Oil Painting, Still Life. The waterlily is the artists favourite flower and It represents elegance in the Chinese culture. It grows in dirty silt but is very beautiful and clean, so it represents a spirit in orient culture.Due to long distance from China, the painting will be rolled in a tube for shipping, ...
Still Life - Painting
60 x 120 cm (23.6 x 47.2 inches)
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Jinsheng You: 'memory of childhood 569', 2019 Oil Painting, Still Life. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping....
Still Life - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Jinsheng You: 'stil life 565', 2019 Oil Painting, Still Life. This is an original unique oil painting on canvas. The work was signed in the back by the artist. It will be rolled in a tube for shipping. ...
Still Life - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Rhoda Taylor: 'austre purity', 2017 Mixed Media, Still Life. Lillies of strong white purity within the garden cannot fail to draw attention.Using colour gouache and pen on a  Dalor not  artboard and holding each lilly and taking from life seeing each detail the picture was born....
Still Life - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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Judith Fritchman: 'silver and gold', 2015 Oil Painting, Still Life. A study of white roses and silver. ...
Still Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Daniel Clarke: 'still life 2020', 2020 , Still Life. Still Life 2020Vase and flowers and a multitude of colors make this the ideal gift for your loved one.In the spirit of Matisse ...
Still Life -
12 x 18 inches (30.5 x 45.7 cm)
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Yosef Reznikov: 'composition 70', 2019 Mixed Media, Still Life. The effect of paintings on humansSome people believe that everyone in the house should have at least one picture. But why hang it in the room  Earlier, and now, too, paintings are considered signs of wealthy people who have nowhere to put their money. Some people buy because they...
Still Life - Mixed Media
100 x 120 cm (39.4 x 47.2 inches)
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Candice Rongyu: 'Bouquet', 2019 Oil Painting, Still Life. Introduction of Craft Hand- made Embroidery It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textilesp.  s.  the thinnest filament is ...
, 2019
Still Life - Painting
40 x 60 cm (15.7 x 23.6 inches)
Candice Rongyu: 'still life', 2018 Crafts, Still Life. Following is reference price, the actual price will float per ex- rateIntroduction of Craft Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft The procedure of making is embroider pattern image with various thinness color silk threads on high ...
, 2018
Still Life - Crafts
50 x 61 cm (19.7 x 24.0 inches)
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(Page 1 of 44) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Guy Octaaf Moreaux - The end of August will see me move back to Brussels, Belgium. The three years I spent in Kenya have been super interesting and moved me to paint my african impressions. I feel privileged to have learned so much of this wonderful part of the world which was quite foreign to me before. Life is full of emotions about people, nature, things etc...and leaving Kenya will be hard indeed. One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. And yes one can see beauty everywhere...it is a state of mind. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Austen Pinkerton - Iva Kalikow - My first love was interior design which I studied at the School of Visual Arts in NYC. I went on to study drawing and color at the Art Center College of Design in Pasadena, CA. At first, I thought I wanted to design furniture, but while living in L.A. I took a class in stained glass and I was hooked. My approach is one of the overall interior design of the room as well as the architectural aspects. My stained glass art panels are created in the traditional lead technique seen for centuries in churches and cathedrals. Using a wide array of both handmade and manufactured glass in every conceivable color and texture, I am constantly visualizing how natural light will illuminate the work. In selecting my palette of glass, do I use a rough wavy glass or a smooth texture, do I want it translucent or opaque I then meticulously hand cut each individual piece of glass, grind the edges and wrap it in malleable lead came strips, then solder and cement to create my original custom designed interpretations. My most recent collection is inspired by the Masters of Impressionism, Post-Impressionism, Fauvism, and Cubist periods of Art - ...

    Sandra Bryant - For us, mosaic is a form of magic. The process of breaking down large sheets of glass, finding that perfect glass for each small piece, that just right hue, level of transparency and surface texture that will speak to what IaEURtmm trying to say with this glass aEURoebrush stroke.aEUR The medium is always a joy and a challenge, cutting the perfect shape and size tesserae to create that feeling. The overall theme of our artwork is a resolute celebration of this life of our world, both our own creations and of natural things. Mosaic carries a message of wonder, not only in the monuments and architecture of our surroundings, but also of the hope intrinsic in this celebration...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    David Larkins - Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Candice Rongyu - This is a supplier of hand-made embroidery, it has taken nearly 2000 years history. Hand-made embroidery belongs to handicraft, each artwork are making by hundreds and thousands needlework. those artworks not only bring aesthetic enjoyment, but also display a cultural heritage. In order to satisfy different aesthetic demands, we supply bespoke service. If you are interested in and would like to get sample before place an order, please feel free to contact me. Thanks ...