Still Life Art For Sale

Page 3 of 35
Browse 1011 Still Life artworks for sale. Contemporary artists: Michael Garr, John Gamache, Jim Lively, Lora Vannoord, C. A. Hoffman, Lucille Rella, Eve Co, Wayne Wilcox, Hope Brooks, Hana Grosova, Heather Hyatt, Jose Luis Lazaro Ferre, Ruth Zachary, James Gwynne, Michael Pickett, Luise Andersen offering Still Life artworks. Links to more artworks by these contemporary artists and 35 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Still Life art simply click on the image to go to a more detailed page about this work of art.


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John Gamache: 'Crown of Twigs', 2011 Oil Painting, Still Life.  Oil on linen...
Still Life - Painting
34 x 20 inches (86.4 x 50.8 cm)
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Jim Lively: 'Thump', 2011 Acrylic Painting, Still Life.                            acrylic, ink text and heavy gloss varnish on gallery wrapped canvas                                                                           ...
, 2011
Still Life - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jim Lively: 'Shape', 2011 Acrylic Painting, Still Life.                           acrylic, ink text and heavy gloss varnish on gallery wrapped canvas                                                                          ...
, 2011
Still Life - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Jim Lively: 'Apple', 2011 Acrylic Painting, Still Life.                          acrylic, ink text and heavy gloss varnish on gallery wrapped canvas                                                                         ...
, 2011
Still Life - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Jim Lively: 'Bananas Split', 2011 Acrylic Painting, Still Life.                         acrylic, ink text and heavy gloss varnish on gallery wrapped canvas                                                                        ...
Still Life - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lora Vannoord: 'Coffee with Sugar', 2011 Oil Painting, Still Life.  An original oil painting on canvas of an old coffee pot and a new sugar bowl. The sugar bowl is a piece of pottery hand made by Susan Johnson. I have an antique frame on it now. This is included if you want it. ...
Still Life - Painting
16 x 20 inches (40.6 x 50.8 cm)
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C. A. Hoffman: 'Yellow Mug And Blue Glasses', 2010 Color Photograph, Still Life.  This is an original photo that has been digitally- painted to create an original work of art.                                                ...
Still Life - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Sunny Dilema II', 2010 Black and White Photograph, Still Life.  This is an original photo that has been digitally- painted to create an original work of art.                                        ...
Still Life - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Sunny Dilema', 2010 Black and White Photograph, Still Life.  This is an original photo that has been digitally- painted to create an original work of art.                                       ...
Still Life - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Eve Co: 'Silent Purity', 2009 Pencil Drawing, Still Life.  Silent Purity11
Still Life - Drawing
8.5 x 11 inches (21.6 x 27.9 cm)
Wayne Wilcox: 'Study in Orange', 2009 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Hope Brooks: 'Terracotta Head and Blue Bottle', 2007 Mixed Media, Still Life.  One of a suite of six still life's painted for the Sea View Gallery in 2007 the painting has a textured surface using modeling paste gouache and pencil.  The objects are by Colin Garland the Jamaican/ Australian artist who died in 2007.  The painting is on board.      ...
Still Life - Mixed Media
18 x 18 inches (45.7 x 45.7 cm)
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Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
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Hana Grosova: 'Still life with roses     ', 2007 Oil Painting, Still Life.  This picture shows fruit, glasses with bottle and the vase with roses. Everything is situated on the table. ...
Still Life - Painting
32.3 x 26.2 inches (82.0 x 66.5 cm)
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C. A. Hoffman: 'Been So Long', 2008 Color Photograph, Still Life.
Still Life - Photograph
10 x 12 inches (25.4 x 30.5 cm)
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Heather Hyatt: 'Flintlock', 1995 Pencil Drawing, Still Life.  'Flintlock' is graphite on paper mounted in a shadow box.  The style is trompe l' oeil. ...
, 1995
Still Life - Drawing
14 x 8 inches (35.6 x 20.3 cm)
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Heather Hyatt: 'Red Chinese Boxers', 2008 Oil Painting, Still Life.  'Red Chinese Boxers' is oil on canvas mounted in a shadow box.  The style is trompe l' oeil. ...
Still Life - Painting
9 x 17 inches (22.9 x 43.2 cm)
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Heather Hyatt: 'Black Bustier', 2008 Oil Painting, Still Life.  Painted in trompe l'oeil style, Black Bustier is mounted in a shadow box. ...
Still Life - Painting
17 x 47 inches (43.2 x 119.4 cm)
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Heather Hyatt: 'White Bustier', 2008 Oil Painting, Still Life. ' White Bustier' is trompe l' oeil style.  ...
Still Life - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Jose Luis Lazaro Ferre: 'Spring', 2008 Acrylic Painting, Still Life.
, 2008
Still Life - Painting
73 x 50 cm (28.7 x 19.7 inches)
Jose Luis Lazaro Ferre: 'The joy of living', 2008 Acrylic Painting, Still Life.
Still Life - Painting
73 x 50 mm ( x )
Jose Luis Lazaro Ferre: 'Breakfast at Sea', 2008 Acrylic Painting, Still Life.
Still Life - Painting
50 x 73 cm (19.7 x 28.7 inches)
Ruth Zachary: 'Lemon Lime', 2006 Color Photograph, Still Life. Kitchen still life.  Yellow lemon, green lime cast shadows in front of blue and white checked dish towel, all on white counter.  Fun shapes.  Great contrast. Full of charm. Perfect from my kitchen to yours. Limited edition print: 11 x 14 image signed, titled and numbered in pencil on 16 ...
, 2006
Still Life - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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James Gwynne: 'Jeans', 2002 Pencil Drawing, Still Life.  Large drawing on an actual wooden door, 80x34.  The jeans and door knob are both drawn with colored pencil ...
, 2002
Still Life - Drawing
34 x 80 inches (86.4 x 203.2 cm)
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Michael Pickett: 'Healthy wealthy and Wise', 2007 Acrylic Painting, Still Life.  This is a rustic still life. ...
Still Life - Painting
9 x 12 inches (22.9 x 30.5 cm)
Luise Andersen: 'ODD PICKINGS On Red ', 2007 Color Photograph, Still Life.  LIKE THE DIFFERENT FEEL OF COLORS. .  SUBSTANCE. . LIGHT. . PAULINES GLASS ON COPPER SQUARE BOWL, IN THE INTENSE, SATURATED RED ( ACHIEVED BY LAYERS OF DIFFERENT REDS OF GLASS POWDER ON FLUX) OFFERRED GREAT INSPIRATION. . BY ARRANGING THESE STILL LIFES- MAKES ME AWARE, HOW DIFFERENT IT IS FROM MY MIGNON PAINTINGS, OR...
Still Life - Photograph
11 x 9 inches (27.9 x 22.9 cm)
Luise Andersen: 'ODD PICKINGS Tomato Series On Glass On Copper Grouping No Four ', 2007 Color Photograph, Still Life.  WORKING SINCE HOURS ON DECISION, WHICH ONES TO CHOOSE FOR UPLOAD ON PORTFOLIO. HAS KEPT ME SO BUSY- CONCENTRATING ON COMPOSITIONS AND HUES. . FEEL SO MUCH BETTER JUST THINKING RE COLORS AND COMPOSITIONS CHOICES. WE ALL KNOW, THAT GREEN AND RED COMBINED, MAKES GREAT IMPACT. . PLUS THE YELLOW . . TOWARDS TURMERIC...
Still Life - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Luise Andersen: 'ODD PICKINGS Tomato On Glass On Copper Series Green Dish No Three', 2007 Color Photograph, Still Life.  CHANGED THE COMPOSITION AGAIN. . REFLECTIONS OF TOMATOES IN THE DISH LOOK PRETTY COOL. .ALSO THE STEM ADDS INTEREST TO THE WHOLE PICTURE. . PART OF GARDEN TABLE, WOOD, IS JUST ENOUGH VISIBLE, SO VIEWER CAN PULL RREST OF LOCATION ETC. OUT OF OWN IMAGINATION. . CREATE A LITTLE FROM SELF. LOVE THOSE...
Still Life - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Judith Fritchman: 'Still Life with Apples and Eggplant', 1999 Oil Painting, Still Life.  A green apple takes center stage against a background of reds and violets. ...
Still Life - Painting
17 x 22 inches (43.2 x 55.9 cm)
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(Page 3 of 35) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate click of Yes. I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich. I show my art summers on Monhegan Island ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...