Surrealism Art For Sale

Page 10 of 58
Browse 1669 Surrealism artworks for sale. Contemporary artists: Claudette Mc Dermott, Pamela Benjamin, Cherise Khit, Ric Hall And Ron Schmitt, Mike Mcglothlen, Bruno Mezic, Christopher Oraced Decaro, Tonny Warrens, Massimo Bonamici, Jeffrey Dickinson, Marco Battaglini, Arthur Bell offering Surrealism artworks. Links to more artworks by these contemporary artists and 58 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Surrealism art simply click on the image to go to a more detailed page about this work of art.


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Pamela Benjamin: 'Autumn Femi', 2010 Oil Painting, Surrealism.  This painting is spiritually and seasonally inspired. ...
Surrealism - Painting
20 x 20 inches (50.8 x 50.8 cm)
Cherise Khit: 'Untitled', 2010 Mixed Media, Surrealism.  Mix with color pencil and markers.   ...
, 2010
Surrealism - Mixed Media
210 x 297 cm (82.7 x 116.9 inches)
Ric Hall And Ron Schmitt: 'Best Viewed From The Door', 2010 Pastel, Surrealism.
Surrealism - Pastel
18 x 24 inches (45.7 x 61.0 cm)
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Ric Hall And Ron Schmitt: 'Theoretical Comparison', 2010 Pastel, Surrealism.
Surrealism - Pastel
18 x 24 inches (45.7 x 61.0 cm)
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Cherise Khit: 'Untitled', 2010 Mixed Media, Surrealism.   Mix with color pencil and markers.  ...
, 2010
Surrealism - Mixed Media
210 x 297 cm (82.7 x 116.9 inches)
Cherise Khit: 'Untitled', 2010 Mixed Media, Surrealism.     Mix with color pencil, soft pastel, marker and oil pastel.  ...
, 2010
Surrealism - Mixed Media
210 x 297 cm (82.7 x 116.9 inches)
Mike Mcglothlen: 'Meltdown II', 2010 Digital Art, Surrealism.   time, clock, watch, piano, wallpaper, flowers, candle, dali, surreal, fine art, square, desert, sign, branches, hands, hours, minutes, seconds, knobs, dial, band,        ...
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'BIG TIME', 2010 Digital Art, Surrealism.  time, clock, watch, sand, birds, photographer, dali, surreal, fine art, square, desert, sign, branches, hands, hours, minutes, seconds, knobs, dial, band,       ...
, 2010
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'The Crossing II', 2010 Digital Art, Surrealism.  grand piano, sand, birds, photographer, dali, surreal, fine art, square, desert, sign, branches, benches, crossing, monument valley,sheet music, music,     ...
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'Electrical Meltdown II', 2010 Digital Art, Surrealism.   guitar, sand, birds, photographer, dali, surreal, fine art, square, desert, cracks, branches, crutches,    ...
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'Soft Guitar', 2010 Digital Art, Surrealism.  guitar, sand, birds, photographer, dali, surreal, fine art, square, desert, cracks, branches, crutches,   ...
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'Drawers', 2010 Digital Art, Surrealism.    bust, breast, ants, crutches, sand, birds, photographer, dali, surreal, fine art, square, supports,  elephants, drawers, knobs, kids, clocks,  ...
, 2010
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'On The Move', 2010 Digital Art, Surrealism.   bust, breast, ants, crutches, sand, birds, photographer, dali, surreal, fine art, square, supports,  elephants, clocks, ...
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Mike Mcglothlen: 'CRUTCHES', 2010 Digital Art, Surrealism.  bust, breast, ants, crutches, sand, birds, photographer, dali, surreal, fine art, square, supports,  ...
, 2010
Surrealism - Digital Art
12 x 12 inches (30.5 x 30.5 cm)
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Bruno Mezic: 'railway workers, detail', 2010 Assemblage, Surrealism.   founded object, wasteful railway station, Sinac, Croatia  ...
Surrealism - Assemblage
20 x 25 cm (7.9 x 9.8 inches)
Bruno Mezic: 'railway workers', 2010 Assemblage, Surrealism.  founded object, wasteful railway station, Sinac, Croatia ...
Surrealism - Assemblage
20 x 25 cm (7.9 x 9.8 inches)
Christopher Oraced Decaro: 'Bravo, Vino', 2010 Acrylic Painting, Surrealism.   Surreal Impressionismwww. decaroart. comChristopher
Surrealism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Christopher Oraced Decaro: 'The Day Vino Stood Still', 2010 Acrylic Painting, Surrealism.  Surreal Impressionismwww. decaroart. comChristopher
Surrealism - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Tonny Warrens: 'cum grege non gradior', 2010 Oil Painting, Surrealism.  female nude oval ...
Surrealism - Painting
0 x 0 cm (0.0 x 0.0 inches)
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Massimo Bonamici: 'Profile', 2010 Pencil Drawing, Surrealism.
, 2010
Surrealism - Drawing
20 x 29 cm (7.9 x 11.4 inches)
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Jeffrey Dickinson: 'Ghost Nun of Prague', 2009 Oil Painting, Surrealism.  Oil painting on panel in vintage oval frame.  Based on famous ghost story.       ...
Surrealism - Painting
12 x 14 inches (30.5 x 35.6 cm)
Jeffrey Dickinson: 'Santa Monica', 2008 Oil Painting, Surrealism.    Surreal nude oil painting on panel in vintage frame.     ...
Surrealism - Painting
14 x 18 inches (35.6 x 45.7 cm)
Jeffrey Dickinson: 'Crusader', 2008 Oil Painting, Surrealism.   Surreal nude oil painting on panel in vintage oval frame.    ...
, 2008
Surrealism - Painting
11 x 13 inches (27.9 x 33.0 cm)
Marco Battaglini: 'Respiro quieto', 2010 Mixed Media, Surrealism.  Expressive RealismA new RenaissanceWhen the canvas takes own lifecreating a figure- ground symbiosis.It is a torment behind a calm exterior.It's a revolutionary and timeless aesthetic at the same time.The rigid limits of representation disappearto open the space.The emotional content breaks the...
Surrealism - Mixed Media
213 x 120 cm (83.9 x 47.2 inches)
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Arthur Bell: 'Landscaping', 1986 Oil Painting, Surrealism.  . . . after returning from a trip to Forest Grove, Oregon. . . the Mexican landscapers are mowing   ...
Surrealism - Painting
21.5 x 26.5 inches (54.6 x 67.3 cm)
Arthur Bell: 'Motorcycle War', 1986 Oil Painting, Surrealism.  . . . was the civil war fought on motorcycles? ...
Surrealism - Painting
45.5 x 32 inches (115.6 x 81.3 cm)
Arthur Bell: 'Eye of the Storm', 1991 Oil Painting, Surrealism. an impossibility- an elephant standing on one foot, a Nazi hit man is readying to shoot the elephant and the children are tryiing to stop him, there are skeletons with stereo microphones , the pink elephant is a fantod, other characters from other paintings too...
Surrealism - Painting
48 x 36 inches (121.9 x 91.4 cm)
Arthur Bell: 'Expulsion from the Mystery Dance', 1989 Oil Painting, Surrealism.  This is a sequel to the Mystery Dance. The people who were dancing the night before have been asked to leave. ...
Surrealism - Painting
38 x 27 inches (96.5 x 68.6 cm)
Arthur Bell: 'Underwater Tomb', 1973 Oil Painting, Surrealism.  . . . an Egyptian mummy being watched by a fish and Sam the Sham on the right ...
Surrealism - Painting
18 x 19 inches (45.7 x 48.3 cm)
Arthur Bell: 'Stairway to Paradise', 1979 Oil Painting, Surrealism.  . . . but can you get there ? ? ? idea came from the Gershwin song title of the same name ...
Surrealism - Painting
16 x 29 inches (40.6 x 73.7 cm)
(Page 10 of 58) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Cherise Khit - I would like to use my arts as a way of communication or a shout out. It is to inspire, to enlighten, to awake, to make aware of, to alert, to touch life and to bring someone into a different perspective of mind and world. I don't really like to give my artwork a title if I have a choice. I don't like to explain my artwork in details, it somehow restrict and affect human's imagination. I will rather choose to let everyone to have a room of their own imagination towards my art pieces. I would like THE ART to speak for itself. As I said, maybe that is the way of communication between two hearts through art. I like people to take part with their own heart. As I am not a very expressive person in word. I find art is able to express the mixture of my feelings that cannot be described by words alone. Its Bizarre, abstract, surreal, magical, mysterious and AMAZING.

    Ric Hall And Ron Schmitt - These pastel paintings are collaborative work by artists Ric Hall and Ron Schmitt. Ric and Ron work simultaneously, standing next to one another. They start each piece with no conscious plan as to what the final result will be. Rather, they rely on spontaneous collaboration in the moment to allow the images to develop. Working literally over and around each other, both artists develop all areas of the image. They work with little verbal discussion or debate, allowing their strokes to do the talking. At various points in the process they apply an anhydrous alcohol fixative to keep the pigment from shifting and ready it for the next layer of color. Ric and Ron have been painting using this method for over 25 years, even as their technique and perspectives have matured....

    Bruno Mezic - Junk Fleet (Word History: The word junk is an example of the change in meaning known as generalization, and very aptly too, since the amount of junk in the world seems to be generalizing and proliferating rapidly. The Middle English word jonk, ancestor of junk, originally had a very specific meaning restricted to nautical terminology. First recorded in 1353, the word meant "an old cable or rope." On a sailing ship it made little sense to throw away useful material since considerable time might pass before one could get new supplies. Old cable was used in a variety of ways, for example, to make fenders, that is, material hung over the side of the ship to protect it from scraping other ships or wharves. Junk came to refer to this old cable as well. The big leap in meaning taken by the word seems to have occurred when junk was applied to discarded but useful material in general. This extension may also have taken place in a nautical context, for the earliest, more generalized use of junk is found in the compound junk shop, referring to a store where old materials from ships were sold. Junk has gone on to ...

    Christopher Oraced Decaro - IMPRESSIONIST/ARTIST BIO: ORAced REHpotsirhc was born in an alternate Impressionist subconscious world of Artist : Christopher DeCaro. Known as a master of finely detailed and realism artwork, DeCaro, takes a complete detour into the colorful realm of soothing impressionist lines and dreamy landscaped scenery. A realm that frees the mind from decisions of detail that are black and white to the unlimited array of bold and brilliant unpredictable color. So opposite is this new style for Artist:DeCaro, that he even signs his name in reverse, which is where the name "ORAced REHpotsirhc" is derived from. The Impressionist style for ORAced carries into many of the fluid and imaginative worlds that relate to the surreal mind. Soft and bold colors intertwine into an underlying layer of reality. For example, in the painting "Vino ,Tuscany Style" a day dream of Tuscany on a warm sunny day fills the background as a simple bottle of Vino is waiting to be opened. The day carries on until the heat of the sun almost forces the Vino bottle to open itself and drink. "Impressionism is a dream painted onto canvas, opening windows to the subconscious realm where there are no restrictions and unlimited possibilities. ...

    Tonny Warrens - "The only certainty in my life is te painting before me because at least I can be sure in advance that it is a deceiver..." "Assuming the perfect painting could exist, no one is able to explain how it should be created. Irrespective of origin an education every artist is and remains self-taught." " I don't make earth-shaking paintings, there is already enough misery in this world." Gallery representation: - Art Gallery Staf Schoeters, Brasschaat, Belgium - ARGO - modern and contemporary art gallery, Knokke, Belgium - Galerie Delfi-Form, Zwolle, the Netherlands - Galerie Het Blaauw Laaken, Heusden a/d Maas, the Netherlands - OD'Art gallery, Delft, the Netherlands - Blackheath Gallery,London, UK www.blackheath-gallery.co.uk ...

    Massimo Bonamici - The act of drawing is an impromptu action that takes place the moment the lead touches the paper. To use Javier Marias' words: " In a sense, I apply the same principle of knowledge that bolsters life, reality, the world, or whatever you want to call it. We can't behave, decide, choose, or act on the basis of a known result or of a merely subsequent time; that result or subsequent time must be rooted in real life, whether actively experienced or sustained, without cancelling, altering, or forgetting a thing. This knowledge allows me dedicate my time to what I call roaming " These words best describe an artist's state of mind: the need to give voice and body to a specific view of the world....

    Jeffrey Dickinson - My work revolves around the figure. Most is drawn directly from a model in a studio setting. Although that sounds simple anyone who has attempted it knows it takes years of practice and effort to produce something worthwhile. I am constantly working towards improving my drawing skills. A few years ago I began doing quick watercolors over my pencil drawings. I like the spontaneity and immediacy achieved in this way. I also paint in oils and acrylics. These paintings are much more planned out and carefully executed. Although the subject matter is often surreal or narrative they still have as there basis a realistically drawn figure. ...

    Arthur Bell - I admire the eccentric artists of the 19th century, like Albert Pinkham Ryder and William Blake as well as many who were untrained and painted primitively. I'm drawn to the way light was beautifully expressed in paintings by Romantics like Eugene Delacroix and Goya. Wordplay interests me and I can see humor in life along with the absurd. I can't help but include some of that in my paintings. Since having a stroke, I moved to Laguna Honda Hospital and have been telling friends this address sounds like a car dealership (which I hope would not be held against me by Saab specialists) . Like Simon on the Monty Python BBC series, "I like to draw pitchers". I've reread Jules Verne again, more recently, "The Sphinx of the Ice Fields: A Sequel to Edgar Allan Poe's The Narrative of Arthur Gordon Pym" after which I made a painting in 1977. ...