Surrealism Art For Sale

Page 19 of 58
Browse 1670 Surrealism artworks for sale. Contemporary artists: Roger Calle, Tim Tero, Hisham Zreiq , Debra Lennox, Elio Pastore, Dirk Bosschaert, Jake Baddeley, T. Smith, Werner Hornung, Agnes Dodart, Jerry Di Falco offering Surrealism artworks. Links to more artworks by these contemporary artists and 58 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Surrealism art simply click on the image to go to a more detailed page about this work of art.


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Roger Calle: 'The transparency of a Tsunami on the verge of destruction', 2005 Oil Painting, Surrealism.  Deals with the calm before the storm situation relating to a tsunami. Everything is calm and in a short time destroys and eliminates everything in its wake. It is a horrifying experience and I thought it would be more shocking to show the transparency of its approach as oppose to...
Surrealism - Painting
11 x 14 inches (27.9 x 35.6 cm)
Tim Tero: 'interior of the exterior', 2006 Oil Painting, Surrealism.  another slightly surreal image based on my desires? ...
Surrealism - Painting
60 x 54 inches (152.4 x 137.2 cm)
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Hisham Zreiq : 'Lost in the sea of life', 2006 Other, Surrealism.
Surrealism - Other
809 x 732 cm (318.5 x 288.2 inches)
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Debra Lennox: 'Audubon Park Oak Tree', 2004 Oil Painting, Surrealism.  New Orleans was and remains a magical place with psychedelic swirling colors whether at Mardi Gras or in a riverside park.  ...
Surrealism - Painting
24 x 40 inches (61.0 x 101.6 cm)
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Elio Pastore: 'L ordine segreto', 2006 Mixed Media, Surrealism.  Mixed media on canvas ...
Surrealism - Mixed Media
60 x 60 cm (23.6 x 23.6 inches)
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Dirk Bosschaert: 'LA SAGA DE LA LIBERTE PRETENDUE', 2006 Oil Painting, Surrealism.
Surrealism - Painting
60 x 80 cm (23.6 x 31.5 inches)
Jake Baddeley: 'The Well', 2005 Giclee, Surrealism. Limited Edition Fine Art Print on Archival Paper...
, 2005
Surrealism - Giclee
58 x 74 cm (22.8 x 29.1 inches)
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T. Smith: 'Dark Winter', 2005 Oil Painting, Surrealism. A great deal of planning went into this work. I had a general idea of trees turning into human body parts and went through several iterations and discarded attempts before I settled on the final composition.  I had a group of friends pose for me and took photographs of their ...
Surrealism - Painting
60 x 36 inches (152.4 x 91.4 cm)
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T. Smith: 'Ghosts of Kinky Sex Past', 2002 Oil Painting, Surrealism. This painting was done from two different photographs that I shot and combined together.  The background of the bedroom is of a cheap motel room from my birthplace of North Tonawanda, N. Y. with an interior circa 1960.  The bedspread was the exact same kind that I had on my ...
Surrealism - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Jake Baddeley: 'Meta', 2005 Giclee, Surrealism. Limited Edition Fine Art Print on Archival paper...
, 2005
Surrealism - Giclee
80 x 108 cm (31.5 x 42.5 inches)
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Werner Hornung: 'LAST STATION RIVER STYX', 2005 Computer Art, Surrealism. Limited edition 1- 5 printed on 308gr Fine Art Paper.Smaller sizes possible on request....
Surrealism - Computer Art
70 x 100 cm (27.6 x 39.4 inches)
Agnes Dodart: 'Paysage Interieur', 2005 Computer Art, Surrealism. Mixed digital media ( 3D and photo manipulation) . Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
Surrealism - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Last Equinox', 2004 Computer Art, Surrealism. Mixed digital media ( 3D and photo manipulation) .  Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
Surrealism - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Archer', 2004 Computer Art, Surrealism. Mixed digital media ( 3D and photo manipulation) . Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
, 2004
Surrealism - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Forgotten Nymph', 2004 Computer Art, Surrealism. Mixed digital media ( photo manipulation, 3D, fractal) . Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
Surrealism - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Jerry  Di Falco: 'web of paris', 2019 Etching, Surrealism. THE PRICE FOR THIS ZINC PLATE ETCHING INCLUDES THE MATTED ETCHING IN AN ARCHIVAL MATA FRAME12 inch x 16 inch, Type aEUR
Surrealism - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Jerry  Di Falco: 'gnostic urn of magdalene', 2018 Watercolor, Surrealism. This painting does NOT include a mat or frame.  The Full Title is, The Gnostic Urn of the Magdalene or Picasso s Angel.  This original painted work on French watercolor paper employed Windsor Newton Watercolors, German gouache, and Liquitex metallic and mother of pearl acrylics on a gesso ground.  The ...
Surrealism - Watercolor
15 x 18 inches (38.1 x 45.7 cm)
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Jerry  Di Falco: 'barcelona kiss of death iii', 2018 Etching, Surrealism. PLEASE NOTE THAT THIS ETCHING IS SOLD ALREADY FRAMED AND IN A MAT.  THE FRAME IS COMPOSED OF BLACK WOOD AND THE ARCHIVAL MAT IS WHITE.  The artist refers to this etching as photo centric, because its image is adapted from one of his original 35mm photographs from 1987, which ...
Surrealism - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'savannah fountain in atom', 2017 Etching, Surrealism. The title refers to the sculpted fountain done in a pink overlay  with mulberry bark paper. It signifies the Dance of Atomic Particles that is in constant motion in all inanimate objects. This is the LAST Edition or Four of Four. This work was printed and published by the artist ...
Surrealism - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Bar Botticelli in Oz', 2016 Etching, Surrealism. Please note that this etching is shipped to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two layers of ...
Surrealism - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'Ghosts of the Lilac Annunciation', 2016 Intaglio, Surrealism. This edition of original etchings was based upon a Fresco by Fra Angelico entitled The Annunciation, executed between 1442 and 1443 at the Convent of San Marco in Florence. The zinc plate I used measured six inches high by nine inches wide, or 15. 240cm by 22. 860cm. The print ...
Surrealism - Intaglio
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'ANCIENT TEMPLE WITH SCULPTURE BY IGOR MITORAJ', 2015 Etching, Surrealism. My title for is, ANCIENT TEMPLE WITH SCULPTURE BY IGOR MITORAJ. I used the studio techniques of aquatint, drypoint, intaglio and Chine colle. This print is from the LAST of FOUR editions, and this one is the 2nd best print of 5. French, oil- based ink was used on Rives ...
Surrealism - Etching
16 x 15 inches (40.6 x 38.1 cm)
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Jerry  Di Falco: 'THE VASE OF HER SACRED BIRTH CANAL', 2015 Watercolor, Surrealism. This water based media on paper was executed with Dutch Gouache and French Watercolors on Arches Watercolor paper, cold press and 140 Pound. The image size is 9 inches high by 7 inches wide, or 22. 860cm x 17. 780cm. The paper size is 10 inches high by 9 inches ...
Surrealism - Watercolor
9 x 10 inches (22.9 x 25.4 cm)
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Jerry  Di Falco: 'Homage to La Voisin for Anne Rice', 2015 Etching, Surrealism. Five soaks in a Nitric acid bath were required to achieve the end- results. I used one zinc plate eight- inches high by ten inches wide 20. 32cm by 25. 40cm to create this work, which is also the overall size of the printed image the hand- torn paper or ...
Surrealism - Etching
16 x 15 inches (40.6 x 38.1 cm)
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Jerry  Di Falco: 'ANCIENT TEMPLE IN SICILIA ', 2015 Etching, Surrealism. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two ...
Surrealism - Etching
16 x 15 inches (40.6 x 38.1 cm)
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Jerry  Di Falco: ' Bath England for Professor Elaine Pagels', 2015 Etching, Surrealism. This work was inspired by an archival print in the U. S. Library of Congress, Prints and Photographs Division, Washington, D. C, Collection PHOTOCHROME PRINTS, Detroit Publishing Co. , Catalogue J, Foreign Section.  I employed the printmaking techniques of INTAGLIO, AQUATINT, CHINE COLLE, and DRYPOINT to create this limited THIRD edition ...
Surrealism - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'BATH ENGLAND UNDER WOLF CALL ', 2015 Etching, Surrealism. This work was inspired by an archival print in the U. S. Library of Congress, Prints and Photographs Division, Washington, D. C, Collection PHOTOCHROME PRINTS, Detroit Publishing Co. , Catalogue J, Foreign Section. I employed the printmaking techniques of INTAGLIO, AQUATINT, CHINE COLLE, and DRYPOINT to create this limited THIRD edition ...
Surrealism - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'Taxi Zum Pompeii', 2015 Etching, Surrealism. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two ...
Surrealism - Etching
17 x 15 inches (43.2 x 38.1 cm)
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Jerry  Di Falco: 'GHOSTS OF AVILA IN VIOLET', 2014 Etching, Surrealism. This four plate etching entitled, THE FOUR GHOSTS OF AVILA IN SHADES OF VIOLET PINK SYMPHONY is FROM the Second Edition of the work entitled LAS DAMAS DE AVILA THE LADIES OF AVILA. I used the etching aEUR
Surrealism - Etching
15 x 16 inches (38.1 x 40.6 cm)
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Jerry  Di Falco: 'PROJECTONS FROM THE FIRST CINEMA BLACK EDITION', 2013 Etching, Surrealism. The work was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in mat selection and ...
Surrealism - Etching
18 x 12 inches (45.7 x 30.5 cm)
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(Page 19 of 58) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Roger Calle - Spheres, clear and colored glass marbles, emerge in my creative works and are objects of my predilection. They have transparency, the capacity to hold light or reflect it and the ability to enclose objects. Checkered tiles bestow perspective and space which brings recollections of my short rearing in Cuba. Stained glass (vitrales) is individually designed and the study of the light and reflections that emerge from it engage me in each painting. My favorite medium is oils which allow reworking and glazing. A painting starts out with a thought or concept which I instantly sketch out. As I commence developing further sketches I study visual and written reference material for symbols, architectural structures and integrated objects. Composition is significant and I unconsciously find myself applying the mathematical ratio of the Golden Section in order to achieve balance and direction. Prior to transferring the final sketch to canvas I usually arrange the colors and the areas of lights and darks. It is then that I concentrate on the method of applying paint and the spontaneity of each brushstroke. My vocation as an illustrator taught me the art of visual storytelling which I currently apply to communicate my personal life experiences in ...

    Tim Tero - i began painting after taking some painting courses w/ jon imber at the museum of fine arts school. jon imbers teacher back in the day was phillip guston. i am currently starting a series of paintings based images from the tokyo metro. i am obviously influenced heavly by contemporary japanese culture. but, also there are many contemporary painters, such as neo rauch and ena swansea that i'm very inspired by. film, espesially asian cinema has also been a big influence. more later......

    Hisham Zreiq - My art is a private perspective on life, private pains and disappointments, society, Death and a philosophical look at life. Death is the source for creation and the motor of life. Crucifixion a symbol for pain, pain caused by social, political and religious systems. I think that art is another way to communicate, to express my ideas , for me art should have a message of a sort. This is the way I saw art when I was a little boy trying to express his Ideas with simple drawings, and this is the way I see art when working on my digital art or writing poetry today. Some times I ask myself, if we can reach people through "reason"! but I think its better to get to people's hearts through emotions, through ART, and from there we might get to their reason. Or maybe use extremes in art - and that is what I usually try - in order to make people think and ponder after their emotions become tens. Then their analyses might bring with it reasoning. ...

    Debra Lennox - My latest work explores the vibrant use of pure colors & composition to express an intangible, surreal quality of a place. Light, color and form combine to push the figurative subject into the realm of dreams, capturing a moment in between the frenzied pace of modern life, when time slows and we become open to other, magical and spiritual influences on our lives. I am a painter in many mediums * watercolor, acrylic, & oils, and collage. I live in Comptche, California, and travel often for inspiration. I use my architectural degree as a designer and draftsman on the Mendocino Coast. I am a member at the Artists' Co-op of Mendocino, where I sell original works, laser prints and art cards. My work can be viewed at dblennox.com or artgallerymendocino.com...

    Elio Pastore - Elio Stefano PASTORE was born in Turin (Italy), where he lives and works. He has got a degree in Law, and works in the communication field for a big public company acquiring a twenty-year experience in that sector. He started using PC in 1998 for creative necessities relating to his job, discovering little by little its fascinating power and making it a trustful and indispensable tool. Fond of photography, travels and mountains, he has often put together these interests, getting numerous awards in photography contests and publishing his picture stories on different magazines. His artistic life - started in 1992 - has found in the digital art his ideal medium of expression; infact the digital art allows him to draw inspiration from the objectivity but to filter it through his personal life, so transforming it in an ideal and essential reality, spread through an emotionally intimate atmosphere. From this synergy between a personal sensibility and a technical mastery, were born pictorial imagines devoid of modern references and contaminations, creating a world with no time suspended between magic realism and poetry. Starting from the year 2000, from the original production, he has led in a parallel way, a personal research on forms ...

    Dirk Bosschaert - "An artist is aware he's living his life from two dimensions: from the dimension of his own temporary individuality on the one hand, from the dimension to be a split second of eternity on the other...This opposition keeps on inspiring me..." ...

    Jake Baddeley - All is proportion I am sitting, a cup of tea, some good music, a brush in hand and i am gone. There is nothing better: I forget where I am, who I am, and all sense of time. As Picasso once said: "I leave my body outside the studio." Or something like that... I am working on a picture of a lady on a mechanical horse. Why? What is the significance of that? I have no idea. If it "works" pictorially, then do it. Paint first, ask questions later. Too many questions and the muse runs screaming. She is very shy. You have too pretend that she is not there when she comes, but you know she is there because you have no idea what time it is, and you have forgotten your self again. It occurs to me as I proceed, that the lines stop being objects and start to become something else. Pure proportion. Just a harmony of lengths, sizes, and shapes; a prototype Mondrian. Harmony, music, interval, number; all these things are related. It is the link between art, music, and science. A good painting vibrates, because of the resonance of its parts. Vibrates visually, and psychologically...

    T. Smith - Hunting PLC has announced the finalists for their prestigious annual competition, The Hunting Art Prize 2009, which awards $50,000 to one distinguished artist. Included as one of the 134 finalists was T. Smith's oil painting "A Palace and a Prison".The Hunting Art Prize is the most generous annual art prize in the U.S., intended to help the reputations, raise the profiles, and support the careers of distinguished artists. In April, a second panel of jurors will make their decision. On May 2, the prize will be awarded, and the art will be exhibited at a gala held at the Decorative Center in Houston. Legal Disclaimer The following website contains adult content. If you are under 18 years of age, offended by adult material in art, or if it is illegal in your community or country to view adult material, please leave now. By proceeding you agree to be exposed to these materials. Continuing means that you understand and accept responsibility for your own actions, thus releasing the owner of this web site from any and all liability. All material on this web site is copyrighted. This copyrighted material cannot be reproduced or posted without written permission ...

    Werner Hornung - In my work, accident is the nucleus of visual propagation with multidirectional trajectories. Like an unpredictable game where each random move generates a new relational order and a new sub context on the whole. The game only ends when you don't surprise anymore playing it. JD Jarvis wrote in his latest book "Going Digital" about my work: "His images utilize nearly all the manipulation, painting, and digital techniques available. The synthesis of tools, process and styles shows the way to an expressive and versatile new way to make art." ...

    Agnes Dodart - My creation process involves a personal journey made of furtive impressions and elusive thoughts or feelings from deep within. With the combined magic of memory, association and imagination, ideas and visions flow intuitively along the path. I think of my art as visual poetry, as a glimpse into my soul. Sharing it is an invitation for viewers to pause and explore their own inner landscape. Artist Statement In my representational work, I enjoy creating eye-catching pictures that blend vagueness and subtle details with sharpness and contrasts. My creations often echo some of my favorite themes in science-fiction & fantasy literature, and also reflect my interest in philosophy and metaphysics. Addressing the subconscious and the imagination, I combine hyperrealism and surrealism to form unusual scenes that broaden the notion of reality and blur its boundaries. My abstract work is about composing distinctive and stimulating designs where beauty lies in harmony and balance. I use mostly fractal imagery because I am drawn to its immediate visual impact and to the game of exploration it involves. As I play endlessly with shapes and textures, colors and tones, movement and light, I focus on the aesthetic rhythm that will unite elements into compelling...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...