Theater Art For Sale

Artists Describing Their Art:

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

Richard Claraval - I've always been profoundly interested in the human figure, and in the representation of dynamic motion. My sculptures, drawings, and paintings revolve around these basic concerns, fussing the undistorted, non-truncated figure with various abstract forms. I'm mainly influenced by the Renaissance, Abstract Expressionism, and pure abstract sculpture such as that of Arp and Brancusi. It has long been exciting to me to think of the beautiful draperies of a Raphael painting, or Michelangelo's drawing of the risen Christ, as fused with their figures in a seamless integration. Similarly, I wish to see a beautiful Arp sculpture flowing with a beautiful human figure. My strongest inspiration comes from music, especially classical, and most especially Beethoven, though I am extremely fond of many other forms and composers. Richard Claraval 2009...

Edward Tabachnik - Edward Tabachnik Through all my works you will find that my attitude toward color and light combines tradition of impressionism with various surrealistic situations. Working on illustrations for Kafka's novels, I was looking for a symbolic image of a mystical town. I found it in Gaudi's "Sagrada Familia". Almost on each of my paintings you can see my "signature"- flying phantasmagoria tower, which has become for me a living entity, procreating itself, connecting The Past with The Future. Fascinated with the theory of Black Holes and the origin of The World is also reflected in many paintings in the form of "Singularity", through which Time passes, connecting The Past with The Future. I was always attracted to mystery of Kabbalah, and to other Jewish teachings. Many of my works are related to these themes. After seeing the destroyed Synagogue in Berlin, I've "recreated" it in my painting, and also dedicated a number of my works to Jewish History. In my works I try to blend my fantasy with sometimes well known, sometimes created architectural details. My schooling was both - in architecture and painting. My love for architecture can be seen through many of my works. There is ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Andrew Stanford - My images are about discovering the dynamic world of energy, light and colour. After many years of experimenting with photographic film, my primary elements are grain, blur and colour. All of which are created in the camera and then hand printed in my own colour darkroom. No digital work, no photoshop. The wake of movement and energy is all I need. And it's found in so many places, and it reveals so many surprises. Letting the moment being recorded, and not manipulated by the digital. Work is mainly photographed on 35mm film, processed by the artist and also hand printed onto fuji archival paper. ...

Evie Tirado - My journey as an artist began with my first crayon. I have always been in love with color. Over the years I've developed a passion for lines, forms, space, and the spaces between . Be it paint, inks, dyes, or watercolors, each media excites me. I experiment in diverse styles, allowing the subject, materials, and concepts, to influence the final outcome. My work is often a fusion of opposites -- chance and deliberation; remnants of the past link to the present; fluid pools of color, allowed to drip and layer and develop alongside the thick, structural impasto effects. For me, art is a necessity; a surrendering, a discovery, and a celebration. It transforms thoughts and ideals into dimensional realities beyond the flat surface. The interior process of abstraction suspends me from isolation, and connects me with my most authentic self,as well as the rest of humanity. ...

Dmitrii Volkov - In my work I focus on combinations of volumes, patterns, colors or all together. They should interact, agree or disagree with each other. Listening to this conversation and forming this relationship are the most exciting things in art. Volumes often interact within a piece of art through crossing facets or absence of facets, polished planes and projecting parts as well as escape to the deep dark cavities and hollows. At times an object can be seen as a human, partially imperfect but constantly striving for perfection. I always treat objects and parts of objects as humans or groups of humans being unique individuals. My favorite material is carbon steel. It proves amazingly deep in case of natural treatment, i.e. waxing, polishing, and patination. It is oxidation ability that makes carbon steel far richer than precious metal in terms of its expressive properties. Traditionally, it is considered to be a disadvantage, yet indeed is a benefit due to the fact that kind of makes up for what the painter did not paint thus making a piece of art beautiful and expressive. Thank you for your interest...

Agnieszka Parys Kozak - ,,I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." Georgia O'Keeffe It was always difficult for me to write about art. I found usual questions truly challenging. Why art? they ask. Well, it was always inside of me, pulsing and just waiting to emerge, gain a physical form. When it finally does, it is flowing freely and spontaneously, like an unstoppable brisk stream. To be honest, talking about my main medium- clay, makes me the most comfortable. It is profoundly close to me. Thanks to its softness, when i hold it in my hands i interact with it and it interacts with me, it can be subdued to my vision. I see subtle feminine nature in it and at the same time it is rigid and raw. I can never fully tame her, because after shaping it, fire takes control over her. The results are always unpredictable. Clay also gives me the freedom to express myself deeper, because I can merge sculpture with painting and drawing. Working with colors, shapes and patterns keeps me interested all the time. However, there are some limitations, which...

Temo Svirely - Painting is not conceptual art. When someone looks at one of my paintings and asks me What did you want to say I find myself in a difficult position. That is, I've already said what I wanted to say through the medium of painting. With the help of color, rhythm and so on and to demand that I translate the language of art into the language of words is impossible, to say the least. I am an artist, not a writer , my materials are oil-paints, ink, pencils and so on, and not words. What else can I say Ideas and concepts are far from being the primary concerns of the artist. Enthusiasm for ideas not to be confused with artistic plans or intentions distracts the artist from the wealth of interrelation with the material, which itself dictates to him the right course and rewards with time and patience. Of course it is worth pondering on how to make a work more expressive, but a real artistic moment occurs when a pause arises in between thoughts. I will take the liberty of reminding you that art, a picture, can be understood by a man and influence him deeply, effortlessly ...

Pat Rose - My art studies began in high school, focusing on design, and continued after graduation on a University level at UC. Courses for a Ph.D. in Art History, painting and drawing and experiments in other media led me to an ultimate concentration in studio painting. After establishing an art studio where I worked as a painter, I continued my studies at Northwestern University; I completed my studies in art and theater arts at Roosevelt University. My work in oil paint on canvas represents more than one interest. It has evolved from abstract forms to figure art, landscape and natural forms. My love of Far Eastern art and culture, and its influence is often present in my work, combining sharp lines and soft edges. Generally, I am concerned with landscape, still life and figure studies, where human figures in various settings often exist independently of their backgrounds. Some works are clearly involved with theater and dance, catching the movements of figures, how they interact, and at the same time maintain their separate spaces --- an interest developed at a very young age, having grown up among theater artists. My work is both liberating and demanding. Influences include Degas, portrayals of theater by...