Trains Art For Sale

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Browse 25 Trains artworks for sale. Contemporary artists: Harry Weisburd, Lora Vannoord, Michael Garr, Michael Pickett, Robin Richard Emrich, Michael Arnold, Paul Cairns, Bob Filbey, Arlene Babad, Russell Bentley, Bernhard Luettmer, Kelly Olszyk, Tim Tero, I. Joseph, Nina Polunina, Wendy Goerl, Kalli Matzora, Chris Clarke, Liliana Neret, Tomislav Stajduhar offering Trains artworks. Links to more artworks by these contemporary artists and 1 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Trains art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Harry Weisburd: 'commuter train', 2018 Watercolor, Trains. Commuter woman waiting for train  on station ...
Trains - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Lora Vannoord: 'Blue Train', 2016 Oil Painting, Trains. Original oil painting of the 1046 Train in upstate New York. . . 2 inch gold frame included.  ...
, 2016
Trains - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Michael Garr: 'Grandpas Trestle', 2013 Oil Painting, Trains.     This work is inspired by my Swedish Grandfather, who came to this country in 1904 and soon after with a brother of his went to work on the gangs who built railroad trestles in the Northern Rockies. One of his brothers ended up settling in Idaho. I did a similar...
Trains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Pickett: 'Ghost Train', 2008 Acrylic Painting, Trains.
Trains - Painting
14 x 11 inches (35.6 x 27.9 cm)
Robin Richard Emrich: 'Southern Pacific No 4501', 1997 Etching, Trains. Etching of the Steam Locomotive Southern Railway Engine Number 4501.Also avaliable as an engraving ( 3x5 for $75. 00US) ....
Trains - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Michael Arnold: 'steam engine 519', 2018 Acrylic Painting, Trains. Steam Engine 519 is a gallery wrapped, acrylic painting measuring 45 3 4 inches x 34 1 2 inches. I have been intrigued by the idea of painting a train and settled on a steam engine. I wanted to create a mood of the engine chugging along at night covered ...
Trains - Painting
43 x 34 inches (109.2 x 86.4 cm)
Paul Cairns: 'Samantha getting prepped for work', 2016 Oil Painting, Trains.  Two brothers prep their trains for bank holiday display. I like the fact that there are still places teenagers can access lathes and steam engines. ...
Trains - Painting
102 x 85 cm (40.2 x 33.5 inches)
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Bob Filbey: 'Spanking Fury', 1989 Lithograph, Trains.  Blue Lake Depot lumber # 7 locomotive steam engine    ...
Trains - Lithograph
29 x 20 inches (73.7 x 50.8 cm)
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Arlene Babad: 'The Train', 2009 Acrylic Painting, Trains.  This painting of a train moving through the landscape is on wrapped canvas on wood stretcher bars. The painting has initials on the front and has the title, date, medium, support and signature on the back. Contact the artist for price. As I mentioned in my bio, fine art prints...
, 2009
Trains - Painting
10 x 8 inches (25.4 x 20.3 cm)
Russell Bentley: 'The 624 to Chicago', 2009 Giclee, Trains. 8x10 image matted to 13x15 and framed with a rustic 1. 5 frame. . . . .  under Plexiglas, ready to hang. . . . . .  overall size is 15x17 inches. ...
Trains - Giclee
15 x 17 inches (38.1 x 43.2 cm)
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Bernhard Luettmer: 'Train Window', 2002 Black and White Photograph, Trains.
Trains - Photograph
150 x 100 cm (59.1 x 39.4 inches)
Kelly Olszyk: 'dark engine', 2007 Mixed Media, Trains.  This painting is 1 of 4 that was painted for a show in Lackawanna county, Pennsylvania. This is painted from a photograph of an old train in Steamtown ( Scranton, PA) . It is painted with acrylic, conte crayon and glue. The surface has small rips and scratch marks in it due...
Trains - Mixed Media
20 x 30 inches (50.8 x 76.2 cm)
Tim Tero: 'tuesday kamakura', 2006 Oil Painting, Trains.  based on a pause of a video i took while riding on the edoden tram line in kamakura. ...
Trains - Painting
48 x 58 inches (121.9 x 147.3 cm)
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I. Joseph: 'Last Stop Grange Hall road', 2005 Oil Painting, Trains. impressionism, country scenes...
Trains - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Nina Polunina: 'final stop', 2018 Oil Painting, Trains. Oil paintingDead Endfrom the seriesFinal Stop.  Written in the author s technique.  Oil on stretched canvas.  The canvas is made by hand.  Natural flax is manually primed with natural materials.Many people love portraits.  Their own.  Aliens, people, animals.  And I like portraits of cars, ships, trains.  In them, too, ...
, 2018
Trains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Wendy Goerl: 'Winter Warmup', 2011 Acrylic Painting, Trains.   Canadian National engine 5344 idles while its crew has a break in the depot. On back- stapled stretched canvas for display with or without frame. ...
Trains - Painting
14 x 7 inches (35.6 x 17.8 cm)
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Kalli Matzora: 'fast', 2008 Oil Painting, Trains. station, train, blue...
, 2008
Trains - Painting
88 x 146 cm (34.6 x 57.5 inches)
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Kalli Matzora: 'station', 2009 Oil Painting, Trains. station, train, orange...
, 2009
Trains - Painting
150 x 112 cm (59.1 x 44.1 inches)
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Chris Clarke: 'West somerset railway', 2011 Acrylic Painting, Trains.   Trains/ locomotives/ engines/ steam/ steam trains/ iron horse/ rails/ railways/ carriages/ stations/ smoke/ coal/ west somerset railway/ railways/ tickets/ drivers/ art/ artist/ paintings/ originals/ prints/ kids/ countryside/ canvas art/ pallett/ oils/ acrylic/ water colour/ uk/ english railway/ great western/ bristish rail/ privately owned/ gifts/ shops/ china/ crats/ art and crafts...
Trains - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Liliana Neret: '374', 2009 Oil Painting, Trains.    Trains I used to ride when I was much. . younger in Nicaragua   ...
, 2009
Trains - Painting
30 x 24 inches (76.2 x 61.0 cm)
Liliana Neret: '381', 2009 Oil Painting, Trains.     Trains I used to ride when I was much. . younger in Nicaragua    ...
, 2009
Trains - Painting
30 x 24 inches (76.2 x 61.0 cm)
Liliana Neret: 'Alto Ahi ', 2009 Oil Painting, Trains.   Trains I used to ride when I was much. . younger in Nicaragua  ...
, 2009
Trains - Painting
30 x 24 inches (76.2 x 61.0 cm)
Liliana Neret: 'Over on Slver Pond', 2009 Oil Painting, Trains.  Trains I used to ride when I was much. . younger in Nicaragua ...
Trains - Painting
30 x 24 inches (76.2 x 61.0 cm)
Tomislav Stajduhar: 'tracks', 2005 Other, Trains. Morning haze black and white manipulated photograph of a solitary country railroad tracks. ...
, 2005
Trains - Other
45 x 30 cm (17.7 x 11.8 inches)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Palm Harbor Art Club, the Creative Artists Guild, Artists of the Adirondacks, Strand Center for the Arts and the NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach...

Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

Michael Pickett - Michael Arnold - Art for me is a creative release, therefore I have no boundaries in my work. I work on what moves me spiritually, visually and creatively. I enjoy many different styles including impressionism, pop art, abstract expressionism, naturalism, post-impressionism, art deco and contemporary. All of these styles influence my work, but do not define my style. I primarily work in acrylics, but have produced works in pastels, graphite, charcoal colored pencils and ink. Artists Affiliations 2005 Leadership Citrus 2007 Visual Arts Award-Central Florida Community College Member of Citrus County Chronicle Editorial Board Member of the Citrus Art Center Florida State University Graduate...

Paul Cairns - Most of the time my work is rooted in an exploration of structure, by nature and the landscapes of Northern Ireland where I grew up or Essex where I now live. Structurally the handling of the materials is very physical with the stretchers frequently becoming more sculptural or sculptures becoming painterly. Painting can sometimes be seen as passively hanging on the wall out of the way so to counter this viewpoint many of my works inhabit the space much more, from heavy relief to working fully in the round. Nature and landscape is never far away from my thoughts and being part of nature is what has enabled us to develop a sense of culture, so when I paint what may at first look like a conventional portrait, you will soon see that the sitter is a part of the landscape; they have had a hand in forming each other. ...

Arlene Babad - I am a Canadian representational artist. I was born and raised in Toronto, Ontario. I have taken courses at university and art schools. I paint with acrylics on canvas. I use thin layers or thick textural strokes of paint. My paintings are influenced by my love of colour. When I paint I try to capture the excitement of colour in light, shadow and atmosphere. My paintings are also influenced by my knowledge of abstract design principles. My paintings are in private collections in Canada and the U.S. I am also listed in the ArtistsinCanada Directory. Click on the link to my website and see my interesting links. Join my email list to keep informed of new paintings, articles and special offers. ...

Russell Bentley - When creating a new painting I always like to view my canvas as if I were looking out an open door or window and seeing something happen that in real life would only be accessible from a great distance. I hope that when you look at a finished work, you feel as though you could walk right into the picture. I strive for detail and realism although some of my paintings have a touch of surrealism included which gives the finished art a slight "Disney" quality such as "Out on a Limb" and "Sneaking out". But it's always interesting to hear how others view my work so please sign my guest list and let me know how they look through your eyes. Thanks, Russell Bentley ...

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Kelly Olszyk - Born in Alabama, Kelly had a love of art ever since she was a child. Now, residing in Eastern Pennsylvania, that love has grown into passion. Olszyk is an award winning artist who's education is in Graphic Design. Her work is both analytical and intuitive. Kelly matches her creativity with story telling. Sometimes obvious and sometimes the artist says. "You have to read into the subject and the brush strokes equally to see what is really going on". Her works are taken from everyday life. In the present and the past. " I look at things from a different perspective, sometimes a simple shape can take on a life of it's own and sometimes the complexity of a subject can be broken down into it's purest essence", says the artist....

Tim Tero - i began painting after taking some painting courses w/ jon imber at the museum of fine arts school. jon imbers teacher back in the day was phillip guston. i am currently starting a series of paintings based images from the tokyo metro. i am obviously influenced heavly by contemporary japanese culture. but, also there are many contemporary painters, such as neo rauch and ena swansea that i'm very inspired by. film, espesially asian cinema has also been a big influence. more later......

I. Joseph - Journey with me through past and present with my special blending of brilliant oils on canvas and watercolors on paper. With these eclectic views of people, nature, animals, and scenes, I have attempted to capture for the viewer what the eye can behold yet only the mind and spirit can interpret....

Nina Polunina - I like to make things bright. This is a very exciting activity to take an object person, car, building and pull out something that is not visible at first glance. It can be a story or a bright spot, or an unexpected form. In each of us lies the individuality and brightness. Over time, they fade over worries and life experiences. But they are. I want you, looking at my pictures, to be able to see it in yourself. This is what I am trying to bring to my adult students in the studio as well. That they are not afraid of life, bright colors and unexpected decisions....

Wendy Goerl - Time governs both my subject and my style. I am attracted to subjects in ephemeral states--the fall color that will be gone next week, the carnival that will move on in a few days, the kaleidoscopic sunset that will fade in a few minutes--and often revisit subjects to explore how they change through time. My style comes out of an ongoing negotiation between my desire to capture every hyperrealitisc detail and my fear that I'll rework a painting to destruction trying to resolve miniscule innacuracies that become amplified as I add increasing detail. The point of compromise is as individual as the subjects I paint. I work a la prima as much as I can, because the more time between the first and last strokes of a painting, the more likely I am to change modes at sometime during the creation....