Trains Art For Sale

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Browse 21 Trains artworks for sale. Contemporary artists: Igor Shulman, Harry Weisburd, Lora Vannoord, Michael Garr, Michael Pickett, Robin Richard Emrich, Michael Arnold, Paul Cairns, Bob Filbey, Bernhard Luettmer, Tim Tero, Luana Stebule, Nina Polunina, Kalli Matzora, Wendy Goerl, Olga Mihailicenko, Kishore Pratim Biswas, Tomislav Stajduhar offering Trains artworks. Links to more artworks by these contemporary artists and 1 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Trains art simply click on the image to go to a more detailed page about this work of art.


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Igor Shulman: 'the power of steam', 2019 Oil Painting, Trains. This power literally turned civilization upside down. The age of steam is the time of progress and new life. This is the beginning of a new era. Just imagine how much power is in this locomotive. How much strength and energy in this gland. Let today s locomotives be 100 ...
Trains - Painting
23.5 x 31.4 inches (59.7 x 79.8 cm)
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Harry Weisburd: 'commuter train', 2018 Watercolor, Trains. Commuter woman waiting for train  on station ...
Trains - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Lora Vannoord: 'Blue Train', 2016 Oil Painting, Trains. Original oil painting of the 1046 Train in upstate New York. . . 2 inch gold frame included.  ...
, 2016
Trains - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Michael Garr: 'Grandpas Trestle', 2013 Oil Painting, Trains.     This work is inspired by my Swedish Grandfather, who came to this country in 1904 and soon after with a brother of his went to work on the gangs who built railroad trestles in the Northern Rockies. One of his brothers ended up settling in Idaho. I did a similar...
Trains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Pickett: 'Ghost Train', 2008 Acrylic Painting, Trains.
Trains - Painting
14 x 11 inches (35.6 x 27.9 cm)
Robin Richard Emrich: 'Southern Pacific No 4501', 1997 Etching, Trains. Etching of the Steam Locomotive Southern Railway Engine Number 4501.Also avaliable as an engraving ( 3x5 for $75. 00US) ....
Trains - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Michael Arnold: 'steam engine 519', 2018 Acrylic Painting, Trains. Steam Engine 519 is a gallery wrapped, acrylic painting measuring 45 3 4 inches x 34 1 2 inches. I have been intrigued by the idea of painting a train and settled on a steam engine. I wanted to create a mood of the engine chugging along at night covered ...
Trains - Painting
43 x 34 inches (109.2 x 86.4 cm)
Paul Cairns: 'Samantha getting prepped for work', 2016 Oil Painting, Trains.  Two brothers prep their trains for bank holiday display. I like the fact that there are still places teenagers can access lathes and steam engines. ...
Trains - Painting
102 x 85 cm (40.2 x 33.5 inches)
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Bob Filbey: 'Spanking Fury', 1989 Lithograph, Trains.  Blue Lake Depot lumber # 7 locomotive steam engine    ...
Trains - Lithograph
29 x 20 inches (73.7 x 50.8 cm)
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Bernhard Luettmer: 'Train Window', 2002 Black and White Photograph, Trains.
Trains - Photograph
150 x 100 cm (59.1 x 39.4 inches)
Tim Tero: 'tuesday kamakura', 2006 Oil Painting, Trains.  based on a pause of a video i took while riding on the edoden tram line in kamakura. ...
Trains - Painting
48 x 58 inches (121.9 x 147.3 cm)
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Luana Stebule: 'round the clock', 2018 Oil Painting, Trains. inspired by London underground...
Trains - Painting
61 x 92 cm (24.0 x 36.2 inches)
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Nina Polunina: 'final stop', 2018 Oil Painting, Trains. Oil paintingDead Endfrom the seriesFinal Stop.  Written in the author s technique.  Oil on stretched canvas.  The canvas is made by hand.  Natural flax is manually primed with natural materials.Many people love portraits.  Their own.  Aliens, people, animals.  And I like portraits of cars, ships, trains.  In them, too, ...
, 2018
Trains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Kalli Matzora: 'fast', 2008 Oil Painting, Trains. station, train, blue...
, 2008
Trains - Painting
88 x 146 cm (34.6 x 57.5 inches)
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Kalli Matzora: 'station', 2009 Oil Painting, Trains. station, train, orange...
, 2009
Trains - Painting
150 x 112 cm (59.1 x 44.1 inches)
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Wendy Goerl: 'Winter Warmup', 2011 Acrylic Painting, Trains.   Canadian National engine 5344 idles while its crew has a break in the depot. On back- stapled stretched canvas for display with or without frame. ...
Trains - Painting
14 x 7 inches (35.6 x 17.8 cm)
Olga Mihailicenko: 'where our journey begins', 2021 Oil Painting, Trains. 31. 5x23. 6x0. 6 inches. One of a kind work. Signed front and back. Sold with certificate of Authenticity. Painted on gallery wrapped canvas with the highest quality professional oil colors. Sold with a simple black wooden frame. Ready to hang. This painting will be professionally packaged for safe travel. ...
Trains - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Kishore Pratim Biswas: 'Steam Locomotives 06', 2018 Acrylic Painting, Trains. At that time, I was around 5 to 6 years old.  I lived in a place where locomotives travel around.  And I was always running out to watch them and loved to sketch them.  This was my old memory of childhood.  I try to recall those memories and translate them ...
Trains - Painting
44 x 33 inches (111.8 x 83.8 cm)
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Kishore Pratim Biswas: 'steam locomotives 05', 2018 Acrylic Painting, Trains. At that time, I was around 5 to 6 years old.  I lived in a place where locomotives travel around.  And I was always running out to watch them and loved to sketch them.  This was my old memory of childhood.  I try to recall those memories and translate them ...
Trains - Painting
48 x 33 inches (121.9 x 83.8 cm)
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Tomislav Stajduhar: 'tracks', 2005 Other, Trains. Morning haze black and white manipulated photograph of a solitary country railroad tracks. ...
, 2005
Trains - Other
45 x 30 cm (17.7 x 11.8 inches)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

Michael Pickett - Michael Arnold - Art for me is a creative release, therefore I have no boundaries in my work. I work on what moves me spiritually, visually and creatively. I enjoy many different styles including impressionism, pop art, abstract expressionism, naturalism, post-impressionism, art deco and contemporary. All of these styles influence my work, but do not define my style. I primarily work in acrylics, but have produced works in pastels, graphite, charcoal colored pencils and ink. Artists Affiliations 2005 Leadership Citrus 2007 Visual Arts Award-Central Florida Community College Member of Citrus County Chronicle Editorial Board Member of the Citrus Art Center Florida State University Graduate...

Paul Cairns - Most of the time my work is rooted in an exploration of structure, by nature and the landscapes of Northern Ireland where I grew up or Essex where I now live. Structurally the handling of the materials is very physical with the stretchers frequently becoming more sculptural or sculptures becoming painterly. Painting can sometimes be seen as passively hanging on the wall out of the way so to counter this viewpoint many of my works inhabit the space much more, from heavy relief to working fully in the round. Nature and landscape is never far away from my thoughts and being part of nature is what has enabled us to develop a sense of culture, so when I paint what may at first look like a conventional portrait, you will soon see that the sitter is a part of the landscape; they have had a hand in forming each other. ...

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Tim Tero - i began painting after taking some painting courses w/ jon imber at the museum of fine arts school. jon imbers teacher back in the day was phillip guston. i am currently starting a series of paintings based images from the tokyo metro. i am obviously influenced heavly by contemporary japanese culture. but, also there are many contemporary painters, such as neo rauch and ena swansea that i'm very inspired by. film, espesially asian cinema has also been a big influence. more later......

Luana Stebule - My art specifically includes stages projects in Lithuanian theatres, mural paintings together with 22 solos and 37 shared exhibitions. The majority of my current artworks are traditional, oil on canvas. However, my favourite technique is collages, I use mirrors, wood, textile, sawdust, photos. Different texture and different levels of surface create another level of expression. The pictures physical body juxtapose and suffuse it veritably forming jazz of visual performance. In many aspects my style is conceptual, the idea behind the artworks is very important to me. Also, some of paintings have elements of surrealism and pointillism. Anyway my style is unique In order to achieve particular expression, last few years, I am simplifying forms and like sharp contrasts with too many nuances. Too many artist around me are painting abstractions, I got bored and start paint in this manner. From 2013 until 2017 I was only painting and not participating in any art exhibitions or projects. Only in October 2017 for the first time in the UK exhibited my artworks in Milton Keynes art week. Also, created my profile in Saatchi Art Gallery. ...

Nina Polunina - I like to make things bright. This is a very exciting activity to take an object person, car, building and pull out something that is not visible at first glance. It can be a story or a bright spot, or an unexpected form. In each of us lies the individuality and brightness. Over time, they fade over worries and life experiences. But they are. I want you, looking at my pictures, to be able to see it in yourself. This is what I am trying to bring to my adult students in the studio as well. That they are not afraid of life, bright colors and unexpected decisions....

Wendy Goerl - Time governs both my subject and my style. I am attracted to subjects in ephemeral states--the fall color that will be gone next week, the carnival that will move on in a few days, the kaleidoscopic sunset that will fade in a few minutes--and often revisit subjects to explore how they change through time. My style comes out of an ongoing negotiation between my desire to capture every hyperrealitisc detail and my fear that I'll rework a painting to destruction trying to resolve miniscule innacuracies that become amplified as I add increasing detail. The point of compromise is as individual as the subjects I paint. I work a la prima as much as I can, because the more time between the first and last strokes of a painting, the more likely I am to change modes at sometime during the creation....