Travel Art For Sale

Artists Describing Their Art:

Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate "click" of "Yes." I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists' colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. (Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich.) I show my art summers on Monhegan Island ...

David Bechtol - Photography is an integral part of my life. Each image captured attempts to take the viewer on a journey, to transport them to that place of wonder and grandeur as I experienced it, to feel the sense of awe, beauty and peacefulness. As a boy growing up in rural Michigan, I had many chances to take long, slow walks in the forest, soaking in all the beauty a child sees in nature. Now I use photography to slow down life and try to take in all that nature has to offer as I once did those many years ago. I am a self-taught photographer and have studied the photographic process for over 40 years. My interest includes the digital realm where my technical background lets me exploit all that the camera can capture. Throughout my travels, I try to bring back and share a vision of some of the awe-inspiring vistas I encounter. No matter where you are in the world, natures extraordinary beauty is around every corner. I believe that great images are always around us. They are ours to capture with our vision and share with the world. ...

Robert Reinhardt - Artist Statement My camera lens explores the inspiring and sensitive interconnections between the temporal elements of time and history and their relationship to the changing environment. Several photographic software programs are employed to recreate the original landscape photograph to manipulate the original design of these images. It is the careful observer that begins to discover the delicate objects and surfaces that lie hidden amidst the many layers of images all packaged into one final piece. My intention is to subject the original images to the ravages of time. The rich patinas and the weather worn surfaces magnetically draw me in as I return each image. The images that I chose to include document a specific theme of aEURoeEnd of DaysaEUR. The newly constructed images bring to life a strength that lives on in these landscapes. They seem almost indifferent to the elements that continue to wear at their surfaces and challenge their structural integrity. At the same time, nature is painting an entirely new palette in which they will exist. It is the collision and contrast of that ongoing confrontation that draws me into these landscapes. Robert Reinhardt Restinpixels.us ...