Travel Art For Sale

Page 1 of 7
Browse 185 Travel artworks for sale. Contemporary artists: Harris Gulko, Lou Posner, Jerry Di Falco, Vincenzo Montella, Austen Pinkerton, Ruth Zachary, David Bechtol, Richard Lazzara, Robert H. Stockton, Marc Beauregard, Robert Reinhardt, Sofia Wyshkind, Volova Volova, Katarina Radenkovic offering Travel artworks. Links to more artworks by these contemporary artists and 7 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Travel art simply click on the image to go to a more detailed page about this work of art.


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Harris Gulko: 'tel aviv coastline', 2005 Oil Painting, Travel. File 1126 There were not very many places in Tel Aviv to which I was attracted, but I was really taken with this seashore scene and enjoyed painting it.  On my frequent visits to Israel, starting in 1955, I would always have occasion to visit both Tel Aviv and Jerusalem, ...
Travel - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'Road to Where', 2008 Oil Painting, Travel. One always knows where our road begins aEUR
Travel - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Lou Posner: 'El Morro', 2019 Oil Painting, Travel. We were visiting the famous Fort El Morro, Old San Juan, Puerto Rico when the sun began to set and we made shadow puppets of ourselves.  Yes, the moon was already up. ...
, 2019
Travel - Painting
60 x 30 inches (152.4 x 76.2 cm)
Lou Posner: 'Old San Juan', 2018 Oil Painting, Travel. Inspired by a visit to Puerto Rico in 2009.  The capital, San Juan, includes anoldquarter, complete with churches, bars, and a stone fort right at the water s edge.  The corners were inspired by a blouse that my artist- friend s wife was wearing as we stood on the beach ...
Travel - Painting
60 x 44 inches (152.4 x 111.8 cm)
Jerry  Di Falco: 'segovia stork two', 2018 Etching, Travel. THIS ORIGINAL DIFALCO ETCHING IS SOLD ALREADY FRAMED UNDER GLASS AND MATTED IN AN ACID FREE, WHITE MAT.  THE 14 INCH HIGH BY 11 INCH WIDE FRAME IS COMPOSED OF BLACK PAINTED WOOD, AND IS WIRED AND READY TO HANG.  This original etching employed the studio techniques of aquatint, intaglio, ...
Travel - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Vincenzo Montella: 'Naples 9', 2012 Color Photograph, Travel.          digital print        ...
, 2012
Travel - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Vincenzo Montella: 'Naples 6', 2012 Color Photograph, Travel.        digital print      ...
, 2012
Travel - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Jerry  Di Falco: 'Violet Mist and Fog in London', 2012 Etching, Travel. The work was hand printed and published by the artist at The Center for Works on Paper in Philadelphia, Pennsylvania. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in mat selection and ...
Travel - Etching
20 x 16 inches (50.8 x 40.6 cm)
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Jerry  Di Falco: 'Venice in Seven Frames', 2011 Etching, Travel. This exquisite etching takes its inspiration from a photo taken in 1909 by The Moffett Studios. I discovered the print while researching imagery at The US Library of Congress, Print and Picture Department, Washington, D. C. , from The Panoramic Photograph Collection. I created a multiple, rectangular shaped drawing in pencil, ...
Travel - Etching
22 x 8 inches (55.9 x 20.3 cm)
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Austen Pinkerton: 'Motorway Madness', 1988 Acrylic Painting, Travel.
Travel - Painting
36 x 27 inches (91.4 x 68.6 cm)
Jerry  Di Falco: 'Macchu Picchu Dream', 2009 Etching, Travel. This is from a series entitled, SACRED PLACES. I consider this place in Peru to be an ancient NEXUS POINT, an intersecting point on this earth that stands between the real and dream worlds. Some people refer to these places as aEURoeTHINaEUR spots or places of magical portals between the ...
Travel - Etching
10 x 11 inches (25.4 x 27.9 cm)
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Ruth Zachary: 'Umbrellas of Lisbon', 1996 Color Photograph, Travel.  Cheerful, charming row of umbrellas. Charming street scene. Take a seat and order a coffee. People- watch. Interesting lines and colorful contrast.  Lisbon, Portugal.  5 x 7 in an 11 x 14 acid free mat. Signed and titled. Larger size available.  Enjoy! ...
Travel - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Ruth Zachary: 'Aqua Mexicana', 1998 Color Photograph, Travel.  Isla Mujeres, off the coast of Cancun, Yucatan, Mexico.  Colorful old aqua/ turquois wall, nice textures, contrasts and shapes.  11 x 14
Travel - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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David Bechtol: 'At the top of the stairs', 2002 Color Photograph, Travel.  Mosiac- covered stairs leading to church at Caltagirone, Sicily ...
Travel - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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David Bechtol: 'Temple of Concord', 2002 Color Photograph, Travel.  Temple of Concord in the Valley of Temples area in Agrigento, Sicily ...
Travel - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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David Bechtol: 'Church in Sicily', 2002 Color Photograph, Travel.  One of many examples of wonderful architecture. ...
Travel - Photograph
14 x 11 inches (35.6 x 27.9 cm)
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Richard Lazzara: 'fresh bodies for kashi pyre', 2005 Acrylic Painting, Travel. fresh bodies for kashi pyre by Richard W. Lazzara and
Travel - Painting
19 x 11 inches (48.3 x 27.9 cm)
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Ruth Zachary: 'Canal In Between', 1997 Color Photograph, Travel. Hidden perfection, Venice, Italy, amidst the twists and turns of Venice, is this little canal, small boats and their reflections between antique buildings of old stone, wrought iron trimmed sills and window greenery.  Limited edition, signed and numbered.  11 x 14 image in 16 x 20 acid free mat.  Please ...
Travel - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Ruth Zachary: 'Canal Around The Corner', 1997 Color Photograph, Travel. A quiet canal in Venice, Italy,  far away from the tourists on a quiet afternoon.  A graceful gondola sits peacefully in front of an antique home, shutters, wrought iron trim, flowers, perhaps centuries of secrets. Perfect Venice scene.  Limited edition, signed and numbered.  11 x 14 image in a 16 ...
Travel - Photograph
20 x 16 inches (50.8 x 40.6 cm)
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Robert H. Stockton: 'Preparation for Travel', 2003 Assemblage, Travel. This assemblage is composed of a variety of found and painted materials, framed in a black, wood shadowbox, under glass....
Travel - Assemblage
9 x 11 inches (22.9 x 27.9 cm)
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Marc Beauregard: 'positano', 2015 Reproduction Artwork, Travel. Pencil Drawing...
, 2015
Travel - Reproduction Artwork
10 x 8 inches (25.4 x 20.3 cm)
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Marc Beauregard: 'flying tiger', 2017 , Travel.  Whimsical beach front island flavor, colorful Carribean landscapes. ...
Travel -
18 x 24 inches (45.7 x 61.0 cm)
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Robert Reinhardt: 'wayne junction', 2017 Digital Art, Travel. Trainyards, Transportation, Floods, Philadelphia...
Travel - Digital Art
24 x 18 inches (61.0 x 45.7 cm)
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Sofia Wyshkind: 'Katsushika Hokusai and grape', 2000 Oil Painting, Travel.  The wave and grape ...
Travel - Painting
18 x 18 inches (45.7 x 45.7 cm)
Volova Volova: 'Grand Princess', 2010 Acrylic Painting, Travel.         city Rotterdam Holland cruise People             ...
Travel - Painting
120 x 100 cm (47.2 x 39.4 inches)
Katarina Radenkovic: 'Paris cafe', 2015 Oil Painting, Travel.   On the way to the top is not easy, but with perseverance, will and motivation, everything can be  ...
, 2015
Travel - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Katarina Radenkovic: 'Tourists', 2014 Oil Painting, Travel.  Passion for travel ...
, 2014
Travel - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Katarina Radenkovic: 'Paris', 2015 Oil Painting, Travel.  View on the Seine river and the Eiffel Tower, Paris ...
, 2015
Travel - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Katarina Radenkovic: 'Japan', 2015 Oil Painting, Travel.  I spent some time in Japan, my impressions of this beautiful culture and  people are impressive. . . ...
, 2015
Travel - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Katarina Radenkovic: 'Paris cafe', 2015 Oil Painting, Travel.  I spent some time in Paris. The most charming is cafes on the streets of Paris ...
, 2015
Travel - Painting
50 x 50 cm (19.7 x 19.7 inches)
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(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate "click" of "Yes." I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists' colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. (Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich.) I show my art summers on Monhegan Island ...

David Bechtol - Photography is an integral part of my life. Each image captured attempts to take the viewer on a journey, to transport them to that place of wonder and grandeur as I experienced it, to feel the sense of awe, beauty and peacefulness. As a boy growing up in rural Michigan, I had many chances to take long, slow walks in the forest, soaking in all the beauty a child sees in nature. Now I use photography to slow down life and try to take in all that nature has to offer as I once did those many years ago. I am a self-taught photographer and have studied the photographic process for over 40 years. My interest includes the digital realm where my technical background lets me exploit all that the camera can capture. Throughout my travels, I try to bring back and share a vision of some of the awe-inspiring vistas I encounter. No matter where you are in the world, natures extraordinary beauty is around every corner. I believe that great images are always around us. They are ours to capture with our vision and share with the world. ...

Robert Reinhardt - Artist Statement My camera lens explores the inspiring and sensitive interconnections between the temporal elements of time and history and their relationship to the changing environment. Several photographic software programs are employed to recreate the original landscape photograph to manipulate the original design of these images. It is the careful observer that begins to discover the delicate objects and surfaces that lie hidden amidst the many layers of images all packaged into one final piece. My intention is to subject the original images to the ravages of time. The rich patinas and the weather worn surfaces magnetically draw me in as I return each image. The images that I chose to include document a specific theme of aEURoeEnd of DaysaEUR. The newly constructed images bring to life a strength that lives on in these landscapes. They seem almost indifferent to the elements that continue to wear at their surfaces and challenge their structural integrity. At the same time, nature is painting an entirely new palette in which they will exist. It is the collision and contrast of that ongoing confrontation that draws me into these landscapes. Robert Reinhardt Restinpixels.us ...