Visionary Art For Sale

Page 7 of 51
Browse 1470 Visionary artworks for sale. Contemporary artists: Steven Poe, Eduardo Diaz, Ina Jinapaia, Villa Enrico, Berit Nelson, Walter Spaeth, Marja-liisa Iivonen, Vincenzo Montella, Richard Lazzara offering Visionary artworks. Links to more artworks by these contemporary artists and 51 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Visionary art simply click on the image to go to a more detailed page about this work of art.


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Steven Poe: 'Stellar Buddha', 2001 Other Photography, Visionary. A Daibatsu Buddha meditates with star trails in the background....
Visionary - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Steven Poe: 'Sands of Time', 2002 Other Photography, Visionary. Buddha face carved in rocky cliff overlooks a desert valley, with a road leading into the distance....
Visionary - Photograph
12 x 7 inches (30.5 x 17.8 cm)
Steven Poe: 'Desert of Impermanence', 2002 Other Photography, Visionary. A large ancient Buddha evolves out of a desert rock formation. ...
Visionary - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Steven Poe: 'Alpine Sanctuary', 2002 Other Photography, Visionary. An ancient Buddha rests near a boulder cliff looking out over a expansive alpine vista....
Visionary - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Eduardo Diaz: 'Split head dream', 2002 Oil Painting, Visionary.
Visionary - Painting
76 x 61 cm (29.9 x 24.0 inches)
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Steven Poe: 'Enlightened Path', 2001 Other Photography, Visionary. Composite image of a Buddha in a foggy forest with a path leading into the distance. The Buddha is from theMandalay Period, c1850 AD. ...
Visionary - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Ina Jinapaia: 'new face out', 2001 Graphic Design, Visionary. new face look...
Visionary - Graphic Design
17 x 12 cm (6.7 x 4.7 inches)
Villa Enrico: 'Holocaust     Escape from Milan', 2001 Paper, Visionary.
Visionary - Paper
70 x 100 cm (27.6 x 39.4 inches)
Berit Nelson: 'Holding On', 2002 Computer Art, Visionary.
, 2002
Visionary - Computer Art
0 x 0 inches (0.0 x 0.0 cm)
Walter Spaeth: 'The Human Machine project I', 2001 Computer Art, Visionary. Original Photo Print Out...
Visionary - Computer Art
70 x 50 cm (27.6 x 19.7 inches)
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Walter Spaeth: 'Deus ex machina I', 2001 Color Photograph, Visionary. Original Photo Print Out...
Visionary - Photograph
70 x 50 cm (27.6 x 19.7 inches)
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Walter Spaeth: 'Deus ex machina II', 2002 Color Photograph, Visionary. Original Photo Print Out...
Visionary - Photograph
70 x 50 cm (27.6 x 19.7 inches)
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Walter Spaeth: 'EarthLight', 2002 Other Printmaking, Visionary. EPSON2000P Print for a longer lasting Artwork - more than 100 Years ! ...
, 2002
Visionary - Other Printmaking
45 x 30 cm (17.7 x 11.8 inches)
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Marja-liisa Iivonen: 'Where are we', 2000 Oil Painting, Visionary. Where are we going to? People seem to be lost not knowing where to go....
Visionary - Painting
50 x 61 cm (19.7 x 24.0 inches)
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Vincenzo Montella: 'reading', 2000 Cibachrome Photograph, Visionary.
, 2000
Visionary - Photograph
30 x 45 cm (11.8 x 17.7 inches)
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Vincenzo Montella: 'Street Buddas', 2002 Cibachrome Photograph, Visionary.
Visionary - Photograph
30 x 45 cm (11.8 x 17.7 inches)
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Vincenzo Montella: 'Star', 2000 Cibachrome Photograph, Visionary.
, 2000
Visionary - Photograph
30 x 45 cm (11.8 x 17.7 inches)
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Vincenzo Montella: 'photographer', 2000 Cibachrome Photograph, Visionary.
Visionary - Photograph
30 x 45 cm (11.8 x 17.7 inches)
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Richard Lazzara: 'being surrounded', 1988 Calligraphy, Visionary. BEING SURROUNDED, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'be left alone', 1988 Calligraphy, Visionary. BE LEFT ALONE, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'and happy why', 1988 Calligraphy, Visionary. AND HAPPY WHY, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art collector marriages', 1988 Calligraphy, Visionary. ART COLLECTOR MARRIAGES, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art equivalent', 1988 Calligraphy, Visionary. ART EQUIVALENT, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art remedy', 1988 Calligraphy, Visionary. ART REMEDY, from the folio SUMIE CARDS is available at
, 1988
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art spiritual being', 1988 Calligraphy, Visionary. ART SPIRITUAL BEING, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art training', 1988 Calligraphy, Visionary. ART TRAINING, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'art very broadly', 1988 Calligraphy, Visionary. ART VERY BROADLY , from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'artist graduate', 1988 Calligraphy, Visionary. ARTIST GRADUATE, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'arts continuing abuse', 1988 Calligraphy, Visionary. ARTS CONTINUING ABUSE, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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Richard Lazzara: 'at one degree', 1988 Calligraphy, Visionary. AT ONE DEGREE, from the folio SUMIE CARDS is available at
Visionary - Calligraphy
6 x 8 inches (15.2 x 20.3 cm)
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(Page 7 of 51) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Steven Poe - My artwork uses expansive digital technology to represent dreams and other ways of knowing, as I try to understand my world around me. The images represented here in this exhibit are from a "Buddha Nature" series that I am working on. In the process of this series I am asking questions. The global economy and multicultural societies are increasingly accepted norms. Will an integrated spirituality evolve as well? Is polytheism really possible? As artists evolve a global mind, and mature past the self-conscious movement, will art play a responsible role in societies direction? While the technologies I use are complex and the questions I am asking are deep and serious, the goals are simplicity in design and composition with an attitude of fun and adventure. For if I take myself seriously the results would be disastrous. Please visit my website (www.stevenpoe.com) to see more photographic works and read more about my evolving theory of art from a systems perspective. ...

    Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

    Berit Nelson - My art reflects me; my ideas, my thoughts and my innermost struggles. As I go forth in life, I find inspiration everywhere.....in people, in places, in objects, but mostly in myself. What begins as an idea eventually grows into art, however I have discovered over the years that it is the process of getting there that I enjoy the most! My photography on the other hand, is another story. I enjoy taking pictures immensely and I have a good eye for it, and my real inspiration comes from that and that alone. I like seeing the final prints and remembering the journey I got to go on to get them! Sometimes the journey takes me far from home and other times I barely get out of the door but no matter where I end up, I usually find something beautiful to take a picture of!...

    Walter Spaeth - Walter Spaeth was born 1952 in Munsingen / Germany Ever since he was a very young boy it has been one of Walter Spaeth`s dream to express his ideas and inspirations. And so it doesn`t come as a surprise that photography soon attracted his attention. At the age of twenty he discovered the creative and technical possibilities of this medium in the black-and-white lab of a friend and began thinking about how it could help him realize his dream. In 1972, though, photography was far less sophisticated than it is today. It proved to be an advantage, as Walter Spaeth spent his first years concentrating on the basic techniques and principles of composition. He thoroughy learned the craft and perfected his skills. In the mid-90`s then the full extent of his creativity became apparent. Computers made their appearance in the photo scene and allowed the editing of pictures, something which Spaeth started doing with great fascination and success. Between 1990 and 2000 Spaeth won more than 30 awards, including Deja-GmbH's 10 000 Mark "Take care" award, which he received in a festive ceremony at the Photokina 2000 in Cologne for his excellent ...

    Marja-Liisa Iivonen - After painting years (since 1982) traditional oil paintings, mostly portraits and still life, I started experimenting with clay sculptures in 1990 to find something new. Modeling tiny figures in clay, I started using those miniature sculptures as models to my paintings. By 1990-91 I had created my own ism: MARUism- " Manifestations Animees dans la Realite Unique ". Human relations, meetings, feelings and everyday happenings metamorphosed into animal-like forms in colourful worlds, expressed in a kind of subconscious world between Dali and Disney with a touch of Gauguin. MARUISM What is Maruism? - It is a new ism created by me, Marja-Liisa Iivonen. M.A.R.U.; M for Manifestations, A for Animees (Animated, lively), R for Realite (Reality) U for Unique. I grew up with Disney, admire Dali for his skill and brain and love Gauguin's colors. MARUism- " Manifestations Animees dans la Realite Unique ". Human relations, meetings, feelings and everyday happenings metamorphosed into animal-like forms in colorful worlds expressed in a kind of subconscious world between Dali and Disney with a touch of Gauguin. MANIFESTO OF MARUISM Maruism separates painting from the imitation of other artists and artistic movements, isms, and ...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...