War Art For Sale

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Browse 83 War artworks for sale. Contemporary artists: Jerry Di Falco, Lou Posner, Wendy Lippincott, Shoshannah Brombacher, Claudia Nierman, Geo Sipp, Wayne Quilliam, Franziska Turek, Chad A. Carino, Michael Chomick, Alessandro Zanazzo, Jim Stevens, Greg Nuttall, Obert Fittje, Robert Tittle, Susan Baquie offering War artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any War art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'women of jerusalem number one', 2020 Mixed Media, War. This image was adapted from a photograph from my personal collection, which was taken by my Great- Uncle at the close of World War II.  It shows the older women s barrack in a German Camp.  These women were slated for execution a day after this was taken. . .  a day ...
War - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Lou Posner: 'Baghdad', 2020 Oil Painting, War. The strange beauty of destruction. ...
, 2020
War - Painting
22 x 14 inches (55.9 x 35.6 cm)
Wendy Lippincott: 'knowledge and ignorance war', 2010 Illustration, War. Rube Goldberg contraptionreal title is War Between Knowledge and Ignorance...
War - Illustration
50 x 58 inches (127.0 x 147.3 cm)
Shoshannah Brombacher: 'the terrors of war', 2017 Pastel Drawing, War. War is a consuming fire that destroys all parties, winners and losers alike. In the background are the artist s memories of Europe. ...
War - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: ' Bodas de Sangre', 2016 Etching, War. Title is, LORCAS LAST EDITION, BODAS DE SANGRE or BLOOD WEDDING. I used two zinc etching plates for this aEURoediptychaEUR, and each plate measured seven- inches high by five- inches wide, or 17. 780cm x 12. 700cm. The overall image size measures slightly over seven- inches high by ten- inches ...
War - Etching
16 x 15 inches (40.6 x 38.1 cm)
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Jerry  Di Falco: 'Night of the Devils', 2016 Etching, War. This is the 3rd best print of six in the second edition. The etching was inspired by a still from Leni RienfenstahlaEURtms film, Triumph of the Will. A six inch high by nine inch wide zinc plate, or 15. 240cm x 22. 860, was used. Silver metallic, oil based ...
War - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Claudia Nierman: 'Madness', 2007 Other Photography, War.   This image can be printed in several seizes including47
, 2007
War - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Derrumbe', 2005 Other Photography, War.    This image can be printed in several seizes including47
, 2005
War - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
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Geo Sipp: 'Fleeing the Scene in Algiers', 2012 Other Drawing, War.  Fleeing the Scene in Algiers is a drawing on grained glass, a preliminary work for my Wolves in the City project, an in progress graphic novel about the French- Algerian War.                        ...
War - Drawing
16 x 12 inches (40.6 x 30.5 cm)
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Geo Sipp: 'The Skulker', 2012 Digital Other, War.  The Skulker is a drawing on grained glass, a preliminary work for my Wolves in the City project, an in progress graphic novel about the French- Algerian War.                       ...
War - Digital Other
16 x 12 inches (40.6 x 30.5 cm)
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Geo Sipp: 'Explosion', 2008 Intaglio, War.  Explosion is a 4- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                   ...
, 2008
War - Intaglio
3.8 x 3.1 inches (9.7 x 7.9 cm)
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Jerry  Di Falco: 'Dear Fascista', 2010 Etching, War. CLICK ON THE ENLARGEMENT TO READ THE FULL TITLE WHICH IS, Dear Alessandra. It is Better To Be DEAD Than A Fascist, OR Mussolini Hangs Out In Milano MY original etching is adapted from drawings I did of a photo of Mussolinis death. This mixed technique etching includes intaglio, aquatint, ...
War - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Shoshannah Brombacher: 'War', 2001 Oil Pastel, War.  war ...
, 2001
War - Oil Pastel
12 x 16 inches (30.5 x 40.6 cm)
Shoshannah Brombacher: 'The Stone in the Wall', 2004 Collage, War. This represents a stone in Yerushalayim which has seen many wars and sheds many tears....
War - Collage
12 x 15 inches (30.5 x 38.1 cm)
Shoshannah Brombacher: 'Krieg  War', 2001 Gouache Drawing, War.
, 2001
War - Drawing
12 x 18 inches (30.5 x 45.7 cm)
Wayne Quilliam: 'Hunter', 2002 Color Photograph, War.
, 2002
War - Photograph
40 x 60 cm (15.7 x 23.6 inches)
Franziska Turek: 'get away', 1999 Other Painting, War.
, 1999
War - Painting
95 x 60 cm (37.4 x 23.6 inches)
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Chad A. Carino: 'Mortar Shells', 2008 Watercolor, War.  Women in the workplace, watercolor on canvas. ...
War - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
Michael Chomick: 'cipher', 2017 Mixed Media, War. The work addresses the horrendous effects that war has on all of mankind. ...
, 2017
War - Mixed Media
56 x 90 inches (142.2 x 228.6 cm)
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Alessandro Zanazzo: 'Apocalypse the day after from the sequence Story', 2014 Digital Photograph, War. War. Apocalipse. Echological. Environment.Photography for me is a stream of consciousness, a joiurney through the endless reflections of the mirrors of our existence. Our senses profoundly shape our perception and interpretation of our World.This artwork is available in different sizes, o ndemand, printed on paper or on alluminium. ...
War - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Alessandro Zanazzo: 'view on planet earth', 2014 Digital Photograph, War.
War - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Jim Stevens: 'sniper', 2017 Other Painting, War. Realistic painting on clear acrylic panel floats over an abstract painting on komatex panel. The image only becomes visible when the two paintings are combined. ...
, 2017
War - Painting
21 x 28 inches (53.3 x 71.1 cm)
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Jim Stevens: 'the best of us', 2017 Other Painting, War. Acrylic painting on over 1,000 strands of layered nylon monofilament line. ...
War - Painting
21 x 28 inches (53.3 x 71.1 cm)
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Greg Nuttall: 'Brass', 2011 Assemblage, War.  brass fixture on plywood ...
, 2011
War - Assemblage
32 x 24 inches (81.3 x 61.0 cm)
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Obert Fittje: 'Bloody War', 2008 Oil Painting, War.     This is a companion piece to The First Plague of America: Blood and the painting W* A* R.  This painting is intended to be a frightening image of bloody war and represents my feelings about war.      ...
, 2008
War - Painting
18 x 24 inches (45.7 x 61.0 cm)
Obert Fittje: 'W A R', 2013 Oil Painting, War.     This is a companion piece to
, 2013
War - Painting
24 x 18 inches (61.0 x 45.7 cm)
Robert Tittle: 'PERILS OF LIBERTY   ', 2004 Acrylic Painting, War.  Acrylic Paintings/ Liberty/ Art by Tittle/New York/ World conflict/ Statue of Liberty/     ...
War - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Susan Baquie: 'untitled', 2012 Pencil Drawing, War.  This began in response to war and to the terrible images of damaged children - as wars proceeded so did the names of the countries involved. ...
, 2012
War - Drawing
53 x 105 inches (134.6 x 266.7 cm)
Jim Stevens: 'Biafra', 2011 Other Printmaking, War.  Signed and Numbered Artist's Proof on 310gsm fine art paper.Biafra is a heart wrenching reminder of the agony of civil war. After two- and- a- half years of war, during which a million civilians died in fighting and from famine, the nation of Biafra was reabsorbed into Nigeria...
, 2011
War - Other Printmaking
15.8 x 18.8 inches (40.1 x 47.8 cm)
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(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

Michael Chomick - Being a figurative artist, my work over the past 20 years has encompassed a variety of mediums, i.e.: printmaking, mixed media sculptures, small upto mural-sized oil paintings, acrylic/bas-relief paintings, ink or graphite drawings, and constructions with various objects; all the while maintaining a strong focus on a singular theme - Exploration of the "Human Condition". The works dare to ask, in sometimes simple or complicated terms, the question of what this "Human Conditiion" is. And via the works already completed in various genres and media, the viewer is compelled to search within or externally for the answers of such queries. The genesis, or the root of the works, often stem from a point of inquiry that I wish to convey tangibly for the viewer so that they may, if driven to, pose a dialogue within themselves in the offshoot towards their own personal advancement. Being that life can gravitate in the direction of complicacy and varietal issues, so does the body of works that I have produced over the past 2 decades employing various mediums. The delving into the different media has not only kept it fresh for me as an artist, but also serves to point...

Alessandro Zanazzo - Alessandro Zanazzo was born in Rome. He is Professor of Photography at Temple University and John Cabot University in Rome. He has been working at several Art projects concerning the interaction between different artistic languages photography, video, installations, performances, music. He spent many years abroad, living in in Bergen Norway and in Paris France and has participated to the French Biennial of Photography i?1/2Le Mois de la Photoi?1/2 where he showed his artworks inspired by two classic latin writers i?1/2The Metamorphosisi?1/2 by Ovidio and i?1/2The Rerum Naturai?1/2 by Lucrezio. His pictures habe been exhibited in European Art Galleries and Museums and in places like the deconsacrated church of S. Peter at Melle France or the S. Angel Castle in Rome. Beside his artistic researches, Alessandro Zanazzo is a professional free lance photographer available for assignments worldwide. In June 2007 he has been invited as Media Photographer by Zimbabwe Tourism Authority and the Embassy of Zimbabwe to take pictures in Africa. In April 2007 he has been the official photographer for the Embassy of Belgium during the visit of her Majesty the Queen Paola of Belgio,in Italy. His works incklude Advertising campaigns, Editorial Photography, PortraitPeople , Fashion , Architecture and Interiors, Landscape, ...

Jim Stevens - Composition, value and form take center stage in my art. My work explores the combined impact of empty space and light in unique presentations that underscore drama and wonder. Legally blind, I see in the spaces between reality and in my art space becomes a shade, a tone, a tint, and even an invisible brush. I am an internationally collected and award winning artist and author. Retired from the University of Colorado, I studied art from an early age as an apprentice to master oil and watercolor painters, sculptors and stone and gem carvers. My diverse skill set and love of art in its many forms eventually guided me to the creation of my signature monofilament and abstract linear paintings....

Obert Fittje - In addition to the mythology of our culture, we all have certain experiences, expressions and images that have deep personal significance and meaning. These form the foundation of our personal mythology. Some of us have richer and more elaborate personal mythologies than others. Recently I came to the realization that I was mainly painting the images of my own personal mythology. I am self taught as a painter and after painting for eleven years, I consider that to my advantage as the icons of my mythology are rarely something out there in the material world. My paintings lie somewhere between the presence and the absence of an identifiable image. It would have been a waste of time for me to have spent years learning the techniques to make my paintings look realistic because the subjects of my mythology are mostly imaginary. I do not go outside to nature to find the subjects of my paintings, but rather I paint inside using my imagination and the images of my personal mythology. As a retired professional psychologist, I have been trained in the use of projective tests such as the Rorschach Inkblots where the observer is presented with purposely-vague images. The ...

Robert Tittle - I like to experiment with different surfaces, such as painting on burlap, I like the challenge of painting clean edges on the rough, bumpy and fuzzy surface. My creations have led some viewers to described them as having characteristics of romanticism. My desire is to stimulate emotions and imaginations, to invoke curiosity in the viewer and create a feeling of being there in the location the painting depicts. I hope my paintings reveal my spiritual character, my faith in God, and the beauty of nature. I have been taught, when an artist puts creativity and spirituality into a painting, they will then have something to leave to the world. ...

Susan Baquie - My art work varies in style as it is the result of experience and observation, as well as formal studies. From a type of surrealism to expressionism, sometimes more realistic and at others abstract in conception, many of my pictures reveal a psychological awareness, at times a depiction of trauma, and at others, the joys of colour, pattern, design and the flow of paint or ink across canvas or paper. Painting is like life itself, a constant mirroring of energy, a dynamic pouring of the soul onto two dimensions. It can be caring or selfish, it can be political, humanistic and even cruel. It is a way of life and as with poets and writers, often a happy work and often hard. It is wonderful to be able to show work on the Internet in this way. ...