Assemblages

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Jerry Di Falco, C. A. Hoffman, Micha Nussinov, Ron Ogle, Robert H. Stockton, James Skuban, Hatice Brenton, Max Tolentino, Clark-camargo Mary, Wanda Torres offering original Assemblage artworks. Although assemblages are often similar to collages they are three dimensional in their elements versus a two-dimensional collage. Often assemblages are also called artistic objects originating during the 1920's - Pablo Picasso and his cubist constructs. Other important artists using the concept of assemblage are Marcel Duchamp, Jean Dubuffet in the 1950's, Hans Bellmer, Joseph Cornell and of course Janice Lowry, Alexander Calder as well as Louise Nevelson. Not to forget Robert Rauschenberg, Edward Kienholz, Minoru Ohira all used the medium as objects made up of preformed natural or manufactured materials or fragments often not intended as art materials.


Contemporary Art / Assemblage / Previous / Next
Jerry  Di Falco: 'golden golgotha', 2020 Assemblage, Meditation. NOTE-  The artist began to follow news stories about the virus in China in December of 2019.  This mixed media wall work measures about eight inches wide by nine inches high by one- half inch deep. The artist employed the genres of painting, sculpture, and light manipulation to produce a ...
Meditation - Assemblage
8 x 9 inches (20.3 x 22.9 cm)
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Jerry  Di Falco: 'viral crucifixion', 2020 Assemblage, Christian. Collage Installation- Assemblabe: MIXED MEDIA- Acrylic, Gesso, Taxidermy, 3D Sculpting, Fabric on Soft  Yarn, Cotton, Fabric , Wood, Other.This one- of- a kind assemblage on stretched canvas over wood is a folk- style crucifixion composed of mammal bones. fish bones, etching gauze, acrylic paint, gesso, modeling paste, acrylic paint, resins, ...
Christian - Assemblage
15 x 36 inches (38.1 x 91.4 cm)
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Jerry  Di Falco: 'donald quack', 2020 Assemblage, Outsider. The full title is, Donald Quack And The Responsibility of Gold.This one of a kind work incorporates a canvas stretched on wood frame, gesso, modeling paste, acrylic paint, 24 gold- karat thread, and a duckaEURtms skull found on a Newfoundland beach.  One of my works from the aEURoeVIRAL ...
Outsider - Assemblage
8 x 8 inches (20.3 x 20.3 cm)
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Jerry  Di Falco: 'turkey lurky', 2020 Assemblage, Ethereal. Full title is TURKEY LURKY   THE MISSING PLAGUE MASK.The one of a kind box assemblage, also a work in my VIRAL SERIES, is wired in the back to hank of a wall.  The media include: pine wood, gesso, glues, turkey bone, acrylic paint, and metal. During the Black Plague ...
Ethereal - Assemblage
8 x 8 inches (20.3 x 20.3 cm)
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C. A. Hoffman: 'Buddha Hula', 2008 Assemblage, Abstract Figurative.  Buddha doing the hula.  Joyous and happy, Buddhas can have fun too. ...
Abstract Figurative - Assemblage
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Freedom and Enlightenment', 2008 Assemblage, Abstract Figurative.  Books and Buddha.  Reading can set you free. ...
Abstract Figurative - Assemblage
8 x 10 inches (20.3 x 25.4 cm)
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C. A. Hoffman: 'Book Buddha', 2008 Assemblage, Abstract Figurative.  Buddha of the Books.   A little fun with installation and creation. ...
Abstract Figurative - Assemblage
10 x 8 inches (25.4 x 20.3 cm)
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Micha Nussinov: 'She came to me', 2001 Assemblage, Abstract Figurative.  'She came to me' is an aquarium like structure that sits on a platform, within three linked panels, painted on both sides. They can pivot and fold, within the inner space by rotating an external handle, made of a recycled beer tap. The artist is allowing the viewer to interact...
Abstract Figurative - Assemblage
122 x 73 cm (48.0 x 28.7 inches)
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Micha Nussinov: 'Fragments places revisited', 2007 Assemblage, Other. Topographical looks at life with city and country landscapes. This work is layered with Nussinov's history. There are figurative life drawings, combined with photos, old and new, to create a collage of associations, and connections to people and nature, to past projects and to family. These are linked with ...
Other - Assemblage
168 x 178 cm (66.1 x 70.1 inches)
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Ron Ogle: 'Shield', 1999 Assemblage, Americana. An assemblage made of wood and metal objects mostly found in Rusty' s back yard- where I lived in a school bus in which I burned seasoned hickory when the snow fell, and later. I have been embellishing   this assemblage for 21 years....
, 1999
Americana - Assemblage
23 x 34 inches (58.4 x 86.4 cm)
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Ron Ogle: 'SKATEBOARD', 1998 Assemblage, Americana. No wheels. ...
, 1998
Americana - Assemblage
30 x 17 inches (76.2 x 43.2 cm)
Ron Ogle: 'Ent', 1999 Assemblage, Culture. ThisASSEMBLAGE isthe most complex grouping of FOUND ITEMS I have ever assembled, nailed down, and titled. Note the FURLED flag. [ let your hair unfurl, andyour heart ] ENT: in Tolkien' s books about Middle Earth; an ENT was an individual and self consciousOLD- GROWTH TREE, vital and self aware and ...
, 1999
Culture - Assemblage
36 x 24 inches (91.4 x 61.0 cm)
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Ron Ogle: 'Men are from Mars and Women are from England', 1999 Assemblage, Americana.  { . . . As a man learns to listen and interpret a woman' s feelings correctly, communication becomes easier. As with any art, listening requires practice. } John Gray: MEN ARE FROM MARS - WOMEN ARE FROM VENUS, page 90...
Americana - Assemblage
16 x 25 inches (40.6 x 63.5 cm)
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Robert H. Stockton: 'San Andreas Two Step', 1997 Assemblage, Abstract. This is a mixed media shadow box piece created from a variety of found objects, including: wire mesh; old linoleum; rusted, painted metal; weathered fabric and wood; and acrylic paint.  The composition floats in a grey shadow box frame. ...
Abstract - Assemblage
5 x 11 inches (12.7 x 27.9 cm)
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Robert H. Stockton: 'Tales From the Hard Winter Sky', 2002 Assemblage, Abstract. This shadowbox assemblage is created on a piece of weathered wood and includes: worn, painted and rusted metal, images from old maps and drawings, screened dots from an old billboard, wire mesh, acrylic paint, and a small, weathered tree branch ( madrona) .  The assemblage is enclosed in a medium gray, wooden ...
Abstract - Assemblage
11 x 6 inches (27.9 x 15.2 cm)
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Robert H. Stockton: 'Advice for Travelers', 1996 Assemblage, Abstract. This piece is created from weathered wood,  rusted wire mesh, oxidized copper, mechanical parts, and acrylic paint.  It is contained in a gray wooden shadowbox.  ...
Abstract - Assemblage
4 x 10 inches (10.2 x 25.4 cm)
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Robert H. Stockton: 'Preparation for Travel', 2003 Assemblage, Travel. This assemblage is composed of a variety of found and painted materials, framed in a black, wood shadowbox, under glass....
Travel - Assemblage
9 x 11 inches (22.9 x 27.9 cm)
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James Skuban: 'Driftwood Abstract Assemblage', 2019 Assemblage, Abstract. ENVIRONMENTALLY INSPIRED DESIGN THROUGH NATURE IN ARTThis museum quality expressionism with asymmetrical texture is a dynamic example of exploring Nature in art.  The display of movement, form, and color is achieved by objects from our natural world. . .  Driftwood.  This visually stimulating work of art evokes the feelings of motion, ...
Abstract - Assemblage
38 x 34 inches (96.5 x 86.4 cm)
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Hatice Brenton: 'lady roze', 1998 Assemblage, Meditation. Wayside shrines in the Alps of Europe...
, 1998
Meditation - Assemblage
14 x 27 inches (35.6 x 68.6 cm)
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Hatice Brenton: 'Gate I', 2000 Assemblage, Botanical. Painting, Fiber, Goldleafs...
, 2000
Botanical - Assemblage
22 x 22 inches (55.9 x 55.9 cm)
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Hatice Brenton: 'seashore', 1999 Assemblage, Landscape. Abstract, collage, painting ...
, 1999
Landscape - Assemblage
21 x 28 inches (53.3 x 71.1 cm)
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Hatice Brenton: 'level 4', 1999 Assemblage, Meditation. painting, fabric, ready made object...
, 1999
Meditation - Assemblage
24 x 24 inches (61.0 x 61.0 cm)
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Max Tolentino: 'Mrs Fischer ', 2016 Assemblage, Abstract.  Mixed sculpture , wood and metal , not available ...
Abstract - Assemblage
15.2 x 30 m (49.87 x 98.43 feet)
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Clark-camargo Mary: 'a matter of time', 2020 Assemblage, Ethereal. This Assemblage ShadowBox explores the theme of loneliness and the concept of what the heart see and longs for.  It is comprised of Glass Mosaic, Vintage Jewelry, Jewelry Findings, Doll Parts, Tin, Copper, Wallpaper, Chandelier Crystals, Millifiore, Metal Filigree, Leather, Vintage Furniture Tacks and Used Picture Frames...
Ethereal - Assemblage
11 x 13 inches (27.9 x 33.0 cm)
Wanda Torres: 'vestiaire d agathe', 2018 Assemblage, Figurative. fabric, painting, feminine issues, surrealistic...
Figurative - Assemblage
100 x 130 cm (39.4 x 51.2 inches)
Wanda Torres: 'detail entrepot 1', 2018 Assemblage, Figurative. Drawing, glass, wood...
Figurative - Assemblage
20 x 30 cm (7.9 x 11.8 inches)
Wanda Torres: 'reve tropical', 2018 Assemblage, Figurative. whimsical, surrealistic, figurative...
Figurative - Assemblage
32 x 45 cm (12.6 x 17.7 inches)
Wanda Torres: 'valise de la memoire ii', 2018 Assemblage, Figurative. Assemblage, suitcase, wood, fabric, drawing ...
Figurative - Assemblage
88 x 93 cm (34.6 x 36.6 inches)
Wanda Torres: 'valise de la memoire i', 2018 Assemblage, Figurative. suitcases, wood, drawing, fabric, symbolic ...
Figurative - Assemblage
85 x 97 cm (33.5 x 38.2 inches)
Wanda Torres: 'ee', 2018 Assemblage, Figurative. assemblage, painting, selfporrtrait, wood, blackboard, monochromatic ...
, 2018
Figurative - Assemblage
22 x 30 cm (8.7 x 11.8 inches)
(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

Micha Nussinov - Micha Nussinov - James Skuban - About James Skuban Jim Skuban believes the greatest artist in the world is Nature. This is the inspiration that is reflected in his creations. From assemblage art to natural sculptures to innovated style paintings, .........exploring the beauty of Nature through art. Jim has worked with materials and processing for over fifty years. He has been a professional artist for the past twenty five years. This training and experience has given him the necessary skills to be both innovative and unique in original two and three dimensional art. The cornerstone of his art is his ability to use the elements of design lines, shapes, color, form, and texture. He has mastered the use of many materials including driftwood, antler, wood, and rock. It is said that his art evokes the feelings of motion, flow, rhythm, and energy associated with Nature. The combination of experience, skill, and vision has brought his art to a high level of contemporary design. Jim Skuban is an ever evolving mixed media artist in developing a line of environmentally inspired originals. The scenic beauty of Lake Superior greatest of the Great Lakes and the upper midwest forests are mirrored in each of his pieces. His variety and ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Clark-camargo Mary - I have found an outlet for my love of color and texture and that is with Glass Mosaic. I originally started doing abstract because I can feel the patterns and shapes like music flowing from my fingers. I have recently started doing more realistic pieces finding the glass to be my perfect paint. I am constantly experimenting with new techniques to add even more texture and interest to my art....

Wanda Torres - Wanda Torres was born in San Juan, Puerto Rico. She majored in painting and illustration at the Columbus College of Art & Design, in Ohio. Wanda has been an art teacher, freelance illustrator and exhibiting artist. After receiving the Alfonso Arana Foundation grant for a artist residency in Paris, she established her studio in that city. Her work can be found in private and public collections in Puerto Rico, Europe and the USA. ...