Assemblages

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C. A. Hoffman, Micha Nussinov, Ron Ogle, Robert H. Stockton, Hatice Brenton, Max Tolentino, Wanda Torres, Matei Enric offering original Assemblage artworks. Although assemblages are often similar to collages they are three dimensional in their elements versus a two-dimensional collage. Often assemblages are also called artistic objects originating during the 1920's - Pablo Picasso and his cubist constructs. Other important artists using the concept of assemblage are Marcel Duchamp, Jean Dubuffet in the 1950's, Hans Bellmer, Joseph Cornell and of course Janice Lowry, Alexander Calder as well as Louise Nevelson. Not to forget Robert Rauschenberg, Edward Kienholz, Minoru Ohira all used the medium as objects made up of preformed natural or manufactured materials or fragments often not intended as art materials.


Contemporary Art / Assemblage / Previous / Next
C. A. Hoffman: 'Buddha Hula', 2008 Assemblage, Abstract Figurative.  Buddha doing the hula.  Joyous and happy, Buddhas can have fun too. ...
Abstract Figurative - Assemblage
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Freedom and Enlightenment', 2008 Assemblage, Abstract Figurative.  Books and Buddha.  Reading can set you free. ...
Abstract Figurative - Assemblage
8 x 10 inches (20.3 x 25.4 cm)
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C. A. Hoffman: 'Book Buddha', 2008 Assemblage, Abstract Figurative.  Buddha of the Books.   A little fun with installation and creation. ...
Abstract Figurative - Assemblage
10 x 8 inches (25.4 x 20.3 cm)
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Micha Nussinov: 'She came to me', 2001 Assemblage, Abstract Figurative.  'She came to me' is an aquarium like structure that sits on a platform, within three linked panels, painted on both sides. They can pivot and fold, within the inner space by rotating an external handle, made of a recycled beer tap. The artist is allowing the viewer to interact...
Abstract Figurative - Assemblage
122 x 73 cm (48.0 x 28.7 inches)
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Micha Nussinov: 'Fragments places revisited', 2007 Assemblage, Other. Topographical looks at life with city and country landscapes. This work is layered with Nussinov's history. There are figurative life drawings, combined with photos, old and new, to create a collage of associations, and connections to people and nature, to past projects and to family. These are linked with ...
Other - Assemblage
168 x 178 cm (66.1 x 70.1 inches)
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Ron Ogle: 'Shield', 1999 Assemblage, Americana. An assemblage made of wood and metal objects mostly found in Rusty' s back yard- where I lived in a school bus in which I burned seasoned hickory when the snow fell, and later. I have been embellishing   this assemblage for 21 years....
, 1999
Americana - Assemblage
23 x 34 inches (58.4 x 86.4 cm)
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Ron Ogle: 'SKATEBOARD', 1998 Assemblage, Americana. No wheels. ...
, 1998
Americana - Assemblage
30 x 17 inches (76.2 x 43.2 cm)
Ron Ogle: 'Ent', 1999 Assemblage, Culture. ThisASSEMBLAGE isthe most complex grouping of FOUND ITEMS I have ever assembled, nailed down, and titled. Note the FURLED flag. [ let your hair unfurl, andyour heart ] ENT: in Tolkien' s books about Middle Earth; an ENT was an individual and self consciousOLD- GROWTH TREE, vital and self aware and ...
, 1999
Culture - Assemblage
36 x 24 inches (91.4 x 61.0 cm)
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Ron Ogle: 'Men are from Mars and Women are from England', 1999 Assemblage, Americana.  { . . . As a man learns to listen and interpret a woman' s feelings correctly, communication becomes easier. As with any art, listening requires practice. } John Gray: MEN ARE FROM MARS - WOMEN ARE FROM VENUS, page 90...
Americana - Assemblage
16 x 25 inches (40.6 x 63.5 cm)
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Robert H. Stockton: 'San Andreas Two Step', 1997 Assemblage, Abstract. This is a mixed media shadow box piece created from a variety of found objects, including: wire mesh; old linoleum; rusted, painted metal; weathered fabric and wood; and acrylic paint.  The composition floats in a grey shadow box frame. ...
Abstract - Assemblage
5 x 11 inches (12.7 x 27.9 cm)
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Robert H. Stockton: 'Tales From the Hard Winter Sky', 2002 Assemblage, Abstract. This shadowbox assemblage is created on a piece of weathered wood and includes: worn, painted and rusted metal, images from old maps and drawings, screened dots from an old billboard, wire mesh, acrylic paint, and a small, weathered tree branch ( madrona) .  The assemblage is enclosed in a medium gray, wooden ...
Abstract - Assemblage
11 x 6 inches (27.9 x 15.2 cm)
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Robert H. Stockton: 'Advice for Travelers', 1996 Assemblage, Abstract. This piece is created from weathered wood,  rusted wire mesh, oxidized copper, mechanical parts, and acrylic paint.  It is contained in a gray wooden shadowbox.  ...
Abstract - Assemblage
4 x 10 inches (10.2 x 25.4 cm)
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Robert H. Stockton: 'Preparation for Travel', 2003 Assemblage, Travel. This assemblage is composed of a variety of found and painted materials, framed in a black, wood shadowbox, under glass....
Travel - Assemblage
9 x 11 inches (22.9 x 27.9 cm)
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Hatice Brenton: 'lady roze', 1998 Assemblage, Meditation. Wayside shrines in the Alps of Europe...
, 1998
Meditation - Assemblage
14 x 27 inches (35.6 x 68.6 cm)
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Hatice Brenton: 'Gate I', 2000 Assemblage, Botanical. Painting, Fiber, Goldleafs...
, 2000
Botanical - Assemblage
22 x 22 inches (55.9 x 55.9 cm)
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Hatice Brenton: 'seashore', 1999 Assemblage, Landscape. Abstract, collage, painting ...
, 1999
Landscape - Assemblage
21 x 28 inches (53.3 x 71.1 cm)
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Hatice Brenton: 'level 4', 1999 Assemblage, Meditation. painting, fabric, ready made object...
, 1999
Meditation - Assemblage
24 x 24 inches (61.0 x 61.0 cm)
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Max Tolentino: 'Mrs Fischer ', 2016 Assemblage, Abstract.  Mixed sculpture , wood and metal , not available ...
Abstract - Assemblage
15.2 x 30 m (49.87 x 98.43 feet)
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Wanda Torres: 'vestiaire d agathe', 2018 Assemblage, Figurative. fabric, painting, feminine issues, surrealistic...
Figurative - Assemblage
100 x 130 cm (39.4 x 51.2 inches)
Wanda Torres: 'detail entrepot 1', 2018 Assemblage, Figurative. Drawing, glass, wood...
Figurative - Assemblage
20 x 30 cm (7.9 x 11.8 inches)
Wanda Torres: 'reve tropical', 2018 Assemblage, Figurative. whimsical, surrealistic, figurative...
Figurative - Assemblage
32 x 45 cm (12.6 x 17.7 inches)
Wanda Torres: 'valise de la memoire ii', 2018 Assemblage, Figurative. Assemblage, suitcase, wood, fabric, drawing ...
Figurative - Assemblage
88 x 93 cm (34.6 x 36.6 inches)
Wanda Torres: 'valise de la memoire i', 2018 Assemblage, Figurative. suitcases, wood, drawing, fabric, symbolic ...
Figurative - Assemblage
85 x 97 cm (33.5 x 38.2 inches)
Wanda Torres: 'ee', 2018 Assemblage, Figurative. assemblage, painting, selfporrtrait, wood, blackboard, monochromatic ...
, 2018
Figurative - Assemblage
22 x 30 cm (8.7 x 11.8 inches)
Wanda Torres: 'miedo detail', 2018 Assemblage, Figurative. monochromatic painting on wood, selfportrait assemblage, chalck, blackboard ...
Figurative - Assemblage
22 x 30 cm (8.7 x 11.8 inches)
Wanda Torres: 'grammaire de lattachement', 2018 Assemblage, Figurative. Figurative assemblage painting monochromatic selfportrait symbolic...
Figurative - Assemblage
86 x 118 cm (33.9 x 46.5 inches)
Wanda Torres: 'entrepot des reves', 2018 Assemblage, Figurative. Assemblage, ceramics, drawing, wood, ...
Figurative - Assemblage
60 x 76 cm (23.6 x 29.9 inches)
Matei Enric: 'in the womb', 2018 Assemblage, Fantasy. tempera on wood, assembly 3 pieces, 110X176 cm
Fantasy - Assemblage
176 x 110 cm (69.3 x 43.3 inches)
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Matei Enric: 'perpetuum', 2017 Assemblage, Mystical. PERPETUUM - tempera on wood, assembly 3 pieces 157X136 cm
, 2017
Mystical - Assemblage
136 x 157 cm (53.5 x 61.8 inches)
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Randall Fox: ' WHO IS LOOKING OVER THE WIRE MacLeod', 2015 Assemblage, World Culture.  Aluminum/ Steel/ Glass/ Titanium/ ceramic/ nylon/ copper/ stone' s/ plastic/ solar panel/ LEDs/ 64GB Flash D....
World Culture - Assemblage
12 x 24 inches (30.5 x 61.0 cm)
(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

Micha Nussinov - Micha Nussinov - Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Wanda Torres - Wanda Torres was born in San Juan, Puerto Rico. She majored in painting and illustration at the Columbus College of Art & Design, in Ohio. Wanda has been an art teacher, freelance illustrator and exhibiting artist. After receiving the Alfonso Arana Foundation grant for a artist residency in Paris, she established her studio in that city. Her work can be found in private and public collections in Puerto Rico, Europe and the USA. ...

Matei Enric - My art is a combination between easel and wall painting. More pieces which are assembled together, creating a full image, a piece of work. Space, as usual, circumscribes the work, the wall ( the vital space around the picture ) is inserted in the piece of work, becoming in this way an element ( having plastic valences) of the composition. The piece of work, in whose substance is also integrated the wall where it is placed, remindes of the wall painting , having a better comunication with the environment unbeing isolated from it by a frame or a closed shape ( square, rectangle etc). The base of my painting consists of the plastic rhythm ( the whole composition relying on the arrangement of similar elements) and the use of different ways of the elements materialization ( brush-up ) ....