Assemblages

Page 5 of 7
Ross Jonnes, Bill Jackson, Robert H. Stockton, Ron Ogle, Giorgos Nouvakis, Jim Relyea, Francis Vandendriessche offering original Assemblage artworks.


Contemporary Art / Assemblage / Previous / Next
Bill Jackson: 'best air purifier', 2021 Assemblage, Abstract Figurative. best air purifier...
Abstract Figurative - Assemblage
5.5 x 12.2 feet (1.68 x 3.72 m)
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Bill Jackson: 'best smoothie blenders', 2021 Assemblage, Animals. We scour for market for the best faucet water filter, Have a look at all of the reviews on the products so you can make an informed decision.
Animals - Assemblage
5.2 x 3.3 feet (1.58 x 1.01 m)
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Robert H. Stockton: 'From a Lonely Place', 2000 Assemblage, Abstract. This assemblage is created with a variety of castoffs, on a piece of weathered wood. Materials used include: old weathered linoleum, rusted metal screen, various rusted and oxidized steel and aluminum pieces, and a piece of weathered/ stained canvas.  The word
Abstract - Assemblage
6 x 8 inches (15.2 x 20.3 cm)
Robert H. Stockton: 'A Place I Used To Know', 1997 Assemblage, Abstract. This assemblage is created on a piece of weathered wood, using a wide variety of
Abstract - Assemblage
5 x 10 inches (12.7 x 25.4 cm)
Robert H. Stockton: 'Walking Past Silveras', 1996 Assemblage, Abstract. This assemblage uses a piece of weathered wood as a background, and is composed of rusted wire mesh, part of an old rusted coffee can, stained fabric, gold leaf, and acrylic paint.  A brown/ gray shadowbox completes the composition.  It' s theme is based on a childhood memory of an ...
Abstract - Assemblage
5 x 8 inches (12.7 x 20.3 cm)
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Robert H. Stockton: '1234567   All Good Children Go To Heaven', 2001 Assemblage, Abstract. This assemblage is on a piece of weathered wood, and is composed of a wide variety of materials, including: old linoleum, old rusted, plasticized window screening, old maps, old science book diagram, bilboard material, various kinds of rusty or weathered metal, wire mesh, and nails.  It is free- floating in ...
Abstract - Assemblage
5 x 9 inches (12.7 x 22.9 cm)
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Robert H. Stockton: 'The Temple of Courage', 1997 Assemblage, Abstract. This assemblage, on wood, is composed of wire mesh, rusty metal, an old oxidized, copper transit token, rusted nails, acrylic paint, and gold leaf.  It is framed in a dark gray, wooden shadowbox.  It' s full title is: ( Traveling Through) The Temple of Courage....
Abstract - Assemblage
5 x 9 inches (12.7 x 22.9 cm)
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Robert H. Stockton: 'Approaching Fear', 1998 Assemblage, Abstract. This assemblage is created on a piece of weathered wood, from pieces of rusted steel, weathered aluminum, rusted wire screening and mesh, and includes acrylic paint, and gold leaf, and some small pieces from old maps.  The words
Abstract - Assemblage
5 x 10 inches (12.7 x 25.4 cm)
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Robert H. Stockton: 'Point Reyes Light', 1997 Assemblage, Abstract. This piece is one of my scrapboxes.  It is composed of rusty metal, weatheredwood, wire mesh, and painted fabric.  The theme relates to my memories, from many years ago, spending time on the Point Reyes seashore, north of San Francisco Bay....
Abstract - Assemblage
5 x 9 inches (12.7 x 22.9 cm)
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Ron Ogle: 'Number One', 1996 Assemblage, Culture. My first assemblage.  It is framed. You sure can zoom in on this one. ...
, 1996
Culture - Assemblage
24 x 18 inches (61.0 x 45.7 cm)
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Giorgos Nouvakis: 'Scraps 12', 2016 Assemblage, Abstract Figurative.  Nouvakis, Greek Artists, European Artists, Spanish Artists, Mixed Media, Assemblage, Recycled Materials,MORE PHOTOS  INFO AT
, 2016
Abstract Figurative - Assemblage
41 x 47 cm (16.1 x 18.5 inches)
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Jim Relyea: 'crow s nest', 2017 Assemblage, Seascape. 32 x 40 mat board relief...
Seascape - Assemblage
40 x 32 inches (101.6 x 81.3 cm)
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Francis Vandendriessche: 'hippocampus', 2016 Assemblage, Undecided.
Undecided - Assemblage
25 x 19 cm (9.8 x 7.5 inches)
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Francis Vandendriessche: 'axe to grind', 2018 Assemblage, Undecided.
Undecided - Assemblage
8 x 20 cm (3.1 x 7.9 inches)
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Francis Vandendriessche: 'RIP Carl Zeiss', 2018 Assemblage, Undecided.
Undecided - Assemblage
60 x 25 cm (23.6 x 9.8 inches)
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Francis Vandendriessche: 'ant tic', 2018 Assemblage, Undecided.
, 2018
Undecided - Assemblage
10 x 30 cm (3.9 x 11.8 inches)
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Francis Vandendriessche: 'ironing the scene', 2018 Assemblage, Undecided.
Undecided - Assemblage
24 x 24 cm (9.4 x 9.4 inches)
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Francis Vandendriessche: 'concerto for horn no1', 2018 Assemblage, Undecided.
Undecided - Assemblage
10 x 26 cm (3.9 x 10.2 inches)
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Francis Vandendriessche: 'l accordeur', 2018 Assemblage, Undecided.
Undecided - Assemblage
30 x 20 cm (11.8 x 7.9 inches)
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Francis Vandendriessche: 'closed conclusion', 2018 Assemblage, Undecided.
Undecided - Assemblage
8 x 30 cm (3.1 x 11.8 inches)
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Francis Vandendriessche: 'la declencheuse', 2018 Assemblage, Undecided.
Undecided - Assemblage
30 x 20 cm (11.8 x 7.9 inches)
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Francis Vandendriessche: 'never saw a miracle', 2018 Assemblage, Undecided.
Undecided - Assemblage
30 x 40 cm (11.8 x 15.7 inches)
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Francis Vandendriessche: 'the three tenors', 2016 Assemblage, Undecided.
Undecided - Assemblage
50 x 30 cm (19.7 x 11.8 inches)
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Francis Vandendriessche: 'under pressure', 2018 Assemblage, Undecided.
Undecided - Assemblage
20 x 30 cm (7.9 x 11.8 inches)
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Francis Vandendriessche: 'soul sisters', 2018 Assemblage, Undecided.
Undecided - Assemblage
12 x 40 cm (4.7 x 15.7 inches)
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Francis Vandendriessche: 'bodyguards', 2016 Assemblage, Undecided.
, 2016
Undecided - Assemblage
20 x 25 cm (7.9 x 9.8 inches)
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Francis Vandendriessche: 'a roman question', 2018 Assemblage, Undecided.
Undecided - Assemblage
20 x 20 cm (7.9 x 7.9 inches)
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Francis Vandendriessche: 'oracle of the phoenix', 2019 Assemblage, Undecided.
Undecided - Assemblage
16 x 30 cm (6.3 x 11.8 inches)
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Francis Vandendriessche: 'a sandogo s tale', 2018 Assemblage, Undecided.
Undecided - Assemblage
20 x 40 cm (7.9 x 15.7 inches)
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Francis Vandendriessche: 'goblin', 2016 Assemblage, Undecided.
, 2016
Undecided - Assemblage
14 x 36 cm (5.5 x 14.2 inches)
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(Page 5 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Giorgos Nouvakis - My work till today is based on the effort to integrate contradictory elements into an independent organism, allowing to emerge at one and the same time, the individual balance between materials, textures and forms, at the limits between figuration and abstraction, painting and the third dimension, emptiness and plenitude. The result, although generally three-dimensional, leaves an intense pictorial sensation, with thematic references, that by turn are self-annulled, being integrated into the composition as purely plastic elements. The use of recycled materials, sometimes also personal objects, is owed to their condition as elements that possess a history of work, suffering and life, converted this way into high-valued emotional objects. The forms and plastic values arise from the destruction-reconstruction process that is let to be viewed clearly, contrasted with the posterior "clean" and decisive interventions. The material is let to narrate its story through volumes, empty spaces, textures and its own tonal and color gradations, con discreet interventions that respect this decision. Undoubtedly, the means, the motivation and the conclusions of this search, treat directly with the social sensibility and attitude of the times....