Handbuilt Ceramic Art

Page 1 of 9
Austen Pinkerton, Avril Ward, Rickie Dickerson, Ildiko Toth, Harry Weisburd, Kevin Knuckles, Marie Weaver, Esta Bain offering original Handbuilt Ceramics artworks.


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Austen Pinkerton: 'jumping fish', 2017 Handbuilt Ceramics, Fish. Fishing Water Jumping Trout Rivers Streams Sport...
Fish - Ceramics
350 x 300 mm ( x )
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Avril Ward: 'The Chessmen', 2014 Handbuilt Ceramics, Other.           The set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.          ...
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
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Avril Ward: 'pawn', 2014 Handbuilt Ceramics, Other.          1 of 6 of the set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.         ...
, 2014
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
Avril Ward: 'King', 2014 Handbuilt Ceramics, Other.         1 of 6 of the set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.        ...
, 2014
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
Avril Ward: 'Castle', 2014 Handbuilt Ceramics, Other.        1 of 6 of the set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.       ...
, 2014
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
Austen Pinkerton: 'Elephant', 1989 Handbuilt Ceramics, Animals.
, 1989
Animals - Ceramics
10 x 10 inches (25.4 x 25.4 cm)
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Rickie Dickerson: 'Mask2', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
Rickie Dickerson: 'First Mask', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Rickie Dickerson: 'The Wizard', 2006 Handbuilt Ceramics, Mask.  I had to re- take his picture the one that is here already was very badly done. . . ...
, 2006
Mask - Ceramics
4 x 10 inches (10.2 x 25.4 cm)
Rickie Dickerson: 'Mask 1', 2005 Handbuilt Ceramics, Portrait.
, 2005
Portrait - Ceramics
4 x 5 inches (10.2 x 12.7 cm)
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Ildiko Toth: 'Firebird Amphora', 1998 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 28 inches (30.5 x 71.1 cm)
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Ildiko Toth: 'Aladdin Lamp Details', 1999 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 24 inches (30.5 x 61.0 cm)
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Harry Weisburd: 'GOLD NUDE', 2005 Handbuilt Ceramics, Figurative. Covered bowl.  NUDE FIGURE lying on her side, seen from her back. Entire bowl is gold. ...
, 2005
Figurative - Ceramics
6 x 9 inches (15.2 x 22.9 cm)
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Kevin Knuckles: 'ceramic mask', 1990 Handbuilt Ceramics, Mask. 8 inch tall african inspired ceramic mask set on wooden base....
Mask - Ceramics
3 x 8 inches (7.6 x 20.3 cm)
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Ildiko Toth: 'Andaluzian Sunset', 1999 Handbuilt Ceramics, Fantasy. Lighting design for Malaga Powder Room...
Fantasy - Ceramics
12 x 20 inches (30.5 x 50.8 cm)
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Ildiko Toth: 'Aquincum Installation4', 1994 Handbuilt Ceramics, Architecture. Wall Unit for Powder Room...
Architecture - Ceramics
8 x 10 inches (20.3 x 25.4 cm)
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Marie Weaver: 'tenderness', 2014 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
9 x 14 inches (22.9 x 35.6 cm)
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Marie Weaver: 'full moon', 2014 Handbuilt Ceramics, Figurative. unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
8 x 19 inches (20.3 x 48.3 cm)
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Marie Weaver: 'propagation', 2013 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
Figurative - Ceramics
10 x 16 inches (25.4 x 40.6 cm)
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Esta Bain: 'ceramic quail', 2017 Handbuilt Ceramics, Animals. acrylic finish...
Animals - Ceramics
7 x 5 inches (17.8 x 12.7 cm)
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Esta Bain: 'copper and blue bird', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
5 x 3 inches (12.7 x 7.6 cm)
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Esta Bain: 'teal chick', 2017 Handbuilt Ceramics, Animals.
, 2017
Animals - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
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Esta Bain: 'dark blue chicken', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
7 x 4 inches (17.8 x 10.2 cm)
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Esta Bain: 'spotted chick', 2017 Handbuilt Ceramics, Animals. mixed glaze colors ...
Animals - Ceramics
6 x 4 inches (15.2 x 10.2 cm)
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Esta Bain: 'dark blue quail', 2017 Handbuilt Ceramics, Animals. hand built ceramic bird...
Animals - Ceramics
7 x 5 inches (17.8 x 12.7 cm)
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Esta Bain: 'small standing figure', 2017 Handbuilt Ceramics, Abstract Figurative. Acrylic finish on southwester style blanket figure...
Abstract Figurative - Ceramics
9 x 5 inches (22.9 x 12.7 cm)
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Esta Bain: 'angels', 2017 Handbuilt Ceramics, Abstract Landscape. Three angles for the wall...
, 2017
Abstract Landscape - Ceramics
5 x 5 inches (12.7 x 12.7 cm)
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Esta Bain: 'giant red cardianl', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
5 x 9 inches (12.7 x 22.9 cm)
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Esta Bain: 'red cardinal', 2017 Handbuilt Ceramics, Animals. Hand built ceramic bird...
Animals - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
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Gunnel Watkins: 'who dies', 2015 Handbuilt Ceramics, Abstract.  to be ordered ...
, 2015
Abstract - Ceramics
30 x 30 cm (11.8 x 11.8 inches)
(Page 1 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Avril Ward - Artist's statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life." To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Marie Weaver - In part because of my academic background I work in various mediums, but I focus primarily on ceramics. Im drawn to the physicality of natural materials and the process-oriented nature of clay. I respond to the creative and observational challenge of drawing in space as well as on the surfaces, the intellectual engagement of meeting technical and conceptual challenges that are as engaging as a puzzle, and the hazard of chance introduced both by the materials, the firing process, and ongoing inspiration. Vulnerability, protection, and strength are central concepts in my figurative work. Although a particular current event or passing interest may capture my attention and result in a piece, I have an ongoing concern with threats to our planet. ...