Handbuilt Ceramic Art

Page 1 of 5
Austen Pinkerton, Rickie Dickerson, Ildiko Toth, Harry Weisburd, Daniel Janssens, Marie Weaver, Judith Mitchell, Linda Casbon, Suzanne Noll, Michael Gosbee offering original Handbuilt Ceramics artworks.


Contemporary Art / Handbuilt Ceramics / Previous / Next
Austen Pinkerton: 'three small sculptures', 1994 Handbuilt Ceramics, Figurative. Three varied test pieces for different glaze finishes. ...
Figurative - Ceramics
9 x 15 cm (3.5 x 5.9 inches)
Austen Pinkerton: 'jumping fish', 2017 Handbuilt Ceramics, Fish. Fishing Water Jumping Trout Rivers Streams Sport...
Fish - Ceramics
350 x 300 mm ( x )
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Austen Pinkerton: 'Elephant', 1989 Handbuilt Ceramics, Animals.
, 1989
Animals - Ceramics
10 x 10 inches (25.4 x 25.4 cm)
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Rickie Dickerson: 'Mask2', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
Rickie Dickerson: 'First Mask', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Rickie Dickerson: 'The Wizard', 2006 Handbuilt Ceramics, Mask.  I had to re- take his picture the one that is here already was very badly done. . . ...
, 2006
Mask - Ceramics
4 x 10 inches (10.2 x 25.4 cm)
Rickie Dickerson: 'Mask 1', 2005 Handbuilt Ceramics, Portrait.
, 2005
Portrait - Ceramics
4 x 5 inches (10.2 x 12.7 cm)
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Ildiko Toth: 'Firebird Amphora', 1998 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 28 inches (30.5 x 71.1 cm)
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Ildiko Toth: 'Aladdin Lamp Details', 1999 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 24 inches (30.5 x 61.0 cm)
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Harry Weisburd: 'GOLD NUDE', 2005 Handbuilt Ceramics, Figurative. Covered bowl.  NUDE FIGURE lying on her side, seen from her back. Entire bowl is gold. ...
, 2005
Figurative - Ceramics
6 x 9 inches (15.2 x 22.9 cm)
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Ildiko Toth: 'Andaluzian Sunset', 1999 Handbuilt Ceramics, Fantasy. Lighting design for Malaga Powder Room...
Fantasy - Ceramics
12 x 20 inches (30.5 x 50.8 cm)
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Ildiko Toth: 'Aquincum Full Installation', 1994 Handbuilt Ceramics, Architecture. Stylish setting of Powder Room, to reflect my experience in a fascinathing world of ancient Bath Houses- durin my travelings in Budapest, Hungary...
Architecture - Ceramics
74 x 70 inches (188.0 x 177.8 cm)
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Daniel Janssens: 'head', 2020 Handbuilt Ceramics, undecided. Head in enameled ceramics, part of a series of a hundred heads...
, 2020
undecided - Ceramics
4 x 8 cm (1.6 x 3.1 inches)
Marie Weaver: 'tenderness', 2014 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
9 x 14 inches (22.9 x 35.6 cm)
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Marie Weaver: 'full moon', 2014 Handbuilt Ceramics, Figurative. unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
8 x 19 inches (20.3 x 48.3 cm)
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Marie Weaver: 'propagation', 2013 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
Figurative - Ceramics
10 x 16 inches (25.4 x 40.6 cm)
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Judith Mitchell: 'Little Wolf Spider Spirit', 2013 Handbuilt Ceramics, Mystical.  Perhaps Wolf- Spiders have spirits, too. This little Raku
Mystical - Ceramics
9 x 10 inches (22.9 x 25.4 cm)
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Linda Casbon: 'Installation View: Untitled and Columns', 2012 Handbuilt Ceramics, Abstract.    installationsculptural organicwall work materiality ceramic    ...
Abstract - Ceramics
10 x 10 feet (3.05 x 3.05 m)
Suzanne Noll: 'Tiger Striped Cat Sculpture Pouncer Item 1181', 2012 Handbuilt Ceramics, Animals.      This beautiful tiger striped, whimsical cat sculpture is made with cat lovers in mind. He was hand created from high fired ceramics and color enhanced with the use of various glazes. I added small embellishments and details to further refine the appeal, such as the button pink nose and the...
Animals - Ceramics
8 x 8.5 inches (20.3 x 21.6 cm)
Suzanne Noll: ' Mosaic, Decorative Jar with Bird on Top Item 1156', 2012 Handbuilt Ceramics, Home.  I incorporated the Renaissance style when design this glass jar. I loved the way by boxes and mirrors turned out so I wanted to include a matching jar but add my style by including the bird on top. This is a decorative jar only that must be hand washed; not...
Home - Ceramics
6 x 9 inches (15.2 x 22.9 cm)
Michael Gosbee: 'Trampoline of the Impossible ', 2012 Handbuilt Ceramics, Abstract.    abstract collage  ...
Abstract - Ceramics
18 x 38 inches (45.7 x 96.5 cm)
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Suzanne Noll: 'Dachshund Dog Tea Candle Holder Item 1074', 2011 Handbuilt Ceramics, Dogs.       This cute little Doxie candle holder is great decor for any Dachshund lover. The ceramics are made of high fire ceramics and various glazes. I added whiskers made of black wire that are curled at the tips. Two white tea candles and brown pebbles included.As with all my creations...
Dogs - Ceramics
3.5 x 4 inches (8.9 x 10.2 cm)
Suzanne Noll: 'Brown and Tan Dog Oil Reed Diffuser Item V1075', 2011 Handbuilt Ceramics, Dogs.      Here is a great way to decorate your home while sitting back taking in the beautiful aroma of the included vanilla oil rattan reed diffuser. This ceramic dog vase holds a refillable . 5 fl oz. vial and 5 reeds that is easy to remove. The reeds provided are filled with...
Dogs - Ceramics
4 x 6 inches (10.2 x 15.2 cm)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, Abstract.
, 2011
Abstract - Ceramics
30 x 20 cm (11.8 x 7.9 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
Daniel Janssens: 'Untitled', 2011 Handbuilt Ceramics, undecided.
, 2011
undecided - Ceramics
20 x 30 cm (7.9 x 11.8 inches)
(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works AC/a,!A|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalAC/a,!A|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureAC/a,!A|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Daniel Janssens - "It is the womanaEURtms beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it.aEUR It is the...

Marie Weaver - In part because of my academic background I work in various mediums, but I focus primarily on ceramics. Im drawn to the physicality of natural materials and the process-oriented nature of clay. I respond to the creative and observational challenge of drawing in space as well as on the surfaces, the intellectual engagement of meeting technical and conceptual challenges that are as engaging as a puzzle, and the hazard of chance introduced both by the materials, the firing process, and ongoing inspiration. Vulnerability, protection, and strength are central concepts in my figurative work. Although a particular current event or passing interest may capture my attention and result in a piece, I have an ongoing concern with threats to our planet. ...

Linda Casbon - In Paul Valery's words, "to see is to forget the name of the thing one sees". My work translates forms into a language of metaphoric associations. It hints at meanings without using literal descriptions. Objects are the visual sounds of this language. When placed together these words form a sentence, a poem, and a kind of narrative with its own internal logic. The pieces look like . . . feel like . . . sound like . . . but cannot be consciously identified or named. With this work I am striving for a sense of unnameable familiarity. Some of the work consists of single objects. I view these pieces as words or emblems. More often the work is a group of objects, or a composition. Ceramic forms are used as a sculptural canvas to draw on, creating interplay between painted shapes and actual shapes. The physical scale and formal qualities of the work reference the body. Current series include: "Pillows" which have a volume reminiscent of lungs and breathing, "Tunnels" and "Blankets" which focus on differences between inside and outside and the idea of transformational space, and "Cages" which utilize structural elements to create form and explore three-dimensional mapping and order versus randomness. The surfaces and ...

Linda Casbon -