Handbuilt Ceramic Art

Page 1 of 8
Austen Pinkerton, Rickie Dickerson, Ildiko Toth, Harry Weisburd, Daniel Janssens, Marie Weaver, Esta Bain, Gunnel Watkins, Avril Ward offering original Handbuilt Ceramics artworks.


Contemporary Art / Handbuilt Ceramics / Previous / Next
Austen Pinkerton: 'three small sculptures', 1994 Handbuilt Ceramics, Figurative. Three varied test pieces for different glaze finishes. ...
Figurative - Ceramics
9 x 15 cm (3.5 x 5.9 inches)
Austen Pinkerton: 'jumping fish', 2017 Handbuilt Ceramics, Fish. Fishing Water Jumping Trout Rivers Streams Sport...
Fish - Ceramics
350 x 300 mm ( x )
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Austen Pinkerton: 'Elephant', 1989 Handbuilt Ceramics, Animals.
, 1989
Animals - Ceramics
10 x 10 inches (25.4 x 25.4 cm)
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Rickie Dickerson: 'Mask2', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
Rickie Dickerson: 'First Mask', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Rickie Dickerson: 'The Wizard', 2006 Handbuilt Ceramics, Mask.  I had to re- take his picture the one that is here already was very badly done. . . ...
, 2006
Mask - Ceramics
4 x 10 inches (10.2 x 25.4 cm)
Rickie Dickerson: 'Mask 1', 2005 Handbuilt Ceramics, Portrait.
, 2005
Portrait - Ceramics
4 x 5 inches (10.2 x 12.7 cm)
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Ildiko Toth: 'Firebird Amphora', 1998 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 28 inches (30.5 x 71.1 cm)
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Ildiko Toth: 'Aladdin Lamp Details', 1999 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 24 inches (30.5 x 61.0 cm)
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Harry Weisburd: 'GOLD NUDE', 2005 Handbuilt Ceramics, Figurative. Covered bowl.  NUDE FIGURE lying on her side, seen from her back. Entire bowl is gold. ...
, 2005
Figurative - Ceramics
6 x 9 inches (15.2 x 22.9 cm)
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Ildiko Toth: 'Andaluzian Sunset', 1999 Handbuilt Ceramics, Fantasy. Lighting design for Malaga Powder Room...
Fantasy - Ceramics
12 x 20 inches (30.5 x 50.8 cm)
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Ildiko Toth: 'Aquincum Full Installation', 1994 Handbuilt Ceramics, Architecture. Stylish setting of Powder Room, to reflect my experience in a fascinathing world of ancient Bath Houses- durin my travelings in Budapest, Hungary...
Architecture - Ceramics
74 x 70 inches (188.0 x 177.8 cm)
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Daniel Janssens: 'head', 2020 Handbuilt Ceramics, undecided. Head in enameled ceramics, part of a series of a hundred heads...
, 2020
undecided - Ceramics
4 x 8 cm (1.6 x 3.1 inches)
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Marie Weaver: 'tenderness', 2014 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
9 x 14 inches (22.9 x 35.6 cm)
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Marie Weaver: 'full moon', 2014 Handbuilt Ceramics, Figurative. unglazed earthenware with a post apocalyptic theme...
, 2014
Figurative - Ceramics
8 x 19 inches (20.3 x 48.3 cm)
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Marie Weaver: 'propagation', 2013 Handbuilt Ceramics, Figurative. Unglazed earthenware with a post apocalyptic theme...
Figurative - Ceramics
10 x 16 inches (25.4 x 40.6 cm)
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Esta Bain: 'ceramic quail', 2017 Handbuilt Ceramics, Animals. acrylic finish...
Animals - Ceramics
7 x 5 inches (17.8 x 12.7 cm)
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Esta Bain: 'copper and blue bird', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
5 x 3 inches (12.7 x 7.6 cm)
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Esta Bain: 'teal chick', 2017 Handbuilt Ceramics, Animals.
, 2017
Animals - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
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Esta Bain: 'dark blue chicken', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
7 x 4 inches (17.8 x 10.2 cm)
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Esta Bain: 'spotted chick', 2017 Handbuilt Ceramics, Animals. mixed glaze colors ...
Animals - Ceramics
6 x 4 inches (15.2 x 10.2 cm)
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Esta Bain: 'dark blue quail', 2017 Handbuilt Ceramics, Animals. hand built ceramic bird...
Animals - Ceramics
7 x 5 inches (17.8 x 12.7 cm)
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Esta Bain: 'small standing figure', 2017 Handbuilt Ceramics, Abstract Figurative. Acrylic finish on southwester style blanket figure...
Abstract Figurative - Ceramics
9 x 5 inches (22.9 x 12.7 cm)
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Esta Bain: 'sunflower bowl', 2017 Handbuilt Ceramics, Floral.
Floral - Ceramics
8 x 5 inches (20.3 x 12.7 cm)
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Esta Bain: 'ceramic chicken', 2017 Handbuilt Ceramics, Animals.
Animals - Ceramics
7 x 3 inches (17.8 x 7.6 cm)
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Esta Bain: 'red cardinal', 2017 Handbuilt Ceramics, Animals. Hand built ceramic bird...
Animals - Ceramics
3 x 5 inches (7.6 x 12.7 cm)
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Gunnel Watkins: 'who dies', 2015 Handbuilt Ceramics, Abstract.  to be ordered ...
, 2015
Abstract - Ceramics
30 x 30 cm (11.8 x 11.8 inches)
Avril Ward: 'The Chessmen', 2014 Handbuilt Ceramics, Other.           The set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.          ...
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
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Avril Ward: 'pawn', 2014 Handbuilt Ceramics, Other.          1 of 6 of the set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.         ...
, 2014
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
Avril Ward: 'King', 2014 Handbuilt Ceramics, Other.         1 of 6 of the set CHESSMEN. Hand colored/ metal leaf,  ceramic. Sold as a set.        ...
, 2014
Other - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
(Page 1 of 8) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Marie Weaver - In part because of my academic background I work in various mediums, but I focus primarily on ceramics. Im drawn to the physicality of natural materials and the process-oriented nature of clay. I respond to the creative and observational challenge of drawing in space as well as on the surfaces, the intellectual engagement of meeting technical and conceptual challenges that are as engaging as a puzzle, and the hazard of chance introduced both by the materials, the firing process, and ongoing inspiration. Vulnerability, protection, and strength are central concepts in my figurative work. Although a particular current event or passing interest may capture my attention and result in a piece, I have an ongoing concern with threats to our planet. ...

Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Avril Ward - Artist's statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life." To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.