Ceramics For Sale

Page 1 of 12
Austen Pinkerton, Harry Weisburd, Martin Glick, Rickie Dickerson, Terry Mollo, Ildiko Toth, Djan Mulderij, Skip Bleecker offering original Ceramics artworks.


Contemporary Art / Ceramics / Previous / Next
Austen Pinkerton: 'three small sculptures', 1994 Handbuilt Ceramics, Figurative. Three varied test pieces for different glaze finishes. ...
Figurative - Ceramics
9 x 15 cm (3.5 x 5.9 inches)
Austen Pinkerton: 'reclining robot', 2019 Other Ceramics, Figurative. Just completed latest sculpture:   Reclining Robot , 23 x 55 x 27cm high, Ceramic . I like Robots. . . . they are the most important development of our era, and will change the world beyond recognition. ...
Figurative - Ceramics
55 x 27 cm (21.7 x 10.6 inches)
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Austen Pinkerton: 'jumping fish', 2017 Handbuilt Ceramics, Fish. Fishing Water Jumping Trout Rivers Streams Sport...
Fish - Ceramics
350 x 300 mm ( x )
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Harry Weisburd: 'salome', 2014 Other Ceramics, Figurative. Myth: Salome  , painted fired ceramic, Boxed Environment Sculpture ,  wood, Plexiglas box ...
, 2014
Figurative - Ceramics
11 x 7 inches (27.9 x 17.8 cm)
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Harry Weisburd: 'Artist 2 Models in Black Lingerie', 2009 Other Ceramics, Erotic.     erotic, sensual, ceramic sculpture, black lingerie, women, man, females, male,                                                                             ...
Erotic - Ceramics
11 x 11 inches (27.9 x 27.9 cm)
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Martin Glick: 'Satyr and Nymphs', 2009 Other Ceramics, Mythology.   This is one of my large Floragoyles sculptures.  the head of a satyr surrounded by flower petals.  In the petals are several nymphs.    ...
Mythology - Ceramics
18 x 18 inches (45.7 x 45.7 cm)
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Austen Pinkerton: 'Seated Figure', 1995 Other Ceramics, Undecided.
Undecided - Ceramics
250 x 320 mm ( x )
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Harry Weisburd: 'PINK SHIRT', 2005 Other Ceramics, Erotic.  A LOW bas RELIEF SCULPTURE OF A SEXY SEMI- NUDE WOMAN WITH A PINK SHIRT.Painted ceramic mounted on wood. Wall Hanging bas relief sculptureAVAILABLE AS: LIMITED EDITION OF 25. PRICE $750 ...
, 2005
Erotic - Ceramics
12 x 9 inches (30.5 x 22.9 cm)
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Rickie Dickerson: 'Mask2', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
Rickie Dickerson: 'First Mask', 2006 Handbuilt Ceramics, Mask.
, 2006
Mask - Ceramics
3 x 4 inches (7.6 x 10.2 cm)
Rickie Dickerson: 'The Wizard', 2006 Handbuilt Ceramics, Mask.  I had to re- take his picture the one that is here already was very badly done. . . ...
, 2006
Mask - Ceramics
4 x 10 inches (10.2 x 25.4 cm)
Terry Mollo: 'Petunia', 2006 Other Ceramics, Floral. Stoneware petunia with purple/ black patina. Set into box frame. ...
, 2006
Floral - Ceramics
17 x 17 inches (43.2 x 43.2 cm)
Rickie Dickerson: 'Mask 1', 2005 Handbuilt Ceramics, Portrait.
, 2005
Portrait - Ceramics
4 x 5 inches (10.2 x 12.7 cm)
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Ildiko Toth: 'Firebird Amphora', 1998 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 28 inches (30.5 x 71.1 cm)
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Ildiko Toth: 'Aladdin Lamp Details', 1999 Handbuilt Ceramics, Undecided.
Undecided - Ceramics
12 x 24 inches (30.5 x 61.0 cm)
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Harry Weisburd: 'GOLD NUDE', 2005 Handbuilt Ceramics, Figurative. Covered bowl.  NUDE FIGURE lying on her side, seen from her back. Entire bowl is gold. ...
, 2005
Figurative - Ceramics
6 x 9 inches (15.2 x 22.9 cm)
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Terry Mollo: 'Female Torso', 2005 Other Ceramics, Figurative. A female figure emerges from a block of stone. This original piece is fired ceramic with a milk- coat....
Figurative - Ceramics
8 x 8 inches (20.3 x 20.3 cm)
Martin Glick: 'Master of all He surveys', 2002 Other Ceramics, Representational. A man with a wonderful attitude aobut himself and his suroundings. This patinated stoneware sculputre is available in a limited edtion of 15 in bronze. ...
Representational - Ceramics
17 x 12 inches (43.2 x 30.5 cm)
Ildiko Toth: 'Andaluzian Sunset', 1999 Handbuilt Ceramics, Fantasy. Lighting design for Malaga Powder Room...
Fantasy - Ceramics
12 x 20 inches (30.5 x 50.8 cm)
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Ildiko Toth: 'Aquincum Full Installation', 1994 Handbuilt Ceramics, Architecture. Stylish setting of Powder Room, to reflect my experience in a fascinathing world of ancient Bath Houses- durin my travelings in Budapest, Hungary...
Architecture - Ceramics
74 x 70 inches (188.0 x 177.8 cm)
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Martin Glick: 'Master of All He Surveys', 2002 Other Ceramics, Representational. A man with a wonderful attitude aobut himself and his suroundings.  This patinated stoneware sculputre is available in a limited edtion of 15 in bronze....
Representational - Ceramics
17 x 12 inches (43.2 x 30.5 cm)
Djan Mulderij: 'relights', 2022 Ceramics, Figurative. Bed light. ...
, 2022
Figurative - Ceramics
7 x 12 cm (2.8 x 4.7 inches)
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Skip Bleecker: 'brown molar', 1983 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
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Skip Bleecker: 'blue brown tooth', 1984 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
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Skip Bleecker: 'donuts and handles', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
9 x 13 inches (22.9 x 33.0 cm)
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Skip Bleecker: 'dinosaur egg 5', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'dinosaur egg 7', 2019 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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Skip Bleecker: 'Lips ', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
, 1980
Abstract - Ceramics
6 x 11 inches (15.2 x 27.9 cm)
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Skip Bleecker: 'Jaws 2', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
, 1980
Abstract - Ceramics
6 x 12 inches (15.2 x 30.5 cm)
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Skip Bleecker: '4 Hole Crackle', 1980 Wheel Ceramics, Abstract. Wheel thrown, Porcelain, High fired, One of a kind, Sculpture, Handmade. ...
Abstract - Ceramics
5 x 8 inches (12.7 x 20.3 cm)
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(Page 1 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Skip Bleecker - Art Forms Most of my work consists of wheel thrown porcelain forms based on organic patterns of microscopic and macroscopic organisms. Some are based on seed pods, teeth, pollen, sea animals, squash, and even watermelon, but as the development proceeds, they merge and take on new forms of possible and imaginary organisms. All are hand made, one of a kind pieces, usually done in a series, so there might be some similarity among some pieces, but no two are ever exactly alike. Seed Pods For most of my life, I have been both attracted to and very allergic to, large numbers of trees, grasses, and bushes. I have refused to become trapped indoors just because of these allergies, and as I began to develop my own sculptural forms, I examined both macroscopic and microscopic forms in nature. By examining the form and structure of seeds and other natural objects, I found great beauty in these simple forms, and developed simple organic sculptural designs, based on slightly abstract versions of these natural objects. ...