Ceramics For Sale

Page 4 of 9
Zahava Sherez, Andrew Tarrant, Daniel Janssens, Djan Mulderij, Marilena Bruni, Angelo Mazzoleni, Krylova Aglaya, Kimberly King, Linda Casbon, Gail Rosenquist, Annette Kearney, Michael Leyton, Alice Buttress offering original Ceramics artworks.


Contemporary Art / Ceramics / Previous / Next
Zahava Sherez: 'Perfect Moment 6', 2009 Other Ceramics, undecided.      relationship, vessels     ...
undecided - Ceramics
7 x 8 inches (17.8 x 20.3 cm)
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Zahava Sherez: 'Perfect Moment 3a', 2009 Other Ceramics, undecided.     relationship, vessels    ...
undecided - Ceramics
7 x 9 inches (17.8 x 22.9 cm)
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Zahava Sherez: 'Perfect Moment 2', 2009 Other Ceramics, undecided.    relationship, vessels   ...
undecided - Ceramics
7 x 7 inches (17.8 x 17.8 cm)
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Zahava Sherez: 'Perfect Moment 1b', 2009 Other Ceramics, undecided.   relationship, vessels  ...
undecided - Ceramics
9 x 11 inches (22.9 x 27.9 cm)
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Andrew Tarrant: 'Tea cup and saucer lid combination', 2009 Wheel Ceramics, Vintage.  Hand thrown faceted tea- cup sprigged with gear shapes taken from actual machinery. The saucer also fits perfectly as a lid.  ...
Vintage - Ceramics
5 x 6 inches (12.7 x 15.2 cm)
Andrew Tarrant: 'Roman style fish pendants', 2009 Other Ceramics, Christian.   Custom work for the Canadian badlands Passion Play Gift Shop. Styled after Roman Samian Ware and meant to reflect what a Christian of 2000 years ago would have used.  ...
Christian - Ceramics
2.5 x 0.5 inches (6.3 x 1.3 cm)
Daniel Janssens: 'Head', 2009 Handbuilt Ceramics, Abstract Figurative.
, 2009
Abstract Figurative - Ceramics
10 x 10 cm (3.9 x 3.9 inches)
Daniel Janssens: 'Head', 2009 Handbuilt Ceramics, Abstract Figurative.
, 2009
Abstract Figurative - Ceramics
10 x 10 cm (3.9 x 3.9 inches)
Djan Mulderij: 'watching the river in front of the red fence', 2009 Other Ceramics, Figurative.  watching the river in front of the red fence ...
Figurative - Ceramics
5 x 20 cm (2.0 x 7.9 inches)
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Djan Mulderij: 'Spade', 2022 Other Ceramics, Dance.  watching the river ...
, 2022
Dance - Ceramics
24 x 20 cm (9.4 x 7.9 inches)
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Marilena Bruni: 'testa archeologica pensieri', 2008 Other Ceramics, Abstract Figurative.  ceramica raku su basamento in gesso alabastrino ...
Abstract Figurative - Ceramics
13 x 29 cm (5.1 x 11.4 inches)
Angelo Mazzoleni: 'Dimensioni', 2008 Other Ceramics, Conceptual.  The new syncretic art movement Italy : period off the spiritual sicretysm ...
, 2008
Conceptual - Ceramics
60.1 x 60 cm (23.7 x 23.6 inches)
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Krylova Aglaya: 'cyclist', 2007 Handbuilt Ceramics, Undecided.
, 2007
Undecided - Ceramics
31 x 31 cm (12.2 x 12.2 inches)
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Krylova Aglaya: 'box', 2007 Handbuilt Ceramics, Ecological.  A cardboard box transposed into ceramics ...
, 2007
Ecological - Ceramics
30 x 25 cm (11.8 x 9.8 inches)
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Krylova Aglaya: 'blue knot', 2007 Handbuilt Ceramics, Abstract Figurative.  A piece of blue cable tied as a knot, transposed into ceramics ...
, 2007
Abstract Figurative - Ceramics
21 x 11 cm (8.3 x 4.3 inches)
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Krylova Aglaya: 'Bulb', 2006 Other Ceramics, Urban.  This plate represents a bulb deprivated of it' s function as a practical device and placed on a flat cracked white wall, which itself found it' s place on a curved surface of a dish.  ...
, 2006
Urban - Ceramics
30 x 30 cm (11.8 x 11.8 inches)
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Kimberly King: 'untitled', 2007 Other Ceramics, Cats.  Raku ...
, 2007
Cats - Ceramics
5 x 9 inches (12.7 x 22.9 cm)
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Kimberly King: 'Painted Cat', 2007 Other Ceramics, Cats.
Cats - Ceramics
9 x 5 inches (22.9 x 12.7 cm)
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Kimberly King: 'untitled', 2006 Other Ceramics, Cats.   stoneware ...
, 2006
Cats - Ceramics
5 x 9 inches (12.7 x 22.9 cm)
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Kimberly King: 'Untitled', 2006 Other Ceramics, Cats.   Stoneware  ...
, 2006
Cats - Ceramics
4 x 9 inches (10.2 x 22.9 cm)
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Linda Casbon: 'Pillows and Landscape', 2007 Handbuilt Ceramics, Abstract.  Installation View ...
Abstract - Ceramics
8 x 6 feet (2.44 x 1.83 m)
Linda Casbon: 'Landscape and Under and River', 2007 Handbuilt Ceramics, Abstract.  Installation view from exhibition at ACC gallery. ...
Abstract - Ceramics
10 x 6 feet (3.05 x 1.83 m)
Linda Casbon: 'Interior', 2005 Handbuilt Ceramics, Abstract.
, 2005
Abstract - Ceramics
28 x 48 inches (71.1 x 121.9 cm)
Gail Rosenquist: 'Yin Yang Teapot', 2006 Handbuilt Ceramics, Religious.  Handbuilt teapot  Celeadon Galze with black and white accents. ...
Religious - Ceramics
3 x 6 inches (7.6 x 15.2 cm)
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Gail Rosenquist: 'Ceramic box with glass inlay', 2006 Handbuilt Ceramics, Abstract.   Ceramic box with matte green glaze and glass inlay  ...
Abstract - Ceramics
4 x 4 inches (10.2 x 10.2 cm)
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Gail Rosenquist: 'Dragon Teapot', 2006 Other Ceramics, Fantasy.  Dragon Teapot green glaze with brown accents ...
Fantasy - Ceramics
6 x 6 inches (15.2 x 15.2 cm)
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Annette Kearney: 'Tile Mural', 2006 Other Ceramics, Architecture. Matisse inspired hand painted tile and mosaic tile mural. ...
, 2006
Architecture - Ceramics
36 x 48 inches (91.4 x 121.9 cm)
Michael Leyton: 'Hardness', 1999 Other Ceramics, Architecture.
, 1999
Architecture - Ceramics
100 x 75 inches (254.0 x 190.5 cm)
Alice Buttress: 'Celtic Box with handle', 2001 Handbuilt Ceramics, History. Handbuilt ceramic box with celtic design, glazed and Raku fired.The copper tones of the glaze and carbonisation of the smoke give this piece an unusual metallic appearance....
History - Ceramics
7 x 5 inches (17.8 x 12.7 cm)
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Raquel Soaz: 'Entrada Forzosa', 2001 Handbuilt Ceramics, Undecided. Hand built using low fire clay and pit fired. ...
Undecided - Ceramics
10 x 16 inches (25.4 x 40.6 cm)
(Page 4 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Zahava Sherez - Perfect Moment December 2009 My definition of a Perfect Moment: when two entities, be they human, object, animal, or nature, are able to hold on to their inner core, to the integrity of their identity, yet find a place of connection where they mold to each other creating mutual support. Why vessels? I have been attracted to vessels since an early age. I grew up in a country where archeology is everywhere, where holding a piece of clay from a broken vessel awakens the imagination. Who was that person that created that container hundreds or thousands of years ago? What was stored in this vessel? Food, coins, stories? What secrets? To me vessels are a metaphor for anything that contains a treasure, be it tangible or emotional, spiritual. Here are two entities captured in a perfect moment of connection sharing, if only for that brief moment, their inner treasures. Technique I work with clay as a carver. I mix various clays, of different textures and colors, to achieve the look of an archeological vessel that has been reassembled. I begin with a solid mound of clay and use my body, a mallet and knives to rough the form. When I'...

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Marilena Bruni - l'artista,vive e lavora a Roma,architetto,ha lavorato nella decorazione parietale e nel restauro di tele,da sempre viaggiatrice nel mondo,dal sudamerica ai paesi del medioriente,pone nelle sue tele i ricordi di pitture,colori e alfabeti visti chissa dove e chissa quando,i suoi cromatismi intensi e di contrasto esprimono il suo vissuto,il tutto tenuto insieme da un fortissimo senso del colore.L'artista ha esposto in Italia e all'estero....

Angelo Mazzoleni - ARTISTS ITALIAN CONTEMPORARY: BIOGRAPHY ESSENTIAL ARTIST Angelo Mazzoleni was born in Florence on June 7, 1952 .. It starts soon his artistic activity, cultivated already in the youth, under the guidance of some teachers and attending courses at the Accademia Carrara Bergamo.In these years, participates in the first exhibitions painting in Lombardy and in other Italian regions. Some travel, particularly in Germany and Paris, enrich his artistic and cultural baggage and affect its first part of pittorica.Si also interested in discovering paleontology in particular some important fossils, donated to museums in Milan and Bergamo, including a erionide a generally still unknown and which was given its name in the relevant publications scientifiche.L'interest in the mystery of the past, for history, especially early in his ancestral size, is one of the other elements that characterize the His research also in the field of painting, even before the foundation, with other artists, the group "NEW ART SINCRETICA." "The evolutionary path of the artist, now thirty years, is marked by a personal search for the origins of the world of its vital forces Which, despite the variety of themes and techniques, appears as a single inner journey through time and ...

Kimberly King - Kimberly King's artworks are created within a theme of nature and ancient myth. The artworks are related everyday life and observation. Kimberly's work is a process in which an interpretation of visual language in sync with spirit takes place. ...

Linda Casbon - In Paul Valery's words, "to see is to forget the name of the thing one sees". My work translates forms into a language of metaphoric associations. It hints at meanings without using literal descriptions. Objects are the visual sounds of this language. When placed together these words form a sentence, a poem, and a kind of narrative with its own internal logic. The pieces look like . . . feel like . . . sound like . . . but cannot be consciously identified or named. With this work I am striving for a sense of unnameable familiarity. Some of the work consists of single objects. I view these pieces as words or emblems. More often the work is a group of objects, or a composition. Ceramic forms are used as a sculptural canvas to draw on, creating interplay between painted shapes and actual shapes. The physical scale and formal qualities of the work reference the body. Current series include: "Pillows" which have a volume reminiscent of lungs and breathing, "Tunnels" and "Blankets" which focus on differences between inside and outside and the idea of transformational space, and "Cages" which utilize structural elements to create form and explore three-dimensional mapping and order versus randomness. The surfaces and ...

Annette Kearney - I am a painter and a painter ceramist. My paintings are abstract and are currently in encaustics and mixed media. My work in ceramics involves handpainted tile and tile mosaics in both majolica glazes and underglazes. My tile installations are used by both residential and architectural clients throughout the United States. ...

Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

Alice Buttress - My name is Alice Buttress and I live the lovely highland village of Carrbridge near the Cairngorm Mountains in Scotland. I have been working with clay for the past twenty years and sell my work mainly from my Studio in Carrbridge and at exhibitions. I work in stoneware and porcelain, sculpting, handbuilding and throwing in a traditional representational style. I fire my work in an electric kiln and gas Raku kiln with post firing reduction. Also for the past 7 years I have been chainsaw carving wood sculptures for the garden, most popular carvings are owls, squirrels, and bears. Inspiration for my work comes from historic cultures, legends and my surroundings in the Scottish Highlands....