Ceramics For Sale

Page 8 of 13
Cathy Feiss, Luc Bihan, Richard Hansen, Benjamin Watkins, Carol Donahue - Kalathil, Michael Leyton, Randy Carlson, Jeannette L. Jennings, Aymen Azzam, Pirjo Eronen, Patsy Cox, Kemal Tizgol offering original Ceramics artworks.


Contemporary Art / Ceramics / Previous / Next
Cathy Feiss: 'Banksia Chrome', 2004 Handbuilt Ceramics, nature. From a series based on an Australian fuzzy plant with fin- like seedpods, the Banksia Grandiflora....
nature - Ceramics
13 x 13 inches (33.0 x 33.0 cm)
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Luc Bihan: 'Immaculate', 2002 Other Ceramics, Abstract. Timidity when the shyness of man is facing femininity. The discovery of the male body in motion. Androgyny. Without the tearing, or tiring of the male's sire ring - an internal marriage. Nurturing and coveting that feminine spring when summer bursts into flower. Immaculate is when the male is trying ...
, 2002
Abstract - Ceramics
10 x 42 inches (25.4 x 106.7 cm)
Richard Hansen: 'Red 12', 2005 Wheel Ceramics, Abstract. Hand glazed, hi fire ceramics. ...
, 2005
Abstract - Ceramics
7 x 3 inches (17.8 x 7.6 cm)
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Benjamin Watkins: 'Platter', 2005 Wheel Ceramics, Undecided.
, 2005
Undecided - Ceramics
24 x 5 inches (61.0 x 12.7 cm)
Richard Hansen: 'Green20', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind. Multi- glazed, high fired, cone 10 Babu porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
7 x 2 inches (17.8 x 5.1 cm)
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Richard Hansen: 'Red02', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind, multi- glazed, high fired cone 10 porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
9 x 3 inches (22.9 x 7.6 cm)
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Richard Hansen: 'red01', 2005 Wheel Ceramics, Abstract. Each piece I create is one- of- a- kind, multi- glazed, high fired cone 10 porcelain. Oven, microwave safe....
, 2005
Abstract - Ceramics
9 x 3 inches (22.9 x 7.6 cm)
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Carol Donahue - Kalathil: 'Acorn Burnout Vase', 2002 Handbuilt Ceramics, Abstract. Vase is slab built with acorn shells added to the clay. These shells burn out in the firing creating the holes with in the texture....
Abstract - Ceramics
5 x 14 inches (12.7 x 35.6 cm)
Carol Donahue - Kalathil: 'Swirl', 2003 Handbuilt Ceramics, Abstract. Swirl is a hand built slab design, depicting the cycles of our exhistance. ...
, 2003
Abstract - Ceramics
7 x 11 inches (17.8 x 27.9 cm)
Carol Donahue - Kalathil: 'Life', 2003 Handbuilt Ceramics, Abstract. Life is a hand built slab scuptural design, depicting mother and child....
, 2003
Abstract - Ceramics
5 x 11 inches (12.7 x 27.9 cm)
Michael Leyton: 'Hardness', 1999 Other Ceramics, Architecture.
, 1999
Architecture - Ceramics
100 x 75 inches (254.0 x 190.5 cm)
Randy Carlson: 'Detail of ceramic surface', 2005 Wheel Ceramics, Undecided. Highfire ceramic surface...
Undecided - Ceramics
3 x 3 inches (7.6 x 7.6 cm)
Randy Carlson: 'Images of works page three', 2005 Wheel Ceramics, Undecided. highfire  ceramics vessels...
Undecided - Ceramics
36 x 20 inches (91.4 x 50.8 cm)
Randy Carlson: 'images of works page two', 2005 Wheel Ceramics, Undecided. High Fire Ceramic works...
Undecided - Ceramics
12 x 4 inches (30.5 x 10.2 cm)
Randy Carlson: 'Image page one', 2005 Wheel Ceramics, Undecided. Works are high fire ceramic...
Undecided - Ceramics
10 x 5 inches (25.4 x 12.7 cm)
Jeannette L. Jennings: 'Cat Plates set of 4', 2005 Handbuilt Ceramics, Animals. Triangular shape cat plates in a variety of colors.  Set of 4, you may email with color prefrences or just order a mixed set....
Animals - Ceramics
7 x 7 inches (17.8 x 17.8 cm)
Aymen Azzam: 'Vase', 2004 Wheel Ceramics, Undecided.
, 2004
Undecided - Ceramics
15 x 28 cm (5.9 x 11.0 inches)
Aymen Azzam: 'Vase', 2004 Wheel Ceramics, Undecided.
, 2004
Undecided - Ceramics
15 x 35 cm (5.9 x 13.8 inches)
Aymen Azzam: 'Vase ', 2004 Handbuilt Ceramics, Undecided.
, 2004
Undecided - Ceramics
28 x 45 cm (11.0 x 17.7 inches)
Pirjo Eronen: 'winejars and pots', 2004 Other Ceramics, Undecided.
Undecided - Ceramics
15 x 35 cm (5.9 x 13.8 inches)
Pirjo Eronen: 'Flower pot', 2004 Other Ceramics, Undecided.
, 2004
Undecided - Ceramics
15 x 35 cm (5.9 x 13.8 inches)
Pirjo Eronen: 'Jugs and vases', 2004 Other Ceramics, Undecided. handmade porcelain jugs, flowerpots, wineglasses etc...
Undecided - Ceramics
15 x 35 cm (5.9 x 13.8 inches)
Patsy Cox: 'YBG Conglomerate', 2004 Other Ceramics, Other. Yellow and Blue Make Green in this Conglomerate Vessel. ...
Other - Ceramics
21 x 19 inches (53.3 x 48.3 cm)
Patsy Cox: 'RYB Sprout 2', 2004 Other Ceramics, Other. All colors possible from RYB....
Other - Ceramics
18 x 16 inches (45.7 x 40.6 cm)
Patsy Cox: 'RYB Sprout 1', 2004 Other Ceramics, Other. All colors possible from RYB. ...
Other - Ceramics
22 x 14 inches (55.9 x 35.6 cm)
Patsy Cox: 'The Hard Stuff Installation-detail', 2004 Other Ceramics, Other. LA County Conglomertaion in varied installation- 88 forms- Detail of center, Yellow and Blue to make Green...
Other - Ceramics
20 x 20 feet (6.10 x 6.10 m)
Patsy Cox: 'The Hard Stuff Installation', 2004 Other Ceramics, Other. LA County Conglomertaion in varied installation- 88 forms...
Other - Ceramics
20 x 20 feet (6.10 x 6.10 m)
Jeannette L. Jennings: 'California Poppy Tiles', 2004 Handbuilt Ceramics, Botanical. Handmade tiles with an actual flower pressed into the soft clay.  Shown is variations of colors.  More sizes and designs available.  ( See my store/ gifts page. )...
Botanical - Ceramics
4 x 4 inches (10.2 x 10.2 cm)
Kemal Tizgol: 'Frequency  No1', 2000 Handbuilt Ceramics, Technology. My this work is the first step of Frequecy series. I would like to show and emphasize the basic shapes of some technologic gadgets on the ceramic forms. This ceramic art works can be considered forms that give kind of energy to around of them....
Technology - Ceramics
50 x 35 cm (19.7 x 13.8 inches)
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Patsy Cox: 'LA County Conglomeration-Detail', 2003 Other Ceramics, Culture. This installation grew out of my relationship to Los Angeles- its communities; its sheer mass; its blending of boundaries; its mixtures of language and culture. There are 88 total forms in this piece, representing the 88 cities of Los Angeles County. ...
Culture - Ceramics
20 x 20 feet (6.10 x 6.10 m)
(Page 8 of 13) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Cathy Feiss - In my artwork, I am interested in expressing what I can't express easily in words. When I was younger, I was very interested in poetry and I feel that my interest in the visual arts comes from the same source, involving the construction of a kind of visual poem. Much of my work process is intuitive, or possesses intuitive elements within a rational framework. I am most interested in conveying a sense of energy, emotion, or an idea, through a form that may also have a planned and methodical basis. Multi-Group (Grass) and (Sand), grew out of the desire to convey the sense of something being born or emerging from something protective. In this series, a smaller element gradually emerges from a larger form, protruding out of a womb-like or protective surrounding. These pieces could also represent a kind of regeneration or growth from one form to another, or something sprouting in nature. Recently, I finished a series inspired by real and imaginary pods and plants. These works show the intricate morphology of organic forms. The pieces in the series are based on a fuzzy Australian plant with external fin-like seed pods (Banksia Grandiflora II), flower...

    Luc Bihan - Luc is an internationally known French sculptor, trained in San Francisco Art Institute. He has directed animation in both France and Canada and has supervised animation in China, North Korea, Poland, and Romania. As an artist, Luc feels art creation is a therapeutic meditative process, reflecting the subconscious and releasing inner thoughts and feelings. 30 years of clay sculpture Luc Bihan's interest is the relationship between the human and the organic world which makes clay his favorite medium for any sculpting project. The natural earthy essence of clay makes it the most ecological medium available and he believes "the language of time talks to me through my fingers tips." While self-expressive, his art is also a form of communication with his audience: the symbolic images he develops are frequently ambiguous and encourage the viewer to consider different layers of meaning. Whether it is his organic figurative sculpture or his whimsical drawings, the work of Luc Bihan is a statement of texture and sensuality. ...

    Luc Bihan - Carol Donahue - Kalathil - I studied Computer Graphics, and Fine Art at Tompkins Cortland Community College 2000, then transfered to the State University of New York at Cortland College to study Fine Arts 2002. While attending Cortland College I concentrated on a new medium, ceramics. For the first time in my life I discovered the wonderful tactile world of clay. Most of my hand built projects were envisioned in my mind's eye, and then communicated through my hands. The clay spoke to me, each time I put my hand into the clay, the creative forces with in me took over. I am an Illustrator, and paint in watercolor, acrylics, and oil. I also am involved in Computer Graphics and design with my partner, who is a web designer. I enjoy creating and feel that art is the true way to communicate emotions and the driving force of life it self. 2006-2007 currently studying at The Armory Art Center West Palm Beach Florida. Involved in Hand Sculpted Ceramics, and Painting the Figure. Sincerely, Carol Donahue-Kalathil ...

    Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

    Randy Carlson - Artist Statement Nearly thirty years ago I was introduced to pottery making and I am still drawn to clay. The ability of this material to be shaped and hold that shape through the ceramic process is large part of the allure for me. To take a lump of clay in its random configuration and manipulate it into a useable object is amazing. The transformation of the material by fire in terms of its physical characteristics and color and texture is perhaps what I find most profoundly exciting. My forms are often manipulated from thrown parts. I have been changing many of my forms to make the finished vessels more sculpturally active yet reflective of utilitarian objects from a variety of vessel making crafts, form clay to glass and fine metal craft. My color is derived from sources of iron stains applied on base glazes before firing. These materials then blend and flow naturally in the firing process, leaving a record of the atmospheric movement in the kiln. The result is a carefully designed form with chance color and texture created by the combination of materials and heat during the firing process. Randy Carlson ...

    Jeannette L. Jennings - My first cat came as part of the package with some used pottery equipment I purchased in 1979,'Amelia' posed next to me while I worked and soon a small clay cat was produced. This became the favorite piece of all who saw my work. Near the end of the 80's, I decided to specialize in cats: Cat Plates, Watch Cats (sculptures) and Bells, Cat Clocks, and Cat Pins. More recently Cookie Jars have been quite popular. I continue to explore other areas of work: tile, vases, masks, sculpture, and fountains. Neriage: mixing several different clay colors,has been a long time technique used in cats and my other work. All of the work on this site is hand built by me. ...

    Aymen Azzam - Aymen Azzam Born in Germany 11th May 1994 Graduated from the faculty of Arts & Education at Yarmouk University Jordan. 1998 Masters of Applied science from the faculty of archaeology and anthropology Yarmouk University 1994 - 2005 teaching at several international school around the middle east ...

    Pirjo Eronen - I am a Finnish Ceramic Artist living and working in a small town Tolfa about 70 km North of Rome in Italy.In this peaceful and beatiful Etruscian hillarea I have built my studio,where I create functional and non-functional works using basicly Limoge-porcelain and stoneware clays.Most of my works are eather slip-casted or mold-pressed,but I also enjoy doing experiments with different kind of clays and working methods,as well as firing techniques such as Raku- and primitive-firing. One can notice a strong Scandinavian,Finnish,influence in my works,but there is also a slight Mediterranean touch as well.Through my works I try to speak about my experiences and memories,where the nature is always present. I also offer in my studio various types of ceramic courses and workshops for professional and beginners.I enjoy to collaborate with other ceramists and art fields to be able to share experiences and get new ideas. I have studied ceramics boath in Finland and in Italy.I am a member of the Finnish Association of Artists and Designers.Since 1998 I have partecipated in several personal and selected group exhibitions in Italy and abroad....

    Patsy Cox - My most current work embodies mutations, hybrids, growth, and cross-pollination. Multiple forms can stand as individual pieces and also parts of a cohesive whole. When the pieces are grouped together, it's not clear where one begins and the next one ends, which is the original and which is the mutation. While most of my work does not refer to a particular geographical location, my most recent projects have grown out of my own relationship to Los Angeles--its communities; its sheer mass; its blending of boundaries; its mixtures of language and culture. I focus on capturing the overwhelming nature of a sprawling city and often use the primary colors of blue, yellow and red to emphasize the possibility of its transformation--all colors are possible from the mixture. It is important to me that I approach my work in a physical way. The process of creating the work in the tradition of working with clay is as vital as the work itself. ...