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Collage Art (845)

Page 12 of 30
Natasha Sazonova, Reiko Michisaki, Emilio Merlina, Basant Soni, Malke, John Bonnel, Susan Baquie, Victor Kozlov, Yichun Wang, Kelly Goode, Margaret Thompson offering original Collages artworks.


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Reiko Michisaki: 'Prayer Wheel', 2008 Collage, Mandala. Artist Description:  Praying for peace and harmony.  Seeking balance. ...
Mandala - Collage
8 x 8 inches (20.3 x 20.3 cm)
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Reiko Michisaki: 'Angel Mandala', 2008 Collage, Abstract. Artist Description:  The mandala series is about seeking balance.  In the 'Angel Mandala' it is about hope. ...
Abstract - Collage
5 x 5 inches (12.7 x 12.7 cm)
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Reiko Michisaki: 'Odyssey', 2006 Collage, Abstract Landscape. Artist Description:  Life's journey ...
, 2006
Abstract Landscape - Collage
5 x 8 inches (12.7 x 20.3 cm)
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Reiko Michisaki: 'Dragons in the sky', 2009 Collage, Abstract. Artist Description:  From a dream. ...
Abstract - Collage
7 x 8 inches (17.8 x 20.3 cm)
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Reiko Michisaki: 'Hands 2 ', 2006 Collage, Abstract. Artist Description:  The 'Hands' series. I realized that hand began to occur as a recurrent symbol in the collages.  The ancient hands contained within the self. ...
, 2006
Abstract - Collage
8 x 8 inches (20.3 x 20.3 cm)
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Reiko Michisaki: 'Mandala of Plenus', 2007 Collage, Mandala. Artist Description:  Seeking balance. ...
Mandala - Collage
8 x 8 inches (20.3 x 20.3 cm)
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Emilio Merlina: 'it was not simply a woodblock', 2009 Collage, Inspirational. Artist Description:  wood, sawdust , glue , fixative , black acrylic on mediodensit panel . ...
Inspirational - Collage
50 x 70 cm (19.7 x 27.6 inches)
Basant Soni: 'Owlets thinking not yet spotted', 2009 Collage, Animals. Artist Description:  Collage made from Organic materials to render impression of Owlets from natural dried flowers twigs petals leaves etc ...
Animals - Collage
29 x 18 cm (11.4 x 7.1 inches)
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 Malke: 'Algerian Women', 2009 Collage, . Artist Description:  Hommage to Eugene Delacrois and to Algerian Women ...
- Collage
30 x 30 cm (11.8 x 11.8 inches)
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Emilio Merlina: 'just an anarchic flashback', 2009 Collage, Inspirational.
Inspirational - Collage
50 x 70 cm (19.7 x 27.6 inches)
John Bonnel: 'DRUGLORD OF THE AVENUES', 2009 Collage, Biblical. Artist Description:  This is a cut and paste collage I used for an album cover. ...
Biblical - Collage
12 x 10 inches (30.5 x 25.4 cm)
Susan Baquie: 'Untitled', 2009 Collage, Archetypal.
, 2009
Archetypal - Collage
27.5 x 34 cm (10.8 x 13.4 inches)
Victor Kozlov: '14', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '12', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '09', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '02', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '07', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '04', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '16', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '15', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '13', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '11', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '10', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Victor Kozlov: '08', 2009 Collage, . Artist Description:  This is a print and can be requested in any size. ...
, 2009
- Collage
8 x 10 inches (20.3 x 25.4 cm)
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Yichun Wang: 'Disguise', 2008 Collage, .
, 2008
- Collage
55 x 36 inches (139.7 x 91.4 cm)
Kelly Goode: 'Look and See', 2008 Collage, Abstract Figurative. Artist Description:  This image is about seeing the beautiful potential in children. A vintage photo of a mother and child paired with an abstract child- like landscape made from watercolor and graphite. Art is created on a gallery canvas. ...
Abstract Figurative - Collage
16 x 16 inches (40.6 x 40.6 cm)
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Kelly Goode: 'Parakeet Peter', 2009 Collage, Abstract Figurative. Artist Description:  This piece reflects the feelings of childhood. Images taken from a childhood book and paired with acrylic paint, crayon, spirograph and decorative papers. It's about letting go of something in hopes it will come back to you. Art is on a gallery canvas. ...
Abstract Figurative - Collage
16 x 16 inches (40.6 x 40.6 cm)
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Margaret Thompson: 'Echoes from Venice', 2007 Collage, Abstract Landscape.
Abstract Landscape - Collage
40 x 50 cm (15.7 x 19.7 inches)
Margaret Thompson: 'Memory traces', 2007 Collage, Abstract Landscape.
Abstract Landscape - Collage
30 x 30 cm (11.8 x 11.8 inches)
Silviya Georgieva: '1 Collage', 2009 Collage, Music. Artist Description:  Music tea pod ...
, 2009
Music - Collage
70 x 50 cm (27.6 x 19.7 inches)
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(Page 12 of 30) - MORE ARTWORKS
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Artists Describing Their Art:

Natasha Sazonova - We say that words have consequences. Many of us believe that there is an underlying meaning to that phrase. That there is energy in everything; that positive and negative statements are capable of giving away a positive or negative energy especially when they are addressed to something in particular. Some believe that thoughts have the same affect. I believe all the above and I know that images are much more powerful than statements that we both think and say out loud. I empower myself with my art and when I do paintings for other people I try to empower them with the positive energy that I myself create and feel as well. I don't pretend to have any special powers. I hardly pay attention to most esoteric mumbo jumbo, except for the things that actually make sense to me. I search for my own path. I know that there is a higher power that helps us, but only reveals itself to us when we are ready to believe in it. This power (or God as many of us call it) is the one who gave me my talent and I do my best to get a good use out...

Reiko Michisaki - Reiko Michisaki uses to collage to unravel a mystery. Using psychotherapy techniques, such as dream analysis, she communicates with alter egos that developed during her childhood. Employing images and symbols as a language, Reiko has cultivated a relationship with eight personalities. Developed over a 17-year period, she finds that the personalities readily appear when she does art. Each collage tells a piece of a story, like a chapter in a book, and the collective series of collages is a vibrant and provocative journal of healing. Dreams and trances provide the themes for her art, aEURoeWhere dreams reveal that which is suppressed, my collages are subliminal dreamsaEUR?. She finds using collage work well to depict the often jumbled world of dreams. The images are representational of emotions and beliefs, and often appear as recurrent symbols. A symbol such as the hand, for example, represents activity from the primary ego, water is emotions, and birds symbolize the multiple personalities. As metaphors, the symbols communicate messages from the psyche, the forces that influence thoughts and behavior. When Reiko creates a collage she tries to put herself in a trance-like state, not consciously selecting images but allowing the instinctual choices to emerge. ...

Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

Basant Soni - ECO-FRIENDLY ART Creative use of my creators resources - My Organic Art does not impact the environment or waste paper and therefore trees. I feel that I am earnestly using waste of organic materials which could have been perished with course of time.But it is one of the God's natural gifts in their rarest forms to create a new and use my imagination and intuition. Waste not - want not - many papers saved can equal many trees. I do not want to waste my natural resources in any way. ...

Basant Soni - John Bonnel - My Statement By John Albert Bonnel The Bent Collector Of One Thousand Limbs I prefer the look of things that are made by hand. I just believe in taking a grassroots approach in everything in life. Music is an inspiration. Artistic, primitive, and important for me to live happy. I try to create a demented form of folk/pop art. Something that has a sense of humor, exposing heart and dysfunction in small town. I create with my hands. I screen print on fabric, I draw and smudge on butcher paper. I carve into linoleum. I cut and paste. I splatter spill and recycle. I use other people's hands. I use telephone poles, t-shirts, album covers and tattoos to display my art. I want to create art that looks like Velvet Underground sounds. I want to show, in each piece, how much I love creating it, with Joe's warts and all. ...

Susan Baquie - My art work varies in style as it is the result of experience and observation, as well as formal studies. From a type of surrealism to expressionism, sometimes more realistic and at others abstract in conception, many of my pictures reveal a psychological awareness, at times a depiction of trauma, and at others, the joys of colour, pattern, design and the flow of paint or ink across canvas or paper. Painting is like life itself, a constant mirroring of energy, a dynamic pouring of the soul onto two dimensions. It can be caring or selfish, it can be political, humanistic and even cruel. It is a way of life and as with poets and writers, often a happy work and often hard. It is wonderful to be able to show work on the Internet in this way. ...

Victor Kozlov - Victor Kozlov was born in Ukraine with a genetic condition of chronic coor-blindness, he nonetheless became fascinated with the world of art, painting and imaginative expression. At age 10 he held his first art exhibition. Studied art at the Berdyansk Art School. In 1992, Victor moved to the USA and continues to pursue his dream. His work was exhibited at the "Museum for Peace", art expo sponsored by the United Nations. Please visit Victor's online photobook at:

Yichun Wang - I like looking for the subject which can provoke curiosity and a variety of questions in the minds of the viewers. I also like to reach deep within myself and explore the soul of each of my the characters. I always have a tendency to depict the subject, leaving some kind of blank icon or uncertain feature that raises questions to the audiences. My bodies of works are centered on the investigation of people. In my concept, everything always has different sides of facts. The interpretation of the first impression does not represent the whole story of the truth. Through my works, I extend this concept by creating a series works of disguises and identities. In my created works are my expression to try to reach deeper voices, feelings and emotions. My inspiration lies in Chinese culture and paintings from the Classical and Romantic period. ...

Kelly Goode - I start with things I find: pictures, letters, ads, fabric, idea fragments that belong to other people, and then I fill in the blanks with my own story. Working with collage makes me feel like I'm part of something bigger, and like I'm preserving the otherwise forgettable details of humanity in some small way. Schooled in photography and self-taught in painting and the rest, my most influential teachers are guts and sensitivity. My gut jitters when I know its good and sinks when it stinks. Sensitivity makes me vulnerable to emotions and perceptive to life and our history. When I tell people about my artwork I say "There's a little bit of me in there, there's a little bit of you in there"....

Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....