Collage Art

Page 2 of 24
Hope Brooks, Robert H. Stockton, Tamara Sorkin, Jose Luis Lazaro Ferre, Asbjorn Lonvig, Shoshannah Brombacher, Luise Andersen, Walter King, Micha Nussinov, Andree Lisette Herz, Margaret Thompson, Hampton Olfus , Jan-thomas Olund offering original Collages artworks.


Contemporary Art / Collages / Previous / Next
Robert H. Stockton: 'On The Highwire', 2017 Collage, Abstract.  This collage is created from Color Aid art paper and scraps of billboard material. It is matted with white museum board, to a finished size of 12 x 10, and is framed in a black metal frame, under glass. ...
Abstract - Collage
10 x 12 inches (25.4 x 30.5 cm)
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Tamara Sorkin: 'landscape', 2002 Collage, Abstract Landscape.
, 2002
Abstract Landscape - Collage
35 x 25 cm (13.8 x 9.8 inches)
Tamara Sorkin: 'In the studio', 2002 Collage, Undecided.
Undecided - Collage
47 x 34 cm (18.5 x 13.4 inches)
Robert H. Stockton: 'Thoughts Becoming Things', 2007 Collage, Abstract.  This collage is created from cut and torn, worn and weathered found paper from a variety of sources.  It is matted, under glass, with white museum board and framed in black wood to a finished size of 13 x 16. ...
Abstract - Collage
16 x 13 inches (40.6 x 33.0 cm)
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Jose Luis Lazaro Ferre: 'Coffee', 2006 Collage, Figurative.
, 2006
Figurative - Collage
70 x 50 cm (27.6 x 19.7 inches)
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Robert H. Stockton: 'Drift', 2006 Collage, Abstract.  This small collage is made from found, worn and weathered papers, old maps, pieces of billboard material, and scraps from old advertisements.  It is matted with white museum board, under glass, in a black metal frame.  The actual size of the artwork is 3. 5 x 5. 5 inches. ...
, 2006
Abstract - Collage
9 x 12 inches (22.9 x 30.5 cm)
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Asbjorn Lonvig: '1 Cathedral Square Aarhus', 2005 Collage, Abstract. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Abstract - Collage
86 x 60 cm (33.9 x 23.6 inches)
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Asbjorn Lonvig: 'Aaboulevarden 69', 2005 Collage, Architecture. Inspired by the headquarters of Realkredit Danmark, Aarhus. ...
Architecture - Collage
86 x 60 cm (33.9 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Forty Eight Wiliamsborg Manor House', 2005 Collage, Undecided. Inspired by Wiliamsborg Manor House, Daugard, Denmark.I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - ...
Undecided - Collage
86 x 60 cm (33.9 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Forty Six Stable at Tirsbaek Castle', 2005 Collage, Architecture. Stable at Tirsbaek Castle, East of Vejle. On the brink of Vejle inlet. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I ...
Architecture - Collage
86 x 60 cm (33.9 x 23.6 inches)
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Shoshannah Brombacher: 'The Stone in the Wall', 2004 Collage, War. This represents a stone in Yerushalayim which has seen many wars and sheds many tears....
War - Collage
12 x 15 inches (30.5 x 38.1 cm)
Luise Andersen: 'Precious Heart', 1995 Collage, Botanical. Precious in many ways. . . . When I started this piece. . . I thought, it would be real easy. . . to do a heart. . . specially with beautiful blossoms. . . petals. . . leaves. . . I was surprised. . .  thatit engaged me in many hours. .  several weeks. . . to arrange more than l50 little pieces. . .  look forthem. . . sort. . . . arrange ...
Botanical - Collage
30 x 30 inches (76.2 x 76.2 cm)
Walter King: 'Rock the Casbah', 2005 Collage, Dance. Currently on exhibition at Fort Hayes Shot Tower Gallery. Recently included in a  exhibition at ROCK PAPER SCISSORS GALLERY Asbury Park, New Jersey . From the' Promesas' series done in NY. ...
Dance - Collage
18 x 18 inches (45.7 x 45.7 cm)
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Walter King: 'Beautiful Dreamer', 2005 Collage, Americana. Part of the Promesas series done in NY. The Promesa Series were recently on exhibition through Dec 4th at the Columbus College of Art and Design....
Americana - Collage
18 x 18 inches (45.7 x 45.7 cm)
Luise Andersen: 'Precious', 2004 Collage, Botanical. Precious. . . and so it is. . . .  Silk like petals. . . feathers of Gerdas  and Lisas  Parakeets. . .  Live birds. . : - )I have also Parrot feathers. . Crows. . and Hawks donated. . . Doves. . . .  Wild Fowl. . And did You notice the Iguana Lizzard. . .  His present. .  Shed his beautiful skin. . . nailcovers. . . eyelids. . . so fragile. . and intact- amazing. . added some ...
, 2004
Botanical - Collage
18 x 14 inches (45.7 x 35.6 cm)
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Luise Andersen: 'Rhythm', 2004 Collage, Botanical. Rhythm. . . .  I noticed, that this beautiful, charming piece can be viewed from different sides. . .  gives several total different  core - feel. .  to it. .Balances either way. .  yet raises varying. . .  emotions. .Took quite some time. . .  to know. . . when it was just. . . .  fine. . . .  since minimal. . . powerful composition was very challenging. ....
, 2004
Botanical - Collage
24 x 20 inches (61.0 x 50.8 cm)
Luise Andersen: 'Heartbeat', 2000 Collage, Botanical. HeartbeatCollecting Flowers. . . Their Blossoms. . Leaves. . Stems. . Precious gifts from nature. . .  from Europe and the US. . Some offered by friends. . SpeciallyPauline Worsman, Master- gardener and closest friend. . avid fan of my compositions. . .  and GerdaGaleckas, dear,  long ( not in size, but time : - )  - - ) friend of mine, who can not resist ...
, 2000
Botanical - Collage
20 x 15 inches (50.8 x 38.1 cm)
Micha Nussinov: 'Kobe the day after', 1995 Collage, Other. I came to Japan a month after Kobe's Earthquake. At the Gallery in Kyoto where I was having exhibition, a visitor was invited to have tea with me. He was introduced to me as an Artist who survived the Kobe disaster. He told me that his hands are still ...
Other - Collage
220 x 110 cm (86.6 x 43.3 inches)
Andree Lisette Herz: 'collage 1', 2003 Collage, Abstract. Collage on water color paper...
, 2003
Abstract - Collage
10 x 10 inches (25.4 x 25.4 cm)
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Andree Lisette Herz: 'River memory', 2002 Collage, nature. acrylic painting on handmade paper and board and with collaged items...
nature - Collage
30 x 20 inches (76.2 x 50.8 cm)
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Andree Lisette Herz: 'My Back Yard', 2002 Collage, Landscape. acrylic on handmade paper and fabric collage of my back yard...
Landscape - Collage
40 x 30 inches (101.6 x 76.2 cm)
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Andree Lisette Herz: 'Wisteria', 2002 Collage, Landscape. acrylic painting on handmade paper with found objects...
, 2002
Landscape - Collage
44 x 33 inches (111.8 x 83.8 cm)
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Micha Nussinov: 'Thr hidden and the revealed', 2001 Collage, Inspirational. It first started with the use of tissues ( the type we sniff into) to absorb excess paint. These fragile pieces were bounded with Wrapping tissues ( the type jewelers wrap precious stones with) . The latter became the the main material that form the structure. Waterbase medium was extensively used as a ...
Inspirational - Collage
102 x 220 cm (40.2 x 86.6 inches)
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Margaret Thompson: 'luxor', 2021 Collage, Abstract. Inspired by the quilters of Gees Bend, Alabama, this collage tries to capture the beautiful physicality of their work. ...
, 2021
Abstract - Collage
11 x 15 inches (27.9 x 38.1 cm)
Hampton  Olfus : 'earth mother', 2018 Collage, Abstract. I lived in the deep south of the U. S. A. for  seven years. During my seven years living there, I experienced Mother Nature s  power and fury. I ve completed an assortment of art works mostly abstractions on nature s power.  The mediums used are acrylics and collage  on ...
Abstract - Collage
4 x 6 inches (10.2 x 15.2 cm)
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Hampton  Olfus : 'end of summer', 2018 Collage, Abstract. The sun begins to set earlier, the smell  of Autumn kisses the air. The signs that Summer is ending. Acrylics and collage on wood. ...
Abstract - Collage
4 x 6 inches (10.2 x 15.2 cm)
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Margaret Thompson: 'woman of spirit', 2019 Collage, Abstract Figurative. This is a secular, spiritual, woman of spirit, collaged from many painted papers in blues, oranges and grey. It is large and bold, and eye- catching. ...
Abstract Figurative - Collage
70 x 80 cm (27.6 x 31.5 inches)
Jan-thomas Olund: 'under the surface i', 2010 Collage, Minimalism. Collage made of graphic sheet.Was made for an exhibition, ...
Minimalism - Collage
29 x 50 cm (11.4 x 19.7 inches)
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Margaret Thompson: 'inside my head', 2018 Collage, Abstract.
Abstract - Collage
80 x 60 cm (31.5 x 23.6 inches)
Margaret Thompson: 'Egyptian divide', 2011 Collage, Abstract.            Acrylic, collage, mixed media on canvas.          ...
Abstract - Collage
28 x 28 cm (11.0 x 11.0 inches)
(Page 2 of 24) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Hope Brooks - Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....

    Hampton Olfus - ARTIST STATEMENT Over the past twelve years, IaEURtmve been working in acrylic paint, ink, pencil and mixed media. During this time period, I was inspired by an assortment of topics, while repeating one of my mainstay topics, music, and culture. Creating in the moment, allows the intuitive sensibilities too be part of the process. I bring an eclectic aesthetics with me into the studio, which I transfer into what I create. My true emotions, is what I aspire to transfer, visually to the viewer, through the media. Hampton R. Olfus, Jr. Artist ...

    Jan-Thomas Olund - I am a Swedish artist painter living in Holmsund outside Umea. My medium is oil, acrylic, video, mix media. My inspiration comes from different angles currently Japanese aesthetic wabi that strives for simplicity, tightness of nature and things beauty or the emptinesss fantastic content The result is a series of abstract paintings where the shape and color the image can grow in the room, I am seeking the infinite like a sleeping calm sea. My exhibitions have been mostly in Sweden.Sold in Sweden to private collectors and public institutions and in USA to private collector recently Upfor gallery art for a hotel in Portland OR 2019....