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Collage Art (845)

Page 20 of 30
Hector Hectorhector, Pedro Martin De Clet, Ken Mcclymont, Florin Ion Firimita, Jovica Vucinic, Mitch D Arte, Emilija Damjanovikj, Jose Luis Lazaro Ferre, Vladana Vitorovic, Michelle Daly, Juan Camacho, Robert H. Stockton, Eduardo Rivera, Andrew Mclaughlin, Tamar Sorkin, Shelley Xie offering original Collages artworks.


Contemporary Art / Collages / Previous / Next
Hector Hectorhector: 'Blonde', 2007 Collage, .
, 2007
- Collage
70 x 100 cm (27.6 x 39.4 inches)
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Pedro Martin De Clet: 'A Review of Americas old Glories', 2001 Collage, History. Artist Description:  Mixed- Media collage on plexi- glass X 2 panels. . . ...
History - Collage
8 x 5 feet (2.44 x 1.52 m)
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Ken Mcclymont: 'Reaching Red', 2006 Collage, Abstract. Artist Description:  Collage with ink & bleach on paper ...
Abstract - Collage
380 x 400 mm ( x )
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Florin Ion Firimita: 'The Death of Summer', 2007 Collage, Life.
Life - Collage
30 x 24 inches (76.2 x 61.0 cm)
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Jovica Vucinic: 'Change for the worse', 2006 Collage, Ecological.
Ecological - Collage
48 x 41 inches (121.9 x 104.1 cm)
Mitch D Arte: 'Creo en un solo Dios', 2007 Collage, Religious. Artist Description:  I believe in only one God ...
Religious - Collage
16 x 20 inches (40.6 x 50.8 cm)
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Mitch D Arte: 'We all need healing', 2007 Collage, Life. Artist Description:  We all need healing with pewter heart ...
Life - Collage
16 x 20 inches (40.6 x 50.8 cm)
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Mitch D Arte: 'SagradoCorazon2', 2007 Collage, Abstract. Artist Description:  Sacred Heart ...
Abstract - Collage
16 x 20 inches (40.6 x 50.8 cm)
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Emilija Damjanovikj: 'Cherry', 2007 Collage, .
, 2007
- Collage
50 x 70 cm (19.7 x 27.6 inches)
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Emilija Damjanovikj: 'East', 2007 Collage, .
, 2007
- Collage
50 x 70 cm (19.7 x 27.6 inches)
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Jose Luis Lazaro Ferre: 'Coffee', 2006 Collage, Figurative.
, 2006
Figurative - Collage
70 x 50 cm (27.6 x 19.7 inches)
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Vladana Vitorovic: 'Dalmatia 1917', 2004 Collage, Figurative. Artist Description:  One based on photos of my gran grand parent Mirko Fagarazzi, made on the beach in Split Croatia, on the beggining of 20th century ...
Figurative - Collage
180 x 120 cm (70.9 x 47.2 inches)
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Michelle Daly: 'Burnside 2', 2006 Collage, Abstract Landscape. Artist Description: Burnside 2, is composed of dynamic verticals and strange amorphous shapes.  A continuation of my juxtaposed collection of impressions of the urban landscape, this work is both solid and diaphanous.  It suggests depth and presents an everchanging viewing experience through its subtle variation in value and overlap.   ...
, 2006
Abstract Landscape - Collage
8 x 15 inches (20.3 x 38.1 cm)
Michelle Daly: 'Burnside 3', 2006 Collage, Abstract Landscape. Artist Description: Burnside 3, the largest work of this series to date features many organic shapes and a sense of fragmented geometry.  Evocative of the varied energy, dymanism, and mulitplicity of public space. ...
, 2006
Abstract Landscape - Collage
17 x 11 inches (43.2 x 27.9 cm)
Michelle Daly: 'Burnside 1', 2006 Collage, Abstract Landscape. Artist Description: Burnside 1 began in traversing Burnside Street, a main thrustreet in Portland, OR.  I make sketches of negative spaces on in or seen from my meandering on Burnside and returned to my studio to capture these impressions in a lightbox made of layered collaged pieces of drafters vellum.  ...
, 2006
Abstract Landscape - Collage
12 x 14 inches (30.5 x 35.6 cm)
Juan Camacho: 'EM 24', 2004 Collage, Philosophy. Artist Description:  Cut- up papers on paper. ...
, 2004
Philosophy - Collage
21 x 17 cm (8.3 x 6.7 inches)
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Juan Camacho: 'EM 27', 2004 Collage, Philosophy. Artist Description:  Cut- up papers on paper ...
, 2004
Philosophy - Collage
27 x 21 cm (10.6 x 8.3 inches)
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Juan Camacho: 'EM 04', 2005 Collage, Philosophy. Artist Description:  Cut- up papers on paper. ...
, 2005
Philosophy - Collage
21 x 17 cm (8.3 x 6.7 inches)
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Robert H. Stockton: 'Drift', 2006 Collage, Abstract. Artist Description:  This small collage is made from found, worn and weathered papers, old maps, pieces of billboard material, and scraps from old advertisements.  It is matted with white museum board, under glass, in a black metal frame.  The actual size of the artwork is 3. 5 x 5. 5 ...
, 2006
Abstract - Collage
9 x 12 inches (22.9 x 30.5 cm)
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Jose Luis Lazaro Ferre: 'Bulls in Barcelona', 2006 Collage, Figurative.
Figurative - Collage
116 x 63 cm (45.7 x 24.8 inches)
Eduardo Rivera: 'Bug Eyed', 1999 Collage, .
, 1999
- Collage
12 x 14 inches (30.5 x 35.6 cm)
Andrew Mclaughlin: 'Enlightenment of Bob Dylan ', 2006 Collage, Surrealism.
Surrealism - Collage
37 x 26 inches (94.0 x 66.0 cm)
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Andrew Mclaughlin: 'Acid Eden', 2006 Collage, Surrealism. Artist Description:  A pop art Adam and Eve using John Lennon and Yoko. This was used by the band The Apples in Stereo as album cover art for their album,
, 2006
Surrealism - Collage
37 x 26 inches (94.0 x 66.0 cm)
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Andrew Mclaughlin: 'Alice in Wonderland', 2006 Collage, Surrealism.
Surrealism - Collage
26 x 12 inches (66.0 x 30.5 cm)
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Andrew Mclaughlin: 'Heaven and Hell', 2006 Collage, Surrealism.
Surrealism - Collage
30 x 20 inches (76.2 x 50.8 cm)
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Jose Luis Lazaro Ferre: 'Zeus VI', 2005 Collage, Figurative.
, 2005
Figurative - Collage
70 x 100 cm (27.6 x 39.4 inches)
Tamar Sorkin: 'The inner pink', 1999 Collage, Abstract.
Abstract - Collage
47 x 55 cm (18.5 x 21.7 inches)
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Shelley Xie: 'spring shower  1of 4 seasons  pressed flower art', 2006 Collage, Figurative. Artist Description: Art Print on fine art paper w archival quality, w/ o frame, w/ o matt...
Figurative - Collage
16 x 20 inches (40.6 x 50.8 cm)
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Shelley Xie: 'Chinese Dream Garden  pressed flower art', 2006 Collage, Culture. Artist Description: Art print on fine art paper w archival quality w/ o frame, w/ o matt3rd place winner, 2005 world wide pressed flower guild competitionPressed flower art by international award winning artist Shelley Xieother sizes are available...
Culture - Collage
16 x 20 inches (40.6 x 50.8 cm)
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Shmuela Padnos: 'fats domino casa', 2006 Collage, History. Artist Description: fats never likes to leave his house and he sure didn' t expect the levee to break after katrina. he was rescued off this roof where all his gold records were floating beneath him. ...
History - Collage
1 x 5 inches (2.5 x 12.7 cm)
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(Page 20 of 30) - MORE ARTWORKS
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Artists Describing Their Art:

Pedro Martin De Clet - Born: Brooklyn; New York. Raised:New Haven; Connecticut. "I am completely self-taught. & although I work in all mediums, I consider myself first & foremost a Painter. My subject matter is everything having to do with life. Love, hate, joy, fear, pain, happiness, sorrow, & everything in between. I Paint what others can't or won't. I believe that ideas are only as good as the content that embodies them. I Paint the truth. I have no time to waste. Neither the viewers, nor mine. I leave that to the pretenders & posers, content on ideas without substance & clean hands. Painting should be as real as the Paint on the canvas, or piece of paper; or what have you. I do not mean that it has to be figurative, but that it should carry the weight & conviction of a soul. Then if it is any good, the viewer will either love it, or hate it. & this is what I am after." pedro ...

Florin Ion Firimita - ARTIST STATEMENT I have been living in the United States since the summer of 1990. When I arrived here, I had no sense of direction, artistic or otherwise. Shifting from my artistic beliefs rooted in a classical/ humanistic tradition to the fast-pace of a commercial culture was bewildering and exciting in the same time. It took me years of immersing into my new environment in order to find a sense of purpose for what I am doing artistically today. Sometimes during the past three years, a radical shift happened in my art. I have reached a point when being comfortable with my techniques (Eastern European, classically-trained easel painter) became a roadblock. I didn't have to please anyone. I started looking for a new language based on my divided identity, between Europe and the United States. America is primarily a visual culture. How do we choose? How do we find meaning in this visual pandemonium? Some images are subversive, and feel like rust, slowly decaying our perception of reality. Then, there are the one-nightstands of commercial photography, the streets, the museums, the television, the ads, the movies, the fashion statements, the unforgettable and the forgivable. Other images, ...

Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

Michelle Daly - I am interested in capturing moments often felt more strongly then seen. This idea has taken many forms in painting, drawing, making, and living. Paintings here include a series of works that strive to articulate a tenuous balance between process and finished artwork. I approach each painting as a dialogue with no preconceived intention. I use a combination of found and invented shapes that reference both geometry and the natural world. I build the compositions in layers, reworking the surface, adding and deleting information. This process continues until I find the moment when the work is resolved, but just barely. I am searching for the place with each painting when the process is still evident, yet there are moments that are unconventionally beautiful. This idea has lead me to begin a series of smaller works that seek to explore the more narrative quality of abstract painting. I view each work as a fragment or short story, building together into something that is perhaps more. I am also exploring ideas of noticing space in a series of drawings known as "the space between" These drawings take negative space as their subject matter, and look for deeper interest in the way such ...

Tamar Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...