Browse over works of contemporary art for sale in the price range . On this page you can find works by Hector Hectorhector, Pedro Martin De Clet, Ken Mcclymont, Florin Ion Firimita, Jovica Vucinic, Mitch D Arte, Emilija Damjanovikj, Jose Luis Lazaro Ferre, Vladana Vitorovic, Michelle Daly, Juan Camacho, Robert H. Stockton, Eduardo Rivera, Andrew Mclaughlin, Tamar Sorkin, Shelley Xie.
Pedro Martin De Clet - Born: Brooklyn; New York. Raised:New Haven; Connecticut. "I am completely self-taught. & although I work in all mediums, I consider myself first & foremost a Painter. My subject matter is everything having to do with life. Love, hate, joy, fear, pain, happiness, sorrow, & everything in between. I Paint what others can't or won't. I believe that ideas are only as good as the content that embodies them. I Paint the truth. I have no time to waste. Neither the viewers, nor mine. I leave that to the pretenders & posers, content on ideas without substance & clean hands. Painting should be as real as the Paint on the canvas, or piece of paper; or what have you. I do not mean that it has to be figurative, but that it should carry the weight & conviction of a soul. Then if it is any good, the viewer will either love it, or hate it. & this is what I am after." pedro ...
Florin Ion Firimita - ARTIST STATEMENT I have been living in the United States since the summer of 1990. When I arrived here, I had no sense of direction, artistic or otherwise. Shifting from my artistic beliefs rooted in a classical/ humanistic tradition to the fast-pace of a commercial culture was bewildering and exciting in the same time. It took me years of immersing into my new environment in order to find a sense of purpose for what I am doing artistically today. Sometimes during the past three years, a radical shift happened in my art. I have reached a point when being comfortable with my techniques (Eastern European, classically-trained easel painter) became a roadblock. I didn't have to please anyone. I started looking for a new language based on my divided identity, between Europe and the United States. America is primarily a visual culture. How do we choose? How do we find meaning in this visual pandemonium? Some images are subversive, and feel like rust, slowly decaying our perception of reality. Then, there are the one-nightstands of commercial photography, the streets, the museums, the television, the ads, the movies, the fashion statements, the unforgettable and the forgivable. Other images, ...
Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...
Michelle Daly - I am interested in capturing moments often felt more strongly then seen. This idea has taken many forms in painting, drawing, making, and living. Paintings here include a series of works that strive to articulate a tenuous balance between process and finished artwork. I approach each painting as a dialogue with no preconceived intention. I use a combination of found and invented shapes that reference both geometry and the natural world. I build the compositions in layers, reworking the surface, adding and deleting information. This process continues until I find the moment when the work is resolved, but just barely. I am searching for the place with each painting when the process is still evident, yet there are moments that are unconventionally beautiful. This idea has lead me to begin a series of smaller works that seek to explore the more narrative quality of abstract painting. I view each work as a fragment or short story, building together into something that is perhaps more. I am also exploring ideas of noticing space in a series of drawings known as "the space between" These drawings take negative space as their subject matter, and look for deeper interest in the way such ...
Tamar Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...
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