Collage Art

Page 8 of 24
Marta Baricsa, Helene Donadieu, Lynn Schwartz, Kate Storm, Kanika Marshall, Benjamin Oppong -danquah, Daya Bonnie Astor, Aguirre Di Matteo Leonardo, Nina Gabriel, Hector Hectorhector, Pedro Martin De Clet, Ken Mcclymont, Vladana Vitorovic, Michelle Daly offering original Collages artworks.


Contemporary Art / Collages / Previous / Next
Marta Baricsa: 'Envelope paintings  Mass MoCA', 2006 Collage, Abstract.  This is one of 30 works in the Envelope Paintings. It is one body of works. Each piece is 11 x 14 inches. The works are collage, acrylic, mat medium with a beeswax finish. 14. 0 ...
Abstract - Collage
14 x 11 inches (35.6 x 27.9 cm)
Helene Donadieu: 'Under the moon light', 2007 Collage, nature.  Magazine cutouts pasted on cardboard ...
nature - Collage
100 x 70 cm (39.4 x 27.6 inches)
Helene Donadieu: 'Mille et une nuits', 2007 Collage, Animals.  Magazine cutouts pasted on cardboard ...
Animals - Collage
70 x 70 cm (27.6 x 27.6 inches)
Helene Donadieu: 'Conversation', 2007 Collage, Wildlife.  Magazine cut- outs pasted on cardboard ...
Wildlife - Collage
70 x 70 cm (27.6 x 27.6 inches)
Lynn Schwartz: 'ma couture moi meme ', 2007 Collage, Travel.  Remnants of a rescent sculptural installation and an old French dress pattern give this collage a nice contrast of the old with the new. It's one in  aseries I' ve recently started to depict my life here in France. ...
Travel - Collage
8 x 8 inches (20.3 x 20.3 cm)
Kate Storm: 'La Bella Luna', 2007 Collage, Astronomy.  Acrylic, vellum, photograph, pencil ...
Astronomy - Collage
36 x 24 inches (91.4 x 61.0 cm)
Kate Storm: 'California', 2006 Collage, Abstract.  Clothing patterns, map, acrylic paint, stickers, found objects, fortunes ...
, 2006
Abstract - Collage
14 x 18 inches (35.6 x 45.7 cm)
Kate Storm: 'Orange Abstract', 2006 Collage, Abstract.  Clothing patterns, acrylic paint, stickers, found objects, fortunes ...
Abstract - Collage
14 x 18 inches (35.6 x 45.7 cm)
Kate Storm: 'A Strange Peace', 2006 Collage, Abstract.  Clothing patterns, acrylic paint, stickers, found objects, fortunes ...
Abstract - Collage
14 x 18 inches (35.6 x 45.7 cm)
Kate Storm: 'Anywhere But Here', 2006 Collage, Abstract.  Series of six 4x4 squares - Clothing patterns, maps, conte pencil ...
Abstract - Collage
12 x 8 inches (30.5 x 20.3 cm)
Kate Storm: 'Baghdad By Air', 2007 Collage, Activism.  Acrylic, clothing patterns, map, blueprints, vellum, photocopy ...
Activism - Collage
16 x 20 inches (40.6 x 50.8 cm)
Kate Storm: 'A Million Memories of You', 2006 Collage, Abstract.  Clothing patterns, acrylic paint, stickers, found objects, fortunes ...
Abstract - Collage
14 x 18 inches (35.6 x 45.7 cm)
Kanika Marshall: 'Renovation of Spirit', 1998 Collage, Spiritual.  Depicting in collage form Kanika' s 3D journey in search of inner Spirit. Paper, clay, stones, fabric. ...
Spiritual - Collage
30 x 24 inches (76.2 x 61.0 cm)
Benjamin Oppong -danquah: 'BRIGHT AND SUNNY DAY', 2005 Collage, Culture.  This is collage depicting people in the northern part of Ghana enjoying the beautiful day arroun the market. It really show the culture in the northernpart of Ghana in the villages. This can also be produced in painting both acrylics and oils. ...
Culture - Collage
90 x 60 cm (35.4 x 23.6 inches)
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Benjamin Oppong -danquah: 'AFTER HARD DAYS WORK', 2005 Collage, Representational.  Collage art depicting a farmer and wife returning from the farm after a hard days work. One can also see a woman carrying vegetables to the farm. ...
Representational - Collage
90 x 60 cm (35.4 x 23.6 inches)
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Benjamin Oppong -danquah: 'THE TRADITIONAL DANCER', 2005 Collage, Culture.  Wall hanging. Cut and paste art depicting a traditional woman in a traditional dress dancing Adowa a traditional dance of the people of Akan. ...
Culture - Collage
65 x 48 cm (25.6 x 18.9 inches)
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Daya Bonnie Astor: 'Untitled', 2007 Collage, Abstract.
, 2007
Abstract - Collage
12 x 18 inches (30.5 x 45.7 cm)
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Aguirre Di Matteo Leonardo: 'bed', 2007 Collage, Undecided.  Aguirre's work Di Matteo explores the purely creative language of the evolution. It( he, she) is fascinating to discover physical references that turn into interior landscapes. An echizo escenografic    ...
, 2007
Undecided - Collage
100 x 100 inches (254.0 x 254.0 cm)
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Nina Gabriel: 'Balance Kimano', 2003 Collage, Culture.   Mixed Media - Home Decor       4 1/2
Culture - Collage
4 x 6 inches (10.2 x 15.2 cm)
Hector Hectorhector: 'Karla', 2007 Collage, Undecided.
, 2007
Undecided - Collage
30 x 40 cm (11.8 x 15.7 inches)
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Hector Hectorhector: 'Nicolas', 2007 Collage, Undecided.
, 2007
Undecided - Collage
33 x 50 cm (13.0 x 19.7 inches)
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Hector Hectorhector: 'Borat', 2007 Collage, Undecided.
, 2007
Undecided - Collage
22 x 25 cm (8.7 x 9.8 inches)
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Hector Hectorhector: 'Blonde', 2007 Collage, Undecided.
, 2007
Undecided - Collage
70 x 100 cm (27.6 x 39.4 inches)
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Pedro Martin De Clet: 'A Review of Americas old Glories', 2001 Collage, History.  Mixed- Media collage on plexi- glass X 2 panels. . . ...
History - Collage
8 x 5 feet (2.44 x 1.52 m)
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Pedro Martin De Clet: 'Portrait de Genocide', 2004 Collage, History.  Mixed- Media collage on plexi- glass....
History - Collage
4 x 5 feet (1.22 x 1.52 m)
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Ken Mcclymont: 'Reaching Red', 2006 Collage, Abstract.  Collage with ink & bleach on paper ...
Abstract - Collage
380 x 400 mm ( x )
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Vladana Vitorovic: 'Dalmatia 1917', 2004 Collage, Figurative.  One based on photos of my gran grand parent Mirko Fagarazzi, made on the beach in Split Croatia, on the beggining of 20th century ...
Figurative - Collage
180 x 120 cm (70.9 x 47.2 inches)
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Michelle Daly: 'Burnside 3', 2006 Collage, Abstract Landscape. Burnside 3, the largest work of this series to date features many organic shapes and a sense of fragmented geometry.  Evocative of the varied energy, dymanism, and mulitplicity of public space. ...
, 2006
Abstract Landscape - Collage
17 x 11 inches (43.2 x 27.9 cm)
Michelle Daly: 'Burnside 2', 2006 Collage, Abstract Landscape. Burnside 2, is composed of dynamic verticals and strange amorphous shapes.  A continuation of my juxtaposed collection of impressions of the urban landscape, this work is both solid and diaphanous.  It suggests depth and presents an everchanging viewing experience through its subtle variation in value and overlap.   ...
, 2006
Abstract Landscape - Collage
8 x 15 inches (20.3 x 38.1 cm)
Michelle Daly: 'Burnside 1', 2006 Collage, Abstract Landscape. Burnside 1 began in traversing Burnside Street, a main thrustreet in Portland, OR.  I make sketches of negative spaces on in or seen from my meandering on Burnside and returned to my studio to capture these impressions in a lightbox made of layered collaged pieces of drafters vellum.  I subtly ...
, 2006
Abstract Landscape - Collage
12 x 14 inches (30.5 x 35.6 cm)
(Page 8 of 24) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marta Baricsa - I call myself a Directivist and I paint with deliberate intent. My paintings are primarily non-representational. They are inspired by energy, movement, sound or common things. I express this through large broad brushstrokes, washes of colour and layered drips of paint. I work mostly large scale; five by seven feet or larger. I often work in dark tones or bright colours. The paintings can be concrete or random in their composition, linear or sculptural in their presence. It is the contrast that I find most interesting. My paintings have been exhibited in solo and group exhibitions in Vancouver, Toronto and New York. They are included in public, corporate and private collections. I was born in London, England. I graduated from the Experimental Arts department at The Ontario College of Art ( Now called The Ontario College of Art & Design ) in Toronto, Ontario Canada. I am painting The Olympians. The Greek Gods -Apollo, Zeus and Poseidon and others. See www.martabaricsa.com for more images....

    Helene Donadieu - Collage, I would rather say << Khartegraphie >> But what does it mean ? You will not find this word in the dictionnary since I created it from the ancient greek << khartes >>, meaning sheets of paper and << graphein >> that we do not translate any more My way to wink at those people who do not take you seriously when you say you create with magazine clippings, a pair of scissors and glue ! Certainly a way to keep smiling and give a noble pedigree to the Art of Collage Painting with a pair of scissors, drawing or writing with paper, or to be more precise - with pieces of paper cut out from magazines has become my favourite expression for the past ten years . I preferably care for cutting shapes and colours and arrange them to create visual illusions or give another meaning to the images Images can speak in may different ways you just have to find them or build your own story ! My << visual games >> would like to drive you in a wonderland where objects are cut, changed and collected to give birth to an artwork , sometimes allegoric, most of the time simply funny or unexpected. In any case, each ...

    Kate Storm - Kate Storm's work is about the patterns and landscapes of her life, especially the journeys she has made into and out of relationships, places and experiences. Using clothing patterns, maps, journals, stamps, fortunes, photographs, journal writing and poetry, she presents a personal narrative of journey and struggle by utilizing collage, paint, and multimedia techniques in combination. The textures and translucent applications of pigment in Storm's work culminate in a series of evocative, multi-layered pieces that symbiotically merge the processes of personal and aesthetic decision-making. ...

    Kanika Marshall - Kanika Marshall has created a distinctive collection of mixed-media art sculptures, which includes hand-painted tile mosaics and other two-dimensional wall pieces, three-dimensional sculptures, masks, garden art, wearable art, figurines, goddesses, breast cancer survivor art, and tribal-design pottery. She sculpts some pieces by hand from clay, paints them with a color glaze to form the varying hues of skin tones and other colors, and then low fires them in a kiln to ceramic perfection. Many of the pieces are draped with fabulously textured fabrics from Africa, and/or adorned with beadwork, glass, leather, recycled metal, stones, shells, or other finishing touches. Kanika believes her African ancestors work joyously through her hands to create each one-of-a-kind sculpture. Kanika studied with renowned potter/sculptor Ruth Rippon in 1980-81 and with figurative sculptor, Yoshio Taylor, in the early 1990s. Kanika's sculptures have been sold for years in the Crocker Art Museum, numerous art galleries and stores throughout Northern California, at juried art shows, on the World Wide Web, and to art aficionados all over the world. The City of Elk Grove purchased Kanika's "Leather Locks & Five Ancestors" and "Sea Jellies and River Rock." ...

    Benjamin Oppong -Danquah - BENJAMIN OPPONG DANQUAH Producer of collarge art, paintings and wall hangings. Potraits, pet portraits and house potraits,Designs for textile prints,logos,illustrations and a painter/decorator. _____________________________________________________ I was born on the 5th of December 1967 in Accra Ghana. Had my O'level at Nsutaman Catholic Secondary School,Ghana. A'level at Wenchi Methodist Secondary School, Ghana. Finally had Diploma of Art at the University of Science and Technology Kumasi, Ghana. OTHER TRAINING Entrepreneurial courses and workshops in Accra, Ghana and foundation course in export marketing.Entrepreneurial training workshop on business management. WORK EXPERIENCE National Service at Asante Mampong National Service Secretariat on projects.As project person,I produce art works for the secretariat to raise funds.As a teacher I also taught Graphic design (Print Making), Picture making and calabash art at Cambridge Junior Secondary, a Private school in kumasi, Ghana.I also taught some senior secondary school students part-time in picture making. I am a member of Watford Area Art Forum, Watford African Caribbean Association in Watford Britain. I have done few art workshops in drawing and painting in Watford. I have my own registered company in Ghana a small scale company (Ben-Art Enterprise) and...

    Daya Bonnie Astor - Summer 2009 Venezia- I am exploring movement. This is a play on words of "women's movement". I examine legs as a symbol of women moving forward to a goal. Legs can dance, walk, take steps (physical and mental); legs move in space. I am using mixed media (fabrics, canvas, paper, paints). The body of work is title "La Gambe che Supports" (the leg which supports). My series of fourteen works shows legs not interacting with any artifacts which would describe place, home or activity, besides movement. I sue color and texture to show variations and emotions within the legs. Another level of complexity for my artwork is site specific: Venice is fragile. Venice is a pedestrian city. Everyone walks, moves on fragile land. Workers commute to the lagoon, even the indigent and street vendors commute to select places to interact with the tourists. Since the ground is uneven here, one must pay attention to stones, concrete and the elements which make up our pedestrian surface. One must also pay attention to our support, our legs. Legs have expression, perhaps not as refined as hands and arms, and one can red expressions in legs. My subjects, women, walk through unifying ...

    Nina Gabriel - Nina Gabriel Artist's Statement "May our walking on Earth be gentle as the Union of a Butterfly and a Flower" Traditional Buddhist Blessing Rainbows are the same all over the world, and, they are the same at any time we look at them. Our perception of them is, however is different every time we see them and it is ever - changing, according to our mood, feelings and state of mind. My earliest recollection and recognition of rainbows goes back to when I was a little girl, sitting beside my grandfather, at his famous desk where he used to make amazingly interesting and beautiful things. At the same time, he taught my brother and me the colors of the rainbow and that is where it all began - my love for beauty, color and art for things of beauty and for things that were left for us to interpret. I felt connected to nature and its boundless beauty since my childhood. I also enjoyed making things - of clay or any other media. My grandfather taught us many of those techniques and approaches to expression. From my grandmother, I learned crochet, embroidery and some sewing. Later on, I learned to work with ...

    Pedro Martin De Clet - Born: Brooklyn; New York. Raised:New Haven; Connecticut. "I am completely self-taught. & although I work in all mediums, I consider myself first & foremost a Painter. My subject matter is everything having to do with life. Love, hate, joy, fear, pain, happiness, sorrow, & everything in between. I Paint what others can't or won't. I believe that ideas are only as good as the content that embodies them. I Paint the truth. I have no time to waste. Neither the viewers, nor mine. I leave that to the pretenders & posers, content on ideas without substance & clean hands. Painting should be as real as the Paint on the canvas, or piece of paper; or what have you. I do not mean that it has to be figurative, but that it should carry the weight & conviction of a soul. Then if it is any good, the viewer will either love it, or hate it. & this is what I am after." pedro ...

    Michelle Daly - I am interested in capturing moments often felt more strongly then seen. This idea has taken many forms in painting, drawing, making, and living. Paintings here include a series of works that strive to articulate a tenuous balance between process and finished artwork. I approach each painting as a dialogue with no preconceived intention. I use a combination of found and invented shapes that reference both geometry and the natural world. I build the compositions in layers, reworking the surface, adding and deleting information. This process continues until I find the moment when the work is resolved, but just barely. I am searching for the place with each painting when the process is still evident, yet there are moments that are unconventionally beautiful. This idea has lead me to begin a series of smaller works that seek to explore the more narrative quality of abstract painting. I view each work as a fragment or short story, building together into something that is perhaps more. I am also exploring ideas of noticing space in a series of drawings known as "the space between" These drawings take negative space as their subject matter, and look for deeper interest in the way such ...