Digital Drawing Art

Page 4 of 4
Charles Frederickson, Li Su, Vance Pooyouma offering original Digital Drawing artworks.


Contemporary Art / Drawing Categories / Digital Drawing / Previous / Next
Charles Frederickson: 'surreal portraits', 2014 Digital Drawing, Surrealism.
Surrealism - Digital Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Li Su: 'sun flower', 2008 Digital Drawing, Impressionism.  van gogh ...
, 2008
Impressionism - Digital Drawing
38.6 x 50.4 inches (98.0 x 128.0 cm)
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Li Su: 'still life', 2006 Digital Drawing, Still Life.  flower vase, shadow, ...
, 2006
Still Life - Digital Drawing
9.4 x 14.1 inches (23.9 x 35.8 cm)
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Vance Pooyouma: 'bighorn sheep dancer', 2023 Digital Drawing, Indiginous. With so many figures in the pantheon of my Hopi Religion, certain ones always carried a particular mystical resonance and left that impression on me growing up. The  pavaang  or bighorn sheep dance that is held at my village   Mishongnovi or Second Mesa  on the Hopi reservation, was one that ...
Indiginous - Digital Drawing
8 x 11 inches (20.3 x 27.9 cm)
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Vance Pooyouma: 'howenai mana', 2023 Digital Drawing, Indiginous. Howenai Mana is a detailed illustration of how my tribe  Hopi tribe of Arizona  dresses the female dancers during a special war dance ceremony that rarely happens on my reservation. ...
Indiginous - Digital Drawing
8 x 11.5 inches (20.3 x 29.2 cm)
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(Page 4 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Li Su - I was born in 1963 and now live in the bustling city Beijing, China. Even as a child I had loved to draw and I became fascinated with painting in high school. I never attended any art school. My initial attempts at self-learning focused on trying to replicating masterpieces of famous artists. Early in my career, my drawing style was deeply influenced by Chinese watercolors and ink paintings. Later I drew inspiration from exhibitions of traditional Chinese painting at the Forbidding City. I was attracted by landscape painting that used strong black lines, ink wash, and sharp, dotted brushstrokes to reflect the towering mountains and rocks in Northern China, and by the softer and rubbed brushwork to present the rolling hills and rivers of peaceful countryside in Southern China. I was also interested in the painting of delicate flowers and birds with fine brushes. Since China adopted an open policy in 1978, I had more and more opportunities to see painting from Europe and America, and absorbed knowledge from different styles of painting, including classicism, impressionism, abstraction, expressionism, realism and even pop art. I have come to appreciate that creation is truly the soul of art. In 1996, I ...