Artists Describing Their Art:
Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...
Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...
George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...
Noel Stavropoulos - There is great power being an artist. They have influenced and recorded every culture's histories. Much of our knowledge of ancient and modern history today is taken from artifacts (art-i-facts). To have the ability to translate the growth of our civilization today is a gift. I want to give future generations tangible evidence from their history to contemplate and compare to the world we built for them, all the good times as well as the bad. They may learn from our mistakes and take the human race another step in the eternal journey of progression toward "Unity." I seek exhibitions in different countries and cities around the world. This allows me to see how wide, or limited my visual vocabulary really is. Not just from one cultural point of view, but from the masses of the Earth, the people. I then learn from the "Earth's Public" what ideas to expand or abandon. However, in the end, I am still the one who decides the direction of my works. When I create works I am conscious of the world around, so political and social undertone is imminent. I don't think about this while I'm working...
Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....
Marc Crisafulli - Born and raised in suburban Maryland, I enjoy the freedom my computer allows me to take freelance work from all over the country. In 1992 I was offered a position on the original "Ren & Stimpy Show" at Spumco in Los Angeles. Other animation studios I've worked for have included Cartoon Network, Klasky Csupo, and Walt Disney TV Animation. I like the speed and precision programs like Adobe Photoshop can offer me, but that hasn't stopped me from working with traditional materials on a regular basis, including brush and ink, watercolor, colored pencils, and gouache. For many years I've been developing several original concepts and characters for a variety of venues and mediums. I did a great deal of illustration for the book Rough Draft: Pop Culture the Way It Almost Was...some examples of the Dr. Seuss work I did for the book can be found at the link below. Other illustration clients include The New York Press and several record covers for The Kung Fu Monkeys. While classic Hollywood cartoons have greatly influenced both my style and sensibilities, I readily admit to also being fascinated (and greatly inspired by) most popular culture, human behavior, children, ...
Sandro Bisonni - SANDRO BISONNI lives and works at Appignano Mc, a small town of the Marche, Italy. He attended the Art Institute of Macerata, where he graduated in Decorative Painting under the guidance of maestro Riccardo Piccardoni from Urbino, then a degree in Contemporary Philosophy, Philosophical Aesthetics following courses required by the important contemporary philosopher Giorgio Agamben University of Macerata. Since 2008 began exhibiting in major galleries in Manhattan NEW YORK, such as the AGORA GALLERY in Chelsea, and the BROADWAY GALLERY in SoHo where she is attending a major exhibition of Avant-garde with the English Sculptor Jane McAdam Freud and the famous Chilean Painter Freddy Flores Knistoff entitled LURE, curated by Basak Malone. The same year one of his works Angel of New York is published in the American Magazine NYARTS INTERNATIONAL MAGAZINE. Formation of Bisonni philosophical underpinning these subtle concepts. Mainly influenced by the American painter William Congdon, Sandro Bisonni is a vibrant voice and moving. He offers us a surprising approach, which includes in his works is the real imagery. Bisonni does not allow us to hesitate inviting us to enter into the world he creates, unknown, but possible cit.AGORA GALLERY, New York, 2008 In Europe he ...
Adib Fattal - I believe that before anything art should bring happiness to the viewer . Life has alot of misery in it , so it is the artist duty to make people happy . Secondly , I believe that an artist must have his own unique style which I feel should differentiate him totally from another artist . In my view , I would even say a particular style is more important than what and how an artist paints . His style has to be so strong that the viewer should immedietly recognize the artist ....
Phillip Flockhart - STATEMENT It has been said of my work Spanish Radio Interview 2005 that is is very ecclectic. This is true but I find the world and life so rich in texture, colour and drama and dare I say ecclectic in its amazing diversity, that I fail to see how I could respond as an artist any other way than I do. Having said this, I must add that my art philosophy is actually always present in the content of my work, although themes come and go and reflect other areas of my life- for instance I have been a street drugs worker since 1976 and an art educator facilitator in formal education and in the wider community for many years and these experiences have coloured and influenced the themes of my art- yet if examined the content of the work remains as it has for 35 years now- the attempt to disseminate the picure plane, with colour, real time space CollageRelief, imagery or optical device perspectiveopto-kinetism, to reveal the magic that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings invited the viewer to step within the work ......... for when we ...
Darren Baker - Profile Royal Artist &...
Nicole Pereira - NICOLE PEREIRA Nicole Pereira is a young rising artist who started producing artwork at the young age of 4. Nicole noticed that she had a gift for art when her artwork was selected in her local public school and community art competitions. The local press also started raving about Nicoles work. With encouragement from her family and friends, Nicole now devotes all of her free time to paint abstract portraits that express her feelings and emotions. Originally, she started drawing realistic portraits of individuals and celebrities, but felt that she wanted to add more. By careful reinterpretation of the portrait, the use of broad brushstrokes and vivid colors, Nicole conveys her thoughts, feelings and emotion to the canvas to create unusual artwork. Nicole is just beginning to get recognition in the art world as a gifted and unique artist and her potential is unlimited....