Artists Describing Their Art:
Pamela Stirling - I love breathing life into portraits seeing them come alive with each stroke of the pencil, then seeing the pleasure they bring to people. I am interested in producing only the very highest standard of work that is true to the character of animal or person. I want the owners of my art to be more than happy, I want the portrait I produce for them to be one of their most treasured possessions. I only produce a limited number of works because I take time to capture the character of the subject....
Tracey Carmen - Ballet is an aesthetic artform in itself and my aim is to capture this beauty and communicate it through the medium of pencil and paper. Ballet can then enter people's homes and be a little slice of beauty on the wall!...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Enaile D. Siffert - Most of my inspiration comes from nature, literature, movies, music, mythology and folklore. My artwork goes from stylized to realistic and from fantasy to classic themes. I work with several mediuns: oil on canvas, graphite, soft pastels, pen and ink, watercolors, colored pencils, etc.
Vagik Iskandaryan - Every artist dips his brush in his soul, and paints his own nature into his pictures. " Henry Ward Beecher" An artist's painting becomes reare evidence of his inner unseen world. As time progresses that unseen world changes and so does his art. For me, the process of creating vital art is mainly a search and contact with the mystical or it could be the real experience of the mystical world. It is the way of discovering true beauty. The creative process itselfe brings me a sense of fulfillment and that is what I find to be so exciting and enjoyable. An artist should always strive for perfection because the perfection is the atribute of beauty that is the path he has chosen. Nothing should stop him until he can taste the nectar of perfect masterpiece. Then, he can fall in love not only with his art, but also the unseen world from where the real art manifest itself. My paintings are composed of figurative and abstract melodic forms. I called them the inner landscapes The second is pure abstract But the main source of my inspiration, knowledge and experience in art, I have obtained through my wonderful relationship with ...
Camacho Mercilla - San Francisco born Artist Mercilla Camacho. Is a fine artist with a background in science.she studie art and design at City College in San Francisco.After College. She put art on hold to rise a family.Doing this time she volunteer her time designing muals and poster for local school s.And has work on commission .After moving to Sacramento ca. she sold work at crafts and art shows. Where she has won several awards and has been featured in the Sacramento Bee and on channel 6 and 3. She also has been featured in groups and solo shows ...
Megan Archer - I am investigating issues surrounding the presupposed ideas of beauty, style, and glamour. My work focuses on the exterior properties of a subject as it perhaps masks inner turmoil. Costume, pose, and stance tend to identify a type rather than describe a person, and my portraits are of social products. To put make-up on a child, and to turn him/her into an adult's static conception of what childhood means, denies the authenticity of the nature of a child and is inherently artificial: the notion of wholesomeness is perverted by the manipulation and marketing of this artificial image. Society's obsession with eternal youth manifests itself into the performing child. While pictures of posed'stars' exude a vacuity which appear less than human, at the same time we have a sentimentality towards our pets - projecting human qualities on them. I focus on the image and loss of identity in order to describe a kind of compelling yet disturbing beauty that I see. I magnify the visual and encourage my own technique to evoke a sense of history in relation to contemporary culture such as in traditional portraiture. By doing this, I am hoping to create a sense of ...