Artists Describing Their Art:
Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,
Darrell Ross - I am presently doing small painting on paper and large canvasses of abstract figures. I've always been interested in having a viewer confront the nondescript figure and respond to the pose and gesture. Also I am involve with a local non-profit artist in residence known as The BRIAR. A multi-function space of studios, artist lofts, classrooms, music rehearsal space, retail gallery and a state-of-the-art recording studio for music and video. Thank You www.darrellross.jigsy.com...
Terri Cabral - Artists Statement I am a painter of people, animals and the natural world. I strive in my painting to reveal the unique essence of each of my subjects through the distillation of light and color into recognizable form and substance. I continue to be greatly influenced by my uncle, Cuban Vanguardia painter Antonio Gattorno. He was known for his versatility and his ability to paint masterfully in a variety of styles. I am constantly experimenting with styles and developing my sense of versatility. ...
Mary Hatch - Mary Hatch has had a strong interest in art beginning painting and art classes when she was twelve, and visiting the Dallas Museum of Art, and A The Chicago Art Institute regularly made an impression on her style by seeing famous paintings. She studied art at UT Arlington, and transferred in her junior year to the Architecture department from the Art department, graduating with a Bachelor of Science in Architecture and is a Registered Texas Architect and Interior Designer. She additionally studied printmaking at TCU and the University of Dallas. Seeing other museums also created a great love for art including the Kimbell Art Museum, Louvre, Prada, Kunsthistorisches, Ufizzi, and The National Gallery. In the late 70s, she participated in multiple gallery art shows, university exhibits and Dallas WomanaEURtms Caucus of Art and Texas Visual Artist competitions. In the mid 80aEURtms she attended an Adams Middleton Gallery, Dallas, TX, art show for the abstract expressionist, Herbert Ferber, at his art exhibition. His vast canvases with sculptured facade inspired her to paint large. In the 90's, the New Mexico Series was inspired by the Southwest and multiple trips to Santa Fe, NM. During 2006-2009, she was painting seascapes ...
Mary Hatch -
Aleksandar Janicijevic - I have been developing this project [urban squares] since july 2001. it consists of an intensive collection of urban square images. the photos have been taken in more than 15 countries, stitched together as 360Es panoramas and prepared in two formats, a quicktimeVR that can be viewed as an interactive movie, and some of them in a version prepared for printing at up to 20" x 150". as an integral part of this collection a classification system was developed. there are two parts to this system: categories of the types of squares and an evaluation method. by classifying and then analyzing the elements of a square, I slowly began to realize that there is a similarity between the city and a living organism. we can treat cities as entities with collective intelligence and, with the same analogy, we can recognize a system by which the urban space communicates with us. the square, as a city's "heart and soul", has the most to say, so recently I concentrated my artistic exploration on the language of urban squares. the vocabulary of urban squares is part of a complex language of art; it is a dialect with very specific characteristics. elements have ...
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...
Ron Berry - I draw because it is pure excitement to watch a figure come to life or to see a structure begin to come "off the paper." My intent is to produce a rendering that is realistic, detailed and accurate. I choose subjects because I have some emotional connection to them. I simply want the viewer to experience the impact of the figure, the structure, the scene. I leave it to the great artists to make us think about the human experience. I do have great admiration for the words attributed to Michelangelo " that he saw the angel in the marble and carved until he set the angel free." Would that we all could see that angel, as accurately as he. Whether I am a realist or a naturalist or a representational artist, the beauty for me, is that art that attempts to present the image as a realistic rendering of the object, figure or scene.As my artistic process continues to mature, the realism, detail and accuracy of the images should continue to develop as well. Meanwhile, the attempt to bring a realistic, detailed and accurate image to life is itself the magic. ...
Durlabh Singh - Sice R.Mutt's urinal, visual art in the western world has suffered a shock & a decline.It has become mere conceptual & has gone back to literary traditions of making statements.Abstraction has become a puritan's attitude of non-depiction of human body in a dignified form.My art is a sort of revolt against this kind of pseudo-intellectualism. My art takes account of both biological & metaphysical aspect of human body.It is a breakthrough to new levels of reality creating significant forms necessary for development of human spirit. I welcome any suggestions or comments regarding my work. If anyone is interested in buying please contact me.Main aim of my art has never been financial gains. I have exhibited all over the world including India, Kenya, Helsinki, Paris, London & New york etc.My work is in private & public collections incliding Ministry Of DefenceLondon & Horniman Museum London....
Seiglinda Welin - i liked what you can draw on paper its hav ing something you like on your walls its a 1 off item not mass produce and not costing an arm and a leg be it a nude to astill life art is not about who painted it but about the people who buy it,like it buy it, you have a choice my birth name is sieglinda but have always used the name linda and sighed my name as linda Im a self taught artist have been drawing since i was 15 have cover many mediums oils,watercolours, pastels,but always come back to pen&ink have shown and sold my work around australia my prints of the kalgoorlie pubs have gone over the world i try to sell the work not for the money not for, hay look how good i am , not to make an impact in the art world its just for supplies so i can keep learning i belive art should not or be dictated to by the chosen few, because they say so , art should be your choice if you like it buy it its call free choice ...
Jyoti Puri - The smell and feel of colors seeps and soaks me in my own drawings. What a pleasure it is to be able to draw and express. A Gods gift indeed. Drawing a human figure inspires and gratifies me like nothing else. I do compose poetry in Hindi on and off. But like drawing poetry does not flow very often. I have traveled to varied destinations and thus got exposed to art, craft and literature of different countries and lands. It helped me to collect lots of experiences and in sight into different cultures and living styles. Stories of lives being played out can be told in long essays or, as I choose, in sketches and drawings. I have sought to express on paper with certain shades of dark and light charcoal and ink, a few strokes - figurative, architectural - to offer a glimpse into the lives of people I saw. Whether it was during long walks in Vrindavan or Gwalior or in the fast-paced Mumbai, I became aware of the many stories that people's lives tell. I realized the strength and survival instinct not only of people but also of places I came across. Even a peeling wall or ...