Drawing For Sale - Price Range: $1000 - $1999

Page 3 of 9
Discover 234 original drawing artworks for sale between $1000 - $1999. Contemporary emerging artists: Mikhail Priorov, Peter Illig, Chary Castro-marin, Douglas A. Kinsey, Nicole M. Mathieu, Robb Scott, Antonio Trigo, Elena Zhogina, Alejandro Jake, Xesko - Francisco Santos, Novica Djenic, Ken Hillberry, Dennis Rennock, Kiddolucas Lee, Bert Menco, Augie Nkele, Nora Meyer, Oleg Lipchenko are exhibiting their affordable original art. You can buy artwork online and browse 9 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mikhail Priorov: 'Woman with a Child', 2013 Other Drawing, undecided.  Woman with a Child ...
undecided - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Peter Illig: 'Submersion', 2012 Charcoal Drawing, Figurative.
, 2012
Figurative - Drawing
72 x 42 inches (182.9 x 106.7 cm)
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Chary Castro-marin: 'Somos Novios', 2011 Pen Drawing, Birds.   Pajaros imaginarios contemplando la noche.  ...
Birds - Drawing
40 x 50 cm (15.7 x 19.7 inches)
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Douglas A. Kinsey: 'As If Things Were Less Spoken Of  5', 2012 Charcoal Drawing, Abstract.      large format charcoal on paper     ...
Abstract - Drawing
42 x 52 inches (106.7 x 132.1 cm)
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Douglas A. Kinsey: 'As If Things Were Less Spoken Of  4', 2012 Charcoal Drawing, Abstract.     large format charcoal on paper    ...
Abstract - Drawing
36 x 42 inches (91.4 x 106.7 cm)
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Douglas A. Kinsey: 'As If Things Were Less Spoken Of  3', 2012 Charcoal Drawing, Abstract.    large format charcoal on paper   ...
Abstract - Drawing
42 x 52 inches (106.7 x 132.1 cm)
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Douglas A. Kinsey: 'As If Things Were Less Spoken Of  2', 2012 Charcoal Drawing, Abstract.   large format charcoal on paper  ...
Abstract - Drawing
36 x 42 inches (91.4 x 106.7 cm)
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Douglas A. Kinsey: 'As If Things Were Less Spoken Of 1', 2012 Charcoal Drawing, Abstract.  large format charcoal on paper ...
Abstract - Drawing
42 x 36 inches (106.7 x 91.4 cm)
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Nicole M. Mathieu: 'Lying on the back', 2004 Other Drawing, nudes.  naked French young woman lying on her back done with sanguine ( red chalk) on white canson paper.                        ...
nudes - Drawing
65 x 50 cm (25.6 x 19.7 inches)
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Robb Scott: 'The Kid is Good', 2010 Pencil Drawing, Sports.  This is a limited edition pencil drawing of Sidney Crosby. 87 prints were created and each was hand signed by Sidney Crosby and myself. Each comes with a certificate of authenticity from Frameworth. ...
Sports - Drawing
24 x 32 inches (61.0 x 81.3 cm)
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Robb Scott: 'Make It Happen', 2012 Pencil Drawing, Sports.  This is a limited edition pencil drawing of Michael Jordan. 72 prints were created and each was hand signed by Michael Jordan and myself. Each comes with a certificate of authenticity from Upper Deck. ...
Sports - Drawing
32 x 16 inches (81.3 x 40.6 cm)
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Antonio Trigo: 'Baile IV', 2011 Other Drawing, People.
, 2011
People - Drawing
70 x 50 cm (27.6 x 19.7 inches)
Antonio Trigo: 'Baile III', 2011 Other Drawing, People.
, 2011
People - Drawing
70 x 50 cm (27.6 x 19.7 inches)
Antonio Trigo: 'Baile II', 2011 Other Drawing, People.
, 2011
People - Drawing
100 x 70 cm (39.4 x 27.6 inches)
Antonio Trigo: 'Baile I', 2011 Other Drawing, People.
, 2011
People - Drawing
100 x 70 cm (39.4 x 27.6 inches)
Elena Zhogina: 'Tapeur', 2010 Charcoal Drawing, Movies. This drawing was made in the memory of a famous Soviet actress Faina Ranevskaya. In my opinion she was one of the greatest actresses of all times. However due to her straight forward nature and soviet regime constraints she played only in episodes of movies and not enough in the ...
, 2010
Movies - Drawing
42 x 59 cm (16.5 x 23.2 inches)
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Alejandro Jake: 'Native American Art', 2009 Other Drawing, Culture.  A Custom artwork i did and my best work of an cow skull with a touch of native american culture added to it and embeded with three heads of an Eagle, Wolf, and Elk, also showing a background scenary of an forest. ...
Culture - Drawing
18 x 26 inches (45.7 x 66.0 cm)
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Xesko - Francisco Santos: 'Vital Force', 2007 Pencil Drawing, Undecided.
Undecided - Drawing
40 x 30 cm (15.7 x 11.8 inches)
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Novica Djenic: 'konflikt or konfrontation, bw, 4 of 9, second view', 2006 Other Drawing, Abstract.   - ! ! ! ONE of NINE ( serial) WORKS that goes together- ! ! ! each work is made to be viewed from more than one angle ( turn 90deg on right/ left for example)- for more info or examples send an E- mail   ...
Abstract - Drawing
55 x 53 cm (21.7 x 20.9 inches)
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Novica Djenic: 'konflikt or konfrontation, bw, 4 of 9', 2006 Other Drawing, Abstract.  - ! ! ! one of nine ( serial) works that goes together- ! ! ! each work is made to be viewed from more than one angle ( turn 90deg on right for example)- for more info or examples send an E- mail ...
Abstract - Drawing
54 x 52 cm (21.3 x 20.5 inches)
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Ken Hillberry: 'Daily Bread', 1999 Pencil Drawing, World Conflict.  Albanian refugees, during the conflict in the MIddle East, had to endure day to  day crossfire and untold hardships. ...
World Conflict - Drawing
22 x 28 inches (55.9 x 71.1 cm)
Dennis Rennock: 'Fabulous', 1997 Pencil Drawing, People.  Fun on Miami Beach ...
, 1997
People - Drawing
18 x 30 inches (45.7 x 76.2 cm)
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Kiddolucas Lee: 'BOUND  1992', 1992 Pencil Drawing, Figurative.  Art of Kiddolucaslee ...
, 1992
Figurative - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Kiddolucas Lee: 'Earliest Light is Beautiful   2008', 2008 Pencil Drawing, Figurative.  Art of Kiddolucaslee ...
Figurative - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Bert Menco: 'Creation', 1996 Pencil Drawing, Fantasy. Genesis, kind of ...
, 1996
Fantasy - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Augie Nkele: 'Sitting Woman with child', 2002 Other Drawing, Figurative.  Etching on painted aluminum panel ...
Figurative - Drawing
44 x 60 inches (111.8 x 152.4 cm)
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Nora Meyer: 'A Hard Days Night', 2008 Pencil Drawing, Still Life.  graphite pencil on paper ...
Still Life - Drawing
14 x 11 inches (35.6 x 27.9 cm)
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Nora Meyer: 'Dirty Job', 2008 Pencil Drawing, Interior.  graphite pencil on paper ...
, 2008
Interior - Drawing
13 x 13 inches (33.0 x 33.0 cm)
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Oleg Lipchenko: 'Improvisation 9', 2001 Pencil Drawing, Surrealism.  The improvisation drawing begins from the random thought and continues following the process of thinking. Sometimes it stops, sometimes - bursts in several directions, leaving on paper lines, spots, images. Memories, something taken from books or movies become the matter of drawing. ...
Surrealism - Drawing
16 x 12 inches (40.6 x 30.5 cm)
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Raymond Shumeliov: 'Consciousness', 2008 Pencil Drawing, Abstract.
Abstract - Drawing
21 x 29 cm (8.3 x 11.4 inches)
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(Page 3 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Mikhail Priorov - Born in Yaroslavl in 1959, Mikhail Priorov studied at the Art School from 1973 to 1977 and graduated from Moscow Art College in 1982. He pursued his artistic training at the famous Stroganoff Art University, graduating in 1987 when he began to work at the Zagorsk Artistic Fund. That same year Mikhail joined the International Federation of Artists. Since 1981 Priorov has participated in numerous local, national and international exhibitions. Solo exhibitions include ACTION, Moscow in 1998 ; Moscow Artists on TV, also in 1998 ; Noise Club in 1997, as well as RT Gallery for the Arts and the Winter Nights Festival. In 1996 he showed at the Russian Division of Culture; in 1995 at Chaffee Center, Vermont, USA; and in 1993 at Chasse Loup-Laubat 17, Paris. In 1987 he began combining painting with tapestry design and mural work. A considerable part of his work is devoted to musical cycles, totaling thousands of pieces no two of which can be called identical. No matter how many times the artist returns to the chosen theme, he never fails to be innovative, conveying endless compositional variations. Strong attachment to his national heritage and traditional Russian icon painting greatly influence his work. In ...

Peter Illig - I look for images that are metaphors for our life experiences: love, desire, and making art. These paintings and drawings contain narrative content and ask questions about social issues and the swirl of images we are surrounded by. Once, the task of the artist was to portray and interpret the 'real world.' Now it is to determine if there even is a reality behind the appearance of things. It appears, more and more, that reality is created by observation. This search through the 'stuff' of the world, matter and flesh, is inherently erotic. So is the act of painting. The material world pulls at us and it seems we are always troubled with desire for it. It is our essence; we seek the spiritual through it. The visible world is the key, the path, to the invisible world. But it is 'desire' that clouds the seeking. I don't renounce matter but immerse myself to find the spiritual behind it. The edges of things and places interest me, the transition areas. I have been thinking about the 'inter-connectedness' of things, the Uncertainty Principle, the fact that there may be no'deep reality' underneath the appearances of objects, that traces ...

Chary Castro-Marin - CHARY CASTRO-MARIN Artist's Statement I focus mainly on the theme of the particular piece and the communication of my feelings. These are my essential tools to connect with the viewer. By assuming the canons with which he or she is familiar I aim to create an atmosphere of empathy where a comfortable dialogue can ensue. As is obvious the relation with the viewer is crucial for me, my basic goal, since I consider myself merely a magic- maker. I begin by choosing a technical solution that seeks to manifest itself. In general I believe that's what painting is: the ideal vehicle to suggest illusions, hints of something that wants to be but that is only shapes and colors. The longing of all these years living outside of Cuba has marked me in profound ways, in diverse ways: from the language--the words themselves--the culture, the ethos. Through my work I metabolize the spaces that surround me and my vital experiences, the early life stages in Cuba and later here in the United States, first in New York and then in Phoenix. Living in these two American cities with very distinct and different identities and habits also...

Douglas A. Kinsey - When looking at my work the viewer should consider them as configurations of spiritual geography. In this manner I refer them as "Interior/Exterior Landscapes". The primary blue shape will refer to geological forms found in geographical landscape. As such they mark unspoken borders much like a rock cairn would. This marking indicates a place of spiritual solace and point of reflection. My intention is to explore the subconscious symbols of an'interior' spiritual reality when consecrated by the borders of'external' physical reality. ...

Nicole M. Mathieu - Difficult to talk about art as one should, first of all, feel it. What is more fantastic that listening to a piece of music, reading a novel or seeing an artwork which will transport you deeply inside. For me, Art is not a duplication of what one sees, it should transcend it. My portraits were done in this sense trying to transpose the invisible part of the model. In my recent oil paintings, I try to give sounds with colors which reflects life itself and will remind you of things that seem familiar. Last December 2011, I moved to a beautiful art studio in Paris (near Place d'Italie) and you are welcome to visit my atelier while on vacation. Please call me before at 00 33 (0)663528344 ...

Elena Zhogina - I am a self taught artist in love with what I do. I love research into form, color, texture, styles and fantasies. I am a self-made artist. In contrast to classical school of painting I use intuition and feelings to express myself. For me the world of painting allows to find my own way of self-expression and reveal my true personality. Some paintings start from one idea but with time discover to me new things. They bring harmony and happiness into my life. I am focused on drawing/painting portraits/people and various types/styles of motion. There are several symbolism works in my portofolio describing certain period of my life and my reflections thereon. Its a pleasure to share it with you ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...

Nora Meyer - I paint what I feel, what I imagine, what I'm reminded of, what I see and live. Some times I take a classic and rethink it. Some times my drawings are of every day items and the appreciation of their souls and their quiet drama. I find beauty in the patterns of shadows, the light and the darkness, the forms created amongst another. ...

Oleg Lipchenko - What about an art? Probably I'm not an artist - just a musician without a voice. And what I'm using for singing - paint and canvas. It's pretty much like singing. Sing a song when you want, when it's singing itself, when your voice is just following the inner melody. That's an Art what I call it. . . . . . About an inspiration. Art is very personal thing. Artwork, being inspired of something, could touch or induce a personal response in someone, and who knows will it be related to the source inspiration. My latest works are primarily much more abstract, sometimes absolutely abstract. This character of my painting doesn't depend of what I like or what I don't like in art. I'm not a special fan of abtract art or realism, but I hate statements, programs and manifests in art. It goes as it goes, or at least it should. If you ask me what style or the direction my paintings belong to, the question doesn't make much sense to me. Directions and styles are just labels or stamps which help dealers to pack and sell art. I like such words as Realism, Surrealism, Abstract...