Drawing For Sale - Price Range: $700 - $799

Artists Describing Their Art:

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

Sandro Bisonni - SANDRO BISONNI lives and works at Appignano Mc, a small town of the Marche, Italy. He attended the Art Institute of Macerata, where he graduated in Decorative Painting under the guidance of maestro Riccardo Piccardoni from Urbino, then a degree in Contemporary Philosophy, Philosophical Aesthetics following courses required by the important contemporary philosopher Giorgio Agamben University of Macerata. Since 2008 began exhibiting in major galleries in Manhattan NEW YORK, such as the AGORA GALLERY in Chelsea, and the BROADWAY GALLERY in SoHo where she is attending a major exhibition of Avant-garde with the English Sculptor Jane McAdam Freud and the famous Chilean Painter Freddy Flores Knistoff entitled LURE, curated by Basak Malone. The same year one of his works Angel of New York is published in the American Magazine NYARTS INTERNATIONAL MAGAZINE. Formation of Bisonni philosophical underpinning these subtle concepts. Mainly influenced by the American painter William Congdon, Sandro Bisonni is a vibrant voice and moving. He offers us a surprising approach, which includes in his works is the real imagery. Bisonni does not allow us to hesitate inviting us to enter into the world he creates, unknown, but possible cit.AGORA GALLERY, New York, 2008 In Europe he ...

Sandro Bisonni - Nicole M. Mathieu - Difficult to talk about art as one should, first of all, feel it. What is more fantastic that listening to a piece of music, reading a novel or seeing an artwork which will transport you deeply inside. For me, Art is not a duplication of what one sees, it should transcend it. My portraits were done in this sense trying to transpose the invisible part of the model. In my recent oil paintings, I try to give sounds with colors which reflects life itself and will remind you of things that seem familiar. Last December 2011, I moved to a beautiful art studio in Paris (near Place d'Italie) and you are welcome to visit my atelier while on vacation. Please call me before at 00 33 (0)663528344 ...

Dimitri Lazaroff - Like most artists, I work with non-verbal medium - drawing, painting, sculpture etc. - that attempt to convey things which cannot be even remotely described in words. And thats the trouble when being asked to write an artists statement. How one explains that heshe is trying to communicate the unexplainable, things that transcend verbalizing, aspects of existence or glimpses into certain conditions, the occasional insights Artists statements are not really feasible and are bound to be misleading....

Bodo Gsedl - In my works - portraits of individuals, surroundings and music - my goal is to catch what can not be seen at a glance. What is behind the image of a person? How can I make music visible? My art has to be explored. There is always something behind the first impression. ...