Fiber Art

Page 1 of 4
Candice Rongyu, Andree Lisette Herz, Kichung Lizee, Terri Higgins, Sharron Parker, Hye Shin, Sandi Carpenter, Kathie Freeman, Irina Fomina, Aryana B. Londir offering original Fiber artworks.


Contemporary Art / Fiber / Previous / Next
Candice Rongyu: 'flower series', 2019 Fiber, Floral. Introduction of Craft: Hand- made Embroidery, It is a more than 2000 years traditional handicraft combining art and craftFeature of handicraft: The procedure of making is embroider pattern image with various thinness color silk threads on high density silk, satin fabrics or woolen textiles  p. s. the thinnest filament ...
Floral - Fiber
80 x 80 cm (31.5 x 31.5 inches)
Andree Lisette Herz: 'sunny day', 2010 Fiber, Floral.      quilted material , found objects, buttons, on birch           ...
, 2010
Floral - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Andree Lisette Herz: 'pink plaid', 2010 Fiber, Floral.     quilted material , found objects, buttons, on birch          ...
, 2010
Floral - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Andree Lisette Herz: 'happy flowers', 2010 Fiber, Floral.    quilted material , found objects, buttons, on birch         ...
Floral - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Andree Lisette Herz: 'wildflower mystery', 2010 Fiber, Floral.   quilted material , found objects, buttons, on birch        ...
Floral - Fiber
24 x 24 inches (61.0 x 61.0 cm)
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Kichung Lizee: 'Boundless Devotion and Prayer', 2008 Fiber, Buddhism.  gesso and watercolor on fabric, writing Om Mani Padme Hum ...
Buddhism - Fiber
216 x 312 inches (548.6 x 792.5 cm)
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Kichung Lizee: 'Stream of Consciousness', 2004 Fiber, Abstract.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented on curtain....
Abstract - Fiber
56 x 92 inches (142.2 x 233.7 cm)
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Terri Higgins: 'The Elephants and the Moon', 1998 Fiber, Inspirational. The Elephants and the Moon, Aesop' s Fable. Great things may be done by the cleverness of the little to get the better of the big and strong. Fabric, beads, quilted....
Inspirational - Fiber
11 x 16 inches (27.9 x 40.6 cm)
Terri Higgins: 'Androcles and the Lion', 1998 Fiber, Inspirational. Androcles and the Lion, Aesop' s Fable, Androcles removing thorn from lion' s paw. Fabric, beads, quilted, thorn....
Inspirational - Fiber
22 x 20 inches (55.9 x 50.8 cm)
Terri Higgins: 'Women Dancing', 1998 Fiber, Culture. Women dancing with sun. Fabric, beads, leather, quilting....
Culture - Fiber
10 x 10 inches (25.4 x 25.4 cm)
Terri Higgins: 'Women Fishing', 1997 Fiber, Culture. Women fishing offshore with nets. Fabric, quilting....
Culture - Fiber
16 x 13 inches (40.6 x 33.0 cm)
Sharron Parker: 'capturing the light ii', 2008 Fiber, Abstract. A handmade felt wall piece with references to colors in ancient Roman glass  cleanable by vacuuming through mesh  provided . ...
Abstract - Fiber
86 x 45 inches (218.4 x 114.3 cm)
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Sharron Parker: 'Tunic II', 2009 Fiber, Abstract. This handmade felt wall piece is based on the colors of antique Roman glass and the shapes of Roman and Greek tunics. ...
, 2009
Abstract - Fiber
25 x 31 inches (63.5 x 78.7 cm)
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Sharron Parker: 'tunic', 2009 Fiber, Abstract. This handmade felt wall piece combines the colors of ancient Roman glass with the shape of Roman and Greek tunics  it is cleanable by vacuuming through mesh held against the surface  provided . ...
, 2009
Abstract - Fiber
24 x 37 inches (61.0 x 94.0 cm)
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Sharron Parker: 'sanctuary', 2012 Fiber, Abstract. A handmade felt wall piece inspired by abbey ruins  it is cleanable by vacuuming through mesh held against the surface. ...
, 2012
Abstract - Fiber
21 x 21 inches (53.3 x 53.3 cm)
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Hye Shin: 'walk through the path', 2018 Fiber, Abstract. Irish Linen, handmade paper, twigs, paint...
Abstract - Fiber
70 x 70 inches (177.8 x 177.8 cm)
Sharron Parker: 'Perfect storm', 2010 Fiber, Abstract. A handmade felt wall piece made of dyed, unspun wool and silk, with additional yarns. ...
Abstract - Fiber
51 x 40 inches (129.5 x 101.6 cm)
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Sharron Parker: 'deluge', 2009 Fiber, Abstract. Handmade felt wall piece created after a thunderstorm caused the river to rise at a Vermont mill site. ...
, 2009
Abstract - Fiber
35 x 32 inches (88.9 x 81.3 cm)
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Sandi Carpenter: 'My Latin Roots', 2015 Fiber, Abstract.      Hand painted silk tapestry   ...
Abstract - Fiber
24 x 60 inches (61.0 x 152.4 cm)
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Sandi Carpenter: 'Falling Apart', 2015 Fiber, Abstract.     Hand painted silk tapestry  ...
Abstract - Fiber
24 x 60 inches (61.0 x 152.4 cm)
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Sandi Carpenter: 'Spooled', 2015 Fiber, Abstract.    Hand painted silk throw pillow; additional fibers have been added to the silk for dimension.   ...
, 2015
Abstract - Fiber
20 x 20 inches (50.8 x 50.8 cm)
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Sandi Carpenter: 'Sitting in Wait', 2015 Fiber, Abstract.   Hand painted silk throw pillow; additional fibers have been added to the silk for dimension.  ...
Abstract - Fiber
20 x 20 inches (50.8 x 50.8 cm)
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Sandi Carpenter: 'Explotions in Blue', 2015 Fiber, Abstract.  Hand painted silk throw pillow; additional fibers have been added to the silk for dimension. ...
Abstract - Fiber
20 x 20 inches (50.8 x 50.8 cm)
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Sharron Parker: 'Phoenix', 2003 Fiber, Abstract.  A wall hanging made of handmade felt. ...
, 2003
Abstract - Fiber
40 x 28 inches (101.6 x 71.1 cm)
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Sharron Parker: 'Earth Forces', 2003 Fiber, Abstract.  A wall hanging of handmade felt. ...
Abstract - Fiber
76 x 39 inches (193.0 x 99.1 cm)
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Kathie Freeman: 'Bouquet Interrupted', 2012 Fiber, Floral.  This hand woven tapestry was created from odds and ends of yarn left over from other projects. It is hand washable, and has loops across the top for a hanging rod. ...
Floral - Fiber
19 x 25 inches (48.3 x 63.5 cm)
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Irina Fomina: 'The Big Poppy', 2012 Fiber, Floral.   A fiber wallhanging from the project
Floral - Fiber
120 x 55 cm (47.2 x 21.7 inches)
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Kathie Freeman: 'Country Cover', 2012 Fiber, Floral.  Blue and Beige Needlepoint HatThis lovely wall decor is worked over plastic canvas and measures 14 inches in diameter. Perfect for bedroom or family room ...
Floral - Fiber
14 x 16 inches (35.6 x 40.6 cm)
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Aryana B. Londir: 'Compartments 5', 2011 Fiber, Abstract.          abstract, contemporary, multi- colored, graphic, bright colors, quilts, art quilts, wall art quilts, colorful, colors,  texture, textural, textiles, fabrics, fiber, architectural, vibrant, vibrant colors, Aryana B. Londir, Londir, Aryana         ...
Abstract - Fiber
43 x 53 inches (109.2 x 134.6 cm)
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Aryana B. Londir: 'Connections 7', 2011 Fiber, Abstract.         abstract, contemporary, multi- colored, graphic, bright colors, quilts, art quilts, wall art quilts, colorful, colors,  texture, textural, textiles, fabrics, fiber, architectural, vibrant, vibrant colors, Aryana B. Londir, Londir, Aryana        ...
Abstract - Fiber
14 x 22 inches (35.6 x 55.9 cm)
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(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Candice Rongyu - This is a supplier of hand-made embroidery, it has taken nearly 2000 years history. Hand-made embroidery belongs to handicraft, each artwork are making by hundreds and thousands needlework. those artworks not only bring aesthetic enjoyment, but also display a cultural heritage. In order to satisfy different aesthetic demands, we supply bespoke service. If you are interested in and would like to get sample before place an order, please feel free to contact me. Thanks ...

Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

Sharron Parker - As a child I chased butterflies, scrambled over rocks, and read romantic tales of faraway places. Years later, I've studied butterflies and rocks, and traveled to many of the places--the Amazon rainforest, craggy cliffs with castle ruins, remote island beaches--and I've never lost the wonder of them. Yet exotic beauty can be found everywhere. I use the ancient technique of feltmaking not to capture what I've seen directly, but to create something new. The simplicity of the technique--combing, layering, and working dyed unspun wool in hot water until the fibers lock--allows me to work spontaneously, and often experimentally. The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it. ...

Hye Shin - The fiber art pieces I create are not traditional images of landscape as seen from the external environment. They are atmospheric, abstract images mainly focused on expressing a sense of place, or a mood or feeling. My works also involve many dilemmas such as life and death, sorrow becoming pleasure, and adoration versus loathing. When creating, I often take a moment to juggle the values and anticipate the consequences. When I struggle with my life, I am drawn toward Nature, which does not deceive me. It is always genuine, sincere, and tranquil, yet solid; that inspires me with an unabashedly beautiful and poignant dialogue. Thus I combine abstractions, geometrical constructions and transformations in the composition and design of my artwork. To begin, I weave a web and create a grid, and then push the limitations of that grid by adapting and resurfacing with fiber and non-fiber material. On this base, I create the image in contrasts: transparency and opacity, defined edges and amorphous shapes, hairy textures and smooth surfaces, matte and shiny, intense color and subtle hue, light and shadow. In the recent works, I have tried to disclose the process of transformation from an original source of design ...

Sandi Carpenter - Due to my endless curiosity and wide range of interests, my work has evolved over the years. Just as a musician would change instruments to perfect the mood and rhythm created, I enjoy moving from one medium to another, be it French dyes on silk, watercolor or acrylic. I am always hopeful that the magic I feel in creating these images will be felt by the viewer with similar intensity. I believe it is only then that art really lives....

Irina Fomina - I'm glad to meet you at this gallery and I hope you will like my quilts. I've been working in different textile techniques for all my life, but I became interested in art-quilting only several years ago. In our country this art isn't as popular as I'd like it to be so me and my colleagues are spreading it. I take part in various regional, national and European exhibitions, festivals and competitions. My quilted pictures are bought for private collections in Ukraine and abroad. ...

Aryana B. Londir - Aryana B. Londir is an artist whose inspirations emanate directly from her personal growth and the spirituality she embraces on a daily basis. Contrast and balance, harmony and opposition are subjects that she is intrigued by; believing that we cannot live in a world without those elements, her artwork reflects this philosophy. In viewing her work, one notices the distinction between organic and industrial; geometric and flowing shapes, as well as her vivid use of color and texture. Growing up in a rural area of Connecticut, Aryana felt solace in the natural environs of wooded areas, observing how things grew, changed and evolved; how brilliantly the sun shone, how lucid the colors of nature are, and how rapidly a day was able to evolve from dry to wet, grey to bright sky. Her travels to New York City exposed her to a completely different world of geometric shapes in the massive buildings of the city skyline; it is in this space of her imagination that she combines the two contrasting ideologies. My work centers on balance, harmony and the integration of contradiction/contrast and the opposition of themes, color and form. Line as a design element has intrigued me above...