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Cheryl Brumfield-knox, Josef Marek, Daniel Castillo, Mark Stine, Ian Sheldon, Jan Lambert Kruse, Stan Harmon, Zoja Trofimiuk, Greg Gierlowski, Dolores Barrett, Janine Barbour, R H Jannini Iv, Lawrence Tuber offering original Giclee Reproductions artworks.


Contemporary Art / Giclee Reproductions / Previous / Next
Josef Marek: 'Getting along', 2010 Cast Glass, Abstract.   minimalist, contemporary , glass fine art object  ...
Abstract - Glass
15 x 50 cm (5.9 x 19.7 inches)
Daniel Castillo: 'The Fireboat', 2011 Fused Glass, Abstract.   Fused glass sculpture with wooden base.  ...
Abstract - Glass
33 x 33 cm (13.0 x 13.0 inches)
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Mark Stine: 'Peace and Love', 2010 Stained Glass, Peace.  This stained glass artwork pays retro homage to the days of flower power and classic rock posters. It is leaded with 3 different sizes of lead came. The lead, zinc, and solder have all been darkened to a charcoal gray with a chemical patina. The artwork is mounted in an...
Peace - Glass
31 x 23 inches (78.7 x 58.4 cm)
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Mark Stine: 'Peace and Love', 2010 Stained Glass, Peace.  This stained glass artwork pays retro homage to the days of flower power and classic rock posters. It is leaded with 3 different sizes of lead came. The lead, zinc, and solder have all been darkened to a charcoal gray with a chemical patina. The artwork is mounted in an...
Peace - Glass
31 x 23 inches (78.7 x 58.4 cm)
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Ian Sheldon: 'Flurry Twist', 2010 Glass, Landscape.    Kiln- formed, glazed glass   ...
Landscape - Glass
18 x 36 inches (45.7 x 91.4 cm)
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Daniel Castillo: 'FULL MOON', 2010 Fused Glass, Geometric.  Fused glass screen , painted metal frame. ...
, 2010
Geometric - Glass
4.5 x 6 feet (1.37 x 1.83 m)
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Jan Lambert Kruse: 'Acupuncoon', 2010 Blown Glass, Abstract.  Glass blown into metal thread cage with pointed nails on the inside. ...
, 2010
Abstract - Glass
34 x 74 cm (13.4 x 29.1 inches)
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Stan Harmon: 'Intersections of Instinct', 2011 Fused Glass, Landscape.  Kiln formed glass with copper and bronze sculptured stand ...
Landscape - Glass
21 x 35 inches (53.3 x 88.9 cm)
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Stan Harmon: 'When time stands still', 2009 Fused Glass, Landscape.  kiln formd sheet glass with colored glass powder imagery applied dry. No enamels used.  ...
Landscape - Glass
16 x 30 inches (40.6 x 76.2 cm)
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Stan Harmon: 'Into the Light', 2009 Fused Glass, Undecided.  Kiln formed glass sheet with colored glass powder imagery applied dry. No enamel used. ...
Undecided - Glass
22 x 12 inches (55.9 x 30.5 cm)
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Stan Harmon: 'The Watch', 2009 Glass, Birds.  Kiln- formed sheet glass with powder imagery. No enamels used. Bronze and steel wall hanger. ...
, 2009
Birds - Glass
24 x 12 inches (61.0 x 30.5 cm)
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Stan Harmon: 'The Gathering', 2009 Glass, Landscape.  Kiln- formed sheet glass with powder imagery. No enamels used. Steel matting for wall installation. ...
Landscape - Glass
20 x 16 inches (50.8 x 40.6 cm)
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Zoja Trofimiuk: 'WINTER LOVERS', 2004 Glass, Abstract Figurative.
Abstract Figurative - Glass
25 x 45 cm (9.8 x 17.7 inches)
Zoja Trofimiuk: 'SPRING LOVERS, detail', 2006 Glass, Abstract Figurative.
Abstract Figurative - Glass
26 x 45 cm (10.2 x 17.7 inches)
Zoja Trofimiuk: 'SPRING LOVERS', 2006 Glass, Abstract Figurative.
Abstract Figurative - Glass
26 x 45 cm (10.2 x 17.7 inches)
Jan Lambert Kruse: 'Milky way close up', 2007 Blown Glass, Astronomy.  Blown glass iron ...
Astronomy - Glass
312 x 65 cm (122.8 x 25.6 inches)
Jan Lambert Kruse: 'Milky way', 2007 Blown Glass, Astronomy.  83 pieces of blown glass attached on a iron spiral ...
, 2007
Astronomy - Glass
312 x 65 cm (122.8 x 25.6 inches)
Greg Gierlowski: 'My way', 2007 Stained Glass, Abstract.  My life lived my way. Stained glass panel. ...
, 2007
Abstract - Glass
36 x 26 cm (14.2 x 10.2 inches)
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Greg Gierlowski: 'Shoe happiness', 2005 Stained Glass, Abstract Figurative.  Probably shoes have personality passed from their owner. This is the happy oneowned by happy person. Backliutstained glass. ...
Abstract Figurative - Glass
48 x 63 cm (18.9 x 24.8 inches)
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Greg Gierlowski: 'Unrest at dawn', 2002 Stained Glass, Inspirational.   An artwork trying to visualise human feelings and emotions when confronted with wild nature at early dawn. Stained glass artwork to be backlit when framed with newpatent protected Backlit Art Picture method invented to free all translucentartworks from window placement neccessity, thus daylight dependance. Picture shows one of...
Inspirational - Glass
52 x 79 cm (20.5 x 31.1 inches)
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Greg Gierlowski: 'Piano dance', 2007 Stained Glass, Inspirational.  My vision of relations music and dancing. Stained glass artwork framed with newpatent protected Backlit Art Picture display method invented to free all translucentartworks from window placement neccessity. Picture shows one of 16 user definable stages of backlight.  ...
Inspirational - Glass
58 x 78 cm (22.8 x 30.7 inches)
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Greg Gierlowski: 'Genesis', 2002 Stained Glass, Inspirational.  My vision on how it all begun. Stained glass artwork framed with newpatent protected Backlit Art Picture method invented to free all translucentartworks from window placement neccessity. Picture shows one of 16 user definable stages of backlight.  ...
, 2002
Inspirational - Glass
68 x 68 cm (26.8 x 26.8 inches)
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Dolores Barrett: 'Dichroic Slice earrings', 2006 Glass, Abstract.  Layers of laminated dichroic and cobalt blue glass.  counter- balancing 14/ 20K gold earwires ( sterling silver by request) .  Also available in red, purple, teal, or clear glass backings.  1 1/ 2
Abstract - Glass
1 x 2 inches (2.5 x 5.1 cm)
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Dolores Barrett: 'Diapason ', 2006 Fused Glass, Abstract.  Slices of colorful fused glass with 24k gold leaf accents.  14/ 20K gold wire and hand- carved Pyrex spacer beads.   ...
, 2006
Abstract - Glass
7 x 11 inches (17.8 x 27.9 cm)
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Dolores Barrett: 'Ellipsis', 2006 Fused Glass, Abstract.  Intricately carved sections of glass, fused and hand- polished.  Diamond accent with a 14/ 20K gold 18
, 2006
Abstract - Glass
1 x 3 inches (2.5 x 7.6 cm)
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Dolores Barrett: 'Red Corvette Watch', 2006 Fused Glass, Abstract.  Vivid red and gold lusters accent this bold fashion accessory.  Gold tone watch face with rhinestone accents. ...
Abstract - Glass
7 x 1 inches (17.8 x 2.5 cm)
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Janine Barbour: 'Untitled', 2006 Fused Glass, Landscape. FUSED GLASS PAINTINGI paint on one side of the glass then lay another sheet of glass over the painting. I then fire the glass at 1450@F. This process makes what I call a FUSED GLASS PAINTING that will never need retouching and will be on the planet ...
, 2006
Landscape - Glass
9 x 16 inches (22.9 x 40.6 cm)
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R H Jannini Iv: 'Pushing Man Series 01', 2003 Glass, Humor. Sub- Surface Laser Etched Lead Crystal - I always wondered when my WORK in glass would be applicable to my LOVE of glass.  My mainline work in glass is the design of limited edition commemorative dimensional crystal.  Over the last few years this highly technical and precision art has eroded itself ...
Humor - Glass
100 x 100 mm ( x )
Lawrence Tuber: 'Cobalt and Yellow Double Cone Cube Sculpture', 2002 Blown Glass, Abstract. Blown and Cold worked Glass...
Abstract - Glass
9 x 22 inches (22.9 x 55.9 cm)
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Lawrence Tuber: 'Orange and Apple Vessel Family', 2002 Blown Glass, Abstract. Blown and Optical Glass Construction...
Abstract - Glass
9 x 26 inches (22.9 x 66.0 cm)
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(Page 2 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Cheryl Brumfield-Knox - Artist Statement for Cheryl Knox My primary creative interests are nurtured through stained glass, pastel landscapes, jewelry, and the camera. My pastel images are usually of ethereal landscapes, from my imagination. They are often of a place where I'd like to be at that time or of a place I fondly remember. The frames I use for them are made from salvaged wood from structures destroyed by Hurricane Katrina, an awesome discovery. The authentic colors, uniqueness, reward of preserving of a bit of history-someone's life or past-and using these in a work of art, completes the creative circle for me. Of course, I also use traditional frames for pastels, but there is compelling beauty with the Katrina frames. Stained glass is a beautiful medium with endless creative potential. My stained glass images break with convention by incorporating beveled glass and Swarovski crystals into the designs, along with endless varieties of colored glass with their different reflective properties. These add another aesthetic dimension to a sunlit glass design in a window: cascades of rainbows dancing across a room. The interaction of sunlight and incandescent lighting with stained glass works is spellbinding to me. Creating jewelry, as a "...

Mark Stine - Important Note: messages left for me here do not get to me in a timely fashion, so please email me from my web site only, located at

Ian Sheldon - Light and sense of place are key elements that inspire Ian Sheldon to paint. His subject is consequently varied, from the open spaces of his native prairie land, to the abandoned buildings of pioneer homesteads in the North American west, or the dramatic architecture of the cities where he has lived. Ian was born in Edmonton in 1971, and was brought up in South Africa, Singapore and England. While studying for his first degree (BA Hons) at Cambridge University, England, Ian began to paint the historical architecture of the city. Since 1994 galleries have exhibited this work, and in 1998, Cambridge Contemporary Art, the city's leading commercial gallery, accepted his watercolours. The City of Oxford, sharing a similar architectural heritage, has become a recent focus, and his work has been shown by Objet d'Art in Woodstock, England since 1996. Ian makes frequent trips to Britain to pursue his architectural passion. Ian is a self-taught artist, who believes that his true understanding of artistic self-expression will come best through his experimentation with various media over time. He believes that as he ages, the wisdom that he gains with experience will be powerfully reflected in his paintings. Ian ...

Jan Lambert Kruse - Relying on the most basic shapes of the materials, his organic sculptures remind of natural phenomena. In "Milky Way", a swirl of frosted glass bulbs lined up on spiralling metal threads flows in the air. It is surrounded by multicoloured spheres, imitating an imaginary universe. While in this piece the metal plays a supporting role, more complicated forms like the bubbly "Cocoon"-series shape the glass with a cage made of iron threads. The glass is frozen just when it is starting to expand, displaying the restricting forces of metal. ...

Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

Greg Gierlowski - Light has always played important role in my creations. Light comming through translucent artwork interests me and fascinates me the most. Therefore I turned into glass and started to experiment with translucent creations. My admiration for Art Nouveau artists that had created a lot of beautiful everyday-use objects of art resulted in creation of applied arts' objects such as art-lamps. When one has backlight at ones disposal, there's whole new field of artistic expresion - not only on one front surface of glass panel but on two, or even four or more, when two or three layers of glass can be used as a kind of sandwich that builds deeper into artwork for 3D effects. That's what I'm working on now and what's seems to attract international viewers & art-critics more and more now-a-days, to the point of of achieving latest awards and honours ( mainly from Italy....

Dolores Barrett - Glass is my medium and my passion. Ever since I was first introduced to its crystalline forms and iridescent colors, my imagination was consumed. My work primarily focuses on kiln-fused techniques in which many variations of colored and dichroic glass are pieced together in representational as well as abstract objects of personal adornment. This medium for me is an expression of light in solid form. Through constant exploration, I continue to strive to produce pieces with an inner significance, often accentuating my creations with precious metals, gemstone accents, and intricate wire work. Producing art with this vision is my ultimate goal art meant to be worn and enjoyed. ...

Janine Barbour - The visual atmospheres I create in glass grant the viewer the opportunity to discover the environments I explore. I grew up making pottery and glass art with my mother, a teacher of the fired arts. I lived in a hospital for the better part of my first six years of life. Being forbidden from living a normal childhood playing outside and running around was not sad for me because I played through discovering my artistic self. By the time I was in high school being asked what my goal in life is I simply stated my goal was to live on vacation the rest of my life. I explore life and express the vacation atmosphere I live through my glass. I am not looking for fame or glory in the art I create. I am looking to let my creations encourage others to embrace our creative world and to look upon my work and know the imagery comes from a personal experience of mine. When I travel I take very few pictures. I prefer to feel the atmosphere. To me, it is that translation that captures the essence of my adventures. ...

R H Jannini Iv - One of the most interesting things I have learned is that the more I seek to create things that interest me, the more there is to choose from. As such and in life the importance is "focus" - as a compromise of strict focus but in support of my personal desire to design, create and capture the essence of moments and perspective I have allowed myself the opportunity of sharing another side of what I term "my creativity". My focus is cold working large glass castings into faceted sculpture that interacts with light by leveraging air inclusions and stratified layers of transparent or opaque cords. Each piece I cut leverages the unique characteristics of each casting and allows the viewers perspective to change the composition of the each piece. Only a few pieces can be made from each casting, which can be purchased together as described in my "dallo stesso" series. A number of my pieces are cut to leverage direct lighting like natural sunlight or underlite displays. Glass has visual and tactile qualities, which continues to attract me to it. Each day I discover a new appreciation for its characteristics and like any glass artist comes to know, the glass ...

Lawrence Tuber - My Newest work involves blowing a multi layered blank on which I carve intricate decoration. I am using images ideas that I have been drawing since childhood. I am from Mars. I also make multi-vessel sculptures using blown and optical glass components creating families of vessels. I have been a vessel maker for 30 years. heck out my Etsy site at