Indoor Installations

Page 2 of 9
Silviya Georgieva, Mario Holguin, Tirzo Martha, Ana Marini Genzon, Moray Hillary, Frank Shifreen, Elena Osterwalder, Heather Tweed, Alex Potts, Slawomir Witkowski, Moustafa Al Hatter, Wayne Montecalvo, Sylvia Volpi, Eli Baxter, Antuan Studio, Jose Antonio Torregar offering original Indoor Installations artworks.


Contemporary Art / Indoor Installations / Previous / Next
Silviya Georgieva: 'Installation', 2003 Indoor Installation, Interior. With tar- made installation under the title
Interior - Installation
170 x 170 cm (66.9 x 66.9 inches)
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Mario Holguin: 'objetos encontrados1', 2007 Indoor Installation, Conceptual.  La nada y el arte van juntos, de la mano, lo han hecho siempreel silencio, el espacio negativo, sin ellos no podriamos entender el arte los pinceles callan tanto como lo hacen las barras en un pentagrama.El silencio del lenguaje, de la musica y de la...
Conceptual - Installation
0.9 x 2 m (2.95 x 6.56 feet)
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Tirzo Martha: 'Goodbye Caribbean', 2008 Indoor Installation, Conceptual.  What the people consider as the most important to take when leaving the Caribbean ...
Conceptual - Installation
3 x 4 m (9.84 x 13.12 feet)
Ana Marini Genzon: 'Silence II', 2009 Indoor Installation, Conceptual.  Mixed Media ...
, 2009
Conceptual - Installation
0 x 0 inches (0.0 x 0.0 cm)
Moray Hillary: 'Quarantine', 2008 Indoor Installation, Conceptual.  overview of solo quarantine exhibition, atelier am eck, dusseldorf ...
, 2008
Conceptual - Installation
19.9 x 19.9 yards ( x )
Frank Shifreen: 'Doorway to Yes and No', 2008 Indoor Installation, undecided.  Installation at Lehman Hall HarvardDoorway To Yes and No. A rhetorical and theatrical device for decisions, meaning and philosophical problems ...
undecided - Installation
3 x 7 feet (0.91 x 2.13 m)
Elena Osterwalder: 'City Scene', 2008 Indoor Installation, Abstract.  65 pieces of dyed amate paper fastened with clothespins to form cylinders  ...
, 2008
Abstract - Installation
123 x 16 inches (312.4 x 40.6 cm)
Heather Tweed: 'Anubis Schoolboy, Redcliffe Caves', 2005 Indoor Installation, Undecided.
Undecided - Installation
45 x 120 cm (17.7 x 47.2 inches)
Alex Potts: 'Resonance at Artaud', 2008 Indoor Installation, Undecided.  Resonance Sound Installation at Theater Artaud during the San Francisco Electronic Music Festival, 2008 ...
Undecided - Installation
5 x 40 feet (1.52 x 12.19 m)
Slawomir Witkowski: 'Looking for Freedom', 1991 Indoor Installation, Undecided.  acrylic and oil on canvas with neon ...
Undecided - Installation
180 x 140 cm (70.9 x 55.1 inches)
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Moustafa  Al Hatter: 'Different Mentality', 2003 Indoor Installation, Abstract.   Abstract Sculpture Painting  ...
Abstract - Installation
70 x 90 cm (27.6 x 35.4 inches)
Moustafa  Al Hatter: 'Golden  Oasis', 2001 Indoor Installation, Abstract.  Abstract Sculpture painting ...
Abstract - Installation
85 x 124 cm (33.5 x 48.8 inches)
Wayne Montecalvo: 'Church and backdrop from video called giant', 2008 Indoor Installation, Landscape.  Backdrop acrylic paint on Typar with cardboard church. Overall size is approx 10 ft tall 7 ft wide. Church approx 36 in tall 18 wide 20 in deep.  ...
Landscape - Installation
10 x 8 feet (3.05 x 2.44 m)
Wayne Montecalvo: 'TRUCKS installation', 2008 Indoor Installation, Landscape.  Animated video of Trucks including burn barrel television set cardboard garage dvd player and a copy of the video titled TRUCKS. ...
Landscape - Installation
2 x 5 feet (0.61 x 1.52 m)
Wayne Montecalvo: 'buildings', 2008 Indoor Installation, Other.  paper bag city used for animated video piece. ...
, 2008
Other - Installation
18 x 6 feet (5.49 x 1.83 m)
Sylvia Volpi: 'SEDUCTION', 2001 Indoor Installation, Conceptual.
, 2001
Conceptual - Installation
80 x 120 cm (31.5 x 47.2 inches)
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Sylvia Volpi: 'AMBITION', 2001 Indoor Installation, Conceptual.
, 2001
Conceptual - Installation
100 x 101 cm (39.4 x 39.8 inches)
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Alex Potts: 'Resonance Single Speaker', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
32 x 6 inches (81.3 x 15.2 cm)
Alex Potts: 'Resonance Opening at Million Fishes Gallery 2', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
22 x 20 feet (6.71 x 6.10 m)
Alex Potts: 'Resonance Opening at Million Fishes Gallery 1', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
22 x 20 inches (55.9 x 50.8 cm)
Alex Potts: 'Resonance at Million Fishes Gallery 2', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
22 x 20 feet (6.71 x 6.10 m)
Alex Potts: 'Resonance at Million Fishes Gallery 1', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
22 x 15 feet (6.71 x 4.57 m)
Alex Potts: 'Resonance Postcard', 2008 Indoor Installation, Other.  Through a canopy of 100 gourd speakers, form and vibration combine to create a unique sensory experience of enveloping sound and otherworldly song. Entwining the natural resonance of gourds with multi- channel electro- ambient music, this sound sculpture fuses organic vessels and technology in anextraordinary way.   A dynamically changing...
Other - Installation
22 x 15 feet (6.71 x 4.57 m)
Eli Baxter: 'a delicate inquiry into mixed emotions', 2008 Indoor Installation, Undecided.
Undecided - Installation
0 x 0 inches (0.0 x 0.0 cm)
Antuan Studio: 'Derecha Izquierda,  Installation variable dimension', 2008 Indoor Installation, Political.  Installation variable dimension ...
Political - Installation
16 x 72 feet (4.88 x 21.95 m)
Jose Antonio Torregar: 'Domus Vitae Detail', 2008 Indoor Installation, Conceptual.   Installation realized inside the Hermita San Roque hermitage. in Fuente Alamo ( Spain) . This one formed by 200 babies' heads realized in resin of polyester transparent and placed on a great light table , it is a work that he speaks to us about the cloning, the genetic manipulation and the fight...
Conceptual - Installation
120 x 116 cm (47.2 x 45.7 inches)
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Jose Antonio Torregar: 'Domus Vitae', 2007 Indoor Installation, Conceptual.  Installation realized inside the Hermita San Roque hermitage. in Fuente Alamo ( Spain) . This one formed by 	200 babies' heads realized in resin of polyester transparent and placed on a great light table , it is a work that he speaks to us about the cloning, the genetic manipulation and the fight...
Conceptual - Installation
120 x 116 cm (47.2 x 45.7 inches)
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Antuan Studio: 'Derecha Izquierda', 2008 Indoor Installation, Political.  Current political International faces. Punching Bags. Variable dimension. ...
Political - Installation
1.3 x 6 feet (0.40 x 1.83 m)
Moray Hillary: 'backslide', 2007 Indoor Installation, Conceptual.
, 2007
Conceptual - Installation
160 x 170 inches (406.4 x 431.8 cm)
Moray Hillary: 'backslide', 2007 Indoor Installation, Conceptual.
, 2007
Conceptual - Installation
160 x 170 inches (406.4 x 431.8 cm)
(Page 2 of 9) - MORE ARTWORKS

Artists Describing Their Art:

Tirzo Martha - The material doesn't need to be filled with words. It speaks for itself. It is our consciousness that has to translate it for us. My work is a loyal mirror of our societies, a reflection of a fragment from the thin line between fiction and reality. Tirzo Martha 2004...

Ana Marini Genzon - Personal Statement My art is about people and the way they experience their lives. I intend for my artwork to reflect emotions and thoughts. While creating sculptures and paintings, I try to suggest a story, not only of the moment but also of an entire life. Not only of what we can see, but what is invisible to the eyes. Art is always a mirror. That is why it is so powerful. It speaks not only about my subject, but also speaks about my perceptions. In the process of expressing the mood of the subject's substance, I constantly go deep inside myself searching for answers about human relations in this fast and ever changing world. My work is a conversation in color inspired by the intricacies of nature. Through my paintings I explore texture, color and process. Texture is a significant component of my work as my goal is to create a surface, not just paint one. Education Ana studied art at The National Institute of Fine Arts Manuel Belgrano where she earned a BFA and at the National Academy of Fine Arts Pridiliano Pueyrredon in Buenos Aires, Argentina where she graduated with an MFA. Upon her arrival ...

Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...

Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...

Heather Tweed - Heather Tweed Award winning Anubis Other World Tour In her Anubis Other World Tour series of exhibitions, begun in June 1997, Anubis appears in a variety of contemporary guises and settings. These witty, haunting and captivating tableaux play on western folklore's association of the jackal and wolf with aspects of the subconscious. ...

Alex Potts - I make art to engage, delight and intrigue the public. The public's delight should span from the enjoyment of external beauty to a fulfilling pleasure that results from engaging with a meaningful concept. In making art that satisfies audiences on many levels, I strive to seamlessly combine form, concept, architecture, scale, aesthetics and accessibility. I create sound sculptures for intimate and large-scale environments. Each sound sculpture is designed around the characteristics, function and sentiment of the environment in which it is to live. I create scores of subtle ambient sound that fit the environment harmoniously. Additionally, I capture live sound from the environment, distill it to its resonant essence, and mix it into the soundtrack. To the audience's pleasure, the sound sculpture is alive and responsive to its environment. ...

Moustafa Al Hatter - Artist Statement The important change of my pictorial background took place In the Caribbean, I found myself immersed in the tropical light, which suggested an approximation and rediscovering of color, but the big change happened in Egypt I was touched by its great ancient civilizations. Maybe the transformation in Egypt and in the Caribbean was due to the accumulation of remembrances of my travels to different countries all over the world that were finally settled and allowed the technical and stylistic turn of my painting. Moreover I began to capture those magical and mysterious moments of life, from the obvious that can be seen by my eyes, to the visionary that is perceived by my heart and soul. In my work of art, I abandon the representation of reality, and Stay away from mundane affairs. There is an intention to paint from my memory, which gathers and molds the remembrance of travels, promenades in mysterious old civilizations, and in tropical latitudes. The conventional means of expression is put aside, thus allowing spontaneity with the intention of preserving directness and originality of the living experience. I have placed my art into compartments, while maintaining a sense of unity. The small painted ...

Sylvia Volpi - PHILOSOPHY: To be an artist is to be creative, autonomous, conscious, bold... It is to dare and allow yourself the delirium, reach the imaginary, the fantasy, the pleasure, the beauty ... To wish for the real and to wish for the impossible. It's to open wide, through your work, desires, fights and sorrows in a disclosure. The creative process is the product of the hand , the mind, the imagination and of the work, which is motivated by the search for a conquer: THE CONSTRUCTION OF YOUR OWN SELF. ...

Sylvia Volpi -