Inspired by images from vintage photographs, ambrotypes, tintypes and daguerreotypes from the early 20th century pleasure anonymous images. In some cases life-size portraits, mostly charcoal on canvas or canvas aesthetic results following the photography used in the study and this current formalisms themselves, evoking a sense of presence. I propose these portraits in the context of [in some cases] assembly-facility. using furniture, cabinets, wine, clothing, wooden boxes, ect ... These assemblies and installations are informed by the practice of art, "Arte Povera"