Mixed Media Art

Page 13 of 240
Abby Jones, Thor-leif Strindberg, Arturo Martin Burgos, Andrew Campbell, Susan Baquie, Paul Carroll, David Mihaly, Nadhan Ns, Jack Hill, Sepideh Majd, Sedighe Mahdavi, Maria Klimek offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Thor-leif Strindberg: 'Girl in Dress', 2016 Mixed Media, Figurative.
Figurative - Mixed Media
15 x 18 inches (38.1 x 45.7 cm)
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Arturo Martin Burgos: 'the stars and the glory', 2015 Mixed Media, Abstract. Painting inspired on Music. ...
Abstract - Mixed Media
195 x 195 cm (76.8 x 76.8 inches)
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Andrew Campbell: 'andrewcampbell prototypes 20', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 19', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 18', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 17', 2017 Mixed Media, Representational.
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 15', 2017 Mixed Media, Representational.
Representational - Mixed Media
200 x 200 inches (508.0 x 508.0 cm)
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Andrew Campbell: 'andrewcampbell prototypes 14', 2017 Mixed Media, Representational.
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 13', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 12', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 11', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Andrew Campbell: 'andrewcampbell prototypes 10', 2017 Mixed Media, Representational. Andrew Campbell British ArtistStudio Prototypes Visual Bites 01- 20Andrew Campbell 2018Artist Ref
Representational - Mixed Media
200 x 200 cm (78.7 x 78.7 inches)
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Susan Baquie: 'a rose is a rose', 2010 Mixed Media, Beauty. These small paintings of roses are acrylic paint, string, pvc and fillers on canvas on 2 stretchers, each 20 x 20 cms. ...
Beauty - Mixed Media
20 x 20 cm (7.9 x 7.9 inches)
Susan Baquie: 'blue twins', 2010 Mixed Media, Mythology. As part of a Fine art doctoral study about twins and Janus, Blue Twins is of gouache and ink on Fabriano paper. ...
, 2010
Mythology - Mixed Media
34.3 x 36.3 cm (13.5 x 14.3 inches)
Susan Baquie: 'beginnings', 2010 Mixed Media, Body. A depiction of cellular birth beginnings in ink, gouache on Fabriano paper. Framed and under glass...
, 2010
Body - Mixed Media
34.3 x 36.3 cm (13.5 x 14.3 inches)
Paul Carroll: 'on the verge', 2006 Mixed Media, Abstract.
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Paul Carroll: 'sisyphus', 2010 Mixed Media, Abstract.
, 2010
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Paul Carroll: 'first cause', 2005 Mixed Media, Abstract.
Abstract - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Paul Carroll: 'untitled', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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Paul Carroll: 'untitled', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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David Mihaly: 'Chewbacca', 2016 Mixed Media, Movies. Laugh it up, Fuzzball...
, 2016
Movies - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Nadhan Ns: 'the three', 2005 Mixed Media, Abstract.
, 2005
Abstract - Mixed Media
14 x 16 inches (35.6 x 40.6 cm)
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Jack Hill: 'pinocchio stigmata', 2017 Mixed Media, Political. wood, found objects, cast resin, epoxy, string...
Political - Mixed Media
13 x 28 inches (33.0 x 71.1 cm)
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Jack Hill: 'just do it', 2017 Mixed Media, Humor. edition of 5...
, 2017
Humor - Mixed Media
15 x 44 inches (38.1 x 111.8 cm)
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Jack Hill: 'abacus for aleppo', 2017 Mixed Media, Political. edition of 3...
Political - Mixed Media
14 x 23 inches (35.6 x 58.4 cm)
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Sepideh Majd: 'pages', 2017 Mixed Media, Abstract. Mix media, collage Acrylic, charcoal on canvas...
, 2017
Abstract - Mixed Media
36 x 30 inches (91.4 x 76.2 cm)
Sedighe Mahdavi: 'flight', 2017 Mixed Media, Abstract.
, 2017
Abstract - Mixed Media
51 x 52 cm (20.1 x 20.5 inches)
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Maria Klimek: '186', 2017 Mixed Media, Abstract. mixed media on canvas, painting mixed media, abstract, conceptual, intellectual, contemporary, current, modern, present, me...
, 2017
Abstract - Mixed Media
70 x 70 cm (27.6 x 27.6 inches)
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Maria Klimek: '344', 2017 Mixed Media, Abstract. mixed media on canvas, painting mixed media, abstract, conceptual, intellectual, contemporary, current, modern, present, me...
, 2017
Abstract - Mixed Media
30 x 30 cm (11.8 x 11.8 inches)
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Maria Klimek: '343', 2017 Mixed Media, Abstract. mixed media on canvas, painting mixed media, abstract, conceptual, intellectual, contemporary, current, modern, present, me...
, 2017
Abstract - Mixed Media
30 x 30 cm (11.8 x 11.8 inches)
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(Page 13 of 240) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Abby Jones - As an artist I am fascinated with the basic scientific principle that energy is neither created nor destroyed. Energy changes form from potential energy to kinetic energy and back. I explore the threshold of change; when potential energy becomes kinetic energy. That energy exists in the creative process of art making as well as life. That tension that makes us hold our breaths in anticipation and the release into eventual movement is the potential and kinetic energy we encounter in everyday life. My works strive to capture these forms of energy that exist in all of us. I use multi-media including mirror, wood, metal, stained glass, and paper on top of silky oils to achieve a sense of texture and contrast that creates tension. I also use shapes, lines, and color vigorously applied to achieve a sense of movement and fluidity. If the potential energy of my idea can move someone to feel an emotion then that is the kinetic energy of life derived from art. If a work can convey that sense of energy to the observer then the piece has done its job. ...

    Thor-Leif Strindberg - During the last years, I have moved more and more towards the abstract art. When searching for new roads in a strange territory, you always make new discoveries, and I have found a mode of expression that enables me to tell the observer a lot more than by depicting nature and the human form. A distinct, detailed subject can easily become an obstacle to communication by prevailing in the eyes of the beholder. In my abstract paintings I can transform thoughts and impressions directly into colors and shades, textures and brush strokes, like grooves on an old record. Neither do the paintings carry any titles, since I believe that this might limit the experience, because the beholder would consciously or unconsciously look for definite, well known shapes in the picture. So when something is depicted in my paintings, it is always something very simple. Like bowls. And cups. And plates. Plain and ordinary things that we all recognize - things that can easily give up their natural roles as utility goods and turn into picture elements with a new purpose and function as carriers and conveyors of memories, dreams, feelings. People often ask me about the texts in my paintings. The ...

    Susan Baquie - My art work varies in style as it is the result of experience and observation, as well as formal studies. From a type of surrealism to expressionism, sometimes more realistic and at others abstract in conception, many of my pictures reveal a psychological awareness, at times a depiction of trauma, and at others, the joys of colour, pattern, design and the flow of paint or ink across canvas or paper. Painting is like life itself, a constant mirroring of energy, a dynamic pouring of the soul onto two dimensions. It can be caring or selfish, it can be political, humanistic and even cruel. It is a way of life and as with poets and writers, often a happy work and often hard. It is wonderful to be able to show work on the Internet in this way. ...

    Paul Carroll - In the act of observing , an object, figure, the idea is understood, by my perspective, a place in time, and interpretation, an interactive relationship between myself and that which is observed. I have always felt, upon the rendering through painting a kind of intimacy is developed, though the act of mind, hand, heart. As a painter I explore the risk of materials and ideas, as well as the autonomy the work itself demands, in order to explore the unfamiliar, in the hopes of creating something new. My inspiration comes from my environment and experience, I grew up and studied in the epicentre of chance, New York City, saturated with urban messaging, a landscape awash in pre-digital billboards built with layers upon layers of peeling information no longer conveying a single message but a visual distortion of fact, a decomposing testament to a rate of change not comprehensible by the average passerby. Though the means of the Abstract I attempt to make the unconscious, conscious by the use of allegory and symbolism to bridge the gap between the intellectual, thought filled real world, and the intuitive, spiritual world of the senses, in the hopes of imbuing the richness of a ...

    David Mihaly - The first series here represents notable historical and pop culture figures, many with Ohio roots, presented in a contemporary style. Each portrait can be seen as a celebration of the individual depicted as well as a meditation on the difference between the bygone era of actual achievement in the arts versus todays culture of instant celebrity. Also included here is a series of textured jazz musician portraits. Each musician painting was made using a layered acrylic technique, evoking the smoky atmosphere of the clubs where the music was born....

    Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

    Sepideh Majd - New Series: 2005 Pendulum, gravity and the unknown... a work in progress. Series: 2004 Urban Decay- series: 2003 Random Thoughts.. This is to express, the random acts that have been taking place around us, the uncertain future, the chaos that the world is in. Paintings combine words and images that are sometimes hard to comprehend in a coherent manner.Words not heard, feelings discarded and faces remain in shadows. Composition, color and the unconscious mind are key components of my work. I use all these elements to convey my perception of the relationship between myself and my surroundings. The biggest challenge I encounter when working is to successfully bring to life what I see and feel with my mind's eye. This challenge leads me on a journey towards an infinite process of learning and experimenting with different types of medium and subject matter. I choose my medium according to its success in conveying my vision. Through this process of learning and experimenting, I try to keep my work honest and fresh. ...

    Maria Klimek - My painting is an emotional mirror of my person which animates my plastic works. My art is a trigger of sensations and feelings that are intended to propose s universal language. In my creation I look for the harmony. Led by the graphics and colours, joy and freshness, I opt for geometrical forms. In my work, I am looking for a simple and well-balanced aesthetics allowing each of them to escape through a uniqueness and originality. The diverse materials, resin, papers, mats, the brightest, overlays, colours, tears are elements which, as strokes make exaggerated sign of my painting. I use a small palette of colours and besides paintings of buildings, products of the pharmaceutical industry, varnishes, lacures, inks and colours based on water. With all this I get some surprising encounters which facilitate the hatching of a work In other words, my research will be fruitful if the final receiver of my works is your glance....