Mixed Media Art

Page 21 of 240
Michael Irrizarypagan, Janice Young, Randall Fox, E. Tilly Strauss, Charles Rajkovic, Jim Mroczkowski, Karina Antonczak, Corinne Medina-saludo, Jorge Arcos, Leyla Munteanu, Jeff Sass, Roberta Masciarelli offering original Mixed Media artworks.


Contemporary Art / Mixed Media / Previous / Next
Janice Young: 'On Watch', 2014 Mixed Media, Ecological.         Log cross section, drift wood, porcelain, stain, oil paint, and finish                              ...
, 2014
Ecological - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
Randall Fox: 'BLOCK CHAIN', 2013 Mixed Media, Visionary.  Oil on Canvas, Alum memory Disc, titanium, silver, 8 GB Flash Drive, Carbon motor brush.  ...
Visionary - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
E. Tilly Strauss: 'World on back of Turtle', 2013 Mixed Media, Surrealism.   turtle, mythology, myth, world, earth, celestial, story, surrealism   ...
Surrealism - Mixed Media
9 x 9 inches (22.9 x 22.9 cm)
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Charles Rajkovic: '2014 077', 2014 Mixed Media, Ecological. Painted on 100% rag paper, ground with gesso....
, 2014
Ecological - Mixed Media
35 x 28 cm (13.8 x 11.0 inches)
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Charles Rajkovic: '2014 085', 2014 Mixed Media, Expressionism. Painted on 100% rag paper, ground with gess0.  ...
, 2014
Expressionism - Mixed Media
35 x 28 cm (13.8 x 11.0 inches)
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Charles Rajkovic: '2014 082', 2014 Mixed Media, Surrealism. Painted on 100% rag paper, ground with gesso....
, 2014
Surrealism - Mixed Media
35 x 28 cm (13.8 x 11.0 inches)
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Charles Rajkovic: '2014 028', 2014 Mixed Media, Abstract Figurative. Painted on 100% rag paper, ground with gesso.  ...
, 2014
Abstract Figurative - Mixed Media
35 x 28 cm (13.8 x 11.0 inches)
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Charles Rajkovic: '2014 016', 2014 Mixed Media, Surrealism. Painted on 100% rag paper, ground with gesso....
, 2014
Surrealism - Mixed Media
35 x 28 cm (13.8 x 11.0 inches)
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Charles Rajkovic: '2013 025', 2013 Mixed Media, Abstract Landscape.  Painted on 620gms 100% rag paper, ground with gesso ...
, 2013
Abstract Landscape - Mixed Media
114 x 76 cm (44.9 x 29.9 inches)
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Charles Rajkovic: '2013 014', 2013 Mixed Media, Landscape. Painted on 620gms 100% rag paper, ground with gesso  ...
, 2013
Landscape - Mixed Media
57 x 76 cm (22.4 x 29.9 inches)
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Charles Rajkovic: '2013 013', 2013 Mixed Media, Landscape. Painted on 620gms 100% rag paper  ...
, 2013
Landscape - Mixed Media
114 x 76 cm (44.9 x 29.9 inches)
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Jim Mroczkowski: 'between exhuberant enthusiasm and egotistical self assertion', 2014 Mixed Media, undecided.
undecided - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
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Jim Mroczkowski: 'the importance can be measured by comparing', 2014 Mixed Media, undecided.
undecided - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Jim Mroczkowski: 'there is a chasm between truth and deceit', 2012 Mixed Media, undecided.
undecided - Mixed Media
36 x 48 inches (91.4 x 121.9 cm)
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Jim Mroczkowski: 'bold intentions require a mastery of arrogance', 2012 Mixed Media, undecided.
undecided - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
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Karina Antonczak: 'Lord of the world', 2014 Mixed Media, Abstract.  kariko ono, karina antonczak, mixed media, string, art ...
Abstract - Mixed Media
80 x 120 cm (31.5 x 47.2 inches)
Jim Mroczkowski: 'you know it all until you dont', 2012 Mixed Media, undecided.
undecided - Mixed Media
30 x 24 inches (76.2 x 61.0 cm)
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Corinne Medina-saludo: 'Noisy wings of angels', 2013 Mixed Media, Archetypal.  angels, spirituality, angel picture, mixed media, ...
Archetypal - Mixed Media
30 x 40 cm (11.8 x 15.7 inches)
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Jorge Arcos: 'Within the trench', 2014 Mixed Media, Abstract.        An abstract expressionist mixed media painting on canvas.  ...
Abstract - Mixed Media
21 x 27 inches (53.3 x 68.6 cm)
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Jorge Arcos: 'Rebellion for freedom', 2014 Mixed Media, Abstract.     An abstract expressionist mixed media painting on canvas.  ...
Abstract - Mixed Media
21 x 27 inches (53.3 x 68.6 cm)
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Randall Fox: 'ENTARTETE KUNST', 2014 Mixed Media, Zeitgeist. THIS WORK WAS STARTEDIN 2013. Title:
Zeitgeist - Mixed Media
21 x 25 inches (53.3 x 63.5 cm)
Randall Fox: ' PERSISTENCE OF SACRED MEMORY FILED', 2006 Mixed Media, Culture.
Culture - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
Leyla Munteanu: 'Two red pins', 2013 Mixed Media, Abstract.     abstract, mixedmedia, . acrylic, yarn, large, strips, canvas, streched    ...
Abstract - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Jeff Sass: 'Pay Phone ', 2014 Mixed Media, Popular Culture.    A painting composed of multiple silver gelatin photographs.   ...
, 2014
Popular Culture - Mixed Media
8 x 24 inches (20.3 x 61.0 cm)
Roberta Masciarelli: 'The Wedding', 2013 Mixed Media, Figurative.  Mixed media, assemblage. Made 75% with found objects More views & info:
Figurative - Mixed Media
15.5 x 12.5 inches (39.4 x 31.8 cm)
Jeff Sass: '2 Speeders', 2014 Mixed Media, Popular Culture.   A painting composed of multiple silver gelatin photographs.  ...
, 2014
Popular Culture - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
Roberta Masciarelli: 'The Circus is coming', 2013 Mixed Media, Figurative.   Acrylics paintings on wood assembled withhardware. Made 70% with found objects More views & info:
Figurative - Mixed Media
30 x 11 inches (76.2 x 27.9 cm)
Jeff Sass: 'Typewriters', 2014 Mixed Media, Popular Culture.  A painting composed of multiple silver gelatin photographs. ...
Popular Culture - Mixed Media
30 x 12 inches (76.2 x 30.5 cm)
Roberta Masciarelli: 'Metropolis', 2013 Mixed Media, Abstract Figurative.  Mixed media: created with 80% of found objects plus hardware assemblageMore views & info:
, 2013
Abstract Figurative - Mixed Media
15 x 24 inches (38.1 x 61.0 cm)
Randall Fox: 'ERASED MEMORY OF 72 YOUNG BRITISH ARTISTS', 2014 Mixed Media, Zeitgeist.  DAMIAN FORMALDEHYDE THIS! : - )  ...
Zeitgeist - Mixed Media
12 x 16 inches (30.5 x 40.6 cm)
(Page 21 of 240) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Janice Young - I work in multiple mediums. When I get an idea, I think, how can I express this visually. Sometimes the medium is the inspiration. I reuse materials from demolition, use leftovers from construction, gather raw materials from nature, and experiment with commercially produced materials. I have a drive to create. I would like what I create to provoke thought as to the beauty and importance of all life and the effect our massive appetites have on that life. ...

    Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...

    E. Tilly Strauss - I have been painting chickens for the last 20 years- beginning with the advertizing of our family's poultry farm business thru the eventual move of my studio into the defunct slaughterhouse. Somehow chickens fall easily from my brush, leaving painstaking impressions of my psyche and chronicling retrospective concerns of my community- such as the source of food, the use of land, the clarity of love, the isolation of individuals. With the inclusion of text from headlines to personal lists, stories emerge and dissolve through the process of the painting. Layering in the push and pull of darks and lights, the paintings gel into a narratives of our anxious era, a larger tale of the moods of soul and season. Because of the space and time I am afforded to work, much of my painting up to this has been intimate in dimension. I would like to enlarge the images to a much more confrontational scale. I recently moved out of the poultry slaughterhouse (because of ventilation needs) into a much larger barn. My goal is to further push the images so that they reflect the chicken as legend in our cultural mythology and account for my current truths. ...

    Jim Mroczkowski - MY WORK AND ITS MEANING Typically, when it comes to reading an artist's statement or a curator's remarks on an artist which is related to an exhibition in a gallery setting, the general public sometimes discovers that the accompanying statement is filled with artspeak, an obscure language that confounds people more than it clarifies how to understand the work behind the artist's intentions. Such statements are often laden with historically antecedent references, obscure and foreign philosophical posturing (preferably 19th century French or German), fuliginous wording, and tenebrous and obfuscating expression (the terms Zeitgeist, transcendent, and dialogic are used a lot) and loaded with excessively verbose ideas in order to sound cerebrally profound. (This last sentence is a perfect example of "artspeak"). In truth, it's all just convoluted fluff! I prefer to keep it much simpler. My mixed media drawings and paintings result from interpreting randomly selected pieces of text torn from old, discarded books. Many years ago I acquired a large number of used, hard-covered books for a special art project. Afterwards, I began using these books and their words as a source of inspiration for my drawings and paintings. I still do. The following...

    Corinne Medina-Saludo - Corinne Medina-Saludo: Creating a Figurative Kinestesic Art The basis of the art of this french contemporary painteri?1/2s research is the " body-mind", or better said, "body lenguage": the painter using her inside physical and emotionnal feelings, as a medium, and also, intention of her art. In her painting act, a mental representation of the body is, at least, coming into the canvas, as a plastic element of of "painted sintaxis" She is a member of Taylor's Fundation of Paris, since 2006, and represented by Drouot-Cotation since 2000. She recently exhibited some featured works, as "Resurrection" in the Miami Museum of the Americas", ( 2010 july, International ART Exhibition). ...

    Jorge Arcos - "My art is an expression overflowing, of how I perceive the world. The pallet is usually colorful and with uncontrollable ways, that are merged into an incontrollable world of organic forms. Thanks to my Hispanic heritage, coming from a fully cultural rooted country, my work shows lively and energetic, strong and obsessive. Looking at a world, that it is full of nuances and changes, my focus comes from inner feeling about life. Trough a journey of learning path, my work conveys self-discovery and evolution, communicating to the viewer, my personal viewing and perception of the world around me; quieting mind, and carrying my ideals trough colors and shapes, eluding conformity and traditionalism". "I am an artist because I was born to be one. I couldn't live if I wasn't one. I am alive because I paint. It feeds my soul. My motive to paint is to live and to express every moment of my life and the simple fact of being alive". ...

    Leyla Munteanu - ARTIST'S STATEMENT Leyla Munteanu I have always felt a special connection with textural surfaces and the human figure. The beauty and strength in human features was a preferred subject in my work. Now I am focusing on the nostalgic. My love for the human figure has evolved into an interest in what they leave behind. Human marks left on objects and surfaces over time become more important than representation of the people who made the marks. I find my inspiration in immediate surroundings, and I hope that my work will lead the viewer to see the beauty that I see. First impressions are everything. Most often my depictions of those experiences are simply my way of saying "you should see what I saw!" Each piece has special meaning to me, which will not necessarily be the same meaning the viewer may attach to it. Art tells us something about ourselves and my work is the world as I see it, a world that brings back memories. I grew up in Bucharest Romania, a town marked by a long history; every place was worn by time or human nature. I'm still amazed by my memories of these places. All ...

    Jeff Sass - The past shapes my view of the present. I find my images in iconic things of yesterday and try to re-imagine them for a contemporary audience. As an artist that uses photography as a primary means of expression, I believe that the historical processes are even more significant to contemporary art than they were years ago. Today they are aesthetic choices, the means to an end. I use historic processes and combine them with modern techniques to create compelling images that make a statement about our culture. I want my current work to redefine what is considered a photographic image and how the viewer engages with a photograph. ...

    Roberta Masciarelli - My art is about spaces that I sense, places that I like to travel to in my imagination. These spaces stay hovering in my mind until they take shape, piece by piece. They have to become real. Sometimes it take days, and sometimes months -- it doesn't matter. What matters is my task to make them concrete and to be shared with the viewer - other eyes and minds which will bring different interpretations. After all, it is always in the eyes of the beholder. ...